Description

Book Synopsis
A COMPANION TO AESTHETICS

This second edition of A Companion to Aesthetics examines questions that were among the earliest discussed by ancient philosophers, such as the nature of beauty and the relation between morality and art, while also addressing a host of new issues prompted by recent developments in the arts and in philosophy, including coverage of non-Western art traditions and of everyday and environmental aesthetics. The volume also canvases debates regarding the nature of representation, the relation between art and truth, and the criteria for interpretation, which are among the most hotly discussed topics in contemporary philosophy.

In this extensively revised and updated edition, 168 alphabetically arranged articles provide comprehensive treatment of the main topics and writers in aesthetics. Major additions include historical overviews from the prehistoric to the present and a section on the individual arts. A Companion to Aesthetics will serv

Trade Review
"If one is looking for a good single-volume reference work on the history and concepts of predominantly Western aesthetics, then this is the one to get." (CHOICE, 2009)

"The range is phenomenal, the erudition daunting and the index rigorous. It is an essential purchase for all but the most tough-minded of academic reference collections and it would grace the shelves of many a public or personal library." (Reference Reviews)

"It provides very handy encyclopedic coverage of all main contemporary issues and figures in contemporary aesthetics.... It really must be bought by libraries as a reference text..." (British Society of Aesthetics Newsletter)



Table of Contents

Contributors xi

Preface xv

Historical Overviews 1

art of the Paleolithic Gregory Currie 1

aesthetics in antiquity Stephen Halliwell 10

medieval and renaissance aesthetics John Marenbon 22

eighteenth-century aesthetics Paul Guyer 32

nineteenth- and twentieth-century Continental aesthetics Robert Wicks 51

twentieth-century Anglo-American aesthetics Stephen Davies & Robert Stecker 61

The Arts 74

architecture Edward Winters 74

dance Julie Van Camp 76

drama James Hamilton 78

drawing, painting, and printmaking Patrick Maynard 82

literature David Davies 85

motion pictures Noël Carroll 88

music and song John Andrew Fisher and Stephen Davies 91

opera Paul Thom 95

photography Patrick Maynard 98

poetry Anna Christina Ribeiro 101

sculpture Erik Koed 104

A 107

abstraction Robert Hopkins 107

Adorno, Theodor W(iesengrund) Paul Mattick 109

aesthetic attitude David E. Cooper 111

aesthetic education Pradeep A. Dhillon 114

aesthetic judgment Andrew Ward 117

aesthetic pleasure Jerrold Levinson 121

aesthetic properties Alan H. Goldman 124

aestheticism David Whewell 128

aesthetics of food and drink Carolyn Korsmeyer 131

aesthetics of the environment Allen Carlson 134

aesthetics of the everyday Sherri Irvin 136

African aesthetics John Ayotunde (Tunde) Isola Bewaji 139

Amerindian aesthetics Anthony K. Webster 142

Aquinas, Thomas John Haldane 145

Aristotle Stephen Halliwell 147

art history David Carrier 149

artifact, art as George Dickie & Robert Stecker 152

“artworld” Anita Silvers 155

authenticity and art Theodore Gracyk 156

B 160

Barthes, Roland Mary Bittner Wiseman 160

Baumgarten, Alexander G(ottlieb) Nicholas Davey 162

Beardsley, Monroe C(urtis) Donald Callen 163

beauty Mary Mothersill 166

Bell, (Arthur) Clive (Heward) Ronald W. Hepburn 172

Benjamin, Walter Martin Donougho 174

Burke, Edmund Patrick Gardiner 177

C 179

canon Stein Haugom Olsen 179

catharsis Stephen Halliwell 182

Cavell, Stanley Timothy Gould 183

censorship Bernard Williams 185

Chinese aesthetics Marthe Chandler 188

cognitive science and art William P. Seeley 191

cognitive value of art Matthew Kieran 194

Collingwood, R(obin) G(eorge) Michael Krausz 197

comedy Noël Carroll 199

conceptual art Peter Goldie 202

conservation and restoration David Carrier 205

creativity Berys Gaut 207

critical monism and pluralism Robert Kraut 211

criticism Michael Weston 215

Croce, Benedetto Douglas R. Anderson 219

cultural appropriation James O. Young 222

D 226

Danto, Arthur C(oleman) David Novitz & Stephen Davies 226

deconstruction Stuart Sim 229

definition of “art” Kathleen Stock 231

Deleuze, Gilles Nicholas Davey 234

depiction Katerina Bantinaki 238

Derrida, Jacques Mary Bittner Wiseman 241

Dewey, John Thomas M. Alexander 244

Dickie, George Noël Carroll 247

Dufrenne, Mikel Wojciech Chojna & Irena Kocol 249

E 252

emotion Malcolm Budd 252

erotic art and obscenity Matthew Kieran 256

evolution, art, and aesthetics Stephen Davies 259

expression Derek Matravers 261

expression theory Derek Matravers 264

F 267

feminist aesthetics Peg Zeglin Brand 267

feminist criticism Renée Lorraine & Peg Zeglin Brand 269

feminist standpoint aesthetics A. W. Eaton 272

fiction, nature of Robert Stecker 275

fiction, the paradox of responding to Alex Neill 278

fiction, truth in Paisley Livingston 281

fictional entities Diane Proudfoot 284

forgery Robert Hopkins 287

formalism Nick Zangwill 290

Foucault, Michel Robert Wicks 293

function of art David Novitz 297

G 302

Gadamer, Hans-Georg Robert Bernasconi 302

gardens David E. Cooper 304

genre Andrew Harrison 306

Gombrich, Sir Ernst (Hans Josef) David E. Cooper 308

Goodman, Nelson Catherine Z. Elgin 311

H 314

Hanslick, Eduard Malcolm Budd 314

Hegel, Georg Wilhelm Friedrich Gary Shapiro 315

Heidegger, Martin Robert Bernasconi 321

hermeneutics Joseph Margolis 324

horror Amy Coplan 328

Hume, David Theodore Gracyk 331

humor John Lippitt 334

Hutcheson, Francis Peter Kivy 338

I 341

iconoclasm and idolatry David Freedberg 341

illusion Robert Hopkins 343

imagination Roger Scruton 346

imaginative resistance Tamar Szabó Gendler 351

implied author Peter Lamarque 354

Indian aesthetics Kalyan Sen Gupta 356

ineffability David E. Cooper 360

Ingarden, Roman Wojciech Chojna 364

intention and interpretation Colin Lyas & Robert Stecker 366

“intentional fallacy” Colin Lyas & Robert Stecker 369

interpretation Joseph Margolis 371

interpretation, aims of David Davies 375

irony David E. Cooper 378

Islamic aesthetics Oliver Leaman 381

J 384

Japanese aesthetics Yuriko Saito 384

K 388

Kant, Immanuel David Whewell 388

Kierkegaard, Søren Ann Loades 392

kitsch Kathleen Marie Higgins 393

Kristeva, Julia Laura Marcus 396

L 400

Langer, Susanne Thomas M. Alexander 400

