Search results for ""the university of chicago press""

One of French writer Georges Perec's most famous pieces, "I Remember", consists of 480 numbered paragraphs - each just a few short lines recalling a memory from his childhood. The work has neither a beginning nor an end, nor does it contain any analysis. But it nonetheless reveals profound truths about French society during the 1940s and '50s. Taking Perec's book as its cue, "Telling About Society" explores the unconventional ways we communicate what we know about society to others. The third in distinguished teacher Howard S. Becker's best-selling series of writing guides for social scientists, the book explores the many ways knowledge about society can be shared and interpreted through different forms of telling - fiction, films, photographs, maps, even mathematical models - many of which remain outside the boundaries of conventional social science. Eight case studies, including the photographs of Walker Evans, the plays of George Bernard Shaw, the novels of Jane Austen and Italo Calvino, and the sociology of Erving Goffman, provide convincing support for Becker's argument: that every way of telling about society is perfect - for some purpose. The trick is, as Becker notes, to discover what purpose is served by doing it this way rather than that. With Becker's trademark humor and eminently practical advice, "Telling About Society" is an ideal guide for social scientists in all fields and for anyone interested in communicating knowledge in unconventional ways.

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While governmental policies and institutions may remain more or less the same for years, they can also change suddenly and unpredictably in response to new political agendas and crises. What causes stability or change in the political system? What role do political institutions play in this process? To investigate these questions, Policy Dynamics draws on the most extensive data set yet compiled for public policy issues in the United States. Spanning the past half-century, these data make it possible to trace policies and legislation, public and media attention to them, and governmental decisions over time and across institutions. Some chapters analyze particular policy areas, such as health care, national security, and immigration, while others focus on institutional questions such as congressional procedures and agendas and the differing responses by Congress and the Supreme Court to new issues. Policy Dynamics presents a radical vision of how the federal government evolves in response to new challenges - and the research tools that others may use to critique or extend that vision.

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While governmental policies and institutions may remain more or less the same for years, they can also change suddenly and unpredictably in response to new political agendas and crises. What causes stability or change in the political system? What role do political institutions play in this process? To investigate these questions, Policy Dynamics draws on the most extensive data set yet compiled for public policy issues in the United States. Spanning the past half-century, these data make it possible to trace policies and legislation, public and media attention to them, and governmental decisions over time and across institutions. Some chapters analyze particular policy areas, such as health care, national security, and immigration, while others focus on institutional questions such as congressional procedures and agendas and the differing responses by Congress and the Supreme Court to new issues. Policy Dynamics presents a radical vision of how the federal government evolves in response to new challenges - and the research tools that others may use to critique or extend that vision.

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Internationally known during her lifetime, Laura Battiferra (1523-89) was a gifted and prolife poet in Renaissance Florence. The author of nearly 400 sonnets, Battiferra, who was married to the prominent sculptor and architect Bartolomeo Ammannati, traversed an elite literary and artistic network, circulating her verse in a complex and intellectually fecund exchange with some of the most illustrious figures in Italian history. In this anthology Victoria Kirkham gathers Battiferra's most essential writing, including newly discovered poems, to provide modern readers with a valuable social chronicle of sixteenth-century Italy and the courtly culture of the Counter-Reformation.

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In the first half of the twentieth century, supporters of the eugenics movement offered an image of a racially transformed America by curtailing the reproduction of "unfit" members of society. Through institutionalization, compulsory sterilization, the restriction of immigration and marriages, and other methods, eugenicists promised to improve the population - a policy agenda that was embraced by many leading intellectuals and public figures. But Catholic activists and thinkers across the United States opposed many of these measures, asserting that "every man, even a lunatic, is an image of God, not a mere animal." In "An Image of God", Sharon M. Leon examines the efforts of American Catholics to thwart eugenic policies, illuminating the ways in which Catholic thought transformed the public conversation about individual rights, the role of the state, and the intersections of race, community, and family. Through an examination of the broader questions raised in this debate, Leon casts new light on major issues that remain central in American political life today: the institution of marriage, the role of government, and the separation of church and state. This is essential reading in the history of religion, science, politics, and human rights.

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A familiar cultural presence for people the world over, "the whiteman" has come to personify the legacy of colonialism, the face of Western modernity, and the force of globalization. Focusing on the cultural meanings of whitemen in the Orokaiva society of Papua New Guinea, this book provides a fresh approach to understanding how race is symbolically constructed and why racial stereotypes endure in the face of counter evidence. While Papua New Guinea's resident white population has been severely reduced due to postcolonial white flight, the whiteman remains a significant racial and cultural other here - not only as an archetype of power and wealth in the modern arena, but also as a foil for people's evaluations of themselves within vernacular frames of meaning. As Ira Bashkow explains, ideas of self versus other need not always be anti-humanistic or deprecatory, but can be a creative and potentially constructive part of all cultures. A brilliant analysis of whiteness and race in a non-Western society, "The Meaning of Whitemen" turns traditional ethnography to the purpose of understanding how others see us.

