Search results for ""author frances"

Presented here is a new form of psychoanalysis, one that is centered on women as seen by women. Women Analyze Women contains interviews with nineteen of the most prominent and innovative women analysts and writers. The authors have persuaded them to speak freely on topics such as feminism, sexuality, love, gender differences, and sometimes their lives as anlysts and analysands, political activists, wives, and mothers. Personal and intimate, these sessions cut across theoretical barriers and allow the analysts to speak directly and candidly, as the following excerpt from the interview with JOyce McDougall shows: "Men and women deal with tender and erotic feelings differnetly. If I speek in very simple terms, it seems to me that women are constatnly eager to stabilize their love relationships and within those, their sexual relationships. They are always terrified of abandonment, rejection, and loss. The men are terrified of getting caught. It is a wonder that the sexes ever get together at all. Men are frantic about getting trapped, and women are frantic about being left." The book offfers intriguing, provocative, and stimulating discussions of critical issues, revealng a number of startling differences and remarkable similarities among the more avant-garde French anlaysts and the more tarditional Anglo-American schools.

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n this beautifully illustrated guide to travelling across France by bike you will discover hidden lanes, stunning gorges, amazing places to eat and stay, plus the best of French cycling culture. This iconic journey of more than 1000 miles takes you through no fewer than 21 of France's regional departements and into some of the country's most striking and dramatic landscapes helping you to discover the true heart of rural France. Ride one section, follow a mini itinerary, or complete the entire challenge! Starting in St.Malo on the coast of Brittany the route winds its way through quiet lanes on the banks of rivers, through dramatic gorges and quintessentially French villages before reaching the dazzling glamour of Nice on the French Riviera. Beautifully illustrated maps, detailed directions and PDF downloads guide you along the route providing essential information and revealing the many hidden secrets of the area.

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Short fiction in France has made a major contribution to French culture and literature. This volume provides new insights into some of the best examples of this form of writing in the twentieth century and also includes a chapter which explores ways in which the genre is evolving as the century draws to a close. Each chapter has been written by specialists in their particular field; their interpretations are backed by the experience of teaching and writing about these authors. They invite the reader to go beyond the immediate context or circumstances of what is related in the story under scrutiny and illustrate some of the many ways in which short stories may be narrated. In some cases stories are revisited and subjected to new interpretations; in others those perhaps less well known are revealed as being no less rewarding. The book offers stimulating reading for those already familiar with some of the works under discussion as well as for those coming to them afresh.

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This book uses six canonical novelists and their recreations in a variety of media to argue a reconceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but as works fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses reworkings of key nineteenth-century texts across time and media in order to emphasise the way in which such reworkings cast new light on many of their source texts, and how they reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Adapting Nineteenth-Century France charts such revision through a range of genres encompassing the modern media of radio, silent film, fiction, musical theatre, sound film and television. Contents Introduction, Kate Griffiths I Labyrinths of Voices: Emile Zola, Germinal and Radio, Kate Griffiths II Diamond Thieves and Gold Diggers: Balzac, Silent Cinema and the Spoils of Adaptation, Andrew Watts III Fragmented Fictions: Time, Textual Memory and the (Re)Writing of Madame Bovary, Andrew Watts IV Les Misérables, Theatre and the Anxiety of Excess, Andrew Watts V Chez Maupassant: The (In)Visible Space of Television Adaptation, Kate Griffiths VI Le Tour du monde en quatre-vingts jours: Verne, Todd, Coraci and the Spectropoetics of Adaptation, Kate Griffiths Conclusion, Andrew Watts

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An examination of women as mothers in medieval French sculpture. What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women asbeholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University.

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Authority in Language explores the perennially topical and controversial notion of correct and incorrect language.James and Lesley Milroy cover the long-running debate over the teaching of Standard English in Britain and compare the language ideologies in Britain and the USA, involving a discussion of the English-Only movement and the Ebonics controversy. They consider the historical process of standardisation and its social consequences, in particular discrimination against low-status and ethnic minority groups on the basis of their language traits.This Routledge Linguistics Classic is here reissued with a new foreword and a new afterword in which the authors broaden their earlier concept of language ideology.Authority in Language is indispensable reading for educationalists, teachers and linguists and a long-standing text for courses in sociolinguistics, modern English grammar, history of English and language ideology.

