Description

Book Synopsis
Uses the writings of 16th and 17th century women to construct a feminist perspective on drama by Shakespeare, Marlowe, Jonson, Middleton, Ford, and their contemporaries. This book includes plays such as: Doctor Faustus, Measure for Measure, The Spanish Tragedy, The Revenger's Tragedy and The Maid's Tragedy.

Trade Review
"In this valuable book Alison Findlay attempts to develop historically grounded feminist responses to a wide variety of Renaissance plays . . . Findlay writes with admirable clarity and concision, offering interpretations that are informed but never obscured by contemporary - especially Lacanian - critical theory. This is a good book, worth reading and debating." Early Modern Literary Studies.

"All the essays are new, and together they illuminate a wide range of issues across a reasonable spread of plays. The book offers a range of thoughtful and stimulating approaches to gender on the Renaissance stage." The Yearbook of English Studies



Table of Contents
Acknowledgements.

Introduction.

1.'Heavenly matters of theology'.

2. Revenge Tragedy.

3. 'I please my self': Female Self-fashioning.

4. Household Tragedies.

5. Queens and Subjects.

Index.

A Feminist Perspective on Renaissance Drama

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    A Paperback / softback by Alison Findlay

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      View other formats and editions of A Feminist Perspective on Renaissance Drama by Alison Findlay

      Publisher: John Wiley and Sons Ltd
      Publication Date: 12/12/1998
      ISBN13: 9780631205098, 978-0631205098
      ISBN10: 0631205098

      Description

      Book Synopsis
      Uses the writings of 16th and 17th century women to construct a feminist perspective on drama by Shakespeare, Marlowe, Jonson, Middleton, Ford, and their contemporaries. This book includes plays such as: Doctor Faustus, Measure for Measure, The Spanish Tragedy, The Revenger's Tragedy and The Maid's Tragedy.

      Trade Review
      "In this valuable book Alison Findlay attempts to develop historically grounded feminist responses to a wide variety of Renaissance plays . . . Findlay writes with admirable clarity and concision, offering interpretations that are informed but never obscured by contemporary - especially Lacanian - critical theory. This is a good book, worth reading and debating." Early Modern Literary Studies.

      "All the essays are new, and together they illuminate a wide range of issues across a reasonable spread of plays. The book offers a range of thoughtful and stimulating approaches to gender on the Renaissance stage." The Yearbook of English Studies



      Table of Contents
      Acknowledgements.

      Introduction.

      1.'Heavenly matters of theology'.

      2. Revenge Tragedy.

      3. 'I please my self': Female Self-fashioning.

      4. Household Tragedies.

      5. Queens and Subjects.

      Index.

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