Description

Book Synopsis
A comprehensive treatment of the Classical World in film and television, A Companion to Ancient Greece and Rome on Screen closely examines the films and TV shows centered on Greek and Roman cultures and explores the tension between pagan and Christian worlds.

Table of Contents

Notes on Contributors ix

Introduction 1
Arthur J. Pomeroy

PART I The Development of the Depiction of Ancient Greece and Rome on Screen 15

1 Greece and Rome on Screen: On the Possibilities and Promises of a New Medium 17
Pantelis Michelakis

2 The Creation of the Epic: Italian Silent Film to 1915 37
Irmbert Schenk

3 From 1916 to the Arrival of Sound: The Systematization, Expressivity and Self–reflection of the Feature Film 61
Maria Wyke

4 The Resurgence of Epics in the 1950s: Classical Antiquity in Post–war Hollywood 91
Konstantinos P. Nikoloutsos

5 Hollywood Ascendant: Ben–Hur and Spartacus 119
Fiona Radford

6 The Peplum Era 145
Arthur J. Pomeroy

PART II Comedy, Drama, and Adaptation 161

7 Hollywood Meets Art-House Cinema: Michael Cacoyannis’s “Hybrid” Euripidean Trilogy 163
Anastasia Bakogianni

8 Greek Tragedy as Theater in Screen-Media 187
Meredith E. Safran

9 Greece and Rome on the Comic Screen 209
Lisa Maurice

10 The Return of a Genre 233
Jerry Benjamin Pierce

11 Franco Rossi’s Adaptations of the Classics 253
Arthur J. Pomeroy

12 I, Claudius and Ancient Rome as Televised Period Drama 271
Juliette Harrisson

13 Premium Cable Television 293
Monica S. Cyrino

14 Thinking through the Ancient World: “Late Antique Movies” as a Mirror of Shifting Attitudes towards
Christian Religion 307
Filippo Carlà–Uhink

15 Non-western Approaches to the Ancient World: India and Japan—Classical Heritage or Exotic Occidentalism? 329
Anja Wieber

PART III Film Production and Ancient World Cinema 349

16 Man to Man: Music and Masculine Relations in Ben–Hur (1925 and 1959) 351
Stephan Prock

17 Visual Poetry on Screen: Sets and Costumes for Ancient Greek Tragedy 385
Alejandro Valverde García

18 Filming the Ancient World: Have Film Historians Made a Spectacular Omission of Epic Proportions? 403
Harriet Margolis

PART IV The Ancient World as an Idea 427

19 High Art and Low Art Expectations: Ancient Greece in Film and Popular Culture 429
Alastair J. L. Blanshard

20 “Soft” Science Fiction and Technical Fantasy: The Ancient World in Star Trek, Babylon 5, Battlestar Galactica and Dr Who 449
Otta Wenskus

21 The Ancient World is Part of Us: Classical Tragedy in Modern Film and Television 467
Anastasia Bakogianni

22 Ancient World Documentaries 491
Fiona Hobden

23 Mythology for the Young at Heart 515
Martin Lindner

Index 535

A Companion to Ancient Greece and Rome on Screen

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    A Hardback by Arthur J. Pomeroy

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      Publisher: John Wiley and Sons Ltd
      Publication Date: Publication Date: 15/08/2017
      ISBN13: 9781118741351, 978-1118741351
      ISBN10: 1118741358

      Description

      Book Synopsis
      A comprehensive treatment of the Classical World in film and television, A Companion to Ancient Greece and Rome on Screen closely examines the films and TV shows centered on Greek and Roman cultures and explores the tension between pagan and Christian worlds.

      Table of Contents

      Notes on Contributors ix

      Introduction 1
      Arthur J. Pomeroy

      PART I The Development of the Depiction of Ancient Greece and Rome on Screen 15

      1 Greece and Rome on Screen: On the Possibilities and Promises of a New Medium 17
      Pantelis Michelakis

      2 The Creation of the Epic: Italian Silent Film to 1915 37
      Irmbert Schenk

      3 From 1916 to the Arrival of Sound: The Systematization, Expressivity and Self–reflection of the Feature Film 61
      Maria Wyke

      4 The Resurgence of Epics in the 1950s: Classical Antiquity in Post–war Hollywood 91
      Konstantinos P. Nikoloutsos

      5 Hollywood Ascendant: Ben–Hur and Spartacus 119
      Fiona Radford

      6 The Peplum Era 145
      Arthur J. Pomeroy

      PART II Comedy, Drama, and Adaptation 161

      7 Hollywood Meets Art-House Cinema: Michael Cacoyannis’s “Hybrid” Euripidean Trilogy 163
      Anastasia Bakogianni

      8 Greek Tragedy as Theater in Screen-Media 187
      Meredith E. Safran

      9 Greece and Rome on the Comic Screen 209
      Lisa Maurice

      10 The Return of a Genre 233
      Jerry Benjamin Pierce

      11 Franco Rossi’s Adaptations of the Classics 253
      Arthur J. Pomeroy

      12 I, Claudius and Ancient Rome as Televised Period Drama 271
      Juliette Harrisson

      13 Premium Cable Television 293
      Monica S. Cyrino

      14 Thinking through the Ancient World: “Late Antique Movies” as a Mirror of Shifting Attitudes towards
      Christian Religion 307
      Filippo Carlà–Uhink

      15 Non-western Approaches to the Ancient World: India and Japan—Classical Heritage or Exotic Occidentalism? 329
      Anja Wieber

      PART III Film Production and Ancient World Cinema 349

      16 Man to Man: Music and Masculine Relations in Ben–Hur (1925 and 1959) 351
      Stephan Prock

      17 Visual Poetry on Screen: Sets and Costumes for Ancient Greek Tragedy 385
      Alejandro Valverde García

      18 Filming the Ancient World: Have Film Historians Made a Spectacular Omission of Epic Proportions? 403
      Harriet Margolis

      PART IV The Ancient World as an Idea 427

      19 High Art and Low Art Expectations: Ancient Greece in Film and Popular Culture 429
      Alastair J. L. Blanshard

      20 “Soft” Science Fiction and Technical Fantasy: The Ancient World in Star Trek, Babylon 5, Battlestar Galactica and Dr Who 449
      Otta Wenskus

      21 The Ancient World is Part of Us: Classical Tragedy in Modern Film and Television 467
      Anastasia Bakogianni

      22 Ancient World Documentaries 491
      Fiona Hobden

      23 Mythology for the Young at Heart 515
      Martin Lindner

      Index 535

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