Description

Book Synopsis
This Companion offers a thorough, concise overview of the emerging field of humanities computing. * Contains 37 original articles written by leaders in the field. * Addresses the central concerns shared by those interested in the subject.

Trade Review
“Offers the best general introduction to this amorphous field.” Literary Research Guide

“The book represents a turning point for the Digital Humanities by bringing together a wide range of expertise from both theorists and practitioners and demonstrating that this can be considered a field in its own right … As an overview of a diverse field, [it] provides a detailed, useful introduction to how computational technologies have and may be appropriated, utilised and even innovated by humanities scholars.” The Classical Review



Table of Contents

Notes on Contributors viii

Foreword: Perspectives on the Digital Humanities xvi
Roberto A. Busa

The Digital Humanities and Humanities Computing: An Introduction xxiii
Susan Schreibman, Ray Siemens, and John Unsworth

PART I History

1 The History of Humanities Computing 3
Susan Hockey

2 Computing for Archaeologists 20
Harrison Eiteljorg, II

3 Art History 31
Michael Greenhalgh

4 Classics and the Computer: An End of the History 46
Greg Crane

5 Computing and the Historical Imagination 56
William G. Thomas, III

6 Lexicography 69
Russon Wooldridge

7 Linguistics Meets Exact Sciences 79
Jan Hajič

8 Literary Studies 88
Thomas Rommel

9 Music 97
Ichiro Fujinaga and Susan Forscher Weiss

10 Multimedia 108
Geoffrey Rockwell and Andrew Mactavish

11 Performing Arts 121
David Z. Saltz

12 ‘‘Revolution? What Revolution?’’ Successes and Limits of Computing Technologies in Philosophy and Religion 132
Charles Ess

PART II Principles

13 How the Computer Works 145
Andrea Laue

14 Classification and its Structures 161
C. M. Sperberg-McQueen

15 Databases 177
Stephen Ramsay

16 Marking Texts of Many Dimensions 198
Jerome McGann

17 Text Encoding 218
Allen H. Renear

18 Electronic Texts: Audiences and Purposes 240
Perry Willett

19 Modeling: A Study in Words and Meanings 254
Willard McCarty

PART III Applications

20 Stylistic Analysis and Authorship Studies 273
Hugh Craig

21 Preparation and Analysis of Linguistic Corpora 289
Nancy Ide

22 Electronic Scholarly Editing 306
Martha Nell Smith

23 Textual Analysis 323
John Burrows

24 Thematic Research Collections 348
Carole L. Palmer

25 Print Scholarship and Digital Resources 366
Claire Warwick

26 Digital Media and the Analysis of Film 383
Robert Kolker

27 Cognitive Stylistics and the Literary Imagination 397
Ian Lancashire

28 Multivariant Narratives 415
Marie-Laure Ryan

29 Speculative Computing: Aesthetic Provocations in Humanities Computing 431
Johanna Drucker (and Bethany Nowviskie)

30 Robotic Poetics 448
William Winder

PART IV Production, Dissemination, Archiving

31 Designing Sustainable Projects and Publications 471
Daniel V. Pitti

32 Conversion of Primary Sources 488
Marilyn Deegan and Simon Tanner

33 Text Tools 505
John Bradley

34 ‘‘So the Colors Cover the Wires’’: Interface, Aesthetics, and Usability 523
Matthew G. Kirschenbaum

35 Intermediation and its Malcontents: Validating Professionalism in the Age of Raw Dissemination 543
Michael Jensen

36 The Past, Present, and Future of Digital Libraries 557
Howard Besser

37 Preservation 576
Abby Smith

Index 592

A Companion to Digital Humanities

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    A Paperback / softback by Susan Schreibman, Ray Siemens, John Unsworth

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 29/02/2008
      ISBN13: 9781405168069, 978-1405168069
      ISBN10: 1405168064
      Also in:
      Literary theory

      Description

      Book Synopsis
      This Companion offers a thorough, concise overview of the emerging field of humanities computing. * Contains 37 original articles written by leaders in the field. * Addresses the central concerns shared by those interested in the subject.

      Trade Review
      “Offers the best general introduction to this amorphous field.” Literary Research Guide

      “The book represents a turning point for the Digital Humanities by bringing together a wide range of expertise from both theorists and practitioners and demonstrating that this can be considered a field in its own right … As an overview of a diverse field, [it] provides a detailed, useful introduction to how computational technologies have and may be appropriated, utilised and even innovated by humanities scholars.” The Classical Review



      Table of Contents

      Notes on Contributors viii

      Foreword: Perspectives on the Digital Humanities xvi
      Roberto A. Busa

      The Digital Humanities and Humanities Computing: An Introduction xxiii
      Susan Schreibman, Ray Siemens, and John Unsworth

      PART I History

      1 The History of Humanities Computing 3
      Susan Hockey

      2 Computing for Archaeologists 20
      Harrison Eiteljorg, II

      3 Art History 31
      Michael Greenhalgh

      4 Classics and the Computer: An End of the History 46
      Greg Crane

      5 Computing and the Historical Imagination 56
      William G. Thomas, III

      6 Lexicography 69
      Russon Wooldridge

      7 Linguistics Meets Exact Sciences 79
      Jan Hajič

      8 Literary Studies 88
      Thomas Rommel

      9 Music 97
      Ichiro Fujinaga and Susan Forscher Weiss

      10 Multimedia 108
      Geoffrey Rockwell and Andrew Mactavish

      11 Performing Arts 121
      David Z. Saltz

      12 ‘‘Revolution? What Revolution?’’ Successes and Limits of Computing Technologies in Philosophy and Religion 132
      Charles Ess

      PART II Principles

      13 How the Computer Works 145
      Andrea Laue

      14 Classification and its Structures 161
      C. M. Sperberg-McQueen

      15 Databases 177
      Stephen Ramsay

      16 Marking Texts of Many Dimensions 198
      Jerome McGann

      17 Text Encoding 218
      Allen H. Renear

      18 Electronic Texts: Audiences and Purposes 240
      Perry Willett

      19 Modeling: A Study in Words and Meanings 254
      Willard McCarty

      PART III Applications

      20 Stylistic Analysis and Authorship Studies 273
      Hugh Craig

      21 Preparation and Analysis of Linguistic Corpora 289
      Nancy Ide

      22 Electronic Scholarly Editing 306
      Martha Nell Smith

      23 Textual Analysis 323
      John Burrows

      24 Thematic Research Collections 348
      Carole L. Palmer

      25 Print Scholarship and Digital Resources 366
      Claire Warwick

      26 Digital Media and the Analysis of Film 383
      Robert Kolker

      27 Cognitive Stylistics and the Literary Imagination 397
      Ian Lancashire

      28 Multivariant Narratives 415
      Marie-Laure Ryan

      29 Speculative Computing: Aesthetic Provocations in Humanities Computing 431
      Johanna Drucker (and Bethany Nowviskie)

      30 Robotic Poetics 448
      William Winder

      PART IV Production, Dissemination, Archiving

      31 Designing Sustainable Projects and Publications 471
      Daniel V. Pitti

      32 Conversion of Primary Sources 488
      Marilyn Deegan and Simon Tanner

      33 Text Tools 505
      John Bradley

      34 ‘‘So the Colors Cover the Wires’’: Interface, Aesthetics, and Usability 523
      Matthew G. Kirschenbaum

      35 Intermediation and its Malcontents: Validating Professionalism in the Age of Raw Dissemination 543
      Michael Jensen

      36 The Past, Present, and Future of Digital Libraries 557
      Howard Besser

      37 Preservation 576
      Abby Smith

      Index 592

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