Description
Book SynopsisThis wide-ranging
Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity.
- An authoritative guide to modern British and Irish drama.
- Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism.
- Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.
Trade Review"Offers strong and accessible scholarship on major playwrights and aspects of theatrical history and historiography, and usefully reflects on its own practices and agendas, and will be extremely useful to students and theatre scholars."
Cercles
"
A Companion to Modern British and Irish Drama 1880-2005 is a much needed intervention in the field, with its substantial coverage of Irish drama and significant essays on the work of women playwrights, as well as solid coverage of the usual suspects. It is profitably innovative in terms of both structure and content. Many volumes with such a coverage remit fail to ever go much beyond the standard canonical playwrights and texts...a ‘must buy’ for all University libraries...this is a volume which will have currency for years to come."
New Theatre Quarterly "Luckhurst argues for a reassessment of 'Englishness,' and, accordingly, this companion emphasizes postcolonial and feminist agendas and questions the dominance of urban locales and certain theatrical institutions...combined, the essays provide a necessary reassessment of British and Irish drama." Choice
“There is so much valuable material in the book that it is sure to be frequently read and consulted.”
Donald Hawes, Reference Reviews
Table of ContentsAcknowledgements xi
List of Illustrations xii
Notes on Contributors xiii
Introduction 1
Mary Luckhurst
Part I Contexts 5
1 Domestic and Imperial Politics in Britain and Ireland: The Testimony of Irish Theatre 7
Victor Merriman
2 Reinventing England 22
Declan Kiberd
3 Ibsen in the English Theatre in the Fin de Siecle 35
Katherine Newey
4 New Woman Drama 48
Sally Ledger
Part II Mapping New Ground, 1900–1939 61
5 Shaw among the Artists 63
Jan McDonald
6 Granville Barker and the Court Dramatists 75
Cary M. Mazer
7 Gregory, Yeats and Ireland’s Abbey Theatre 87
Mary Trotter
8 Suffrage Theatre: Community Activism and Political Commitment 99
Susan Carlson
9 Unlocking Synge Today 110
Christopher Murray
10 Sean O'Casey's Powerful Fireworks 125
Jean Chothia
11 Auden and Eliot: Theatres of the Thirties 138
Robin Grove
Part III England, Class and Empire, 1939–1990 151
12 Empire and Class in the Theatre of John Arden and Margaretta D'Arcy 153
Mary Brewer
13 When Was the Golden Age? Narratives of Loss and Decline: John Osborne, Arnold Wesker and Rodney Ackland 164
Stephen Lacey
14 A Commercial Success: Women Playwrights in the 1950s 175
Susan Bennett
15 Home Thoughts from Abroad: Mustapha Matura 188
D. Keith Peacock
16 The Remains of the British Empire: The Plays of Winsome Pinnock 198
Gabriele Griffin
Part IV Comedy 211
17 Wilde's Comedies 213
Richard Allen Cave
18 Always Acting: Noel Coward and the Performing Self 225
Frances Gray
19 Beckett's Divine Comedy 237
Katharine Worth
20 Form and Ethics in the Comedies of Brendan Behan 247
John Brannigan
21 Joe Orton: Anger, Artifice and Absurdity 258
David Higgins
22 Alan Ayckbourn: Experiments in Comedy 269
Alexander Leggatt
23 'They Both Add up to Me': The Logic of Tom Stoppard's Dialogic Comedy 279
Paul Delaney
24 Stewart Parker's Comedy of Terrors 289
Anthony Roche
Part V War and Terror 299
25 AWounded Stage: Drama and World War I 301
Mary Luckhurst
26 Staging 'the Holocaust' in England 316
John Lennard
27 Troubling Perspectives: Northern Ireland, the 'Troubles' and Drama 329
Helen Lojek
28 On War: Charles Wood's Military Conscience 341
Dawn Fowler and John Lennard
29 Torture in the Plays of Harold Pinter 358
Mary Luckhurst
30 Sarah Kane: From Terror to Trauma 371
Steve Waters
Part VI Theatre since 1968 383
31 Theatre since 1968 385
David Pattie
32 Lesbian and Gay Theatre: All Queer on the West End Front 398
John Deeney
33 Edward Bond: Maker of Myths 409
Michael Patterson
34 John McGrath and Popular Political Theatre 419
Maria DiCenzo
35 David Hare and Political Playwriting: Between the Third Way and the Permanent Way 429
John Deeney
36 Left in Front: David Edgar's Political Theatre 441
John Bull
37 Liz Lochhead: Writer and Re-Writer: Stories, Ancient and Modern 454
Jan McDonald
38 'Spirits that Have Become Mean and Broken': Tom Murphy and the 'Famine' of Modern Ireland 466
Shaun Richards
39 Caryl Churchill: Feeling Global 476
Elin Diamond
40 Howard Barker and the Theatre of Catastrophe 488
Chris Megson
41 Reading History in the Plays of Brian Friel 499
Lionel Pilkington
42 Marina Carr: Violence and Destruction: Language, Space and Landscape 509
Cathy Leeney
43 Scrubbing up Nice? Tony Harrison's Stagings of the Past 519
Richard Rowland
44 The Question of Multiculturalism: The Plays of Roy Williams 530
D. Keith Peacock
45 Ed Thomas: Jazz Pictures in the Gaps of Language 541
David Ian Rabey
46 Theatre and Technology 551
Andy Lavender
Index 563