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On July 9, 1975, Dutch-born artist Bas Jan Ader set sail from Chatham, Massachusetts, on a thirteen-foot sailboat. He was bound for Falmouth, England, on the second leg of a three-part piece titled "In Search of the Miraculous". The damaged boat was found south of the western tip of Ireland nearly a year later. Ader was never seen again. Since his untimely death, Ader has achieved mythic status in the art world as a figure literally willing to die for his art. Considering the artist's legacy and concise oeuvre beyond the romantic and tragic associations that accompany his peculiar end, Alexander Dumbadze resituates Ader's art and life within the conceptual art world of Los Angeles in the early 1970s and offers a nuanced argument about artistic subjectivity that explains Ader's tremendous relevance to contemporary art. Bas Jan Ader blends biography, theoretical reflection, and archival research to draw a detailed picture of the world in which Ader's work was rooted: a vibrant international art scene populated with peers such as Ger van Elk, William Leavitt, and Allen Ruppersberg. Dumbadze looks closely at Ader's engagement with questions of free will and his ultimate success in creating art untainted by mediation. The first in-depth study of this enigmatic conceptual artist, Bas Jan Ader is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death.

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People in the ancient world thought of vision as both an ethical tool and a tactile sense, akin to touch. Gazing upon someone - or oneself - was treated as a path to philosophical self-knowledge, but the question of tactility introduced an erotic element as well. In "The Mirror of the Self", Shadi Bartsch asserts that these links among vision, sexuality, and self-knowledge are key to the classical understanding of the self. Weaving together literary theory, philosophy, and social history, Bartsch traces this complex notion of self from Plato's Greece to Seneca's Rome. She starts by showing how ancient authors envisioned the mirror as both a tool for ethical self-improvement and, paradoxically, a sign of erotic self-indulgence. Her reading of the Phaedrus, for example, demonstrates that the mirroring gaze in Plato, because of its sexual possibilities, could not be adopted by Roman philosophers and their students. Bartsch goes on to examine the Roman treatment of the ethical and sexual gaze, and she traces how self-knowledge, the philosopher's body, and the performance of virtue all played a role in shaping the Roman understanding of the nature of selfhood. Culminating in a profoundly original reading of Medea, "The Mirror of the Self" illustrates how Seneca, in his Stoic quest for self-knowledge, embodies the Roman view, marking a new point in human thought about self-perception. Bartsch leads readers on a journey that unveils divided selves, moral hypocrisy, and lustful Stoics - and offers fresh insights about seminal works. At once sexy and philosophical, "The Mirror of the Self" will be required reading for classicists, philosophers, and anthropologists alike.

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Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion. Responding to this challenge, "Switching Codes" brings together leading American and European scholars, scientists, and artists - including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers - to consider how the precipitous growth of digital information and its associated technologies are transforming the ways we think and act. Employing a wide range of forms, including essay, dialogue, short fiction, and game design, this book aims to model and foster discussion between IT specialists, who typically have scant training in the humanities or traditional arts, and scholars and artists, who often understand little about the technologies that are so radically transforming their fields. "Switching Codes" will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including scientists, educators, policymakers, and artists alike.

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Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion. Responding to this challenge, "Switching Codes" brings together leading American and European scholars, scientists, and artists - including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers - to consider how the precipitous growth of digital information and its associated technologies are transforming the ways we think and act. Employing a wide range of forms, including essay, dialogue, short fiction, and game design, this book aims to model and foster discussion between IT specialists, who typically have scant training in the humanities or traditional arts, and scholars and artists, who often understand little about the technologies that are so radically transforming their fields. "Switching Codes" will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including scientists, educators, policymakers, and artists alike.

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Math and science hold powerful places in contemporary society, setting the foundations for entry into some of the most robust and highest-paying industries. However, effective math and science education is not equally available to all students, with some of the poorest students - those who would benefit most - going egregiously underserved. This ongoing problem with education highlights one of the core causes of the widening class gap. While this educational inequality can be attributed to a number of economic and political causes, in "Empowering Science and Mathematics Education in Urban Communities", Edna Tan and Angela Calabrese Barton demonstrate that it is augmented by a consistent failure to integrate student history, culture, and social needs into the core curriculum. They argue that teachers and schools should create hybrid third spaces - neither classroom nor home - in which underserved students can merge their personal worlds with those of math and science. A host of examples buttress this argument: schools where these spaces have been instituted now provide students not only an immediate motivation to engage the subjects most critical to their future livelihoods but also the broader math and science literacy necessary for robust societal engagement. A unique look at a frustratingly understudied subject, "Empowering Science and Mathematics Education" pushes beyond the idea of teaching for social justice and into larger questions of how and why students participate in math and science.

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In the late nineteenth century, public officials throughout the United States began to experiment with new methods of managing their local economies and meeting the infrastructure needs of a newly urban, industrial nation. Stymied by legal barriers, they created a new class of quasipublic agencies called public authorities. Today these entities operate at all levels of government, and range from tiny operations like the Springfield Parking Authority in Massachusetts, which runs thirteen parking lots and garages, to mammoth enterprises like the Tennessee Valley Authority, with nearly twelve billion dollars in revenue each year. In "The Rise of the Public Authority", Gail Radford recounts the history of these inscrutable government corporations, examining the ways they were established and the unprecedented powers that they have exercised over the last hundred years. Radford has mapped this institutional terra incognita, giving readers a grand tour of these institutions and the way that they operate, making a substantial contribution to our understanding of these pervasive but elusive mechanisms - and their implications for American political development.

