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Book Synopsis
“Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself—and to do so takes an insatiable curiosity about the human condition.

Uta Hagen, one of the world''s most renowned stage actresses, taught acting for more than forty years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, is still in print and has sold more than 150,000 copies. In her second book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor''s goals and examines the specifics of the actor''s techniques. She goes on to consider t

A Challenge for the Actor

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    A Hardback by Uta Hagen

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      View other formats and editions of A Challenge for the Actor by Uta Hagen

      Publisher: Simon & Schuster
      Publication Date: 21/08/1991
      ISBN13: 9780684190402, 978-0684190402
      ISBN10: 0684190400

      Description

      Book Synopsis
      “Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself—and to do so takes an insatiable curiosity about the human condition.

      Uta Hagen, one of the world''s most renowned stage actresses, taught acting for more than forty years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, is still in print and has sold more than 150,000 copies. In her second book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor''s goals and examines the specifics of the actor''s techniques. She goes on to consider t

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