Description
Book SynopsisFrom the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting often in spectacular fashion the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of ''light entertainment''. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin'' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating. 100 Film Musicals provides a stimulating overview of the genre''s development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood
