Search results for ""Public Space""

Henry Moore has influenced the history of twentieth - century sculpture more decisively than anyone else. He was one of the first contemporary sculptors to realise his ideas in the public space throughout the world. His oeuvre was a lasting source of inspiration for an entire generation of artists – from Hans Arp, Alberto Giacometti and Pablo Picasso to the younger generation of German sculptors. Henry Moore (1898 – 1 986), known as the “Picasso of Sculpture”, is regarded as one of the most important sculptors of the twentieth century and the epitome of the modern artist. Typical of his work is the interrelationship between nature and abstraction. He discovered the “voi ds“, so - called openings and holes which heighten the sculptural, three - dimensional effect of his works. With this new approach Moore exercised a strong influence on younger sculptors, who gained decisive impulses from his sculptures. This volume presents M oore as the dominant personality of modern sculpture in collaboration with the members of the younger generation of artists.

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High-quality residential structures are much more than merely a series ofdifferent floor plans. First and foremost, the urban apartment house mediatesbetween the private refuge and the public space of the city. In theprocess, boundaries between inside and outside are negotiated on a widevariety of scales. Housing + focuses on investigating spatial and architecturalas well as social and communicative interfaces in residential construction.The publication is divided into four chapters – “Urban Planning,” “TheGround Floor,” “Building Structure,” and “Facade” – to which sixty-seveninternational projects are assigned. These four thematic focuses are discussedcomprehensively in the essays that introduce the chapters; the individualprojects are analyzed in brief texts in the catalog under these sameaspects. Comparable plans drawn especially for this book supplement thetypological descriptions. The spectrum of projects selected covers urbanapartment block construction from towers, block structures, row houses,and gaps between buildings to housing complexes in outlying urban areas.

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A History of Interior Design tells the story of 6,000 years of domestic and public space. It's an essential resource for students, professionals and anyone interested in interior design, the decorative arts, architecture and art history. It explores a broad range of styles and movements, weaving together a fascinating narrative from cave dwellings and temple architecture, through Gothic cathedrals and Islamic palaces, to modern skyscrapers and the retail spaces of the 21st-century.This fully updated fifth edition includes more on the contributions of women designers and architects, additional coverage of furniture, product design and decoration, as well as numerous examples of diverse modern styles from around the world. An extra final chapter focuses on the influence of the latest technology and current thinking on the importance of conservation and ethical sourcing.This new edition includes 730 images, over 300 of which are new or colour replacements for black and white photos.

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Author, social critic and “New York City’s career elegist” (The New York Times), Jeremiah Moss felt alienated in a town that had become suburbanised and sanitised. Then lockdown launched an unprecedented urban experiment: What happens when an entire social class abandons the city? In the streets made vibrant by New Yorkers left behind, Moss found a sense of freedom he never thought possible. Participating in a historic explosion of protest, resistance and spontaneity. From queer BLM marches to exuberant outdoor dance parties, he discovers that, without “hyper-normal” people to constrain it, New York can be more creative, connected, humane and joyful. In this genre-bending work of “autotheory”, Moss gives an account of his renewed sense of place as a transgender man, braiding the narrative with psychoanalysis, literature and queer theory, as he offers valuable insight into the way public space—and the spaces inside us—are controlled and can be set free.

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In Women of the Midan, Sherine Hafez demonstrates how women were a central part of revolutionary process of the Arab Spring. Women not only protested in the streets of Cairo, they demanded democracy, social justice, and renegotiation of a variety of sociocultural structures that repressed and disciplined them. Women's resistance to state control, Islamism, neoliberal market changes, the military establishment, and patriarchal systems forged new paths of dissent and transformation. Through firsthand accounts of women who participated in the revolution, Hafez illustrates how the gendered body signifies collective action and the revolutionary narrative. Using the concept of rememory, Hafez shows how the body is inseparably linked to the trauma of the revolutionary struggle. While delving into the complex weave of public space, government control, masculinity, and religious and cultural norms, Hafez sheds light on women's relationship to the state in the Arab world today and how the state, in turn, shapes individuals and marks gendered bodies.

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Urban design today is facing a multitude of challenges. Using 12 key terms, this book connects these challenges to projects in this field. It introduces concepts. presents possible solutions, and describes implementation processes. A special focus is put on the interaction of the built environment with living systems — an approach that is slowly gaining acceptance within the urban design community and that is setting aside a primarily building-oriented practice in favour of an increased appreciation of public space. Basics of Urbanism defines and illustrates parameters with a clearly territorial approach to urban design. Space between buildings is treated as an essential structure for environmental and social change within small-scale neighbourhoods and blocks, as well as at the level districts and even entire cities. This approach includes forward-thinking temporal aspects as well as the implementation of existing resources in the creation of new spatial qualities. Text in English and German.

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We are excited to launch the stunning and dynamic new book ODE by Melissa Schriek, a vivid exploration into the dynamics of female friendship. About ODEOne of the primary motivations for starting ODE was to pay homage, quite literally, to sisterhood and female friendship. Throughout my life, I''ve been inspired by the power and unity of women, and that admiration continues to grow. The bond and connection that I often witness and experience among women hold significant importance to me. It struck me how this bond is frequently misrepresented in popular media as ''toxic'', dramatic, or hostile, and at times, female friendship is overlooked altogether. In response, I set out to create a photographic narrative that would present a different perspective on friendship, while maintaining authenticity. I photographed numerous pairs of best friends, mostly in public space, aiming to explore the essence of their connections through portraiture, body language and movement.