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Warrior nobles frequently armed themselves for civil war in southern France during the troubled early seventeenth century. These bellicose nobles' practices of violence shaped provincial society and the royal state in early modern France. The southern French provinces of Guyenne and Languedoc suffered almost continual religious strife and civil conflict between 1598 and 1635, providing an excellent case for investigating the dynamics of early modern civil violence. Warrior Pursuits constructs a cultural history of civil conflict, analyzing in detail how provincial nobles engaged in revolt and civil warfare during this period. Brian Sandberg's extensive archival research on noble families in these provinces reveals that violence continued to be a way of life for many French nobles, challenging previous scholarship that depicts a progressive "civilizing" of noble culture. Sandberg argues that southern French nobles engaged in warrior pursuits-social and cultural practices of violence designed to raise personal military forces and to wage civil warfare in order to advance various political and religious goals. Close relationships between the profession of arms, the bonds of nobility, and the culture of revolt allowed nobles to regard their violent performances as "heroic gestures" and "beautiful warrior acts." Warrior nobles represented the key organizers of civil warfare in the early seventeenth century, orchestrating all aspects of the conduct of civil warfare-from recruitment to combat-according to their own understandings of their warrior pursuits. Building on the work of Arlette Jouanna and other historians of the nobility, Sandberg provides new perspectives on noble culture, state development, and civil warfare in early modern France. French historians and scholars of the Reformation and the European Wars of Religion will find Warrior Pursuits engaging and insightful.

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Challenging Authority argues that ordinary people exercise extraordinary political courage and power in American politics when, frustrated by politics as usual, they rise up in anger and hope and defy the authorities and the status quo rules that ordinarily govern their daily lives. By doing so, they disrupt the workings of important institutions and become a force in American politics. Drawing on critical episodes in American history, Frances Fox Piven shows that it is precisely at those seismic moments when people act outside of self-restricting political norms that they become empowered to their full democratic potential.

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Within the past 40 years, shopping centres have increasingly formed the European cityscape and gained in importance, not only from an architectural and urban planning perspective, but also from an economic and social point of view. Owing to its rising significance, the European shopping centre necessitates an analytic statement on the part of architectural research. By comparing the shopping centre sector of a selection of countries, this pilot project offers a holistic approach to a better understanding of the shopping centre's role in the architecture of our cities and the urban structure of our countries. The project is organised in a top-down structure and subdivided in three research levels. Beginning with the survey of two European countries and their 1,616 shopping centres on the first level, the focus shifts towards a selection of 40 sector-relevant cities with 645 shopping centres on a second level, before focusing on eight cities with 124 shopping centres on the third and final level. The deductive analysis of a rising number of basic key features on every research level aims to evidence the constants and variables of the building type. The constants outline the essential basic properties that are considered indispensable for the efficiency of a shopping centre. Again, the variables show the adaptation of these basic key features to the various local conditions and particularities, allowing conclusions in terms of their adaptation, improvement, difficulties, and opportunities. Together, the outcomes of the three research levels assemble a detailed overall picture of the shopping centre sector from the perspective of architecture and urban development, leading to a general characterisation of the building type in the selected countries. From a scientific perspective, the study offers a methodology and basis of comparison for the evaluation of other European countries while, from a practical perspective, the findings can be used as recommendations for future shopping centre projects.

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In contrast to its brutal seizure of the Balkans, the Italian Army's 1940-1943 relatively mild occupation of the French Riviera and nearby alpine regions bred the myth of the Italian brava gente, or good fellow, an agreeable occupier who abstained from the savage wartime behaviors so common across Europe. Employing a multi-tiered approach, Emanuele Sica examines the simultaneously conflicting and symbiotic relationship between the French population and Italian soldiers. At the grassroots level, Sica asserts that the cultural proximity between the soldiers and the local population, one-quarter of which was Italian, smoothed the sharp angles of miscommunication and cultural faux-pas at a time of great uncertainty. At the same time, it encouraged a laxness in discipline that manifested as fraternization and black marketeering. Sica's examination of political tensions highlights how French prefects and mayors fought to keep the tatters of sovereignty in the face of military occupation. In addition, he reveals the tense relationship between Fascist civilian authorities eager to fulfil imperial dreams of annexation and army leaders desperate to prevent any action that might provoke French insurrection. Finally, he completes the tableau with detailed accounts of how food shortages and French Resistance attacks brought sterner Italian methods, why the Fascists' attempted "Italianization" of the French border city of Menton failed, and the ways the occupation zone became an unlikely haven for Jews.

