Description
Book SynopsisThe most revered work composed in Old English, Beowulf is a landmark of European literature. The book has been written to accommodate the needs of a broad audience, from non-specialists who wish simply to read and enjoy Beowulf, to scholars at work on their own research, and students of Old English.
Trade ReviewThis valuable compendium covers the main areas of scholarly inquiry into the poem in eighteen short chapters, followed by lengthy bibliographies and an index. Each chapter is prefaced by a summary of its contents and a detailed, annotated chronology of major contributions to the area treated . . . It is of course immensely convenient to have all the major issues relating to Beowulf treated between one set of covers, by acknowledged experts in their fields, and A Beowulf Handbook can be recommended with enthusiastic confidence for use by undergraduates and advanced students alike. * Parergon, Vol. 17, No 2 *
A Beowulf Handbook presents an impressively detailed digest and assessment of the history of the perceived major areas of Beowulf scholarship and criticism, as they have developed from the earliest days of the recovery of the poem to the 1990s, and it gives an informed overview of the current state of scholarly debate about the poem. * English Studies Volume 80 Number 2 *
This is a good book for scholars and graduate students working on Beowulf at any level and should become one of the poem's standard research tools. ... a must for every university library where study of Old English is pursued. It would serve extremely well as recommended reading for any seminar in Beowulf, and appropriate parts of it should be required wherever serious attention is given to textual and philological investigation of the poem. * Arthuriana, Vol. 8, No. 2, Summer *
This work fills a need long felt by students of Beowulf. In its eighteen well-organized, clear, and concise chapters, A Beowulf Handbook outlines major moments in scholarship on a wide variety of issues pertaining to the study of Beowulf . . . it is able to serve as both a reference work and an introduction. * Envoi, Fall 1997, Vol. 6.2) *
Table of Contents
- Preface
- 1. Introduction: On "Beowulf", Truth and Interpretation - John D. Niles
- 2. Date, Provenance, Author, Audiences - Robert E. Bjork and Anita Obermeier;
- 3. Textual Criticism - R. D. Fulk
- 4. The Prosody Of "Beowulf" - Robert P. Stockwell;
- 5. Diction, Variation, The Formula - Katherine O'Brien O'Keeffe
- 6. Rhetoric and Style - Ursula Schaefer;
- 7. Sources and Analogues - Theodore M. Andersson
- 8. Structure and Unity - Thomas A. Shippey
- 9. Christian and Pagan Elements - Edward B. Irving
- 10. Digressions and Episodes - Robert E. Bjork
- 11. Myth and History - John D. Niles
- 12. Symbolism and Allegory - Alvin A. Lee;
- 13. The Social Milieu - John M. Hil
- 14. Gender Roles - Alexandra Hennessey Olsen
- 15. The Hero and the Theme - George Clark;
- 16. "Beowulf" and Contemporary Critical Theory - Seth Lerer;
- 17. "Beowulf" and Archaeology - Catherine M. Hills
- 18. Translations, Versions, Illustrations - Marijane Osborn
- List of Abbreviations
- Works Cited