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G. J. Barker-Benfield documents the emergence of the culture of sensibility that transformed British society of the eighteenth century. His account focuses on the rise of new moral and spiritual values and the struggle to redefine the group identities of men and women. Drawing on the full spectrum of eighteenth-century thought from Adam Smith to John Locke, from the Earl of Shaftesberry to Dr. George Cheyne, and especially Mary Wollstonecraft, Barker-Benfield offers an innovative and compelling way to understand how Britain entered the modern age.

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This well-respected guide to psychoanalytic psychotherapy addresses key issues for both beginning and practicing therapists, from the rhythm of the initial, middle, and final stages of therapy to the setting up of an office and the handling of fees and insurance. The book also deals with the management of borderline and potentially suicidal or homocidal patients in an out-patient setting. Unique in their direct approach to problems in a therapist's own life, the authors also discuss transference and contertransference issues that arise with pregnancy, changes in the therapist's love attachments, age, illness and a death in the practitioner's family. New in this second edition is a chapter on women therapists and women patients.

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The genius of Thomas Edison is widely acknowledged, and Edison himself has become an almost mythical figure. But how much do we really know about the man who considered deriving rubber from a goldenrod plant as opposed to the genius who gave us electric light? In this text, Neil Baldwin gives a complex portrait of the inventor - both myth and man - and an account of the intellectual climate of the country he worked in and irrevocably changed.

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Combining literary criticism and feminist analysis, Death and Dissymmetry radically reinterprets not only the Book of Judges but also the tradition of its reception and understanding in the West. In Mieke Bal's account, Judges documents the Israelite culture learning to articulate itself in a decisive period of transition. Counter to standard readings of Judges, Bal's interpretation demonstrates that the book has a political and ideological coherence in which the treatment of women plays a pivotal role. Bal concentrates here not on the assassinations and battles that rage through Judges but on the violence in the domestic lives of individual characters, particularly sexual violence directed at women. Her skillful reading reveals that murder, in this text, relates to gender and reflects a social structure that is inherently contradictory. By foregrounding the stories of women and subjecting them to subtle narrative analysis, she is able to expose a set of preoccupations that are essential to the sense of these stories but are not articulated in them. Bal thereby develops a "countercoherence" in conflict with the apparent emphases of Judges—the politics, wars, and historiography that have been the constant focus of commentators on the book. Death and Dissymmetry makes an important contribution to the development of a feminist method of interpreting ancient texts, with consequences for religious studies, ancient history, literary theory, and gender studies.

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"Mr. Baker perceives the harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-determination and in so doing gave forth a distinctive form of expression that still echoes in a broad spectrum of 20th-century Afro-American arts. . . . Modernism and the Harlem Renaissance may well become Afro-America's 'studying manual.'"—Tonya Bolden, New York Times Book Review

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In the middle of the eighteenth century, something new made itself felt in European culture - a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, "An Archaeology of Sympathy" challenges Sergei Eisenstein's influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as "Capra's It Happened One Night", "Mr. Deeds Goes to Town", and "It's a Wonderful Life". Chandler then moves forward to romanticism and modernism - two cultural movements often seen as defined by their rejection of the sentimental - examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, "An Archaeology of Sympathy" casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.

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Some of the most popular stories in 19th-century America were sensational tales of whites captured and enslaved in North Africa. This book gathers together a selection of these Barbary captivity narratives, which significantly influenced early American attitudes toward race, slavery, and nationalism. Though Barbary privateers began to seize North American colonists as early as 1625, Barbary captivity narratives did not begin to flourish until after the American Revolution. During these years, stories of Barbary captivity forced the US government to pay humiliating tributes to African rulers, stimulated the drive to create the US Navy and brought on America's first post-revolutionary war. These tales were also used both to justify and to vilify slavery. The accounts collected here range from the 1798 tale of John Foss, who was ransomed by Thomas Jefferson's administration for tribute totalling a sixth of the annual federal budget, to the story of Ion Perdicaris, whose (probably staged) abduction in Tangier in 1904 prompted Theodore Roosevelt to send warships to Morocco and inspired the 1975 film "The Wind and the Lion". Also included is the unusual story of Robert Adams, a light-skinned African American who was abducted by Arabs and used by them to hunt negro slaves; captured by black villagers who presumed he was white; then was sold back to a group of Arabs, from whom he was ransomed by a British diplomat. These tales open a chapter of early American literary history, and shed light on the more familiar genres of Indian captivity narrative and American slave narrative.