Lessing, Gotthold Ephraim Anthony Savile 402

Lewis, C(larence) I(rving) Paisley Livingston 405

Lukács, Georg Tom Rockmore 408

M 411

Margolis, Joseph Richard Shusterman 411

Marxism and art Tom Rockmore 412

mass art Noël Carroll 415

meaning constructivism Robert Stecker 418

Merleau-Ponty, Maurice John J. Compton 421

metaphor Samuel R. Levin 423

modernism and postmodernism Stuart Sim 425

morality and art Berys Gaut 428

museums Paul Mattick 431

N 435

narrative Stein Haugom Olsen 435

Nietzsche, Friedrich (Wilhelm) Julian Young 438

notations Stephen Davies 441

O 444

objectivity and realism in aesthetics Robert Hopkins 444

ontological contextualism Theodore Gracyk 449

ontology of artworks Nicholas Wolterstorff 453

originality George Bailey 457

P 460

performance Stephen Davies 460

performance art David Davies 462

perspective John Hyman 465

picture perception Katerina Bantinaki 469

Plato Stephen Halliwell 472

Plotinus John Haldane 474

popular art Richard Shusterman 476

pornography Bernard Williams 478

pragmatist aesthetics Richard Shusterman 480

psychoanalysis and art Kathleen Marie Higgins 484

R 489

race and aesthetics Monique Roelofs 489

rasa Kathleen Marie Higgins 492

realism John Hyman 495

relativism Nicholas Davey 498

religion and art Robert Grant 500

representation Robert Hopkins 504

Ruskin, John Michael Wheeler 508

S 511

Santayana, George Morris Grossman 511

Sartre, Jean-Paul John J. Compton 512

Schelling, Friedrich Wilhelm Joseph von Andrew Bowie 514

Schiller, (Johann Christoph) Friedrich von Margaret Paton 517

Schlegel, August Wilhelm von Tom Rockmore 519

Schlegel, Friedrich von Tom Rockmore 520

Schopenhauer, Arthur Michael Tanner 522

science and art Anthony O’Hear 525

Scruton, Roger Anthony O’Hear 528

senses and art, the Robert Hopkins 530

sentimentality Deborah Knight 534

Shaftesbury, Lord Dabney Townsend 537

Sibley, Frank Noel Colin Lyas 538

structuralism and poststructuralism Stuart Sim 540

style Andrew Harrison 544

sublime Mary Mothersill 547

symbol Charles Molesworth 551

T 554

taste Robert Hopkins 554

technology and art John Andrew Fisher 556

testimony in aesthetics Robert Hopkins 560

text Richard Shusterman 562

theories of art Ronald W. Hepburn 565

Tolstoy, Leo David Whewell 570

tradition Anthony O’Hear 573

tragedy Susan L. Feagin 575

truth in art Eddy M. Zemach 578

U 581

universals in art Kathleen Marie Higgins 581

W 586

Wagner, Richard Michael Tanner 586

Walton, Kendall L(ewis) Alessandro Giovannelli 588

Wilde, Oscar David E. Cooper 591

Wittgenstein, Ludwig Malcolm Budd 593

Wollheim, Richard Malcolm Budd 596

Index 600

A Companion to Aesthetics

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A Hardback by Stephen Davies, Kathleen Marie Higgins, Robert Hopkins

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    View other formats and editions of A Companion to Aesthetics by Stephen Davies

    Publisher: John Wiley and Sons Ltd
    Publication Date: 09/04/2009
    ISBN13: 9781405169226, 978-1405169226
    ISBN10: 1405169222

    Description

    Book Synopsis
    A COMPANION TO AESTHETICS

    This second edition of A Companion to Aesthetics examines questions that were among the earliest discussed by ancient philosophers, such as the nature of beauty and the relation between morality and art, while also addressing a host of new issues prompted by recent developments in the arts and in philosophy, including coverage of non-Western art traditions and of everyday and environmental aesthetics. The volume also canvases debates regarding the nature of representation, the relation between art and truth, and the criteria for interpretation, which are among the most hotly discussed topics in contemporary philosophy.

    In this extensively revised and updated edition, 168 alphabetically arranged articles provide comprehensive treatment of the main topics and writers in aesthetics. Major additions include historical overviews from the prehistoric to the present and a section on the individual arts. A Companion to Aesthetics will serv

    Trade Review
    "If one is looking for a good single-volume reference work on the history and concepts of predominantly Western aesthetics, then this is the one to get." (CHOICE, 2009)

    "The range is phenomenal, the erudition daunting and the index rigorous. It is an essential purchase for all but the most tough-minded of academic reference collections and it would grace the shelves of many a public or personal library." (Reference Reviews)

    "It provides very handy encyclopedic coverage of all main contemporary issues and figures in contemporary aesthetics.... It really must be bought by libraries as a reference text..." (British Society of Aesthetics Newsletter)