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'Punchy and compassionate' OBSERVERA collection of gorgeously written and timely pieces in which prize-winning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life's inevitable hardships.In "We Kin" he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in "Share Your Bucket" he explores skate-boarding's reclamation of public space; he considers the costs of masculinity in "Grief Suite"; and in "Through My Tears I Saw," he recognizes what was healed in caring for his father as he was dying.In an era when divisive voices take up so much air space, Inciting Joy offers a vital alternative: what might be possible if we turn our attention to what brings us together? Full of energy, curiosity, and compassion, it is essential reading from one of our most brilliant writers.

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This open access book provides insight on how the tactical urbanism has the capacity to influence change in mobility practices such as cycling. COVID-19 crisis prompted the public authorities to rethink the use of public space in order to develop means of transport that are both efficient and adapted to the health context and their effects on cycling practices in Europe, North, and South America. Its contributors collectively reveal and evidence through policies analysis, mapping, and innovative qualitative analysis bridging video and interviews, how those new infrastructures and policies can be a trigger for change in a context of mobility transition.This book provides an important element on the way local authorities can act in a quicker and more agile way. While some decisions are specific to the context of the beginning of the pandemic, the analysis offers lessons on the way to implement the transition toward a low-carbon mobility, on the importance of processes based on trials and errors, on the political stakes of reallocating road space.

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What is "cancel culture." A new phrase in popular circulation for less than two years, it has provoked passionate denunciations from observers concerned with civil liberties, especially rights of free speech and expression, and apologetic defenses from opponents who advocate equity and accountability in light of new mores. Still others deny that "cancel culture" exists at all, while many claim never to have heard of it. In Cancel Culture: Tales from the Front Lines, noted historian and critic Paul du Quenoy presents a series of case studies that reveal the new phenomenon known as "cancel culture" as experienced or claimed in media, academia, the arts, public space, and other areas of ideological controversy. More than a bald denunciation or frustrated description of an unfamiliar new concept, this groundbreaking approach seeks to understand "cancel culture" as a process – how it starts and stops, where it comes from and leads, and how and, indeed, whether it might one day end. This penetrating and highly original analysis sheds light on a society grappling feverishly with fundamental issues of freedom and liberty.

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Lavishly illustrated with over 470 images - 129 of them in color, this book reveals Frederick Law Olmsted's design concepts for more than seventy public park projects through a rich collection of sketches, studies, lithographs, paintings, historical photographs, and comprehensive descriptions. Bringing together Olmsted's most significant parks, parkways, park systems, and scenic reservations, this gorgeous volume takes readers on a uniquely conceived tour of such notable landscapes as Central Park, Prospect Park, the Buffalo Park and Parkway System, Washington Park and Jackson Park in Chicago, Boston's "Emerald Necklace," and Mount Royal in Montreal, Quebec. No such guide to Olmsted's parks has ever been published. Frederick Law Olmsted (1822-1903) planned many parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed and defended today. His public parks, the design of which he was most proud, have had a lasting effect on urban America. This gorgeous book will appeal to landscape professionals, park administrators, historians, architects, city planners, and students-and it is a perfect gift for Olmsted aficionados throughout North America.

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Exploring how urban professionals plan, manage and govern cities in emerging economies, this insightful book studies the actions and instruments they employ. It highlights how the paradigms of interventions and approaches to urban management are shifting, indicating that urban governance is becoming increasingly important in dealing with wicked issues, like climate change and social and economic inequalities in cities.Urban Planning, Management and Governance in Emerging Economies offers rich international examples looking at housing, public space, water, climate change, the environment and economic development. Chapters showcase the changing role of urban professionals, with a particular focus on the dynamic social, cultural and economic transformations of cities in emerging economies. Exploring contemporary approaches to urban governance, contributors draw attention to the prevalence of smart cities, new forms of partnerships and just transitions in a changing urban landscape.Researchers and students of urban development, planning, management and governance will appreciate the multiple theoretical angles and the key case studies used throughout the book. The examples and theories will be helpful for urban leaders, strategists and advocates working in emerging economies.

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Roma Traversata analyzes pathways to decipher the complexity of Rome's urban layout. Nearly all of the prehistoric country paths converging on what was to become the Roman Forum (the ancient city center) are still traceable in the modern city. To these were added other major streets in ancient times. Additional Medieval and Renaissance streets developed the city further as its center shifted from the Forum toward the Vatican. Some of these provided the framework for Rome's late 19th century urban development. Ceen follows nine routes: three prehistoric, three ancient, and three post-classical pathways through the city, showing us that streets are not merely the space left over between buildings but have a formal character of their own and even determine certain aspects of buildings. Rather than insisting upon the greater importance of streets over buildings, Ceen studies the interactions between buildings and public space, something he describes as urban reciprocity. Profusely and beautifully illustrated, Roma Traversata shows that streets and pathways of Rome are not merely ways of getting from place to place. They are places.