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Early one morning in 1996, the sanctuary of a Parisian church was suddenly disrupted by a police raid. A group of undocumented immigrant families had taken refuge in the church under threat of deportation due to the French state's increasingly restrictive immigration policies. Rather than disperse and hide, these sans-papiers—people literally without papers— came together to bring to light the deep contradictions in the French state's immigration policies and practices. Reinventing the Republic chronicles the struggle of the sans-papiers to become rights-bearing citizens, and links different social movements to reveal the many ways in which concepts of citizenship and nationality intersect with debates over gender, sexuality, and immigration. Drawing on in-depth interviews and a variety of texts, this disquieting book provides new insights into how exclusion and discrimination operate and influence each other in the world today.

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Challenges the longstanding perception that modernist composers made art, not money, and that those who made money somehow failed to make art. Patrons have long appeared as colorful, exceptional figures in music history, but this book recasts patrons and patronage as creative forces that shaped the sounds and meanings of new French music between the world wars. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Patrons developed new pathways to participate in music-making, going beyond commissions to establish ballet companies, manage performance venues, and establish state programs. The impressive variety of patronage activities led to an explosion of new music as well as new styles and -isms, indelibly marking the repertoire that this book examines, including a number of pieces frequently heard in concert halls today. In addition to offering new perspectives on well-known French repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.

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The study of sacred music under Louis XIII (r.1610-43) has advanced little in the past hundred years. Despite some important recent contributions by the late Denise Launay and others, much of our current perception of the Latin sacred music of the period is still informed by the pioneering research undertaken by Henri Quittard in the early years of the twentieth century. Even with Quittard’s work, however, the almost complete absence of surviving sources has severely limited our understanding of this era. But by re-examining one of the seventeenth-century ’treasures’ of the Bibliothèque nationale (MS Vma rés. 571), Sacred Repertories in Paris under Louis XIII reveals that, far from being a transitional period in which little music of any interest was produced, the reign of Louis XIII witnessed a flowering of musical activity and the development of musical techniques normally associated with the reign of Louis XIV. Based on an exhaustive and innovative manuscript study, Sacred Repertories shows that Vma rés. 571 (a largely anonymous source of previously unknown provenance) was copied in Paris by the composer André Pechon, and that it preserves three previously unidentified repertories with connections to the court of Louis XIII. The repertoire of the musique de la chambre, until now considered a secular institution, shows it to have been an equal partner of the chapelle in the provision of sacred music at court. The repertoire of the royal parish church of Saint-Germain-l’Auxerrois, the only ’working’ liturgical repertory surviving from the century, illustrates musical practices at this important collegiate church. And the repertoire of the Royal Benedictine Abbey of Montmartre testifies to the richness of musical tradition in Parisian convents during a period when no other comparable music from France survives. Sacred Repertories thus transforms our understanding of the musical landscape of seventeenth-century France and provides a springboard fo

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Martin Chick's book is a major economic and historical study of the development of electricity and energy policy in Britain, France and the United States since 1945. Using newly available archival material the author draws important comparisons between these countries and includes all of the fuel and power industries.Among the issues covered within this book are: nationalisation and privatisation; regulation, deregulation and liberalisation; marginal cost pricing; investment appraisal; the OPEC oil price hikes of the 1970s; the European Coal and Steel Community; domestic and international threats to national energy security; the electricity blackouts in California; the efforts of the European Commission to promote competition in national and transnational electricity markets; and the influence of history on current discussions of energy policy. The book blends economic theory with historical evidence and is as interested in the political factors affecting the implementation of theory as in the theory itself.It will be of interest to all students and scholars of environmental studies, politics, economics, business and industrial history, as well as to anyone interested in placing the current debates on electricity and energy policy in their historical perspective

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Named a Best Food Book of the Year / Best Book to Gift by the New York Times Book Review, National Geographic, Houston Chronicle, The Guardian, Real Simple, and more There's never been a book about food like Let's Eat France! A book that feels literally larger than life, it is a feast for food lovers and Francophiles, combining the completist virtues of an encyclopaedia and the obsessive visual pleasures of infographics with an enthusiast's unbridled joy. Here are classic recipes, including how to make a pot-au-feu, eight essential composed salads, pâté en croûte, blanquette de veau, choucroute, and the best ratatouille. Profiles of French food icons like Colette and Curnonsky, Brillat-Savarin and Bocuse, the Troigros dynasty and Victor Hugo. A region-by-region index of each area's famed cheeses, charcuterie, and recipes. Poster-size guides to the breads of France, the wines of France, the oysters of France-even the frites of France. You'll meet endive, the belle of the north; discover the croissant timeline; understand the art of tartare; find a chart of wine bottle sizes, from the tiny split to the Nebuchadnezzar (the equivalent of 20 standard bottles); and follow the family tree of French sauces. Adding to the overall delight of the book is the random arrangement of its content (a tutorial on mayonnaise is next to a list of places where Balzac ate), making each page a found treasure. It's a book you'll open anywhere-and never want to close.

