Description
Book SynopsisArgues that the imperial Inka understood stone as potentially animate, sentient, and sacred; building in stone was a way of ordering unordered nature, domesticating untamed spaces, and claiming new territories.
Trade Review“Art historian Dean has provided perhaps the best interpretation of how the
Inkas saw their environment, particularly their lithic one, and how this motivated their actions. . . . Her judicious use of historical documents, combined with thoughtful and critical analysis of contemporary Andean concepts that appear rooted in their pre-Hispanic ancestry, provides a new and refreshing perspective for understanding the Inkas’ culture of stone.” - Michael Malpass,
Comparative Studies in Society and History“A Culture of Stone is beautifully written. . . . As a study of ancient rocks, their material texture, location and relationship to other features in the landscape, as well as their social agency during Inka times,
A Culture of Stone is a welcome intervention and will be of interest to students of material worlds, anthropologists, archaeologists, as well as scholars of Peru and Latin America.” - Haidy L Geismar,
Material Worlds blog
“As a study of the rocks themselves, their material texture, location and relationship to other features in the landscape, as well as their social agency,
A Culture of Stone is a welcome intervention in art history, and will also be of interest to anthropologists, archaeologists, and scholars of Peru and Latin America.” - Sandra Rozental,
Journal of Latin American and Caribbean Anthropology“In her exquisitely researched, articulate, and annotated book, Carolyn Dean explores the Inka love affair with stone and demonstrates the near-universal role played by the material in Inka cultural and spiritual life. . . . Dean has made a strong contribution to the field of Andean studies, one well presented and worth reading.” - Vincent R. Lee,
American Historical Review“[Dean’s] book has implications far beyond its locus in Latin America. ... [I]t represents an intervention into current debates about world art history. Dean suggests a way in which the interpretation of human interactions with nature that in the European tradition are called art and architecture may be imaginatively reconstructed with terms and concepts that are not Eurocentric.” - Thomas DeCosta Kaufmann,
CAA Reviews“By addressing both well-known and understudied objects, Carolyn Dean offers sophisticated new insights into Inka practices. Moreover, while advancing scholarship on the colonial Andes, she tackles issues relating to the interpretation of non-Western art and its reception, contributing to debates on material objects and the built environment in a wide range of fields.”—
Dana Leibsohn, Smith College
“Gold, silver, and weaving are the riches most often associated with the Inka, but as Carolyn Dean’s scholarly study demonstrates, their greatest investment of thought and time was in stone. Moving between descriptions of the magnificent walls of Inka imperial buildings and worked stones
in situ, Dean links them as related parts of Inka visual expression, which is hard to comprehend and not easily recognized. But, as Dean stresses, there is an intimate relationship between Andeans and stone that is at the heart of the greatest empire of Ancient America.”—
Thomas B. F. Cummins, Harvard University
“The sixteenth-century Spanish priest Cristóbal de Albornoz noted that over half of the sacred things in the Inka capital of Cuzco were rocks. In her stimulating new book, Carolyn Dean explores this ‘culture of stone,’ examining ways in which rock outcrops and other rock forms were the focus of ritual practice and spiritual belief. Illuminating key aspects of pre-Hispanic understandings of landscape and the built environment, this insightful and thought-provoking study reframes the way we consider the Inka visual world.”—
Joanne Pillsbury, Director of Pre-Columbian Studies, Dumbarton Oaks
“[Dean’s] book has implications far beyond its locus in Latin America. ... [I]t represents an intervention into current debates about world art history. Dean suggests a way in which the interpretation of human interactions with nature that in the European tradition are called art and architecture may be imaginatively reconstructed with terms and concepts that are not Eurocentric.” -- Thomas DeCosta Kaufmann * CAA Reviews *
“Art historian Dean has provided perhaps the best interpretation of how the
Inkas saw their environment, particularly their lithic one, and how this motivated their actions. . . . Her judicious use of historical documents, combined with thoughtful and critical analysis of contemporary Andean concepts that appear rooted in their pre-Hispanic ancestry, provides a new and refreshing perspective for understanding the Inkas’ culture of stone.” -- Michael Malpass * Comparative Studies in Society and History *
“As a study of the rocks themselves, their material texture, location and relationship to other features in the landscape, as well as their social agency,
A Culture of Stone is a welcome intervention in art history, and will also be of interest to anthropologists, archaeologists, and scholars of Peru and Latin America.” -- Sandra Rozental * Journal of Latin American and Caribbean Anthropology *
“A Culture of Stone is beautifully written. . . . As a study of ancient rocks, their material texture, location and relationship to other features in the landscape, as well as their social agency during Inka times,
A Culture of Stone is a welcome intervention and will be of interest to students of material worlds, anthropologists, archaeologists, as well as scholars of Peru and Latin America.” -- Haidy L Geismar * Material Worlds blog *
Table of ContentsList of Illustrations ix
Acknowledgments xiii
Note on Orthography xv
Introduction: Coming to Terms with Inka Rocks 1
1. Rock and Remembrance 25
2. Rock and Reciprocity 65
3. Rock and Rule 103
4. Rock in Ruins 143
Notes 179
Glossary of Quechua Terms 255
Bibliography 257
Index 289