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In Mixed Company explores taverns as colonial public space and how men and women of diverse backgrounds – Native and newcomer, privileged and labouring, white and non-white – negotiated a place for themselves within them. The stories that emerge unsettle comfortable certainties about who belonged where in colonial society. Colonial taverns were places where labourers enjoyed libations with wealthy Aboriginal traders like Captain Thomas, who also treated a Scotsman to a small bowl of punch; where white soldiers rubbed shoulders with black colonists out to celebrate Emancipation Day; where English ladies and their small children sought refuge for a night. The records of the past tell stories of time spent in mixed company but also of the myriad, unequal ways that colonists found room in taverns and a place in Upper Canadian culture and society. Reconstructed from tavern-keepers’ accounts, court records, diaries, travelogues, and letters, In Mixed Company is essential reading for tavern aficionados and anyone interested in the history of gender, race, and culture in Canadian or colonial society.

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In Mixed Company explores taverns as colonial public space and how men and women of diverse backgrounds – Native and newcomer, privileged and labouring, white and non-white – negotiated a place for themselves within them. The stories that emerge unsettle comfortable certainties about who belonged where in colonial society. Colonial taverns were places where labourers enjoyed libations with wealthy Aboriginal traders like Captain Thomas, who also treated a Scotsman to a small bowl of punch; where white soldiers rubbed shoulders with black colonists out to celebrate Emancipation Day; where English ladies and their small children sought refuge for a night. The records of the past tell stories of time spent in mixed company but also of the myriad, unequal ways that colonists found room in taverns and a place in Upper Canadian culture and society. Reconstructed from tavern-keepers’ accounts, court records, diaries, travelogues, and letters, In Mixed Company is essential reading for tavern aficionados and anyone interested in the history of gender, race, and culture in Canadian or colonial society.

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The work of artist and stage designer rosalie is marked by aspects of an innovative transgression of limits. It has been shown in numerous exhibitions in galleries and museums, mainly in Germany, and has been featured also at international art fairs, such as Art Basel, Art Cologne and Art Frankfurt. rosalie has also created a number of large-scale projects for public space in several German cities. rosalie has gained particular recognition also for her work for the stage and projects she has realised with musicians. Light as a medium, light-art is a key aspect of rosalie's work in recent years, and has become an independent complex with her oeuvre. With her large-scale, striking kinetic light-sculptures, using new and innovative technologies and materials and recognised by a growing international audience, she has created a wide range of "new universes of light". 'rosalie Light-Art' presents her spectacular light-art projects and interdisciplinary works including music and scenery for the first time in a large-size illustrated book that also includes a DVD with short film presentations.

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The first revenge drama, the first great female role, the first tragedy set on the cusp between public space and private household, the first part of the only surviving tragic trilogythe foundational status of Aeschylus' monumental Agamemnon cannot be over-estimated. Agamemnon's entry on a chariot, arrogant passage over purple carpets, death in the bath and display as a corpse, along with the inspired prophetess, his war booty Cassandra, make this tragedy visually electrifying; the poetry, especially in Clytemnestra's orations and the choral odes, in magniloquence and vivid imagery surpasses anything in classical literature. This new edition, with Greek text, critical introduction, accessible translation and detailed commentary gives consistent support in construing the ancient Greek and appreciating the aural power of Aeschylus' language and rhythms. It draws on cutting-edge scholarship to provide unprecedented illumination of sociological and performative aspects of his play: the cho

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A searing, diaristic portrayal of a city and society in revolution by Magnum nominee Myriam Boulos In her debut monograph, Myriam Boulos casts an unflinching eye on the revolution that began in Lebanon in 2019 with protests against government corruption and austerity—culminating with the aftermath of the devastating Beirut port explosion of August 2020. She portrays her friends and family with startling energy and intimacy, in states of pleasure and protest. Boulos renders the body in public space as a powerful motif, both visceral and vulnerable in the face of state neglect and violence. Of her approach to photography, Boulos states: “It’s more of a need than a choice. I obsess about things and I don’t know how to deal with these obsessions in any other way but photography.” Featuring a contextual essay by noted writer Mona Eltahawy, What’s Ours showcases Boulos’s strident and urgent vision.

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Design Brooklyn shows us the architecture, interiors and design trends of New York's hottest borough. The book takes us inside restored brownstones, renovated townhouses and private gardens, and shows us the latest in public space design and architecture. With a forward by the Beastie Boys' Mike D and introduction by a Brooklyn historian, the book makes clear why a Brooklyn identity is so trend-setting in today's design world and why the design solutions found here are so distinctive. Illustrated with more than 150 original photos, the book is organized by themes found throughout the borough's private and public spaces: vintage innovation, counterculture, modern concepts, historical renovation, green living and Brooklyn industry. The selections represent a variety of different Brooklyn neighborhoods, each with its own history, architecture, and interior design trends, reflecting the personal styles of the people who live there. From BAM's Richard B Fisher Building, to Fort Greene Park, to Flavor Paper's Boerum Hill building (housing both its industrial space and a private residence), Design Brooklyn will appeal to anyone interested in urban living and design and trend-setting Brooklyn style.