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"A Monastery in Time" is the first book to describe the life of a Mongolian Buddhist monastery - the Mergen Monastery in Inner Mongolia - from inside its walls. From the Qing occupation of the eighteenth and nineteenth centuries through the Cultural Revolution, Caroline Humphrey and Hurelbaatar Ujeed tell a story of religious formation, suppression, and survival over a history that spans three centuries. Often overlooked in Buddhist studies, Mongolian Buddhism is an impressively self-sustaining tradition whose founding lama, the Third Mergen Gegen, transformed Tibetan Buddhism into an authentic counterpart using the Mongolian language. Drawing on fifteen years of fieldwork, Humphrey and Ujeed show how lamas have struggled to keep Mergen Gegen's vision alive through tremendous political upheaval, and how such upheaval has inextricably fastened politics to religion for many of today's practicing monks. Exploring the various ways Mongolian Buddhists have attempted to link the past, present, and future, Humphrey and Ujeed offer a compelling study of the interplay between the individual and the state, tradition and history.

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"A Place That Matters Yet" unearths the little-known story of Johannesburg's MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective. Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philosophical notion of "three-dimensional thinking," which aimed to transcend binaries and thus - quite explicitly - racism. Unfortunately, Gubbins died within weeks of the museum's opening, and his hopes would go unrealized as the museum fell in line with emergent apartheid politics. Following the museum through this transformation and on to its 1994 reconfiguration as a postapartheid institution, Byala showcases it as a rich - and problematic - archive of both material culture and the ideas that surround that culture, arguing for its continued importance in the establishment of a unified South Africa.

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In spite of soaring tuition costs, more and more students go to college every year. A bachelor's degree is now required for entry into a growing number of professions. And some parents begin planning for the expense of sending their kids to college when they're born. Almost everyone strives to go, but almost no one asks the fundamental question posed by Academically Adrift: are undergraduates really learning anything once they get there? For a large proportion of students, Richard Arum and Josipa Roksa's answer to that question is a definitive no. Their extensive research draws on survey responses, transcript data, and, for the first time, the state-of-the-art Collegiate Learning Assessment, a standardized test administered to students in their first semester and then again at the end of their second year. According to their analysis of more than 2,300 undergraduates at twenty-four institutions, forty-five percent of these students demonstrate no significant improvement in a range of skills - including critical thinking, complex reasoning, and writing - during their first two years of college. As troubling as their findings are, Arum and Roksa argue that for many faculty and administrators they will come as no surprise - instead, they are the expected result of a student body distracted by socializing or working and an institutional culture that puts undergraduate learning close to the bottom of the priority list. Academically Adrift holds sobering lessons for students, faculty, administrators, policy makers, and parents - all of whom are implicated in promoting or at least ignoring contemporary campus culture. Higher education faces crises on a number of fronts, but Arum and Roksa's report that colleges are failing at their most basic mission will demand the attention of us all.

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In spite of soaring tuition costs, more and more students go to college every year. A bachelor's degree is now required for entry into a growing number of professions. And some parents begin planning for the expense of sending their kids to college when they're born. Almost everyone strives to go, but almost no one asks the fundamental question posed by "Academically Adrift": are undergraduates really learning anything once they get there? For a large proportion of students, Richard Arum and Josipa Roksa's answer to that question is a definitive no. Their extensive research draws on survey responses, transcript data, and, for the first time, the state-of-the-art Collegiate Learning Assessment, a standardized test administered to students in their first semester and then again at the end of their second year. According to their analysis of more than 2,300 undergraduates at twenty-four institutions, forty-five percent of these students demonstrate no significant improvement in a range of skills - including critical thinking, complex reasoning, and writing - during their first two years of college. As troubling as their findings are, Arum and Roksa argue that for many faculty and administrators they will come as no surprise - instead, they are the expected result of a student body distracted by socializing or working and an institutional culture that puts undergraduate learning close to the bottom of the priority list. Academically Adrift holds sobering lessons for students, faculty, administrators, policy makers, and parents - all of whom are implicated in promoting or at least ignoring contemporary campus culture. Higher education faces crises on a number of fronts, but Arum and Roksa's report that colleges are failing at their most basic mission will demand the attention of us all.

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Jorge Arditi's study offers a history of mores from the High Middle Ages to the Enlightenment. Drawing on the pioneering ideas of Norbert Elias, Michel Foucault, and Pierre Bourdieu, the text examines the relationship between power and social practices and traces how power changes over time. Analyzing courtesy manuals and etiquette books from the 13th to the 18th century, Arditi shows how the dominant classes of a society were able to create a system of social relations and put it into operation. The result was an infrastructure in which these classes could successfully exert power. He explores how the ecclesiastical authorities of the Middle Ages, the monarchies from the 15th through the 17th century, and the aristocracies during the early stages of modernity all forged their own codes of manners within the confines of another, dominant order. Arditi goes on to describe how each of these different groups, through the sustained deployment of their own forms of relating with one another, gradually moved into a position of dominance.

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The postmodern view that human experience is constructed by language and culture has informed historical narratives for decades. Yet newly emerging information about the biological body now makes it possible to supplement traditional scholarly models with insights about the bodily sources of human thought and experience. "The Body of Faith" is the first account of American religious history to highlight the biological body. Robert C. Fuller brings a crucial new perspective to the study of American religion, showing that knowledge about the biological body deeply enriches how we explain dramatic episodes in American religious life. Fuller shows that the body's genetically evolved systems - pain responses, sexual passion, and emotions like shame and fear - have persistently shaped the ways that Americans forge relationships with nature, society, and God. The first new work to appear in the "Chicago History of American Religion" series in decades, "The Body of Faith" offers a truly interdisciplinary framework for explaining the richness, diversity, and endless creativity of American religious life.

