Search results for ""author frances"

Seances were wildly popular in France between 1850 and 1930, when members of the general public and scholars alike turned to the wondrous as a means of understanding and explaining the world. Sofie Lachapelle explores how five distinct groups attempted to use and legitimize seances: spiritists, who tried to create a new "science" concerned with the spiritual realm and the afterlife; occultists, who hoped to connect ancient revelations with contemporary science; physicians, psychiatrists, and psychologists, who developed a pathology of supernatural experiences; psychical researchers, who drew on the unexplained experiences of the public to create a new field of research; and metapsychists, who attempted to develop a new science of yet-to-be understood natural forces. Lachapelle examines the practices, aims, and level of success of these five disciplines, paying special attention to how they interacted with each other and with the world of mainstream science. Their practitioners regarded mystical phenomena worthy of serious study; most devotees-with notable exceptions of physicians, psychiatrists, and psychologists-also meant to challenge conventional science in general and French science in particular. Through these stories, Lachapelle illuminates the lively relationship between science and the supernatural in late nineteenth- and early twentieth-century France and relates why this relationship ultimately led to the marginalization of psychical research and metapsychics. An enlightening and entertaining narrative that includes colorful people like "Allan Kardec"-a pseudonymous former mathematics teacher from Lyon who wrote successful works on the science of the seance and what happened after death- Investigating the Supernatural reveals the rich and vibrant diversity of unorthodox beliefs and practices that existed at the borders of the French scientific culture in the late nineteenth and early twentieth centuries.

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The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton. The Matter of France, the legendary history of Charlemagne, had a central but now largely unrecognised place in the multilingual culture of medieval England. From the early claim in the Chanson de Roland that Charlemagne held England as his personal domain, to the later proliferation of Middle English romances of Charlemagne, the materials are woven into the insular political and cultural imagination. However, unlike the wide range of continental French romances, the insular tradition concentrates on stories of a few heroic characters: Roland, Fierabras, Otinel. Why did writers and audiences in England turn again and again to these narratives, rewriting and reinterpreting them for more than two hundred years? This book is the first full-length study of the tradition. It investigates the currency and impact of the Matter of France with equal attention to English and French-language texts, setting each individual manuscript or early printed text in its contemporary cultural and political context. The narratives are revealed to be extraordinarily adaptable, using the iconic opposition between Carolingian and Saracen heroes to reflect concerns with national politics, religious identity, the future of Christendom, chivalry and ethics, and monarchy and treason.

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"Surrealist Masculinities" offers a fresh exploration of how surrealist visual production was shaped by constructions of gender and sexuality, particularly masculinity, in the 1920s and early 1930s. Amy Lyford builds on feminist critical approaches to surrealism, which have viewed the female body in surrealism as symptomatic of male misogyny; yet she also departs from such work by arguing that representations of an anxious, ambivalent, or perverse masculinity were integral to the movement's critique of France's "return to order" in the years following World War I. This book analyzes surrealist work in relation to the history of surrealism and investigates how surrealist artists and writers appropriated contemporary medical science, advertising, and sexology in their quest to undermine the status quo.

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Examples, crucial links between discourse and society's view of reality, have until now been largely neglected in literary criticism. In the first book-length study of the rhetoric of example, John Lyons situates this figure by comparing it with more frequently studied tropes such as metaphor and synecdoche, discusses meanings of the terms example and exemplum, and proposes a set of descriptive concepts for the study of example in early modern literature. Tracing its paradoxical nature back to Aristotle's Rhetoric, Lyons shows how exemplary rhetoric is caught between often competing aims of persuasive general statement and accurate representation. In French and Italian texts of the sixteenth and seventeenth centuries this dual task was rendered still more challenging by a transition to new sources of examples as the age of discovery brought increased emphasis on observation. The writers of this period were aware of a crisis in exemplary rhetoric, a situation in which serious questions were raised about how authors and audience would find a common ground in interpreting representative instances. Lyons's focus on the strategy of example leads to new readings of six major writers--Machiavelli, Marguerite de Navarre, Montaigne, Pascal, Descartes, and Marie de Lafayette. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Discover the story behind Joan of Arc and her journey to triumph in the Hundred Years' War in this captivating graphic novel -- written by Sincerely, Harriet author Sarah Winifred Searle and illustrated by award-winning cartoonist Maria Capelle Frantz.Presenting Who HQ Graphic Novels: an exciting addition to the #1 New York Times best-selling Who Was? series!Follow Joan of Arc on her journey to convince the Dauphin to let her lead the French army in the Battle of Orleans and win the Hundred Years' War. A story of faith, courage, and determination, this graphic novel invites readers to immerse themselves in the life of the teenage French heroine -- brought to life by gripping narrative and vivid full-color illustrations that jump off the page.