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Considered to be the best known German bomber of the Second Wold War, the Heinkel He 111 served in every military front in the European theatre, having first being deployed in the Spanish Civil War in 1936. It then saw extensive service in the invasion of Poland, the Norweigan campaign and the invasion of the Low Countries and France in 1940. When the Luftwaffe was tasked with destroying Britain's ability to resist invasion in 1940, the He 111 formed almost half of the Gruppen employed by Luftflotte 2 and Luftflotte 3. When the Luftwaffe switched to attacking cities and industrial sites the Heinkel 111 was widely employed, with raids against targets such as London, Coventry, Bristol, Birmingham and Liverpool. In this selection of unrivalled images collected over many years, the operations of this famous aircraft in the early years of the war - particularly the invasion of Poland, the Blitzkrieg in the West, the Battle of Britain and the very early stages of the Blitz - are portrayed and brought to life.

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The noted historian Richard Cobb presents an engaging synthesis of research, combined with highly original observations and analyses of the war years in France. The reader is given access to a unique private chronicle of the relations between occupants and occupés, which provides the "I was there" understanding that is a hallmark of Cobb's well-known ability to humanize history. The author characterizes this work as "an essay in interpretation and imagination, an evocation drawing heavily on literary, or semi-literary, sources and even on autobiography, rather than a straight piece of history. The book is about people, individuals, rather than about institutions and administration." A recognized classic is now back in print.

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The Catholicisms of Coutances is a richly detailed account of France from the Hundred Years' War to the French revolution. Coining the word "catholicisms" to denote the complex varieties of religious beliefs and practices within the Church, J. Michael Hayden presents a detailed analysis of the diocese of Coutances - chosen because of the unusually large number of records available - to shed light on the many ways in which religion developed and affected life in early modern France. Opening with a geographical and chronological sketch of the diocese, Hayden describes the catholicisms of mid-fourteenth century Coutances, discussing their evolution and effects over four hundred years. Employing a wide array of primary sources, the book provides a meticulous study that includes qualitative analyses of papal and diocesan documents and synodal statutes, a quantitative analysis of ordination and pastoral visit records, and a combination of both forms of analysis of the cahiers prepared for the Estates General of 1789. The Catholicisms of Coutances is an innovative contribution to contemporary understandings of Catholic beliefs and practices in the early modern period and their profound effect on the people of a diocese.

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This is a comparative analysis of Maghrebi-French and North African emigre cinema in France. Since the early 1980s, the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution to French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African emigre filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of their social or political relevance. Through a detailed study of this transformative decade for Maghrebi-French and North African emigre filmmaking in France, this book argues for the emergence of a 'Post-Beur' cinema in the 2000s that is simultaneously global and local in its outlook. It provides a comprehensive overview of the key developments in Maghrebi-French and North African emigre filmmaking in France since the 2000s. It includes detailed case studies of key films from the 2000s that have yet to receive scholarly attention, such as La Graine et le mulet (Kechiche, 2007), Indigenes (Bouchareb, 2006), Cartouches gauloises (Charef, 2007), Le Grand voyage (Ferroukhi, 2004) and Dernier Maquis (Ameur-Zaimeche, 2008). It analyses trends in production, distribution and exhibition as they relate to Maghrebi-French and North African emigre filmmakers in the 2000s.

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The fascinating and unknown story of the Tour de France's ever-changing relationship with money and power - and the enigmatic family behind it all.It started with a cash drop by an English spy in occupied Paris in 1944. Reserved for Resistance groups during the war, the money reached Émilien Amaury, an advertising executive, who was tasked to help France return to a free press once liberated. He soon launched a newspaper empire that - unbeknown to him - would own the rights to run what would become one of the greatest sporting events in history.Le Tour, once a struggling commercial phenomenon, began to rise in popularity across much of western Europe in the glum years after the Second World War, lifting the mood of the hungry and despondent French. But with the increased interest in the event, exacerbated by the creation of television and the internet, came several cultural threats to national heritage. Multiple attempts to wrest power and profits from the latest generation of the Amaury family - who still own the race and take tens of millions of euros home in dividends - have followed, but not without a fight.Fast-paced and fastidiously researched, Le Fric illustrates how moments off the bike at the Tour de France are every bit as gripping as the battle for the yellow jersey.