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Roma Traversata analyzes pathways to decipher the complexity of Rome's urban layout. Nearly all of the prehistoric country paths converging on what was to become the Roman Forum (the ancient city center) are still traceable in the modern city. To these were added other major streets in ancient times. Additional Medieval and Renaissance streets developed the city further as its center shifted from the Forum toward the Vatican. Some of these provided the framework for Rome's late 19th century urban development. Ceen follows nine routes: three prehistoric, three ancient, and three post-classical pathways through the city, showing us that streets are not merely the space left over between buildings but have a formal character of their own and even determine certain aspects of buildings. Rather than insisting upon the greater importance of streets over buildings, Ceen studies the interactions between buildings and public space, something he describes as urban reciprocity. Profusely and beautifully illustrated, Roma Traversata shows that streets and pathways of Rome are not merely ways of getting from place to place. They are places.

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Twentieth anniversary edition of a landmark book that cataloged a vibrant but disappearing neighborhood in New York City In the two decades that preceded the original publication of Times Square Red, Times Square Blue, Forty-second Street, then the most infamous street in America, was being remade into a sanitized tourist haven. In the forced disappearance of porn theaters, peep shows, and street hustlers to make room for a Disney store, a children’s theater, and large, neon-lit cafes, Samuel R. Delany saw a disappearance, not only of the old Times Square, but of the complex social relationships that developed there. Samuel R. Delany bore witness to the dismantling of the institutions that promoted points of contact between people of different classes and races in a public space, and in this hybrid text, argues for the necessity of public restrooms and tree-filled parks to a city's physical and psychological landscape. This twentieth anniversary edition includes a new foreword by Robert Reid-Pharr that traces the importance and continued resonances of Samuel R. Delany’s groundbreaking Times Square Red, Times Square Blue.

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From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

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Buildings inhabit and symbolize time, giving form to history and making public space an index of the past. Photographs are made of time; they are literally projections of past states of their subjects. This visually striking meditation on architecture in photography explores the intersection between these two ways of embodying the past. Photographs of buildings, Joel Smith argues, are simultaneously the agents, vehicles, and cargo of social memory. In The Life and Death of Buildings photographers as canonical as Bernd and Hilla Becher, Laura Gilpin, Lewis W. Hine, and William Henry Fox Talbot enter into visual dialogue with amateurs, architects, propagandists, and insurance adjusters. Rather than examine photographers' aims in isolation, Smith considers how their images reflect and inflect the passage of time. Much as a building's shifting function and circumstances substantially alter its significance, a photograph comes to be coauthored by history, growing layers of meaning to which its maker had no access.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum(07/23/11-11/06/11)

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A new paperback edition of the first collected volume from the Cairo School of Urban StudiesBringing together a distinguished interdisciplinary group of scholars, this volume explores what happens when new forms of privatization meet collectivist pasts, public space is sold off to satisfy investor needs and tourist gazes, and the state plans for Egypt’s future in desert cities while stigmatizing and neglecting Cairo’s popular neighborhoods. These dynamics produce surprising contradictions and juxtapositions that are coming to define today’s Middle East.The original publication of this volume launched the Cairo School of Urban Studies, committed to fusing political-economy and ethnographic methods and sensitive to ambivalence and contingency, to reveal the new contours and patterns of modern power emerging in the urban frame. Contributors: Mona Abaza, Nezar AlSayyad, Paul Amar, Walter Armbrust, Vincent Battesti, Fanny Colonna, Eric Denis, Dalila ElKerdany, Yasser Elsheshtawy, Farha Ghannam, Galila El Kadi, Anouk de Koning, Petra Kuppinger, Anna Madoeuf, Catherine Miller, Nicolas Puig, Said Sadek, Omnia El Shakry, Diane Singerman, Elizabeth A. Smith, Leïla Vignal, Caroline Williams.

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Many American democratic ideals are embodied in the public spaces of its cities, especially in Washington, D.C. In L'Enfant's Legacy architect and scholar Michael Bednar explores the public spaces of the nation's capital, examining the context of the surrounding architecture and the roles of the spaces in the changing functional life of the city. Bednar examines the ways in which L'Enfant's innovative plan of 1791, along with later developments, symbolizes and encourages democratic freedoms and traditions. In the spaces of Capitol Square, citizens expect to encounter their government directly in a dignified setting, a symbolic public forum. On the White House grounds they expect to meet the president where he works and lives. At the National Mall-America's front lawn-citizens exercise their rights of assembly and free speech, as well as play football, eat lunch, and socialize. From historic Lincoln Square, Dupont Circle, and Judiciary Square to the newly developed Freedom Plaza, Pershing Park, and Market Square, Bednar's thoughtful study provides a fresh perspective on the role of public space in the expression of democratic ideals.