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In the Guangdong province in southeastern China lies Dafen, a village that houses thousands of workers who paint Van Goghs, Da Vincis, Warhols, and other Western masterpieces, producing an astonishing five million paintings a year. To write about life and work in Dafen, Winnie Wong infiltrated this world, investigating the claims of conceptual artists who made projects there; working as a dealer; apprenticing as a painter; surveying merchants in Europe, Asia, and America; establishing relationships with local leaders; and organizing a conceptual art show for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world - one that sheds surprising light on our understandings of art, artists, and individual genius. Confronting difficult questions about the definition of art, the ownership of an image, and the meaning of imitation and appropriation, Wong shows how a plethora of artistic practices joins Chinese migrant workers, propaganda makers, and international artists together in a global supply chain of art and creativity. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen's painters to reimagine the Dafen Art Museum, unwittingly appropriated a photojournalist's intellectual property. She explores how Zhang Huan, a radical performance artist from Beijing's East Village, prompted propaganda makers to heroize the female artists of Dafen village. Through these cases, Wong shows how Dafen's workers force us to reexamine our expectations about the cultural function of creativity and imitation, and the role of Chinese workers in redefining global art. Providing a valuable account of art practices in a period of profound global cultural shifts and an ascendant China, Van Gogh on Demand is a rich and detailed look at the implications of a world that can offer countless copies of everything that has ever been called "art."

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One of Hegel’s most controversial and confounding claims is that “the real is rational and the rational is real.” In this book, one of the world’s leading scholars of Hegel, Jean-François Kervégan, offers a thorough analysis and explanation of that claim, along the way delivering a compelling account of modern social, political, and ethical life. Kervégan begins with Hegel’s term “objective spirit,” the public manifestation of our deepest commitments, the binding norms that shape our existence as subjects and agents. He examines objective spirit in three realms: the notion of right, the theory of society, and the state. In conversation with Tocqueville and other theorists of democracy, whether in the Anglophone world or in Europe, Kervégan shows how Hegel—often associated with grand metaphysical ideas—actually had a specific conception of civil society and the state. In Hegel’s view, public institutions represent the fulfillment of deep subjective needs—and in that sense, demonstrate that the real is the rational, because what surrounds us is the product of our collective mindedness. This groundbreaking analysis will guide the study of Hegel and nineteenth-century political thought for years to come.

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From xenophobic appropriations of Joan of Arc to Afro-futurism and cyberpunk, the "national" characters of the colonial era often seem to be dissolving into postnational and virtual subjects. In "Continental Drift," Emily Apter deftly analyzes the French colonial and postcolonial experience as a case study in the erosion of belief in national destiny and the emergence of technologically mediated citizenship. Among the many topics Apter explores are the fate of literatures in an increasingly transnational literary climate; the volatile stakes of Albert Camus's life and reputation against the backdrop of Algerian civil strife; the use of literary and theatrical productions to "script" national character for the colonies; belly-dancing and aesthetic theory; and the impact of new media on colonial and postcolonial representation, from tourist photography to the videos of Digital Diaspora. "Continental Drift" advances debates not just in postcolonial studies, but also in gender, identity, and cultural studies; ethnography; psychoanalysis; and performance studies.

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'We got to talking' so David Antin begins the introduction to "Radical Coherency", embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. From his position in the visual arts department at the University of California, San Diego, Antin has served since the late 1960s as bantering laureate of the American avant garde. Whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, his innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, "Radical Coherency" collects Antin's influential critical essays and spontaneous, performed lectures (or 'talk-pieces') for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from front-line interventions in present debates on poetics to fugitive pieces from the '60s and '70s that still sparkle today - and represent a goldmine for art historians of the period. From Andy Warhol to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture, including his earliest publications in "ARTNews" and more recent reflections on the legendary figures who ran in his circle. Forty years in the making, "Radical Coherency" will be welcomed by any fan of this consummate trailblazer.

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The Lincoln-Douglas debates remain our culture's model of what public political debate ought to be. This new edition of the complete transcripts of the debates and eyewitness interpretations of them (previously published under the title Created Equal?) includes a new Foreword by David Zarefsky. Zarefsky analyzes the rhetoric of the speeches, showing how Lincoln and Douglas chose their arguments and initiated a debate that shook the nation. Their eloquent, statesmanlike discussion of the morality of slavery illustrates the masterful use of rhetorical strategies and tactics in the public forum: a form of discourse that has nearly disappeared from the political scene today.

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In the early 1920s Nels Anderson combined his own experience "on the bummery", with his sociological insight to give voice to a largely ignored underclass. This text presents Nels Anderson's ethnographic work of a world of homeless men, a study conducted on Madison street in Chicago, and also includes Anderson's later work on the juvenile and the tramp, the unattached migrant, and the family.