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Focusing on the period between the revolutions of 1848-1849 and the First Vatican Council (1869-1870), The Public Image of Eastern Orthodoxy explores the circumstances under which westerners, concerned about the fate of the papacy, the Ottoman Empire, Poland, and Russian imperial power, began to conflate the Russian Orthodox Church with the state and to portray the Church as the political tool of despotic tsars. As Heather L. Bailey demonstrates, in response to this reductionist view, Russian Orthodox publicists launched a public relations campaign in the West, especially in France, in the 1850s and 1860s. The linchpin of their campaign was the building of the impressive Saint Alexander Nevsky Church in Paris, consecrated in 1861. Bailey posits that, as the embodiment of the belief that Russia had a great historical purpose inextricably tied to Orthodoxy, the Paris church both reflected and contributed to the rise of religious nationalism in Russia that followed the Crimean War. At the same time, the confrontation with westerners' negative ideas about the Eastern Church fueled a reformist spirit in Russia while contributing to a better understanding of Eastern Orthodoxy in the West.

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The French Republic—with its rallying cry for liberty, equality, and fraternity—emerged in 1870, and by 1880 had developed a coherent republican ideology. The regime pursued secular policies and emphasized its commitment to science and technology. Naturalism was an ideal aesthetic match for the republican ideology; it emphasized that art should be drawn from the everyday world, that all subjects were worthy of treatment, and that there should be flexibility in representation to allow for different voices.Art of the Actual examines the use of naturalism in the 19th-century. It explores how pictures by artists such as Roll, Lhermitte, and Friant could be read as egalitarian and republican, assesses how well-known painters including Degas, Monet, and Toulouse-Lautrec situated their painting vis-à-vis the dominant naturalism, and opens up new arguments about caricatural and popular style. By illuminating the role of naturalism in a broad range of imagery in late 19th-century France, Richard Thomson provides a new interpretation of the art of the period.

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Exam board: AQA; Pearson Edexcel; OCRLevel: AS/A-levelSubject: HistoryFirst teaching: September 2015First exams: Summer 2016 (AS); Summer 2017 (A-level)Put your trust in the textbook series that has given thousands of A-level History students deeper knowledge and better grades for over 30 years.Updated to meet the demands of today's A-level specifications, this new generation of Access to History titles includes accurate exam guidance based on examiners' reports, free online activity worksheets and contextual information that underpins students' understanding of the period.- Develop strong historical knowledge: in-depth analysis of each topic is both authoritative and accessible- Build historical skills and understanding: downloadable activity worksheets can be used independently by students or edited by teachers for classwork and homework- Learn, remember and connect important events and people: an introduction to the period, summary diagrams, timelines and links to additional online resources support lessons, revision and coursework- Achieve exam success: practical advice matched to the requirements of your A-level specification incorporates the lessons learnt from previous exams- Engage with sources, interpretations and the latest historical research: students will evaluate a rich collection of visual and written materials, plus key debates that examine the views of different historians

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This multifaceted book reviews the vast range of types of printmaking that flourished in France during the 19th century. Studies of this period’s printmaking tend to be confined to histories of individual processes, such as lithography or steel engraving. This study surveys the field as a whole and discusses the relationships between the various media in the context of an overall “visual economy.”Lithography, etching, and engraving are all examined through new research on noteworthy artists of the period, including Hyacinthe Aubry-Lecomte, Léopold Flameng, Ferdinand Gaillard, Aimé de Lemud, Nadar, and Charles Waltner. Rather than simply tracing the rise of Modernism in the 19th century, Distinguished Images reconstitutes the period’s cultural milieu through a series of case studies written with an eye to overarching forces at play. The result is the most original analysis of printmaking to appear in many years—a striking new account of a system in which printmaking, printmakers, and art critics played heretofore unrecognized or misunderstood roles.

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The connection between mind and brain has been one of the most persistent problems in modern Western thought; even recent advances in neuroscience haven't been able to solve it satisfactorily. Historian Larry Sommer McGrath's Making Spirit Matter studies how a particularly productive and influential group of nineteenth- and early twentieth-century French thinkers attempted to answer this puzzle by showing the mutual dependence of spirit and matter. The scientific revolution taking place during this moment in history across disciplines, from biology to psychology and neurology, located our spiritual powers in the brain and offered a radical reformulation of the meaning of society, spirit, and the self. Tracing connections among thinkers such as Henri Bergson, Alfred Fouillee, Jean-Marie Guyau, and others, McGrath plots alternative intellectual movements that revived themes of agency, time, and experience by applying the very sciences that seemed to undermine metaphysics and theology. In so doing, Making Spirit Matter lays out the long legacy of this moment in the history of ideas and how it might renew our understanding of the relationship between mind and brain today.