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The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.

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The Official Tour de France Bike Maintenance Book goes exclusively behind the scenes with the finest professional cycling mechanics during the most gruelling and high-pressure bike race in the world. Working at the cutting edge of bicycle technology, Tour mechanics expertly maintain high performance race bikes every day throughout the Tour. The highlight, for many fans, is watching the bikes being prepared before a stage and serviced after it. The reader is put in the fans' shoes, with exclusive insights and images from the life of a Tour mechanic, with in-race stories and technical advice. Practical sections in each chapter show the home mechanic how to perform essential maintenance tasks and personalise their own bicycles to Tour de France standards. Even if bikes are serviced by shop mechanics, vital checks and regular adjustments are covered in these pages and, to make a bike stand out, there are professional tricks of the trade as well as the small but telling detailing jobs to enhance the bike's looks. Another feature of The Official Tour de France Bike Maintenance Book focuses on the growing interest in classic racing machines, which are collected, ridden and displayed in 'Eroica' festivals, events celebrating the heroic age of cycling. These, of course, include Tour de France bikes from the past 75 years and there are features on these classic bikes, with maintenance tips using traditional tools and techniques.

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Intellectual traditions are commonly regarded as cultural variations, historical legacies, or path dependencies. By analyzing road junctions between different traditions of Public Administration this book contests the dominant perspective of path-dependent national silos, and highlights the ways in which they are hybrid and open to exogenous ideas. Analyzing the hybridity of administrative traditions from an historical perspective, this book provides a new approach to the history of Public Administration as a scientific discipline. Original and interdisciplinary chapters address the question of how scholars from the U.S., Germany and France mutually influenced each other, from the closing years of the 19th Century, up until the neo-liberal turn of the 1970s. Offering a thorough analysis of the transatlantic history of Public Administration, the conclusion argues that it is vital to learn from the past, in order to make Public Administration more realistic in theory, as well as more successful in practice. Advanced undergraduate and postgraduate political science scholars will find this to be a valuable tool in understanding the foundations of transatlantic Public Administration. This book will also greatly benefit researchers on comparative and transnational history with a keen interest in Public Administration.

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This book provides an introduction to human rights controversies in twentieth-century France, from the Dreyfus Affair at the beginning of the century, to the arguments over women and immigrants’ rights at its end. Using the Ligue des Droits de L’Homme (LDH) - or the League of the Rights of Man - as a narrative thread for this chronological study, the book tracks the gradual expansion of human rights in France in the wake of the two world wars, the Algerian quagmire and decolonisation more generally. Examining the capital role of the LDH whilst also highlighting the role of individuals and key activists, the book helps us to contextualise the quandaries faced by unseen minorities, particularly colonial subjects and women. The analysis also demonstrates the influence of French human rights activism on key international documents of human rights law, such as the Universal Declaration of Human Rights. The LDH occupies a central place in French justice debates and is therefore an ideal template to analyse the rising influence of humanitarianism and crimes against humanity in French causes célèbres from the 1970s onwards. However, the author goes further to look beyond the LDH and even France itself, offering wide-ranging surveys of dominant rights issues across Europe at any given period. Drawing on extensive research and interviews with key members of the LDH, this book provides an accessible overview of human rights struggles in twentieth-century France.

