Description

Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history.

  • Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production
  • Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more
  • Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory
  • Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history
  • Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism

A Companion to Chinese Art

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£41.95

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Paperback / softback by Martin J. Powers , Katherine R. Tsiang

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Short Description:

Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two... Read more

    Publisher: John Wiley and Sons Ltd
    Publication Date: 22/04/2022
    ISBN13: 9781119121695, 978-1119121695
    ISBN10: 1119121698

    Number of Pages: 592

    Non Fiction , History

    Description

    Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history.

    • Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production
    • Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more
    • Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory
    • Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history
    • Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism

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