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For centuries, recurrent plague outbreaks took a grim toll on populations across Europe and Asia. While medical interventions and treatments did not change significantly from the fourteenth century to the eighteenth century, understandings of where and how plague originated did.Through an innovative reading of medical advice literature produced in England and France, Patterns of Plague explores these changing perceptions across four centuries. When plague appeared in the Mediterranean region in 1348, physicians believed the epidemic’s timing and spread could be explained logically and the disease could be successfully treated. This confidence resulted in the widespread and long-term circulation of plague tracts, which described the causes and signs of the disease, offered advice for preventing infection, and recommended therapies in a largely consistent style. What, where, and especially who was blamed for plague outbreaks changed considerably, however, as political, religious, economic, intellectual, medical, and even publication circumstances evolved.Patterns of Plague sheds light on what was consistent about plague thinking and what was idiosyncratic to particular places and times, revealing the many factors that influence how people understand and respond to epidemic disease.

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For centuries, recurrent plague outbreaks took a grim toll on populations across Europe and Asia. While medical interventions and treatments did not change significantly from the fourteenth century to the eighteenth century, understandings of where and how plague originated did.Through an innovative reading of medical advice literature produced in England and France, Patterns of Plague explores these changing perceptions across four centuries. When plague appeared in the Mediterranean region in 1348, physicians believed the epidemic’s timing and spread could be explained logically and the disease could be successfully treated. This confidence resulted in the widespread and long-term circulation of plague tracts, which described the causes and signs of the disease, offered advice for preventing infection, and recommended therapies in a largely consistent style. What, where, and especially who was blamed for plague outbreaks changed considerably, however, as political, religious, economic, intellectual, medical, and even publication circumstances evolved.Patterns of Plague sheds light on what was consistent about plague thinking and what was idiosyncratic to particular places and times, revealing the many factors that influence how people understand and respond to epidemic disease.

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This pioneering book studies the rise, heyday and demise of regionalism from the Belle Époque until the Eve of the Second World War. By using a novel comparative perspective it gives a fresh view of the relationship between cultural regionalism, political regionalism and nationalism. Storm further illuminates how during the first decades of the twentieth century the culture of regionalism slowly lost the battle against its main rival: the avant-garde.Regional identities, like national identities, were created and sometimes even invented; and this was equally the case in France, Germany and Spain. Artists, architects and international exhibitions played a highly influential role in this process. They all appropriated, and in some cases perverted, the regionalist message showing that strong regional identities would ultimately reinforce national unity.This book offers new perspectives to specialists of regionalism and nationalism, but will also be of interest to students of the cultural history of France, Germany and Spain and to specialists from the fields of politics, ethnology, art history, cultural studies and architectural history.

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This account of Kosa Pan’s journal describes in great detail the arrival in Brest in 1686 of the first full Siamese embassy to reach France. This fragment is apparently all that survives of a massive report of the activities of the embassy written for King Narai. It was discovered in Paris in the early 1980s, was published in Thai in 1984, and appears here in English for the first time.

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An Italian SCHINDLER'S LIST, this is the inspirational story of Gino Bartali, who made the greatest comeback in Tour de France history and secretly aided the Italian Resistance during the Second World War.ROAD TO VALOUR is the inspiring, against-the-odds story of Gino Bartali, the cyclist who made the greatest comeback in Tour de France history and still holds the record for the longest gap between victories. Yet it was his actions during the Second World War, when he secretly aided the Resistance, rather than his remarkable exploits on a bike, that truly cemented his place in the hearts and minds of the Italian people.Based on nearly ten years of research, and including fascinating new interviews, this is the only book written that fully explores the scope of Bartali's wartime work. A breathtaking account of one man's unsung heroism and his resilience in the face of adversity, this is an epic tale of courage, comeback and redemption, and the untold story of one of the greatest athletes of the twentieth century.

