Description

Book Synopsis
Philosophically addressing three fundamental aspects of the Kamëntšá, an indigenous culture located in the Southwest of Colombia, this book is an investigation of how a native culture creates meaning. Time, beauty and spirit are key philosophical experiences within the Kamëntšá Culture which should be interpreted both as constituting and as constituted symbols because of their historicity and actuality and their potential power of transformation. The book addresses these living symbols that take hold of the past but whose significance goes beyond their antiquity through the traditions of storytelling and dance, ritual, healing and ceremony as well as the fraught political histories of colonialism and the ownership of the land.

The author, raised within Kamëntšá Culture, weaves personal experience with philosophical insights and significance of the Kamentsa culture, presented through its own frameworks and narratives. The philosophical dimensions of Kamentsa culture are articulated and contextualized within a legacy of colonial domination by long-term Spanish and Catholic rule that enacts the necessary separation of Kamentsa ideas from their representations through Catholic hermeneutic approaches. However, the book also embraces intercultural philosophical engagement, as the methodological approach is formed partly through some modern and contemporary Western thinkers as well as indigenous writers and figures like Carlos Tamabioy and N. Scott Momaday.

Table of Contents
Introduction

  1. Generalities of Kamëntšá Culture
  2. A Philosophical Approach to Kamëntšá Culture

Chapter 1 – Time in Kamëntšá Culture

  1. Two Conceptions of Time
  2. Time as History
    1. Sibundoy at the Time of the Early Spanish Conquistadors
    2. Carlos Tamabioy’s Legacy in Land Ownership
    3. Capuchin Missionaries and the Division of Land in the Sibundoy Valley
  1. Time as Primary Experience
    1. Storytelling as Constituted Symbol
    2. Scholarship on Storytelling as Constituted Symbol
    3. Storytelling as Constituting Symbol
  1. Conclusion

Chapter 2 – Beauty in Kamëntšá Culture

  1. Bëtskanté as Constituted Symbol
  2. From Bëtsknaté to Clestrinӱë
  3. Bëtsknaté as a Constituting Symbol: An Experience of Dancing
  4. The Philosophical Significance of Kamëntšá Dancing
  5. Conclusion

Chapter 3 – Spirit in Kamëntšá Culture

  1. Native Doctors and Rituals of Healing: The Constituted Nature of Rituals
  2. Scholarly Descriptions of Yajé
  3. Yajé ceremonies in Sibundoy: The Constituting Aspects of Yajé
  4. Conclusion

Conclusion
Bibliography

A Decolonial Philosophy of Indigenous Colombia:

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    A Hardback by Juan Alejandro Chindoy Chindoy

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      View other formats and editions of A Decolonial Philosophy of Indigenous Colombia: by Juan Alejandro Chindoy Chindoy

      Publisher: Rowman & Littlefield International
      Publication Date: Publication Date: 29/09/2020
      ISBN13: 9781786616296, 978-1786616296
      ISBN10: 1786616297

      Description

      Book Synopsis
      Philosophically addressing three fundamental aspects of the Kamëntšá, an indigenous culture located in the Southwest of Colombia, this book is an investigation of how a native culture creates meaning. Time, beauty and spirit are key philosophical experiences within the Kamëntšá Culture which should be interpreted both as constituting and as constituted symbols because of their historicity and actuality and their potential power of transformation. The book addresses these living symbols that take hold of the past but whose significance goes beyond their antiquity through the traditions of storytelling and dance, ritual, healing and ceremony as well as the fraught political histories of colonialism and the ownership of the land.

      The author, raised within Kamëntšá Culture, weaves personal experience with philosophical insights and significance of the Kamentsa culture, presented through its own frameworks and narratives. The philosophical dimensions of Kamentsa culture are articulated and contextualized within a legacy of colonial domination by long-term Spanish and Catholic rule that enacts the necessary separation of Kamentsa ideas from their representations through Catholic hermeneutic approaches. However, the book also embraces intercultural philosophical engagement, as the methodological approach is formed partly through some modern and contemporary Western thinkers as well as indigenous writers and figures like Carlos Tamabioy and N. Scott Momaday.

      Table of Contents
      Introduction

      1. Generalities of Kamëntšá Culture
      2. A Philosophical Approach to Kamëntšá Culture

      Chapter 1 – Time in Kamëntšá Culture

      1. Two Conceptions of Time
      2. Time as History
        1. Sibundoy at the Time of the Early Spanish Conquistadors
        2. Carlos Tamabioy’s Legacy in Land Ownership
        3. Capuchin Missionaries and the Division of Land in the Sibundoy Valley
      1. Time as Primary Experience
        1. Storytelling as Constituted Symbol
        2. Scholarship on Storytelling as Constituted Symbol
        3. Storytelling as Constituting Symbol
      1. Conclusion

      Chapter 2 – Beauty in Kamëntšá Culture

      1. Bëtskanté as Constituted Symbol
      2. From Bëtsknaté to Clestrinӱë
      3. Bëtsknaté as a Constituting Symbol: An Experience of Dancing
      4. The Philosophical Significance of Kamëntšá Dancing
      5. Conclusion

      Chapter 3 – Spirit in Kamëntšá Culture

      1. Native Doctors and Rituals of Healing: The Constituted Nature of Rituals
      2. Scholarly Descriptions of Yajé
      3. Yajé ceremonies in Sibundoy: The Constituting Aspects of Yajé
      4. Conclusion

      Conclusion
      Bibliography

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