Description

Book Synopsis
The National Gallery in Prague has in its collection a unique Japanese illustrated manuscript of ogi no soshi, a genre of waka poems illustrated in fan-shaped pictures, which blossomed from the late Muromachi to the early Edo period. Book of Fans, with 120 poems, is the largest such book extant in the world. This facsimile of an ancient illustrated manuscript of waka poetry reveals hitherto unknown aspects of Japanese traditional culture at the close of the sixteenth century, after the end of a century of destructive civil wars. The illustrated fans contain both classical waka poetry and poetry with close affinity to renga, haikai no renga, and Noh drama. The introductory text, from specialists on three continents, sheds new light on a literature and art that were instrumental in the renewal of the country in the Momoyama period. The literary quality of the translations and the beauty of the illustrations will be welcomed by both academic and general audiences around the world.

A Book of Fans

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A Hardback by Helena Honcoopova, Joshua Mostow, Makoto Yasuhara

7 in stock


    View other formats and editions of A Book of Fans by Helena Honcoopova

    Publisher: Karolinum,Nakladatelstvi Univerzity Karlovy,Czech Republic
    Publication Date: 14/10/2016
    ISBN13: 9788024625188, 978-8024625188
    ISBN10: 8024625180

    Description

    Book Synopsis
    The National Gallery in Prague has in its collection a unique Japanese illustrated manuscript of ogi no soshi, a genre of waka poems illustrated in fan-shaped pictures, which blossomed from the late Muromachi to the early Edo period. Book of Fans, with 120 poems, is the largest such book extant in the world. This facsimile of an ancient illustrated manuscript of waka poetry reveals hitherto unknown aspects of Japanese traditional culture at the close of the sixteenth century, after the end of a century of destructive civil wars. The illustrated fans contain both classical waka poetry and poetry with close affinity to renga, haikai no renga, and Noh drama. The introductory text, from specialists on three continents, sheds new light on a literature and art that were instrumental in the renewal of the country in the Momoyama period. The literary quality of the translations and the beauty of the illustrations will be welcomed by both academic and general audiences around the world.

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