    Table of Contents

    Contributors xi

    Preface xv

    Historical Overviews 1

    art of the Paleolithic Gregory Currie 1

    aesthetics in antiquity Stephen Halliwell 10

    medieval and renaissance aesthetics John Marenbon 22

    eighteenth-century aesthetics Paul Guyer 32

    nineteenth- and twentieth-century Continental aesthetics Robert Wicks 51

    twentieth-century Anglo-American aesthetics Stephen Davies & Robert Stecker 61

    The Arts 74

    architecture Edward Winters 74

    dance Julie Van Camp 76

    drama James Hamilton 78

    drawing, painting, and printmaking Patrick Maynard 82

    literature David Davies 85

    motion pictures Noël Carroll 88

    music and song John Andrew Fisher and Stephen Davies 91

    opera Paul Thom 95

    photography Patrick Maynard 98

    poetry Anna Christina Ribeiro 101

    sculpture Erik Koed 104

    A 107

    abstraction Robert Hopkins 107

    Adorno, Theodor W(iesengrund) Paul Mattick 109

    aesthetic attitude David E. Cooper 111

    aesthetic education Pradeep A. Dhillon 114

    aesthetic judgment Andrew Ward 117

    aesthetic pleasure Jerrold Levinson 121

    aesthetic properties Alan H. Goldman 124

    aestheticism David Whewell 128

    aesthetics of food and drink Carolyn Korsmeyer 131

    aesthetics of the environment Allen Carlson 134

    aesthetics of the everyday Sherri Irvin 136

    African aesthetics John Ayotunde (Tunde) Isola Bewaji 139

    Amerindian aesthetics Anthony K. Webster 142

    Aquinas, Thomas John Haldane 145

    Aristotle Stephen Halliwell 147

    art history David Carrier 149

    artifact, art as George Dickie & Robert Stecker 152

    “artworld” Anita Silvers 155

    authenticity and art Theodore Gracyk 156

    B 160

    Barthes, Roland Mary Bittner Wiseman 160

    Baumgarten, Alexander G(ottlieb) Nicholas Davey 162

    Beardsley, Monroe C(urtis) Donald Callen 163

    beauty Mary Mothersill 166

    Bell, (Arthur) Clive (Heward) Ronald W. Hepburn 172

    Benjamin, Walter Martin Donougho 174

    Burke, Edmund Patrick Gardiner 177

    C 179

    canon Stein Haugom Olsen 179

    catharsis Stephen Halliwell 182

    Cavell, Stanley Timothy Gould 183

    censorship Bernard Williams 185

    Chinese aesthetics Marthe Chandler 188

    cognitive science and art William P. Seeley 191

    cognitive value of art Matthew Kieran 194

    Collingwood, R(obin) G(eorge) Michael Krausz 197

    comedy Noël Carroll 199

    conceptual art Peter Goldie 202

    conservation and restoration David Carrier 205

    creativity Berys Gaut 207

    critical monism and pluralism Robert Kraut 211

    criticism Michael Weston 215

    Croce, Benedetto Douglas R. Anderson 219

    cultural appropriation James O. Young 222

    D 226

    Danto, Arthur C(oleman) David Novitz & Stephen Davies 226

    deconstruction Stuart Sim 229

    definition of “art” Kathleen Stock 231

    Deleuze, Gilles Nicholas Davey 234

    depiction Katerina Bantinaki 238

    Derrida, Jacques Mary Bittner Wiseman 241

    Dewey, John Thomas M. Alexander 244

    Dickie, George Noël Carroll 247

    Dufrenne, Mikel Wojciech Chojna & Irena Kocol 249

    E 252

    emotion Malcolm Budd 252

    erotic art and obscenity Matthew Kieran 256

    evolution, art, and aesthetics Stephen Davies 259

    expression Derek Matravers 261

    expression theory Derek Matravers 264

    F 267

    feminist aesthetics Peg Zeglin Brand 267

    feminist criticism Renée Lorraine & Peg Zeglin Brand 269

    feminist standpoint aesthetics A. W. Eaton 272

    fiction, nature of Robert Stecker 275

    fiction, the paradox of responding to Alex Neill 278

    fiction, truth in Paisley Livingston 281

    fictional entities Diane Proudfoot 284

    forgery Robert Hopkins 287

    formalism Nick Zangwill 290

    Foucault, Michel Robert Wicks 293

    function of art David Novitz 297

    G 302

    Gadamer, Hans-Georg Robert Bernasconi 302

    gardens David E. Cooper 304

    genre Andrew Harrison 306

    Gombrich, Sir Ernst (Hans Josef) David E. Cooper 308

    Goodman, Nelson Catherine Z. Elgin 311

    H 314

    Hanslick, Eduard Malcolm Budd 314