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In Sappho in Early Modern England, Harriette Andreadis examines public and private expressions of female same-sex sexuality in sixteenth- and seventeenth-century England. Before the language of modern sexual identities developed, a variety of discourses in both literary and extraliterary texts began to form a lexicon of female intimacy. Looking at accounts of non-normative female sexualities in travel narratives, anatomies, and even marital advice books, Andreadis outlines the vernacular through which a female same-sex erotics first entered verbal consciousness. She finds that "respectable" women of the middle classes and aristocracy who did not wish to identify themselves as sexually transgressive developed new vocabularies to describe their desires; women that we might call bisexual or lesbian, referred to in their day as tribades, fricatrices, or "rubsters," emerged in erotic discourses that allowed them to acknowledge their sexuality and still evade disapproval.

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Europeans and Americans tend to hold the opinion that democracy is a uniquely Western inheritance, but in The Common Cause, Leela Gandhi recovers stories of an alternate version, describing a transnational history of democracy in the first half of the twentieth century through the lens of ethics in the broad sense of disciplined self-fashioning. Gandhi identifies a shared culture of perfectionism across imperialism, fascism, and liberalism-an ethic that excluded the ordinary and unexceptional. But she also illuminates an ethic of moral imperfectionism, a set of anticolonial, antifascist practices devoted to ordinariness and abnegation that ranged from doomed mutinies in the Indian military to Mahatma Gandhi's spiritual discipline. Reframing the way we think about some of the most consequential political events of the era, Gandhi presents moral imperfectionism as the lost tradition of global democratic thought and offers it to us as a key to democracy's future. In doing so, she defends democracy as a shared art of living on the other side of perfection and mounts a postcolonial appeal for an ethics of becoming common.

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At a glance, most species seem adapted to the environment in which they live. Yet species relentlessly evolve, and populations within species evolve in different ways. Evolution, as it turns out, is much more dynamic than biologists realized just a few decades ago. In "Relentless Evolution", John N. Thompson explores why adaptive evolution never ceases and why natural selection acts on species in so many different ways. Thompson presents a view of life in which ongoing evolution is essential and inevitable. Each chapter focuses on one of the major problems in adaptive evolution: How fast is evolution? How strong is natural selection? How do species co-opt the genomes of other species as they adapt? Why does adaptive evolution sometimes lead to more, rather than less, genetic variation within populations? How does the process of adaptation drive the evolution of new species? How does coevolution among species continually reshape the web of life? And, more generally, how are our views of adaptive evolution changing? "Relentless Evolution" draws on studies of all the major forms of life - from microbes that evolve in microcosms within a few weeks to plants and animals that sometimes evolve in detectable ways within a few decades. It shows evolution not as a slow and stately process, but rather as a continual and sometimes frenetic process that favors yet more evolutionary change.

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First Walk after Cancer. New ugly house (too big) with girl on porch cradling lacrosse stick; a Spanish lady, lost? Speaking Spanish to Bluetooth in her ear; tied rods of rebar webbing a bridge under repair; dude in red shorts, running-Hey, it's not that warm! no red wheelbarrow; white chick of seductive frame; ruined snow, wet street; sun meeting my face like a brother in a hospital room; laborers from China in hard hats and uniforms traversing embassy foundation, just a giant hole; Israeli grounds next door, cordoned off with cable, cameras at all corners; cops in car across the street, 7-Eleven coffee cooling on the hood; lost glove in bare tree; blue jay; my favorite shoes: green lights everywhere, seen, if not understood. At the heart of Joshua Weiner's new book is an extended poem with a bold political dimension and great intellectual ambition. It fuses the poet's point of view with Walt Whitman's to narrate a decentered time-traveling collage about Rock Creek, a tributary of the Potomac that runs through Washington, DC. For Weiner, Rock Creek is the location of myriad kinds of movement, streaming, and joining: personal enterprise and financial capital; national politics, murder, sex, and homelessness; the Civil War and collective history; music, spiritual awakening, personal memory, and pastoral vision. The questions that arise from the opening foundational poem inform the others in the collection, which range widely from the dramatic arrival of an uncanny charismatic totem that titles the volume to intimate reflections on family, illness, and dream visions. In "The Figure of a Man Being Swallowed by a Fish", Weiner has discovered a new poetic idiom, one that is stripped down, rhythmically jagged, and comprehensively philosophical about human limits.

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This text presents the results of a research project carried out on foraging behaviour among African baboons and its consequences for survival and reproduction. Detailed data is provided on the feeding habits of each baboon, with an analysis of its nutrient intake. These figures are then compared with those in optimum diets. The most striking result of this study is that the baboon's subsequent survival and reproductive success could be accurately predicted from what they had eaten as yearlings. The animals with energy intakes closest to the optimum and protein intakes furthest above their requirements were most likely to survive to adulthood and to successfully produce offspring.