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An engaging account of women’s travels in the early modern period. This book showcases three Frenchwomen who ventured far from home at a time when such traveling was rare. In 1639, Marie de l’Incarnation embarked for New France where she founded the first Ursuline monastery in present-day Canada. In 1750, Madame du Boccage set out at the age of forty on her first “grand tour.” She visited England, the Netherlands, and Italy where she experienced firsthand the intellectual liberty offered there to educated women. As the Reign of Terror gripped France, the Marquise de la Tour du Pin fled to America with her husband and their two young children, where they ran a farm from 1794 to 1796. The writings these women left behind detailing their respective journeys abroad represent significant contributions to early modern travel literature. This book makes available to anglophone readers three texts that are rich in both historical and literary terms.

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Known in some accounts as the Battle of Wijtschaete, the confrontation along the Ypres-Comines Canal in 1940 is still hardly remembered in this country and, apart from the battle honours displayed proudly on the colours of the regiments who took part - many no longer in existence, very little has been written about the four days which probably saved the British Expeditionary Force (BEF) from almost complete destruction. This is quite surprising, given the pivotal nature of the battle, for without the sacrifice of the battalions on the canal there would probably have been no evacuation from Dunkerque on the scale to which we have become accustomed, and the war may well have taken on a different outcome. Although there was fighting north of Ypres along the Canal Van Ieper Naar De Ijzer, where 151 Brigade and the 3rd Division were deployed, the actual Battle of the Ypres-Comines Canal took place to the south, where the three divisions of General der Infantry Viktor von Schwedler's IV Korps were pitted against three British brigades along the disused canal which runs from Comines in the south to Ypres in the north. The book looks in detail at the order of battle of the British and German units engaged and focuses on the four British brigades that fought on the canal. The mainly territorial 143 Brigade was positioned in the south, 13 Brigade was in the middle and 17 Brigade held the northern end of the line up to Zillebeke Lake. Apart from the 12/Lancers and a few tanks from 3/RTR, Ypres itself was largely defended by 150 Brigade. Major General Franklyn's instructions were to hold the line for as long as possible to allow the remainder of the BEF to strengthen the Dunkerque Perimeter. With over 150 contemporary and modern black and white photographs, ten maps, and visits to eight CWGC Cemeteries, the book enables the battlefield tourist to explore the area and undertake three car tours together with two short walks. Visitors will no doubt wish to combine a visit to the First World War sites around Ypres with the fighting along the canal in 1940, recognizing many places that were fought over in both wars

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Ideas of translation and adaptation in the middle ages investigated through the lens of the Merlin tradition. The medieval figure of Merlin is intriguing, enigmatic, and riddled with contradictions. Half human, half devil, he possesses a supernatural knowledge that allows him to prophesy the future. This book examines the reinterpretationof Merlin's character in French and Italian Arthurian literature, in which chivalric romance and political prophecy become increasingly intertwined. As the Merlin story crosses the fluid cultural and linguistic boundaries between vernacular dialects on either side of the Alps, the protagonist accumulates histories, futures, and discourses from multiple texts within his omniscient knowledge. From his first appearance in Geoffrey of Monmouth's HistoriaRegum Britanniae, through thirteenth-century French romance, to fifteenth-century Venice, Merlin is the voice of political and spiritual truths that originate beyond the sphere of human comprehension. The study also shows howthe conversion of Merlin's prophetic speech from his omniscient mind into human languages parallels the work of the medieval translator. At the same time, the transmission of the Merlin story between vernacular French and Italiandialects presents an alternative model of translation, one that relies not on the displacement of previous texts, but instead on the accretion of information from text to text. Laura Chuhan Campbell is Assistant Professor of French at Durham University.