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This book uses six canonical novelists and their recreations in a variety of media to argue a reconceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but as works fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses reworkings of key nineteenth-century texts across time and media in order to emphasise the way in which such reworkings cast new light on many of their source texts, and how they reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Adapting Nineteenth-Century France charts such revision through a range of genres encompassing the modern media of radio, silent film, fiction, musical theatre, sound film and television. Contents Introduction, Kate Griffiths I Labyrinths of Voices: Emile Zola, Germinal and Radio, Kate Griffiths II Diamond Thieves and Gold Diggers: Balzac, Silent Cinema and the Spoils of Adaptation, Andrew Watts III Fragmented Fictions: Time, Textual Memory and the (Re)Writing of Madame Bovary, Andrew Watts IV Les Misérables, Theatre and the Anxiety of Excess, Andrew Watts V Chez Maupassant: The (In)Visible Space of Television Adaptation, Kate Griffiths VI Le Tour du monde en quatre-vingts jours: Verne, Todd, Coraci and the Spectropoetics of Adaptation, Kate Griffiths Conclusion, Andrew Watts

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From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.

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From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.

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While the role the United States played in France's liberation from Nazi Germany is widely celebrated, it is less well known that American Jewish individuals and organizations mobilized to reconstruct Jewish life in France after the Holocaust. In A "Jewish Marshall Plan," Laura Hobson Faure explores how American Jews committed themselves and hundreds of millions of dollars to bring much needed aid to their French coreligionists. Hobson Faure sheds light on American Jewish chaplains, members of the Armed Forces, and those involved with Jewish philanthropic organizations who sought out Jewish survivors and became deeply entangled with the communities they helped to rebuild. While well intentioned, their actions did not always meet the needs and desires of the French Jews. A "Jewish Marshall Plan" examines the complex interactions, exchanges, and solidarities created between American and French Jews following the Holocaust. Challenging the assumption that French Jews were passive recipients of aid, this work reveals their work as active partners who negotiated their own role in the reconstruction process.

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By exploring dynamic Jewish-Muslim interactions across North Africa and France through performance culture in the 20th and 21st centuries, we offer an alternative chronology and lens to a growing trend in media and scholarship that views these interactions primarily through conflict. Our volume interrogates interaction that crosses the genres of theatre, music, film, art, and stand-up, emphasising creative influence and artistic cooperation between performers from the Maghrib, with a focus on Algeria, Tunisia, Morocco, and diaspora communities, notably in France. The plays, songs, films, images, and comedy sketches that we analyse are multilingual, mixing not only with the former colonial language French, but also the rich diversity of indigenous Amazigh and Arabic languages. The volume includes contributions by scholars working across and beyond disciplinary boundaries through anthropology, ethnomusicology, history, sociology, and literature, engaging with postcolonial studies, memory studies, cultural studies, and transnational French studies. The first section examines accents, affiliations, and exchange, with an emphasis on aesthetics, familiarity, changing social roles, and cultural entrepreneurship. The second section shifts to consider departure and lingering presence through spectres and taboos, in its exploration of absence, influence, and elision. The volume concludes with an autobiographical afterword, which reflects on memories and legacies of Jewish-Muslim interactions across the Mediterranean. Contributors: Cristina Moreno Almeida, Jamal Bahmad, Adi Saleem Bharat, Aomar Boum, Morgan Corriou, Ruth Davis, Samuel Sami Everett, Fanny Gillet, Jonathan Glasser, Miléna Kartowski-Aïach, Nadia Kiwan, Hadj Miliani, Vanessa Paloma Elbaz, Elizabeth Perego, Christopher Silver, Rebekah Vince, Valérie Zenatti

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Important aspects of fifteenth-century England and Europe assessed in this new collection. A variety of new perspectives and fresh insights into people and society in fifteenth-century England and France are gathered together here. We learn from contemporary accounts of the battle of Anthon how regional politics in theDauphiné were enmeshed in the broader conflict over the French throne; subtle inferences about East Anglian politics in the fifteenth century are derived not only from a detailed study of stained glass, but also from a close examination of Sir John Fastolf's papers; the motivations of members of guilds in founding almshouses in their towns, and how such establishments functioned, are presented for our deeper understanding; relations between Humphrey, dukeof Gloucester, and the citizens of London at crucial stages of Henry VI's reign are explored anew; the celebration of the accession of Edward IV by the artistic endeavours of a clerk of the staple of Calais gives our study of theperiod a new visual dimension; and a drama perhaps performed in the household of Cardinal Morton throws a new perspective on contemporary attitudes towards the nobility and Henry VII's "new men". Contributors: KATHLEEN DALY, DAVID KING, RUTH LEXTON, JONATHAN MACKMAN, CAROLE RAWCLIFFE, COLIN RICHMOND, LUCY RHYMER, ANNE F, SUTTON.