    Hegel, Georg Wilhelm Friedrich Gary Shapiro 315

    Heidegger, Martin Robert Bernasconi 321

    hermeneutics Joseph Margolis 324

    horror Amy Coplan 328

    Hume, David Theodore Gracyk 331

    humor John Lippitt 334

    Hutcheson, Francis Peter Kivy 338

    I 341

    iconoclasm and idolatry David Freedberg 341

    illusion Robert Hopkins 343

    imagination Roger Scruton 346

    imaginative resistance Tamar Szabó Gendler 351

    implied author Peter Lamarque 354

    Indian aesthetics Kalyan Sen Gupta 356

    ineffability David E. Cooper 360

    Ingarden, Roman Wojciech Chojna 364

    intention and interpretation Colin Lyas & Robert Stecker 366

    “intentional fallacy” Colin Lyas & Robert Stecker 369

    interpretation Joseph Margolis 371

    interpretation, aims of David Davies 375

    irony David E. Cooper 378

    Islamic aesthetics Oliver Leaman 381

    J 384

    Japanese aesthetics Yuriko Saito 384

    K 388

    Kant, Immanuel David Whewell 388

    Kierkegaard, Søren Ann Loades 392

    kitsch Kathleen Marie Higgins 393

    Kristeva, Julia Laura Marcus 396

    L 400

    Langer, Susanne Thomas M. Alexander 400

    Lessing, Gotthold Ephraim Anthony Savile 402

    Lewis, C(larence) I(rving) Paisley Livingston 405

    Lukács, Georg Tom Rockmore 408

    M 411

    Margolis, Joseph Richard Shusterman 411

    Marxism and art Tom Rockmore 412

    mass art Noël Carroll 415

    meaning constructivism Robert Stecker 418

    Merleau-Ponty, Maurice John J. Compton 421

    metaphor Samuel R. Levin 423

    modernism and postmodernism Stuart Sim 425

    morality and art Berys Gaut 428

    museums Paul Mattick 431

    N 435

    narrative Stein Haugom Olsen 435

    Nietzsche, Friedrich (Wilhelm) Julian Young 438

    notations Stephen Davies 441

    O 444

    objectivity and realism in aesthetics Robert Hopkins 444

    ontological contextualism Theodore Gracyk 449

    ontology of artworks Nicholas Wolterstorff 453

    originality George Bailey 457

    P 460

    performance Stephen Davies 460

    performance art David Davies 462

    perspective John Hyman 465

    picture perception Katerina Bantinaki 469

    Plato Stephen Halliwell 472

    Plotinus John Haldane 474

    popular art Richard Shusterman 476

    pornography Bernard Williams 478

    pragmatist aesthetics Richard Shusterman 480

    psychoanalysis and art Kathleen Marie Higgins 484

    R 489

    race and aesthetics Monique Roelofs 489

    rasa Kathleen Marie Higgins 492

    realism John Hyman 495

    relativism Nicholas Davey 498

    religion and art Robert Grant 500

    representation Robert Hopkins 504

    Ruskin, John Michael Wheeler 508

    S 511

    Santayana, George Morris Grossman 511

    Sartre, Jean-Paul John J. Compton 512

    Schelling, Friedrich Wilhelm Joseph von Andrew Bowie 514

    Schiller, (Johann Christoph) Friedrich von Margaret Paton 517

    Schlegel, August Wilhelm von Tom Rockmore 519

    Schlegel, Friedrich von Tom Rockmore 520

    Schopenhauer, Arthur Michael Tanner 522

    science and art Anthony O’Hear 525

    Scruton, Roger Anthony O’Hear 528

    senses and art, the Robert Hopkins 530

    sentimentality Deborah Knight 534

    Shaftesbury, Lord Dabney Townsend 537

    Sibley, Frank Noel Colin Lyas 538

    structuralism and poststructuralism Stuart Sim 540

    style Andrew Harrison 544

    sublime Mary Mothersill 547

    symbol Charles Molesworth 551

    T 554

    taste Robert Hopkins 554

    technology and art John Andrew Fisher 556

    testimony in aesthetics Robert Hopkins 560

    text Richard Shusterman 562

    theories of art Ronald W. Hepburn 565

    Tolstoy, Leo David Whewell 570

    tradition Anthony O’Hear 573

    tragedy Susan L. Feagin 575

    truth in art Eddy M. Zemach 578

    U 581

    universals in art Kathleen Marie Higgins 581

    W 586

    Wagner, Richard Michael Tanner 586

    Walton, Kendall L(ewis) Alessandro Giovannelli 588

    Wilde, Oscar David E. Cooper 591

    Wittgenstein, Ludwig Malcolm Budd 593

    Wollheim, Richard Malcolm Budd 596

    Index 600

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