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*SHORTLISTED FOR THE 2023 SPORTS BOOK AWARDS CYCLING BOOK OF THE YEAR*The gripping and revealing autobiography of one of Britain's most successful international cyclists of the modern era'Getting in a break was my one chance of winning. The hard part was working out, again and again, how to make that chance count'Sharp, resourceful and a permanent outsider; for nearly 20 years Steve Cummings determinedly blazed his own winning trail in international cycling. A maverick who defied the dominant teams, to record a sequence of gloriously improbable victories, he has lived and raced with legends of the sport - Cavendish, Wiggins, Froome, Thomas and others - about whom he has strong views and untold stories.This autobiography of one of Britain's most successful international riders of the modern era takes the reader from Steve's earliest days as a junior, pounding across the flatlands of the Wirral, through his love-hate relationships with the British Cycling track cycling squad, to his series of top-level breakaway victories in the Tour de France, Tour of Britain and Vuelta a España and - rather than standout physical talent - how developing his own strategies and training techniques enabled him to succeed against the odds.The Break will be the first full-length account of the life and times of, in the words of ProCycling magazine, a 'universally popular and respected rider in the cycling world'.

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This title is the second in the series of 4 books for general sport climbing in France, and is designed for all levels of climber. The title says it all, collecting together all of the great places to go climbing for the weekend in one book. - The perfect weekend book for climbers. - 3a to 8c all levels, ideal for indoor climbers going outside - 10 000 sport climbing routes in East France (250 cliffs) - Great access maps, GPS info, campistes and picnics - Family friendly, bi-lingual guidebook

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A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France’s civil society and its “civic morality” on behalf of women’s rights. As a vital component of the third sector during France’s modernization, freemasonry empowered women in complex social networks, contributing to a more liberal republic, a more open society, and a more engaged public culture. James Smith Allen shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society, including the promotion of women’s rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change. Thanks to women’s social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere.

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As a nineteenth-century think tank that sought answers to France’s pressing “social question,” the Musée Social reached across political lines to forge a reformist alliance founded on an optimistic faith in social science. In A Social Laboratory for Modern France Janet R. Horne presents the story of this institution, offering a nuanced explanation of how, despite centuries of deep ideological division, the French came to agree on the basic premises of their welfare state.Horne explains how Musée founders believed—and convinced others to believe—that the Third Republic would carry out the social mission of the French Revolution and create a new social contract for modern France, one based on the rights of citizenship and that assumed collective responsibility for the victims of social change. Challenging the persistent notion of the Third Republic as the stagnant backwater of European social reform, Horne instead depicts the intellectually sophisticated and progressive political culture of a generation that laid the groundwork for the rise of a hybrid welfare system, characterized by a partnership between private agencies and government. With a focus on the cultural origins of turn-of-the-century thought—including religion, republicanism, liberalism, solidarism, and early sociology—A Social Laboratory for Modern France demonstrates how French reformers grappled with social problems that are still of the utmost relevance today and how they initiated a process that gave the welfare state the task of achieving social cohesion within an industrializing republic.

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The attempt to reduce the role of the state in the market through tax cuts, decreases in social spending, deregulation, and privatization - "neoliberalism" - took firm root in the United States under Ronald Reagan and in Britain under Margaret Thatcher. But why did neoliberal policies gain such prominence in these two countries and not in similarly industrialized Western countries such as France and Germany? A comparative-historical analysis of the development of neoliberal politics in these four countries, "The Politics of Free Markets" argues that neoliberalism was made possible in the United States and Britain not because the Left in these countries was too weak, but because it was in many respects too strong. At the time of the oil crisis in the 1970s, American and British tax policies were more progressive, their industrial policy more adversarial to business, and their welfare states more redistributive than those of France and West Germany. Monica Prasad shows that these adversarial structures created opportunities for politicians to find and mobilize dissatisfaction with the status quo. In France and West Germany, where tax structures were more regressive, industrial policy more pro-growth, and welfare states universal and even reverse-redistributive, neoliberalism could not be anchored in electoral dissatisfaction, and therefore it stalled.