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In 1914 the City of Bradford was the world’s leading manufacturer of fine woollen goods. On the outbreak of war, at the urging of the city’s wealthy industrialists, thousands of young men rushed to join the colours and within a matter of months two volunteer Pals Battalions were formed. Author John Broadhead, the son of a Bradford Pal, tells the story of the battalions and the part played by his father, George William Broadhead, a Town Hall clerk from Batley. The author’s research was inspired by his father’s diary of 1916 which he handed to the author shortly before his death in 1980 saying, ‘Here lad you might be interested in this’. Like many old soldiers he rarely spoke about the war but the diary and the author’s use of official records, newspaper reports and memoirs reveal the stark horror of what faced the nation’s youth. Few of the original Pals survived the war but George Broadhead’s luck held. In 1918 he married a French girl, then worked for eighteen years with the Imperial War Graves Commission in France before returning to his home town to resume his earlier career. This is a story of an ordinary soldier but a quite remarkable person.

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A prominent scholar of Baroque painting, Richard Spear has explored a wide range of cultural, iconographic, connoisseurial, and conservation problems in his publications, many of which arose from two of his earliest research projects: organization of an international loan-exhibition, Caravaggio and His Followers, and his dissertation on the Bolognese painter, Domenichino, which resulted in a two-volume monograph with catalogue raisonné. His directorship of the Oberlin College museum strengthened his view that the work of art is the essential fact of inquiry, regardless of the approaches he has taken to interpreting the art of Domenichino, Guido Reni, Guercino, Artemisia Gentileschi, Georges de La Tour, and Poussin, among other 17th-century artists. As Editor-in-Chief of the Art Bulletin (1985-88) he commissioned essays on "the state of research" in Western art history, whose varied methodologies and interdisciplinarity underpin his recent writings, notably The "Divine" Guido: Religion, Sex, Money and Art in the World of Guido Reni. This volume brings together more than thirty of Richard Spear's most important articles and selected chapters from his main books, organized in three sections, Caravaggio and Caravaggism, Italy and France, and Bolognese Painters. The author provides important addenda and retrospective critical reflections on each of the essays.

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Challenging the notion that modernization is a homogenizing process, Susan Rogers contends that in the course of large-scale transformations communities often reproduce and strengthen distinctive cultural and social features. To make this argument, she focuses on the French farming community of "Ste Foy" during a period of rapid change (1945-75). Using ethnographic field data and archival material that she collected as a "participant-observer," she finds an intriguing puzzle: an allegedly archaic social form, the ostal, has become increasingly common in the community. The ostal, a type of family farm organized around an extended "stem family" household, is a variant of the stem family systems associated with preindustrial southern Europe. How have Ste Foyans continued to remake this "archaic" mode as their community grew more prosperous and more involved in national and international markets? In showing how the specific identity of a community is reproduced rather than obliterated by modernization, the author reveals dialectical relationships between structure and change, history and culture, and the centralized nation-state and regional diversity. This analysis addresses anthropologists, historians, and scholars interested in local politics and economic development.

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Multiple-Michelin-starred Daniel Galmiche presents a fresh approach to French cooking. Taking inspiration and ingredients from meadow and orchard, from field to forest, and from river to sea, each recipe elevates authentic French rural classics to sophisticated dishes, full of flavour and easy to create at home. French cooking centres around one maxim: start with quality ingredients, and the resulting flavour and freshness of the dish will shine. Daniel shows how to showcase the humblest of ingredients, with tips on how to source them sustainably and seasonally. Starters, mains, sides and desserts are organised by the origin of their key ingredient. From the meadow, gather flowers for a dandelion, wild thyme and lemon cake. From the farmyard, make use of a chicken carcass to create a beautifully clear and nourishing broth. Or from the sea, create fragrant lemongrass-skewered prawns with sauce vièrge. With short ingredients lists and straightforward guidance on how to perfect chef-level techniques such as dehydrating and sous-vide without the fancy equipment, this book will allow you to master innovative French cuisine – and reduce food waste – with simplicity. This is a new and updated edition of the classic Revolutionary French Cookbook, with a timely emphasis on sustainability and responsibly-sourced ingredients. This book was inspired by Daniel's return to the countryside during the pandemic. With each long country walk, his background in rural France returned to him and everything began to make sense. He felt a need to return to these recipes, and a need to revive them alongside new recipes created during that quiet time.

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