Description

Book Synopsis
A Companion to Robert Altman presents myriad aspects of Altman s life, career, influence and historical context. This book features 23 essays from a range of experts in the field, providing extensive coverage of these aspects and dimensions of Altman s work.

Table of Contents

Contributors viii

1 “It’s OK with me”: Introducing Robert Altman 1
Adrian Danks

Part One Zoom in: Becoming Altman 19

2 Sponsoring the Hollywood Renaissance: Reappraising Altman’s Industrial Films 21
Mark Minett

3 From Alfred Hitchcock Presents to Tanner on Tanner: The Long Tail of Altman’s Television Career 44
Tony Williams

4 Just a Station on His Way? Altman’s Transition from Television to Film 68
Nick Hall

5 Breaking the Rules: Altman, Innovation and the Critics 92
David Sterritt

Part Two “I’ve got Poetry in Me”: Seeing and Hearing Altman 117

6 The Porous Frame: Visual Style in Altman’s 1970s Films 119
Hamish Ford

7 3 Women: Floating Above the Awful Abyss 146
Joe McElhaney and In memory of Tom Hopkins

8 The Multitrack World of California Split 166
Wheeler Winston Dixon

9 The Democratic Voice: Altman’s Sound Aesthetics in the 1970s 184
Jay Beck

10 Creativity and Compromise: California Split’s Original Soundtrack 210
Gayle Magee

Part Three Placing Altman: Space, History and Genre 231

11 High Hollywood in The Long Goodbye 233
Murray Pomerance

12 Altman and the Western, or a Hollywood Director’s History Lesson of the American West 254
Stephen Teo

13 Altman/Nixon/Reagan: Honorable Secrets, Historical Analogies and the Nexus of Anger 274
Rick Armstrong

14 LA and Paris: The Construction of Social Space in the Films of Altman 296
Robert T. Self

15 “The Man I Love,” or Time Regained: Altman, History and Kansas City 321
Adrian Danks

Part Four Being Altman: Character, Performance and Situation 347

16 “One is Both the Same”: Fantasy and Female Psychosis in Images and That Cold Day in the Park 349
David Melville

17 Nashville: Second City Performance Comes to Hollywood 369
Virginia Wright Wexman

18 Altman: The Artist in Middle Age 390
Christos Tsiolkas

19 Lawful Lawyer, Vigilante Father: Altman, Masculinity and The Gingerbread Man 401
Tom Dorey

Part Five Zoom out: After “Altman” 423

20 Staging the “Rebel’s Return”: The Player, Short Cuts and the Precarious Art of the Comeback 425
Dimitrios Pavlounis

21 The End of the Hollywood Hero: Dr T & the Women and Altman’s Multi]Protagonist Narratives 448
María del Mar Azcona

22 The Long Reach of Short Cuts 465
Robert P. Kolker

23 Kicking and Screaming: Altmanesque Cynicism and Energy in the Work of Paul Thomas Anderson and Noah Baumbach 480
Claire Perkins

Index 501

A Companion to Robert Altman

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    A Hardback by Adrian Danks

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      Publisher: John Wiley and Sons Ltd
      Publication Date: Publication Date: 05/06/2015
      ISBN13: 9781118288900, 978-1118288900
      ISBN10: 1118288904

      Description

      Book Synopsis
      A Companion to Robert Altman presents myriad aspects of Altman s life, career, influence and historical context. This book features 23 essays from a range of experts in the field, providing extensive coverage of these aspects and dimensions of Altman s work.

      Table of Contents

      Contributors viii

      1 “It’s OK with me”: Introducing Robert Altman 1
      Adrian Danks

      Part One Zoom in: Becoming Altman 19

      2 Sponsoring the Hollywood Renaissance: Reappraising Altman’s Industrial Films 21
      Mark Minett

      3 From Alfred Hitchcock Presents to Tanner on Tanner: The Long Tail of Altman’s Television Career 44
      Tony Williams

      4 Just a Station on His Way? Altman’s Transition from Television to Film 68
      Nick Hall

      5 Breaking the Rules: Altman, Innovation and the Critics 92
      David Sterritt

      Part Two “I’ve got Poetry in Me”: Seeing and Hearing Altman 117

      6 The Porous Frame: Visual Style in Altman’s 1970s Films 119
      Hamish Ford

      7 3 Women: Floating Above the Awful Abyss 146
      Joe McElhaney and In memory of Tom Hopkins

      8 The Multitrack World of California Split 166
      Wheeler Winston Dixon

      9 The Democratic Voice: Altman’s Sound Aesthetics in the 1970s 184
      Jay Beck

      10 Creativity and Compromise: California Split’s Original Soundtrack 210
      Gayle Magee

      Part Three Placing Altman: Space, History and Genre 231

      11 High Hollywood in The Long Goodbye 233
      Murray Pomerance

      12 Altman and the Western, or a Hollywood Director’s History Lesson of the American West 254
      Stephen Teo

      13 Altman/Nixon/Reagan: Honorable Secrets, Historical Analogies and the Nexus of Anger 274
      Rick Armstrong

      14 LA and Paris: The Construction of Social Space in the Films of Altman 296
      Robert T. Self

      15 “The Man I Love,” or Time Regained: Altman, History and Kansas City 321
      Adrian Danks

      Part Four Being Altman: Character, Performance and Situation 347

      16 “One is Both the Same”: Fantasy and Female Psychosis in Images and That Cold Day in the Park 349
      David Melville

      17 Nashville: Second City Performance Comes to Hollywood 369
      Virginia Wright Wexman

      18 Altman: The Artist in Middle Age 390
      Christos Tsiolkas

      19 Lawful Lawyer, Vigilante Father: Altman, Masculinity and The Gingerbread Man 401
      Tom Dorey

      Part Five Zoom out: After “Altman” 423

      20 Staging the “Rebel’s Return”: The Player, Short Cuts and the Precarious Art of the Comeback 425
      Dimitrios Pavlounis

      21 The End of the Hollywood Hero: Dr T & the Women and Altman’s Multi]Protagonist Narratives 448
      María del Mar Azcona

      22 The Long Reach of Short Cuts 465
      Robert P. Kolker

      23 Kicking and Screaming: Altmanesque Cynicism and Energy in the Work of Paul Thomas Anderson and Noah Baumbach 480
      Claire Perkins

      Index 501

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