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Blending political, historical, and sociological analysis, Bernard S. Silberman offers a provocative explanation for the bureaucratic development of the modern state. The study of modern state bureaucracy has its origins in Max Weber's analysis of the modes of social domination, which Silberman takes as his starting point. Whereas Weber contends that the administration of all modern nation-states would eventually converge in one form characterized by rationality and legal authority, Silberman argues that the process of bureaucratic rationalization took, in fact, two courses. One path is characterized by permeable organizational boundaries and the allocation of information by "professionals." The other features well-defined boundaries and the allocation of information by organizational rules. Through case studies of France, Japan, the United States, and Great Britain, Silberman demonstrates that this divergence stems from differences in leadership structure and in levels of uncertainty about leadership succession in the nineteenth century. Silberman concludes that the rise of bureacratic rationality was primarily a response to political problems rather than social and economic concerns. Cages of Reason demonstrates how rationalization can have occurred over a wide range of cultures at various levels of economic development. It will be of considerable interest to readers in a number of disciplines: political science, sociology, history, and public administration. "Silberman has produced an invaluable, densely packed work that those with deep knowledge of public administrative development will find extremely rewarding." —David H. Rosenbloom, American Political Science Review"An erudite, incisive, and vibrant book, the product of intensive study and careful reflection. Given its innovative theoretical framework and the wealth of historical materials contained in it, this study will generate debate and stimulate research in sociology, political science, and organizational theory. It is undoubtedly the best book on the comparative evolution of the modern state published in the last decade."—Mauro F. Guillen, Contemporary Sociology

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REVISED 2018 Streetwise Paris Map is a laminated city center map of Paris, France. The accordion-fold pocket size travel map has an integrated metro map including lines & stations. Coverage includes: Main Paris Map 1:14,000 Paris Metro Map Map of France Dimensions: 4" x 8.5" folded, 8.5" x 38" unfolded There are more clichés about Paris than there are tourists at the Louvre, but the fact is that underneath each overused hackneyed cliché is a glistening kernel of truth. The City of Light, the City of Love and the City of Romance, familiar platitudes, but once you experience it for yourself you understand why. There is a je ne sais quoi allure to this city that beguiles, but never completely reveals what makes it so universally appealing. Artists, poets, writers, and composers have tried to define exactly what it is about this place, and yet they succeed only to a point. Perhaps it is as elusive as defining love, for to be in Paris entails experiencing love, about someone, something, some place. There is so much to do - you know the big ones, the Louvre, Musee d’Orsay, Sacre Coeur, St. Germain des Pres, the Left Bank, the Right Bank, the Arc de Triomphe, the Champs Elysées, the Opéra- but don’t miss the fun of discovering the small ones, the ones off the beaten path. Nothing like taking your time strolling thru the turn of the century mansion that houses Musée Marmottan then enjoying a café and patisserie in the museums jewel box café. Wandering aimlessly is romantic. Getting lost isn’t romantic. In fact there are few things that can drain the romance out of a situation faster than realizing that you’re hopelessly lost. So take your travel map and put it away if you want to wander, but have no fear that your wandering will turn into a lost odyssey. You can always pull out the STREETWISE® Paris Map and get yourself pointed back in the right direction. Paris is not without faults. Sometimes people can be rude, but that’s the case anywhere in the world - be it a large city or small village. You get what you give. And in the case of Paris, as with any true love, you accept the flaws with the charms, the weaknesses with the strengths. In the end the true beauty of Paris will surpass any blemish. Life from a Parisian perspective is beautiful. But that’s another cliché, isn’t it? The pocket size map of Paris is laminated for durability and accordion folding for effortless use. To enhance your visit to Paris, pick up a Michelin Green Guide Paris which details sites and attractions using a star-rating system so you can prioritize your trip based on time and interest. For a selection of the best restaurants and hotels, buy the MICHELIN Guide Main Cities in Europe or the MICHELIN Guide Paris & ses environs (French only). For driving or to plan your trip to and from Paris, use the Michelin France Road and Tourist Map No. 721.