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Almost everything that landscape architects design is ultimately for a community. Community can be the boon or bane of a project, and oftentimes both. LA+ COMMUNITY aims to explore how, over time, each of us moves in and out of multiple communities, shaping them as they shape us, and in turn shaping our landscapes and cities. We ask how different disciplines construct different ideas of community and how those communities are anchored in space and time, whose interests they serve, and what traces they leave. And we examine how — in this pluralistic, fragmented, and fluid world — designers can meaningfully engage with communities. Contributions from: Anne Whiston Spirn reflects upon her personal and professional journey through her long-term engagement with the Mill Creek community in the West Philadelphia Landscape Project. Architect and cofounder of the DisOrdinary Architecture Project Jocelyn Boys discusses how designers and policy-makers make assumptions about the "ordinary user" of public space and explores ways of understanding and improving how people with disabilities engage with such spaces. Historical geographer Garrett Dash Nelson contemplates the conceptual and practical slippages between understanding community in both its geographical and sociological forms, and what this means for designers seeking to give spatial form to the concept of community. A multi-perspective Q+A with BIPOC designers, educators, and artists Kofi Boone, Julian Agyeman, Hanna Kim, Alma du Solier, Jeffrey Hou, Melissa Guerrero, and Kat Engleman confronts the enduring practices of spatial injustice and the need for new processes, engagement, and outcomes for a racially and culturally inclusive future. Philosopher and author Mark Kingwell considers the literal ins and outs of the question “What is community?” in the midst of a global pandemic. Landscape architect Kate Orff speaks about the ways in which she uses community activism and different practices of engagement to drive better design outcomes. Criminologists James Petty + Alison Young open our eyes to the rise of hostile architecture and criminalisation of homelessness in public space. Designer Chrili Car reflects on lessons learned from working with a self-organised community in a remote village in northern Ghana to masterplan long-term local sustainability and greenbelt projects. Ecologist Jodi Hilty, President and Chief Scientist of the Yellowstone to Yukon Initiative, speaks about the realisation of this visionary wildlife-corridor project spanning 3,200 km, two countries, and hundreds of different communities and interests. Historic preservationist and planner Francesca Russello Ammon teases out the contradictions in the canonical urban renewal success story of Philadelphia’s Society Hill. Landscape architect Jessica Henson gives us the inside story on the intractably complex socio-political and ecological task of master planning a 51-mile swath of the Los Angeles River with a diverse range of user communities. Michael Schwarze-Rodrian recounts the extraordinary achievements of the Emscher Landscape Park in Germany’s Ruhrgebiet, where over the last 30 years a working-class community facing the trauma of transition to a post-industrial economy has been sustained by the medium of landscape, without the forms of displacement or gentrification typically associated with high-end greening. Urban planner and author of Just Sustainabilities Julian Agyeman elucidates what the culturally inclusive design of public space entails. Architect Mario Matamoros delivers a stinging critique of the way in which developers and designers in the Honduran city of Tegucigalpa dupe the public with cynical community consultation so as to anesthetise the possibility of dissent, and Sara Padgett Kjaersgaard interviews the CEO of the Federation of Traditional Owner Corporations, Paul Paton and landscape architect Anne-Marie Pisani about working with Indigenous communities in Australia to help facilitate self-determination and connection to their lands.

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High-quality residential structures are much more than merely a series of different floor plans. First and foremost, the urban apartment house mediates between the private refuge and the public space of the city. In the process, boundaries between inside and outside are negotiated on a wide variety of scales. Housing+ focuses on investigating spatial and architectural as well as social and communicative interfaces in residential construction. The publication is divided into four chapters – “Urban Planning,” “The Ground Floor,” “Building Structure,” and “Façade” – to which sixty-seven international projects are assigned. These four thematic focuses are discussed comprehensively in the essays that introduce the chapters, and the individual projects are analyzed in brief under these same aspects. Comparable plans—drawn especially for this book—supplement the typological descriptions. The broad spectrum of projects selected covers urban apartment block construction from towers, block structures, row houses, and gaps between buildings, to housing complexes in outlying urban areas.

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Memory of historical trauma has a unique power to generate works of art. This book analyzes the relation of public memory to history, forgetting, and selective memory in Berlin, Buenos Aires, and New York—three late-twentieth-century cities that have confronted major social or political traumas. Berlin experienced the fall of the Berlin Wall and the city’s reemergence as the German capital; Buenos Aires lived through the dictatorships of the 1970s and 1980s and their legacy of state terror and disappearances; and New York City faces a set of public memory issues concerning the symbolic value of Times Square as threatened public space and the daunting task of commemorating and rebuilding after the attack on the World Trade Center. Focusing on the issue of monumentalization in divergent artistic and media practices, the book demonstrates that the transformation of spatial and temporal experience by memory politics is a major cultural effect of globalization.

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From the 1950s to the 1970s, downtown North America was reconfigured for the suburban age. Municipal officials planned renewal schemes, merchant groups lobbied for street improvements, developers built bigger and taller. Everywhere, attention turned to the problems and possibilities at the commercial and civic heart of cities.The Heart of Toronto follows one such example of reinvention: downtown Yonge Street. Efforts to keep pace with, or even lead, urban change included the street’s conversion into a car-free public space, a clean-up campaign targeting the sex industry, and the construction of North America’s largest urban shopping mall. These revitalization projects were all connected to wider trends of postwar decentralization, economic restructuring, and cultural transformation.Interweaving histories of development, civic activism, and corporate clout, The Heart of Toronto widens our understanding of the actors and power dynamics involved in remaking downtown in Canada’s largest city – a process that is far from over.