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Since the September 11 terrorist attacks against the United States, religious fundamentalism has dominated public debate as never before. Policymakers, educators and the general public all want to know: Why do fundamentalist movements turn violent? Are fundamentalisms a global threat to human rights, security and democratic forms of government? What is the future of fundamentalism? To answer questions like these, "Strong Religion" draws on the results of the Fundamentalism Project, a decade-long interdisciplinary study of antimodernist, antisecular militant religious movements on five continents and within seven religious traditions. The authors of this study analyze the various social structures, cultural contexts and political environments in which fundamentalist movements have emerged around the world, from the Islamic Hamas and Hizbullah to the Catholic and Protestant paramilitaries of Northern Ireland, and from the Moral Majority and Christian Coalition of the United states to the Sikh radicals and Hindu nationalists of India. Offering a vividly detailed portrait of the cultures that nourish such movements, "Strong Religion" describes different modes of fundamentalism and identifies the kinds of historical events that can trigger them. For anyone who wants to understand why fundamentalist movements arise and what makes them turn violent, "Strong Religion" should be essential reading.

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In this work, the literary historian, Paul Alpers, argues that pastoral is based upon a fundamental fiction - that the lives of shepherds or other socially humble figures represent the lives of human beings in general. Ranging from Virgil's "Eclogues" to Sarah Orne Jewett's "The Country of the Pointed Firs", from Shakespeare and Cervantes to Hardy and Frost, this work aims to bring the story of the pastoral tradition, previously limited to classical and Renaissance literature, into the 20th century. Pastoral re-emerges in this account not as a vehicle of nostalgia for some Golden Age, nor of escape to idyllic landscapes, but as a mode bearing witness to the possibilities and problems of human community and shared experience in the real world.

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Few events in the history of humanity rival the Industrial Revolution. Following its onset in eighteenth-century Britain, sweeping changes in agriculture, manufacturing, transportation, and technology began to gain unstoppable momentum throughout Europe, North America, and eventually much of the world, with profound effects on socioeconomic and cultural conditions. In "The Institutional Revolution", Douglas W. Allen offers a carefully researched and thought-provoking account of how dramatic changes in institutions - the formal and informal rules that govern a society-resulted from the unprecedented economic development that took place during the Industrial Revolution. Fundamental to these changes were the many significant improvements in the ability to measure performance - whether of government officials, laborers, or naval officers - thereby reducing the amount of variance in daily affairs. Offering fascinating insight into how institutions address the cost of monitoring others, Allen provides readers along the way with an understanding of the critical roles of seemingly bizarre institutions, from dueling to the purchase of one's rank in the British Army. Engagingly written, "The Institutional Revolution" traces the dramatic shift from premodern institutions based on patronage, purchase, and personal ties toward modern institutions based on standardization, merit, and wage labor.

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Most archaeologists and historians of the ancient Near East have focused on the internal transformations that led to the emergence of early cities and states. In The Uruk World System, Guillermo Algaze concentrates on the unprecedented and wide-ranging process of external expansion that coincided with the rapid initial crystallization of Mesopotamian civilization. In this extensive study, he contends that the rise of early Sumerian polities cannot be understood without also taking into account the developments in surrounding peripheral areas. This new edition includes a substantial new chapter that explores recent data and interpretations of the expansion of Uruk settlements across Syro-Mesopotamia.

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In 1955, Maxine Kumin submitted a poem to the Saturday Evening Post. "Lines on a Half-Painted House" made it into the magazine - but not before Kumin was asked to produce, via her husband's employer, verification that the poem was her original work. Kumin, who went on to win the Pulitzer Prize for poetry, was part of a groundbreaking generation of women writers who came of age during the midcentury feminist movement. By challenging the status quo and ultimately finding success for themselves, they paved the way for future generations of writers. In A Story Larger than My Own, Janet Burroway brings together Kumin, Julia Alvarez, Jane Smiley, Erica Jong, and fifteen other accomplished women of this generation to reflect on their writing lives. The essays and poems featured in this collection illustrate that even writers who achieve critical and commercial success experience a familiar pattern of highs and lows over the course of their careers. Along with success comes the pressure to sustain it, as well as a constant search for subject matter, all too frequent crises of confidence, the challenges of a changing publishing scene, and the difficulty of combining writing with the ordinary stuff of life-family, marriage, jobs. The contributors, all now over the age of sixty, also confront the effects of aging, with its paradoxical duality of new limitations and newfound freedom. Taken together, these stories offer advice from experience to writers at all stages of their careers and serve as a collective memoir of a truly remarkable generation of women.

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Most people understand property as something that is owned, a means of creating individual wealth. However, in this text a history of the meaning of property, Gregory Alexander uncovers in American legal writing a competing vision of property that has existed alongside the traditional conception. Property, Alexander argues, has also been understood as "proprietary", a mechanism for creating and maintaining a properly-ordered society. This view of property has even operated in periods such as the second half of the 19th century, when market forces seemed to dominate social and legal relationships. In demonstrating how the understanding of property as a private basis for the public good has competed with the better-known market-oriented conception, the author of this book rewrites the history of property, with significant implications for current political debates and recent Supreme Court decisions.

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From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In this text Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, even though many of the most important artistic experiments of the Modernists were collaborations involving several media - Igor Stravinsky's "The Rite of Spring" is a ballet, Gertrude Stein's "Four Saints in Three Acts" is an opera, and Pablo Picasso turned his cubist paintings into costumes for "Parade." Focusing on collaborations with a musical component, Albright views these works as either figures of dissonance that try to retain the distinctness of their various media (e.g. Guillaume Apollinaire's "Les Mamelles de Tiresias") or figures of consonance that try to lose themselves in some total effect (such as Arnold Schoenberg's "Erwartung"). In so doing he offers a fresh picture of Modernism, and provides a model for the analysis of all artistic collaborations.