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Britain's conduct for World War I was based upon international coalitions, paritcularly her partnership with France. This drew Britain into war, since French defeat would fatally upset the European balance of power. The allies' relationship was, however, often stormy, but Britain's primary goal was its preservation. Ironically, it was an operation which had little effect on the outcome of the war that posed the greatest threat - the "Salonika campaign", showing the allies' conduct at its worst. Here the Anglo-French sources achived little, but the diversion seriously weakened the armies on the Western Front. Drawing on previously unopened archive material, this work shows the campaign as central to the war-time alliance, and the issues revealed transcend the importance of the Balkan campaign itself.

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In the French Third Republic, nursing was an occupation caught in the crosscurrents of conflicting notions about the role of women. This deft political history shows how the turmoil and transformation of nursing during this period reflected the political and cultural tensions at work in the nation, including critical conflicts over the role of the Church in society, the professionalization of medicine, the organization and growing militancy of the working classes, and the emancipation of women.Bodies and Souls describes a time when nursing evolved from a vocation dominated by Catholic orders to a feminine profession that included increasing numbers of lay women. As she pursues this story from the founding of the first full-time professional nursing school in Lyons through the changes wrought by World War I, Katrin Schultheiss reveals how the debates over what nurses were to be, know, and do were deeply enmeshed in issues of class, definitions of femininity, the nature of women's work, and the gendered character of social and national service. Her fine study maps the intersection of these debates with political forces, their impact on hospital nursing and nursing education, and on the shaping of a feminine version of citizenship in France.

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Foucault continues on the theme of his 1978 course by focusing on the study of liberal and neo-liberal forms of government and concentrating in particular on two forms of neo-liberalism: German post-war liberalism and the liberalism of the Chicago School.

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The Second World War and the German Occupation remain a major focal point in French culture and society, with new and sometimes controversial titles published every year – Irène Némirovsky’s Suite française and Jonathan Littell’s Les Bienveillantes, both rapidly translated into English, offer just two examples of this significant phenomenon. Gathering within one volume studies of genres, visual cultures, chronology, narrative theory, and a wealth of narratives in fiction and film, Framing narratives of the Second World War and occupation in France 1939-2009 brings together an internationally distinguished group of contributors and offers an authoritative overview of criticism on war and occupation narratives in French, a redefinition of the canon of texts and films to be studied and a vibrant demonstration of the richness of the work in this area. Edited by two leading specialists, the book includes contributions by William Cloonan, Richard J Golsan, Leah Hewitt, Colin Nettelbeck and Gisèle Sapiro.

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Two of the southernmost départements of France, the Pyrénées-Orientales and Ariège are inextricably linked with the history of the Cathars, a heretical Christian sect who were subjected to a crusade in the thirteenth century. Striking castles built on jagged rocky precipices are a highlight of the region and a reminder of those turbulent times. This guidebook describes the 260km Cathar Way (Sentier Cathare or GR367), a long-distance trail from Port-la-Nouvelle on the Mediterranean coast to Ariége's departmental capital Foix linking several of the impressive Cathar castles. The route follows ancient footpaths, jeep tracks and country lanes and calls for a moderate level of fitness as it sweeps from sea level to 1300m across the rugged hill ranges of the Corbières and Fenouillèdes. The guide describes the main route in 13 stages and also includes the slightly more direct north variant, as well as suggestions for shorter itineraries. Summary statistics introduce each day's walking and are followed by step-by-step route description illustrated with clear mapping. There are also details of facilities available en route and accommodation listings. An introduction covers all the practicalities, with comprehensive advice for planning your trip - including when to go, how to get there and what to take - in addition to a wealth of information about the region's fascinating history and the intriguing Cathars themselves. The trail traverses rocky hills and meanders through woodland, vineyards, ancient villages, gorges and plateaus. As well as the rich Cathar heritage, there are also historic wine-producing towns, sites associated with the French Resistance of WWII and mysterious places steeped in ancient legend. The guide is a perfect companion to discovering the Cathar Way and the captivating stories of this distinctive region.