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When education activists in New York, Chicago, and other urban school districts in the 1980s began the small-schools movement, they envisioned a new kind of public school system that was fair and equitable and that encouraged new relationships between teachers and students. When that movement for school reform ran head-on into the neo-conservative takeover of the Department of Education and its No Child Left Behind strategy for school change, a new model of federal power bent on the erosion of public space and the privatization of public schooling emerged. Michael and Susan Klonsky, educators who were among the early leaders of the small-schools movement, tell the story of how a once-promising model of creating new small and charter schools has been used by the neocons to reproduce many of the old inequities. Small Schools is the engaging story of what happens when the small-schools movement meets the Ownership Society.

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In Women of the Midan, Sherine Hafez demonstrates how women were a central part of revolutionary process of the Arab Spring. Women not only protested in the streets of Cairo, they demanded democracy, social justice, and renegotiation of a variety of sociocultural structures that repressed and disciplined them. Women's resistance to state control, Islamism, neoliberal market changes, the military establishment, and patriarchal systems forged new paths of dissent and transformation. Through firsthand accounts of women who participated in the revolution, Hafez illustrates how the gendered body signifies collective action and the revolutionary narrative. Using the concept of rememory, Hafez shows how the body is inseparably linked to the trauma of the revolutionary struggle. While delving into the complex weave of public space, government control, masculinity, and religious and cultural norms, Hafez sheds light on women's relationship to the state in the Arab world today and how the state, in turn, shapes individuals and marks gendered bodies.

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Paper Art III contains the wonderful works of dedicated paper artists from all over the world since 2018, exploring the infinite possibilities of paper, an ancient and common material in daily life, allowing people to rediscover the breathtaking beauty of the ordinary and perceive the survival and growth of paper in art. The exquisite paper cutting, spectacular paper sculpture, collision of photography and paper art techniques... each piece of paper artwork will be cohesive in the work of the artist''s time and effort to present the full extent of the work.In addition to existing as pure artwork, this book also shows how paper art can be used in a variety of applications. From house decoration to window decoration, to large-scale public space decoration, etc., these cases give readers the opportunity to understand and feel how the artist creates a rich sense of space, enhances environmental aesthetics, and even changes the urban temperament by changi

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EUROPAN is an initiative supported by nine European countries, which stages a bi-annual competition for young architects, landscape and urban designers. Participants are invited to submit innovative and experimental models of urban development. The topic of the 2021 edition of the EUROPAN competition was Living Cities. 2,148 participants from all of Europe, gathered in teams, submitted 677 proposals for 40 cities. This book features the six winning proposals for the Austrian cities of Graz, Klagenfurt and Linz, presented in detail through photos, plans, and visualisations, as well as concise texts. Their focus is on architectural and urban design interventions and processes. They offer innovative concepts for the use of public space, holistic approaches to resource-saving construction, as well as cross-functional models for the use of space. The volume is a treasure trove of trend-setting ideas on the future of our cities and the development of a new urban culture.

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Dan Graham, one of America's most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series, Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces represents an extremely important facet of his work, as does the question of what role it plays in postmodern society and in the context of everyday culture. This publication presents new photographs by Dan Graham, taken in the context of a study trip with the architecture faculty of Columbia University, together with a selection of original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, because they were taken in the same locations, in the same deserts of suburban streets and housing that Graham had photographed in the 1960s. This creates a fascinating reference system of repetitions and differences, in terms of both the temporal and the spatial, that asks questions of the viewer about architecture, public space, and their function in society.

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This book explores advertising and consumer culture as key aspects of everyday life and national culture in twentieth-century Ireland. It makes a particular argument that the presence of anti-materialist rhetoric in some parts of Irish public life after Independence has obscured the existence of a lively consumer culture throughout the period, as evident in the many advertisements which supported Irish newspapers and magazines, the jingles broadcast on Irish radio, and the neon advertising signs and billboards on Irish streets. The book focuses on the development of the advertising industry itself, and the sophisticated ways in which it worked to associate consumption with national pride. It also considers the advertising of Irish homes and home appliances as an important focus of consumption, and the targeting of Irish women as the principal consumers in those homes, as well as publicity stunts and advertising in public space, and the form and style of commercial broadcasting and sponsored programming from the earliest days of Irish radio. It finishes with an examination of the opposite extremes of consumer abundance displayed in the annual Christmas advertising, as opposed to the consumer culture response to shortages during World War Two.

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The National Mall in Washington, D.C., is 'a great public space, as essential a part of the American landscape as the Grand Canyon,' according to architecture critic Paul Goldberger, but few realize how recent, fragile, and contested this achievement is. In "Monument Wars", Kirk Savage tells the Mall's engrossing story - its historic plan, the structures that populate its corridors, and the sea change it reveals regarding national representation. Central to this narrative is a dramatic shift from the nineteenth-century concept of a decentralized landscape, or 'ground'-heroic statues spread out in traffic circles and picturesque parks-to the twentieth-century ideal of 'space,' in which authority is concentrated in an intensified center, and the monument is transformed from an object of reverence to a space of experience. Savage's lively and intelligent analysis traces the refocusing of the monuments themselves, from that of a single man, often on horseback, to commemorations of common soldiers or citizens; and, from monuments that celebrate victory and heroism to memorials honoring victims. An indispensable guide to the National Mall, "Monument Wars" provides a fresh and fascinating perspective on over two hundred years of American history.