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The building and management of public housing is often seen as a signal failure of American public policy, but this is a vastly oversimplified view. In "Purging the Poorest", Lawrence J. Vale offers a new narrative of the seventy-five-year struggle to house the "deserving poor." In the 1930s, two iconic American cities, Atlanta and Chicago, demolished their slums and established some of this country's first public housing. Six decades later, these same cities also led the way in clearing public housing itself. Vale's ground breaking history of these "twice-cleared" communities provides unprecedented detail about the development, decline, and redevelopment of two of America's most famous housing projects: Chicago's Cabrini-Green and Atlanta's Techwood/Clark Howell Homes. Vale offers the novel concept of "design politics" to show how issues of architecture and urbanism are intimately bound up in thinking about policy. Drawing from extensive archival research and in-depth interviews, Vale recalibrates the larger cultural role of public housing, revalues the contributions of public housing residents, and reconsiders the role of design and designers.

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At a time when women were generally excluded from scholarly discourse in the intellectual centers of Europe, four extraordinary female letterate proved their parity as they lectured in prominent scientific and literary academies and published in respected journals. During the Italian Enlightenment, Maria Gaetana Agnesi, Giuseppa Eleonora Barbapiccola, Diamante Medaglia Faini, and Aretafila Savini de Rossi were afforded unprecedented deference in academic debates and epitomized the increasing ability of women to influence public discourse. The Contest for Knowledge reveals how these four women used the methods and themes of their male counterparts to add their voices to the vigorous and prolific debate over the education of women during the eighteenth century. In the texts gathered here, the women discuss the issues they themselves thought most urgent for the equality of women in Italian society specifically and in European culture more broadly. Their thoughts on this important subject reveal how crucial the eighteenth century was in the long history of debates about women in the academy.

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At a time when women were generally excluded from scholarly discourse in the intellectual centers of Europe, four extraordinary female letterate proved their parity as they lectured in prominent scientific and literary academies and published in respected journals. During the Italian Enlightenment, Maria Gaetana Agnesi, Giuseppa Eleonora Barbapiccola, Diamante Medaglia Faini, and Aretafila Savini de Rossi were afforded unprecedented deference in academic debates and epitomized the increasing ability of women to influence public discourse. The Contest for Knowledge reveals how these four women used the methods and themes of their male counterparts to add their voices to the vigorous and prolific debate over the education of women during the eighteenth century. In the texts gathered here, the women discuss the issues they themselves thought most urgent for the equality of women in Italian society specifically and in European culture more broadly. Their thoughts on this important subject reveal how crucial the eighteenth century was in the long history of debates about women in the academy.

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How did rodent outbreaks in Germany help to end World War I? What caused the destructive outbreak of rodents in Oregon and California in the late 1950s, the large population outbreak of lemmings in Scandinavia in 2010, and the great abundance of field mice in Scotland in the spring of 2011? Population fluctuations, or outbreaks, of rodents constitute one of the classic problems of animal ecology, and in "Population Fluctuations in Rodents", Charles J. Krebs sifts through the last eighty years of research to draw out exactly what we know about rodent outbreaks and what should be the agenda for future research. Krebs has synthesized the research in this area, focusing mainly on the voles and lemmings of the Northern Hemisphere - his primary area of expertise - but also referring to the literature on rats and mice. He covers the patterns of changes in reproduction and mortality and the mechanisms that cause these changes - including predation, disease, food shortage, and social behavior - and discusses how landscapes can affect population changes, methodically presenting the hypotheses related to each topic before determining whether or not the data supports them. He ends on an expansive note, by turning his gaze outward and discussing how the research on rodent populations can apply to other terrestrial mammals. Geared toward advanced undergraduates, graduate students, and practicing ecologists interested in rodent population studies, this book will also appeal to researchers seeking to manage rodent populations and to understand outbreaks in both natural and urban settings - or, conversely, to protect endangered species.

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Joel Agee, the son of James Agee, was raised for twelve years in East Germany, where his stepfather, the novelist Bodo Uhse, was a member of the privileged communist intelligentsia. This is the story of how young Joel failed to become a good communist, becoming instead a fine writer."A wonderfully evocative memoir. . . . Agee evoked for me the atmosphere of postwar Berlin more vividly than the actual experience of it—and I was there." —Christopher Lehmann-Haupt, New York Times"One of those rare personal memoirs that brings to life a whole country and an epoch." —Christopher Isherwood"Twelve Years consists of a series of finely honed anecdotes written in a precise, supple prose rich with sensual detail." —David Ghitelman, Newsday"By turns poetic and picturesque, Agee energetically catalogues his expatriate passage to manhood with a pinpoint eye and a healthy American distaste for pretension. . . . Huckleberry Finn would have . . . welcomed [him] as a soulmate on the raft." —J. D. Reed, Time"A triumph. . . . Unfettered by petty analysis or quick explanations, a story that is timeless and ageless and vital." —Robert Michael Green, Baltimore Sun

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