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Demons of the Night is a trove of haunting fiction—a gathering, for the first time in English, of the best nineteenth-century French fantastic tales. Featuring such authors as Balzac, Mérimée, Dumas, Verne, and Maupassant, this book offers readers familiar with the works of Edgar Allan Poe and E. T. A. Hoffman some of the most memorable stories in the genre. With its aura of the uncanny and the supernatural, the fantastic tale is a vehicle for exploring forbidden themes and the dark, irrational side of the human psyche.The anthology opens with "Smarra, or the Demons of the Night," Nodier's 1821 tale of nightmare, vampirism, and compulsion, acclaimed as the first work in French literature to explore in depth the realm of dream and the unconscious. Other stories include Balzac's "The Red Inn," in which a crime is committed by one person in thought and another in deed, and Mérimée's superbly crafted mystery, "The Venus of Ille," which dramatizes the demonic power of a vengeful goddess of love emerging out of the pagan past. Gautier's protagonist in "The Dead in Love" develops an obsessive passion for a woman who has returned from beyond the grave, while the narrator of Maupassant's "The Horla" imagines himself a victim of psychic vampirism.Joan Kessler has prepared new translations of nine of the thirteen tales in the volume, including Gérard de Nerval's odyssey of madness, "Aurélia," as well as two tales that have never before appeared in English. Kessler's introduction sets the background of these tales—the impact of the French Revolution and the Terror, the Romantics' fascination with the subconscious, and the influence of contemporary psychological and spiritual currents. Her essay illuminates how each of the authors in this collection used the fantastic to articulate his own haunting obsessions as well as his broader vision of human experience.

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In Paris in 1954, a young man named Andre Baudry founded Arcadie, an organization for 'homophiles' that would become the largest of its kind that has ever existed in France, lasting nearly thirty years. In addition to acting as the only public voice for French gays prior to the explosion of radicalism of 1968, Arcadie - with its club and review - was a social and intellectual hub, attracting support from individuals as diverse as Jean Cocteau and Michel Foucault and offering support and solidarity to thousands of isolated individuals. Yet despite its huge importance, Arcadie has largely disappeared from the historical record. The main cause of this neglect, Julian Jackson explains in "Living in Arcadia", is that during the post-Stonewall era of queer activism, Baudry's organization fell into disfavor, dismissed as conservative, conformist, and closeted. Through extensive archival research and numerous interviews with the reclusive Baudry, Jackson challenges this reductive view, uncovering Arcadie's pioneering efforts to educate the European public about homosexuality in an era of renewed repression. In the course of relating this absorbing story, Jackson offers a startlingly original account of the history of homosexuality in modern France.

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The French Jesuit Isaac-Joseph Berruyer's Histoire du peuple de Dieu was an ambitious attempt to connect the ideas of the Enlightenment with the theology of the Catholic Church. A paraphrase of the Bible written in vernacular French, the Histoire promoted progress, the pursuit of happiness, the fundamental goodness of humanity, and the capacity of nature to shape moral human beings. Berruyer aimed to update the Bible for a new age, but his work unleashed a furor that ended with the expulsion of the Jesuits from France.Berruyer's Bible offers a fresh perspective on the history of the Catholic Enlightenment. By exploring the rise and fall of Berruyer's Histoire, Daniel Watkins reveals how Catholic attempts to assimilate Enlightenment ideas caused conflicts within the church and between the church and the French state. Berruyer's Bible flips the traditional narrative of the Enlightenment on its head by showing that the secularization of French society and the political decline of the Catholic Church were due not solely to the external assaults of anti-clerical philosophes but also to the internal discord caused by Catholic theologians themselves.Built upon extensive research in archives across Western Europe and the United States, Berruyer's Bible paints a vivid picture of the tumultuous intellectual world of the Catholic Church and the power of radical ideas that shaped the church throughout the Enlightenment, the French Revolution, and beyond.