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From Francis Alys and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. Their work pivots around a set of evolving questions: In what ways is land, formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? Editors Emily Eliza Scott and Kirsten Swenson bring together a range of international voices and artworks to illuminate this critical mass of practices. One of the first comprehensive treatments of land use in contemporary art, Critical Landscapes skillfully surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena. This cross-disciplinary collection is destined to be an essential reference not only within the fields of art and art history, but also across those of cultural geography, architecture and urban planning, environmental history, and landscape studies.

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Street outreach workers comb public places such as parks, vacant lots, and abandoned waterfronts to search for young people who are living out in public spaces, if not always in the public eye. Street Kids opens a window to the largely hidden world of street youth, drawing on their detailed and compelling narratives to give new insight into the experiences of youth homelessness and youth outreach. Kristina Gibson argues that the enforcement of quality of life ordinances in New York City has spurred hyper-mobility amongst the city’s street youth population and has serious implications for social work with homeless youth. Youth in motion have become socially invisible and marginalized from public spaces where social workers traditionally contact them, jeopardizing their access to the already limited opportunities to escape street life. The culmination of a multi-year ethnographic investigation into the lives of street outreach workers and ‘their kids’ on the streets of New York City, Street Kids illustrates the critical role that public space regulations and policing play in shaping the experience of youth homelessness and the effectiveness of street outreach.

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Rapid growth, unmanageable cities, urban crisis – the cities of West Africa are no longer plannable,at least not by using traditional urban development tools. Without negating the importance of participatory approaches for making the city, it nonetheless seems crucial to return to city plans and models, to what they convey and how they are built. But in order to understand the city in all its depth, we must also hit the streets. The West African City proposes a dual perspective. At the urban scale, it analyzes historical trajectories, spatial development and urban planning documents to highlight the major trends beyond the plans. At the second level, that of public space, the street is discussed as the lifeblood of urban issues. By innovating approaches and testing new methods, The West African City offers an unconventional look at Nouakchott, Dakar and Abidjan, the three study sites of this investigation. The city of today – be it in Africa or elsewhere - must re-examine its many social, economic, cultural, political and spatial dimensions; for this, urban research has begun challenging its own methods.

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Even in well-established democratic societies, the political system currently faces a crisis of civic engagement and participation. Increasingly, this lack of engagement and the accompanying erosion of institutional legitimacy result in antidemocratic, populist currents gaining ground. It is an important challenge for both the humanities and the social sciences to analyse this crisis and discuss possible answers that may contribute to strengthening the position of the democratic public sphere in the political process, thus emphasising the crucial role of civic engagement and participation in renewing democracy. The articles in this volume seek the sources for such democratic innovations in a variety of existing, less formalised practices and experiences in public space: in citizens' forums and other concrete arenas for democratic debate and participation in the media in general, including social media and other digital platforms; in social movements; and in artistic interventions in the public sphere. The volume presents selected and edited papers and keynote lectures from the international research conference The Democratic Public Sphere - Current Challenges and Prospects, which was held at Aarhus University on November 5-7, 2015. It includes contributions by keynote speakers Mark E. Warren, Nick Couldry, Donatella della Porta, and Stephen Duncombe.

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Ever since the 1910s Zurich Kunstgewerbemuseum, or Museum of Arts & Crafts - which was founded in 1875 and is known today as the Museum fur Gestaltung Zurich - has been focussing on producing high-quality posters to promote its exhibitions. The posters serve to project the museum's visual identity into the public space while at the same time documenting the variety of themes presented there. Their high recongition factor is achieved not through rigid corporate designs but by means of graphical quality, versatile design approaches, and meticulous printing. By the 1920s, the pictorial scenes of the early days were already being supplanted by graphic and typographic solutions, following the lead of the Russian Constructivists. Formal and substantive reduction was characteristic of the Swiss Style, which - whether rigorous or more playful - dominated the Swiss cultural poster until the 1960s. From around 1970 designers began to expermient more freely, due in part to the use of computer programs as new design tools. Posters from the late 1980s impressively demonstrate how the legacy of Swiss Style lives on as a fertile resource, continually being reinterpreted in fresh new ways. Innovative approaches by young designers deliver some surprises in the contemporary posters.

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For the first time a single volume assembles a work complex from the oeuvre of Gabriela von Habsburg which has not been shown before: the sculptures, some of them made of metal or stone in different formats and some of them immovable, introduce the artist’s works in the public space that are scattered across the United States and throughout Europe. Together with lithographs, photos of the artist working on her artworks and of her studio round out this exquisite volume. Since earliest times the performing arts have always been one of the most important forms of expression for mankind. With her sculptures Gabriela von Habsburg goes new ways in the politicisation of aesthetics, uniting her work as ambassador, politician and creative artist. Her many years as an ambassador for the Republic of Georgia in Berlin are reflected in the choice of the fall of the Iron Curtain as a subject in the execution of her unusual sculpture monument at Sopron and the Rose Monument of Tbilisi, an act of homage to the bloodless revolution there. A profound and exclusive glimpse into the committed work of a sculptor.

