Description

Book Synopsis
Drawing on Whitman and Adorno, Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference society constructs as its racialized, gendered, Semitic, and sexualized other.

Trade Review
“In a political climate marked by right-wing celebrations of misogyny, xenophobia, oligarchy, racism, militarism, and extractive capitalism, you might be skeptical of a book about ‘the reconciliation image.’ But Morton Schoolman, in a startling and effective admixture of Whitman's democratic ethos, Adorno's defense of a specifically aesthetic kind of critical reason, and contemporary films, contends that now is the time for new thinking about ‘reconciliation.’ This is an original, creative, provocative, rewarding, and timely book.” -- Jane Bennett, author of * Influx and Efflux: Writing Up with Walt Whitman *
“Morton Schoolman is an accomplished, erudite, and wonderfully playful reader of both Whitman and Adorno. His insightful account of a ‘democratic enlightenment’ through encounters with images opens spaces for politics that we wouldn’t otherwise see. I didn’t want to put this provocative book down!” -- Lori Jo Marso, author of * Politics with Beauvoir: Freedom in the Encounter *

Table of Contents
Acknowledgments ix
Introduction: Past as Prologue 1
Part I. The Reconciliation Image in Whitman
1. Democratic Vistas: Democratic Enlightenment and Reconciliation 47
2. Whitman's Discovery: Aesthetic Education through the Visual Image 79
First Bridge. Thinking with Adorno against Adorno 119
Part II. The Reconciliation Image in Adorno
3. Aesthetic Reason and Reflexivity, Twin Economies and Democratic Effects 145
4. Aesthetic Analogues: Art and Film 166
Second Bridge: The Reconciliation Image versus the Narrative Structure of Film 199
Part III. The Reconciliation Image in Film
5. The Help: Entangled in a Becoming 231
6. Gentlemen's Agreement: Beyond Tolerance 249
7. The Reconciliation Image in Film as Universal Art Form 273
Notes 281
Bibliography 301
Index 309

A Democratic Enlightenment

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    A Hardback by Morton Schoolman

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      Publisher: Duke University Press
      Publication Date: Publication Date: 15/05/2020
      ISBN13: 9781478007654, 978-1478007654
      ISBN10: 1478007656
      Also in:
      Media studies

      Description

      Book Synopsis
      Drawing on Whitman and Adorno, Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference society constructs as its racialized, gendered, Semitic, and sexualized other.

      Trade Review
      “In a political climate marked by right-wing celebrations of misogyny, xenophobia, oligarchy, racism, militarism, and extractive capitalism, you might be skeptical of a book about ‘the reconciliation image.’ But Morton Schoolman, in a startling and effective admixture of Whitman's democratic ethos, Adorno's defense of a specifically aesthetic kind of critical reason, and contemporary films, contends that now is the time for new thinking about ‘reconciliation.’ This is an original, creative, provocative, rewarding, and timely book.” -- Jane Bennett, author of * Influx and Efflux: Writing Up with Walt Whitman *
      “Morton Schoolman is an accomplished, erudite, and wonderfully playful reader of both Whitman and Adorno. His insightful account of a ‘democratic enlightenment’ through encounters with images opens spaces for politics that we wouldn’t otherwise see. I didn’t want to put this provocative book down!” -- Lori Jo Marso, author of * Politics with Beauvoir: Freedom in the Encounter *

      Table of Contents
      Acknowledgments ix
      Introduction: Past as Prologue 1
      Part I. The Reconciliation Image in Whitman
      1. Democratic Vistas: Democratic Enlightenment and Reconciliation 47
      2. Whitman's Discovery: Aesthetic Education through the Visual Image 79
      First Bridge. Thinking with Adorno against Adorno 119
      Part II. The Reconciliation Image in Adorno
      3. Aesthetic Reason and Reflexivity, Twin Economies and Democratic Effects 145
      4. Aesthetic Analogues: Art and Film 166
      Second Bridge: The Reconciliation Image versus the Narrative Structure of Film 199
      Part III. The Reconciliation Image in Film
      5. The Help: Entangled in a Becoming 231
      6. Gentlemen's Agreement: Beyond Tolerance 249
      7. The Reconciliation Image in Film as Universal Art Form 273
      Notes 281
      Bibliography 301
      Index 309

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