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This book offers a pioneering study of Asian cultures that officially escaped from French colonisation but nonetheless were steeped in French civilisation in the colonial era and had heavily French-influenced, largely francophone literatures. It raises a number of provocative questions, including whether colonisation is the ultimate requirement for a culture's being defined as francophone, or how to think about francophone literatures that emerge from Asian nations that were historically free from French domination. The ultimate result is a redefining of the Asian francophone heritage according to new, transnational paradigms.

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Over recent decades concerns at the increased scarcity and precarity of salaried employment have dominated political struggles, theoretical debates and cultural representations in France. This study argues that such concerns are evidence of a profound shift in contemporary French economy, culture and society. Engaging with work in political economy and sociology, the book sketches a new interpretative framework, the better to understand the nature and implications of these profound changes. It examines the challenges such changes have posed to fundamental French republican values, arguing they have opened up a rift between older notions of French republican citizenship and the precarious forms of subjectivity characteristic of post-Fordist labour. The book traces the symptoms of this rift in a range of cinematic and literary representations of the contemporary workplace, as these depict the dilemmas faced, the trajectories followed, and the geographical regions inhabited by French workers of different ages, sexes, social classes, and ethnicities.

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Según diversos estudios, los nativos de una lengua utilizan, de media, 3.000 palabras para comunicarse. Si eliminamos artículos, conjunciones, tiempos verbales, derivados, tecnicismos?, tenemos las 1.000 palabras que se encuentran en este libro. Ordenadas temáticamente para memorizarlas con facilidad en su contexto.

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Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France's King Louis XIV (r. 1643-1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom's coasts. By examining a wide range of artistic productions-ship design, artillery sculpture, medals, paintings, and prints-Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. ;; With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)-rowers who were captured or purchased from Islamic lands-in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV's reign.

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In March 2003, the United States and Great Britain invaded Iraq to put an end to the regime of Saddam Hussein. The war was launched without a United Nations mandate and was based on the erroneous claim that Iraq had retained weapons of mass destruction. France, under President Jacques Chirac and Foreign Minister Dominique de Villepin, spectacularly opposed the United States and British invasion, leading a global coalition against the war that also included Germany and Russia. The diplomatic crisis leading up to the war shook both French and American perceptions of each other and revealed cracks in the transatlantic relationship that had been building since the end of the Cold War. Based on exclusive French archival sources and numerous interviews with former officials in both France and the United States, A History of the Iraq Crisis retraces the international exchange that culminated in the 2003 Iraq conflict. It shows how and why the Iraq crisis led to a confrontation between two longtime allies unprecedented since the time of Charles de Gaulle, and it exposes the deep and ongoing divisions within Europe, the Atlantic alliance, and the international community as a whole. The Franco-American narrative offers a unique prism through which the American road to war can be better understood.

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In this highly original book, Susan E. Hiner looks behind fashion’s seams and focuses on the women fashion producers – both working- and middle-class – who were key to shaping the French fashion economy. Behind the Seams thus opens up the fields of both fashion and French cultural studies and explores new ways of understanding the 19th century by demonstrating that these women’s complex and contradictory roles as producers of luxury items left them exploited by an oppressive fashion system even as they served as influencers within it. In 19th-century France, fashion was a powerful and lucrative network that depended on women’s expert manipulation of its raw materials. The delicate finger work of seamstresses and modistes yielded frothy dresses and ethereal hats; the subtle, persuasive rhetoric of written chronicles resulted in savvy, targeted marketing campaigns of goods and lifestyles; and the stylized visual splendour of the detailed drawing, engraving, and painting of fashion plates fed an aspirational fantasy that ended in consumption. Yet this fashion system paradoxically effaced many of the women on whom it depended. Rather than repeating the familiar narrative of women as victims of fashion, Behind the Seams tells a more complicated story. Hiner’s close examination reveals the productive women workers, writers, and artists who achieved agency, influence, and active careers even as their work and lives were masked by the ways in which they were mythologized in popular culture, rendered anonymous, and marginalized by institutional exclusion. Beautifully illustrated in colour throughout, Behind the Seams is a rich resource and essential reading for all those interested in fashion history, 19th-century French history and visual culture, and the social history of women.

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