Description

Book Synopsis

This four-volume Companion to Shakespeare''s Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.

  • Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States.
  • Examines each of Shakespeare''s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis.
  • Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems.
  • Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre.
  • Offers a provocative roadmap to Shakespeare studies at the da

    Trade Review
    "Whether for the student wishing for an overview of critical approaches or anxious to fill in the gaps in his Shakespearean culture, for those wishing to catch up on the diversity of literary theories, or for the inquisitive browser, this set of volumes assuredly charts the map of current criticism." Cahiers Elisabethains

    Table of Contents

    Notes on Contributors vii

    Introduction 1

    1 Shakespeare and the Traditions of English Stage Comedy 4
    Janette Dillon

    2 Shakespeare’s Festive Comedies 23
    Francois Laroque

    3 The Humour of It: Bodies, Fluids and Social Discipline in Shakespearean Comedy 47
    Gail Kern Paster

    4 Class X: Shakespeare, Class, and the Comedies 67
    Peter Holbrook

    5 The Social Relations of Shakespeare’s Comic Households 90
    Mario DiGangi

    6 Shakespear’s Crossdressing Comedies 114
    Phyllis Rackin

    7 The Homoerotics of Shakespear’s Elizabethan Comedies 137
    Julie Crawford

    8 Shakespearean Comedy and Material Life 159
    Lena Cowen Orlin

    9 Shakespeare’s Comic Geographies 182
    Garett A. Sullivan, Jr.

    10 Rhetoric and Comic Personation in Shakespeare’s Comedies 200
    Lloyd Davis

    11 Fat Knight, or What You Will: Unimitable Falstaff 223
    Ian Fredrick Moulton

    12 Wooing and Winning (Or Not): Film/Shakespeare/Comedy and the Syntax of Genre 243
    Barbare Hodgdon

    13 The Two Gentlemen of Verona 266
    Jeffery Masten

    14 “Fie, what a foolish duty call you this?” The Taming of the Shrew, Women’s Jest, and the Divided Audience 289
    Pamela Allen Brown

    15 The Comedy of Errors and The Calumny of Apelles: An Exercise in Source Study 307
    Richard Dutton

    16 Love’s Labour’s Lost 320
    John Michael Archer

    17 A Midsummer Night’s Dream 338
    Helen Hackett

    18 Rubbing at Whitewash: Intolerance in The Merchant of Venice 358
    Merion Wynne-Davis

    19 The Merry Wives of Windsor: Unhusbanding Desires in Windsor 376
    Wendy Wall

    20 Much Ado About Nothing 393
    Alison Findlay

    21 As You Like It 411
    Juliet Dusinberre

    22 Twelfth Night: “The Babbling Gossip of the Air” 429
    Penny Gay

    Index 44

A Companion to Shakespeares Works Volume III

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    A Paperback / softback by Richard Dutton, Jean E. Howard

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      View other formats and editions of A Companion to Shakespeares Works Volume III by Richard Dutton

      Publisher: John Wiley and Sons Ltd
      Publication Date: Publication Date: 02/07/2005
      ISBN13: 9781405136075, 978-1405136075
      ISBN10: 1405136073

      Description

      Book Synopsis

      This four-volume Companion to Shakespeare''s Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.

      • Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States.
      • Examines each of Shakespeare''s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis.
      • Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems.
      • Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre.
      • Offers a provocative roadmap to Shakespeare studies at the da

        Trade Review
        "Whether for the student wishing for an overview of critical approaches or anxious to fill in the gaps in his Shakespearean culture, for those wishing to catch up on the diversity of literary theories, or for the inquisitive browser, this set of volumes assuredly charts the map of current criticism." Cahiers Elisabethains

        Table of Contents

        Notes on Contributors vii

        Introduction 1

        1 Shakespeare and the Traditions of English Stage Comedy 4
        Janette Dillon

        2 Shakespeare’s Festive Comedies 23
        Francois Laroque

        3 The Humour of It: Bodies, Fluids and Social Discipline in Shakespearean Comedy 47
        Gail Kern Paster

        4 Class X: Shakespeare, Class, and the Comedies 67
        Peter Holbrook

        5 The Social Relations of Shakespeare’s Comic Households 90
        Mario DiGangi

        6 Shakespear’s Crossdressing Comedies 114
        Phyllis Rackin

        7 The Homoerotics of Shakespear’s Elizabethan Comedies 137
        Julie Crawford

        8 Shakespearean Comedy and Material Life 159
        Lena Cowen Orlin

        9 Shakespeare’s Comic Geographies 182
        Garett A. Sullivan, Jr.

        10 Rhetoric and Comic Personation in Shakespeare’s Comedies 200
        Lloyd Davis

        11 Fat Knight, or What You Will: Unimitable Falstaff 223
        Ian Fredrick Moulton

        12 Wooing and Winning (Or Not): Film/Shakespeare/Comedy and the Syntax of Genre 243
        Barbare Hodgdon

        13 The Two Gentlemen of Verona 266
        Jeffery Masten

        14 “Fie, what a foolish duty call you this?” The Taming of the Shrew, Women’s Jest, and the Divided Audience 289
        Pamela Allen Brown

        15 The Comedy of Errors and The Calumny of Apelles: An Exercise in Source Study 307
        Richard Dutton

        16 Love’s Labour’s Lost 320
        John Michael Archer

        17 A Midsummer Night’s Dream 338
        Helen Hackett

        18 Rubbing at Whitewash: Intolerance in The Merchant of Venice 358
        Merion Wynne-Davis

        19 The Merry Wives of Windsor: Unhusbanding Desires in Windsor 376
        Wendy Wall

        20 Much Ado About Nothing 393
        Alison Findlay

        21 As You Like It 411
        Juliet Dusinberre

        22 Twelfth Night: “The Babbling Gossip of the Air” 429
        Penny Gay

        Index 44

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