Description

Book Synopsis

A Critical Companion to Terry Gilliam provides a fresh, up-to-date exploration of the director’s films and artistic practices, ranging from his first film Monty Python and the Holy Grail (1975) up until his recently released and latest film The Man Who Killed Don Quixote (2018). This volume presents Gilliam as a director whose films weave an avant-garde cinematic style, imaginative exaggeration, and social critique together. Consequently, while his films can seem artistically chaotic and can, thus, have the effect of frustrating and upsetting the viewer, the essays in this volume show that this is part of a very disciplined creative plan to achieve the defamiliarization of various accepted notions of human and social life.



Table of Contents

1.Terry Gilliam, The Man Who Killed Don Quixote and Cinephilia

Chris Broodryk

2.Ideology Through the Looking Glass: Terry Gilliam’s Lewis Carroll and the Politics of Comedy in Jabberwocky and Fear and Loathing in Las Vegas

Garreth O’Brien

3.Carnival and the Imaging of Language in Terry Gilliam’s Jabberwocky (1977) and Monty Python and The Holy Grail (1975)

Ian Bekker

4.Subversion of the Cosmos in Time Bandits

David Robinson

5.“‘I Think It Has Something to Do with Free Will’: Time Bandits as Gilliam’s Theodicy”

Kevin J. Wetmore, Jr.

6.“Meet to Eat. The Restaurant as Narrative Setting in Terry Gilliam’s Brazil (1985) and The Fisher King (1991)”

Sabine Planka

7.“A Bittersweet Apocalypse: Averted Endings and Suspended Hope in 12 Monkeys” Andrew Grossman

8.“The Art of Deserts in Fear and Loathing in Las Vegas and The Man Who Killed Don Quixote”

Philip van der Merwe

9.“Between the Forest and Civilization: Liminal Spaces in Terry Gilliam’s The Brothers Grimm (2005)”

Sabine Planka and Philip van der Merwe

10.“Tideland and the Ossification of the Imaginary Faculties”

Jonathan Fruoco

11.“Wonderland and the Wasteland: The Colorfully Dirty Mise en Scene of The Imaginarium of Dr. Parnassus (2009)”

Ivy Roberts

12. “Black Hole: The Zero Theorem and the Pointless Quest,”

Michael Charlton

13.“The Zerø and One Theorem: A Meta/Physics of the Digital,”

Ulrich Meurer

Afterword: Gilliam’s Legacy

Karen Randell

A Critical Companion to Terry Gilliam

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    A Hardback by Sabine Planka, Philip van der Merwe, Ian Bekker

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      Publisher: Lexington Books
      Publication Date: 11/11/2022
      ISBN13: 9781666912258, 978-1666912258
      ISBN10: 1666912255

      Description

      Book Synopsis

      A Critical Companion to Terry Gilliam provides a fresh, up-to-date exploration of the director’s films and artistic practices, ranging from his first film Monty Python and the Holy Grail (1975) up until his recently released and latest film The Man Who Killed Don Quixote (2018). This volume presents Gilliam as a director whose films weave an avant-garde cinematic style, imaginative exaggeration, and social critique together. Consequently, while his films can seem artistically chaotic and can, thus, have the effect of frustrating and upsetting the viewer, the essays in this volume show that this is part of a very disciplined creative plan to achieve the defamiliarization of various accepted notions of human and social life.



      Table of Contents

      1.Terry Gilliam, The Man Who Killed Don Quixote and Cinephilia

      Chris Broodryk

      2.Ideology Through the Looking Glass: Terry Gilliam’s Lewis Carroll and the Politics of Comedy in Jabberwocky and Fear and Loathing in Las Vegas

      Garreth O’Brien

      3.Carnival and the Imaging of Language in Terry Gilliam’s Jabberwocky (1977) and Monty Python and The Holy Grail (1975)

      Ian Bekker

      4.Subversion of the Cosmos in Time Bandits

      David Robinson

      5.“‘I Think It Has Something to Do with Free Will’: Time Bandits as Gilliam’s Theodicy”

      Kevin J. Wetmore, Jr.

      6.“Meet to Eat. The Restaurant as Narrative Setting in Terry Gilliam’s Brazil (1985) and The Fisher King (1991)”

      Sabine Planka

      7.“A Bittersweet Apocalypse: Averted Endings and Suspended Hope in 12 Monkeys” Andrew Grossman

      8.“The Art of Deserts in Fear and Loathing in Las Vegas and The Man Who Killed Don Quixote”

      Philip van der Merwe

      9.“Between the Forest and Civilization: Liminal Spaces in Terry Gilliam’s The Brothers Grimm (2005)”

      Sabine Planka and Philip van der Merwe

      10.“Tideland and the Ossification of the Imaginary Faculties”

      Jonathan Fruoco

      11.“Wonderland and the Wasteland: The Colorfully Dirty Mise en Scene of The Imaginarium of Dr. Parnassus (2009)”

      Ivy Roberts

      12. “Black Hole: The Zero Theorem and the Pointless Quest,”

      Michael Charlton

      13.“The Zerø and One Theorem: A Meta/Physics of the Digital,”

      Ulrich Meurer

      Afterword: Gilliam’s Legacy

      Karen Randell

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