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As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life.

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Poverty remains a problem in Europe, raising the need for new solutions. In this thought-provoking book the contributors delve deeply into the everyday lives of poor households to see which practices and resources they apply to improve their situations. One of the key findings is that social resilience requires a functioning welfare state operating as a warrantor of common and public goods, on which poor households can build up resilient practices.This insightful book illustrates that in addition to sufficient welfare transfers, there is a need for low-commodified common goods, including public health services, access to housing, education infrastructures and public space. These need to be made available not only for the registered poor but all low-income households. Drawing on over 400 interviews with families and experts across Europe, the chapters demonstrate the need for social policy to become more tolerant towards various forms of small additional income generation and non-commodified values and lifestyles.Poverty, Crisis and Resilience will be a key resource for students and scholars of social policy, poverty research and sociology, while also being of value to social policy practitioners within the charity sector, welfare state administration, social work, politics and counselling.

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Throughout the 1950s, a coalition of developers, politicians, and planners bulldozed vast areas of land deemed “slums” or “blighted” to make way for freeways, public and private housing projects, cultural centers, and skyscrapers. While the program was national, New York was ground zero, and the demolition and monumental reconstruction of the city created a distinctive urban sensorium, rooted in the new segregated landscapes of prosperous white private space and poor black public space. Novel Shocks situates these landscapes at the center of the midcentury novel, arguing that James Baldwin, Ralph Ellison, Patricia Highsmith, Ayn Rand, William Burroughs, Sylvia Plath, and Warren Miller all registered these new urban spaces as traumatic “shocks” that required new aesthetic forms. Rejecting older shock-based modernisms, these novelists forged a new modernism, which reimagined shock as a therapeutic force that would create a more flexible, self-reliant, and resilient subject that would nourish neoliberalism’s roots. In offering a cultural prehistory of neoliberalism, Novel Shocks resituates the Cold War novel as a key archive for understanding neoliberalism’s emergence and offers a more materialist and historically grounded account of neoliberalism’s subjective, affective, and ideological structures.

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Jules Spinatsch ranks among the foremost contemporary Swiss photographic artists. Many of his projects, although controversial are thought-provoking and internationallly recognised. Since 2003, he has been working on his Surveillance Panorama Projects; shot with network cameras, these works create awareness for social habits and show the sometimes striking discrepancy between illusion and reality. In Vienna MMIX, he focused on the famous Vienna Opera Ball; from the opening of the doors at 20:32hrs, until the end of the dance at 05:17hrs, using 2 cameras to complete duel rotations, capturing an image every few seconds, an incredible 17,352 in total. Jules Spinatsch. Vienna MMIX-10008/7000 presents this fascinating social study in two volumes. Volume 1 shows 10,008 images, combined into a single chronological sequence; panoramic views that recreat the entire space, yet show only fragments of events. Volume 2 presents a selection of 70 images, documenting single moments of great intensity or intimacy, in fascinating close-up detail. It is a striking collection, documenting a range of human behaviour in a public space, over a relatively short period of time, in a very specific arena.

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This book provides the tools to maintain and rebuild the interaction between architecture and public space. Despite the best intentions of designers and planners, interactive frontages have dwindled over the past century in Europe and North America. This book demonstrates why even our best intentions for interactive frontages are currently unable to turn a swelling tide of economic and technological evolution, land consolidation, introversion, stratification, and contagious decline. It uses these lessons to offer concrete locational, programming, design, and management strategies to maximize street-level interaction and trust between street-level architecture, its inhabitants, and the city. This book demonstrates that designers, developers, planners, and managers ultimately have to create the right preconditions for inhabitants and passersby to bring frontages to life. These preconditions connect architecture to its urban, social, economical, and technological context. Only the right frontage in the right context, with the right design, the right inhabitation, and the right attitude to the city will become part of the ecosystem of trust and interaction that supports public life. This book empowers the many participants in this ecosystem to build, inhabit, and enjoy truly urbane architecture.

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France, officially, is a secular nation. Yet Catholicism is undeniably a monumental presence, defining the temporal and spatial rhythms of Paris. At the same time, it often fades into the background as nothing more than “heritage.” In a creative inversion, Elayne Oliphant asks in The Privilege of Being Banal what, exactly, is hiding in plain sight? Could the banality of Catholicism actually be a kind of hidden power? Exploring the violent histories and alternate trajectories effaced through this banal backgrounding of a crucial aspect of French history and culture, this richly textured ethnography lays bare the profound nostalgia that undergirds Catholicism’s circulation in nonreligious sites such as museums, corporate spaces, and political debates. Oliphant’s aim is to unravel the contradictions of religion and secularism and, in the process, show how aesthetics and politics come together in contemporary France to foster the kind of banality that Hannah Arendt warned against: the incapacity to take on another person’s experience of the world. A creative meditation on the power of the taken-for-granted, The Privilege of Being Banal is a landmark study of religion, aesthetics, and public space.

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