Description

Book Synopsis
Bernard Herrmann is a music composer who in over 40 scores enriched the work of directors like Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. He scored for "Fahrenheit 451", "The Day the Earth Stood Still", and "Psycho". This title is his biography exploring the inter-relationships between his music and his personal life.

Trade Review
"An exceptional work. I stand in awe of anyone who can piece together the puzzle of a man's life so fully, especially a man as odd and contradictory as Herrmann. A brilliant job."-Leonard Maltin; "Bernard Herrmann was a master of psychology. His incredibly innovative music 'inhabited' the film it was in, creating moods that stayed with the audience long after the film was over."-Esa-Pekka Salonen, Music Director, Los Angeles Philharmonic

Table of Contents
Preface to the 2002 Edition
Acknowledgments
Prelude

PART ONE: NEW YORK, 1911-1951

PART TWO: HOLLYWOOD, 1951-1971

PART THREE: LONDON, 1971-1975

Postlude
Appendix:
The Music of Bernard Herrmann
Notes
Selected Bibliography
Index
Photographs

A Heart at Fires Center

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    Order before 4pm tomorrow for delivery by Sat 8 Aug 2026.

    A Paperback / softback by Steven C. Smith

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      Publisher: University of California Press
      Publication Date: Publication Date: 31/05/2002
      ISBN13: 9780520229396, 978-0520229396
      ISBN10: 0520229398

      Description

      Book Synopsis
      Bernard Herrmann is a music composer who in over 40 scores enriched the work of directors like Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. He scored for "Fahrenheit 451", "The Day the Earth Stood Still", and "Psycho". This title is his biography exploring the inter-relationships between his music and his personal life.

      Trade Review
      "An exceptional work. I stand in awe of anyone who can piece together the puzzle of a man's life so fully, especially a man as odd and contradictory as Herrmann. A brilliant job."-Leonard Maltin; "Bernard Herrmann was a master of psychology. His incredibly innovative music 'inhabited' the film it was in, creating moods that stayed with the audience long after the film was over."-Esa-Pekka Salonen, Music Director, Los Angeles Philharmonic

      Table of Contents
      Preface to the 2002 Edition
      Acknowledgments
      Prelude

      PART ONE: NEW YORK, 1911-1951

      PART TWO: HOLLYWOOD, 1951-1971

      PART THREE: LONDON, 1971-1975

      Postlude
      Appendix:
      The Music of Bernard Herrmann
      Notes
      Selected Bibliography
      Index
      Photographs

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