Search results for ""author frances"

'I pulled off my glasses and wiped my eyes. "That was perhaps the last race of my career..."'Deep down, Mark Cavendish thought he was finished. After illness, setbacks and clinical depression, the once fastest man in the world had been written off by most. And at the age of 36, even he believed his explosive cycling career would fade out with a whimper. The Manxman hadn't won a single Grand Tour stage in Italy, Spain or France since 2016.But then came his incredible resurrection at the 2021 Tour de France. Included on the Deceuninck Quick-Step team at the very last minute, only after Sam Bennett suffered an injury, Mark set about rewriting history. He claimed back the green jersey he first wore in 2011, and his four stage victories finally saw him matching Belgian legend Eddy Merckx's all-time record of 34 Tour de France stage wins. Cycling greats are never content, and Cav's dogged determination and inner strength had earned him the record that few believed he could ever achieve. This is his own intimate account of that race, right from the saddle of the miracle tour.

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This book compares the postcolonial populations of Britain and France, examining the ways in which they are redefining citizenship. Bearing in mind the different histories and political systems of each country, it considers questions of national identity, values, the place of religion, secularism and public spaces - all integral to determining what makes a country a true nation. Recent security threats have made the debate around minorities and assimilation all the more pressing, and this book delves deep into the issues of feminism, Islam and group identities. It will be of interest to students and scholars of race, religion and migration studies.

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A landmark in contemporary social science, this pioneering work by Thomas Piketty explains the facts and dynamics of income inequality in France in the twentieth century. On its publication in French in 2001, it helped launch the international program led by Piketty and others to explore the grand patterns and causes of global inequality—research that has since transformed public debate. Appearing here in English for the first time, this stunning achievement will take its place alongside Capital in the Twenty-First Century as a modern classic of economic analysis.Top Incomes in France in the Twentieth Century is essential in part because of Piketty’s unprecedented efforts to uncover, untangle, and present in clear form data about patterns in tax and inheritance in France dating back to 1900. But it is also an exceptional work of analysis, tracking and explaining with Piketty’s characteristically lucid prose the effects of political conflict, war, and social change on the economic pressures and public policies that determined the lives of millions. A work of unusual intellectual power and ambition, Top Incomes in France in the Twentieth Century is a vital resource for anyone concerned with the economic, political, and social history of France, and it is central to ongoing debates about social justice, inequality, taxation, and the evolution of capitalism around the world.

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An illustrated exploration of the largely unpublished collection of eighteenth-century French drawings, albums, and sketchbooks at the Bibliothèque nationale de FrancePromenades on Paper explores the largely unmined collection of eighteenth-century drawings held in the Department of Prints and Photography of the Bibliothèque nationale de France. Among the 50 featured artists are some of France’s most celebrated eighteenth-century practitioners, including Madeleine Basseporte (1701–1780), François Boucher (1703–1770), Gabriel de Saint Aubin (1724–1780), and Jean-Honoré Fragonard (1732–1806), alongside architects, designers, and printmakers. Scattered across the institution’s vast reserves, these drawings have until now served primarily documentary purposes. In this book, leading international scholars introduce more than 80 drawings, albums, and sketchbooks—many published here for the first time—and reveal how artists used drawing to record, critique, and try to improve the world around them.Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute, Williamstown, MA (December 17, 2022–March 12, 2023)Musée des Beaux-Arts de Tours (May 12–August 28, 2023)

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This classic work by one of the most important philosophers and critics of our time charts the genesis and trajectory of the desiring subject from Hegel's formulation in Phenomenology of Spirit to its appropriation by Kojeve, Hyppolite, Sartre, Lacan, Deleuze, and Foucault. Judith Butler plots the French reception of Hegel and the successive challenges waged against his metaphysics and view of the subject, all while revealing ambiguities within his position. The result is a sophisticated reconsideration of the post-Hegelian tradition that has predominated in modern French thought, and her study remains a provocative and timely intervention in contemporary debates over the unconscious, the powers of subjection, and the subject.

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This sumptuous catalogue provides an overview of French art circa 1500, a dynamic, transitional period when the country, resurgent after the dislocations of the Hundred Years' War, invaded Italy and all media flourished. What followed was the emergence of a unique art: the fusion of the Italian Renaissance with northern European Gothic styles. Outstanding examples of exquisite and revolutionary works are featured, including paintings, sculptures, illuminated manuscripts, stained glass, tapestries, and metalwork. Exciting new research brings to life court artists Jean Fouquet, Jean Bourdichon, Michel Colombe, Jean Poyer, and Jean Hey (The Master of Moulins), all of whose creations were used by kings and queens to assert power and prestige. Also detailed are the organization of workshops and the development of the influential art market in Paris and patronage in the Loire Valley.Distributed for the Art Institute of ChicagoExhibition Schedule:Grand Palais, Paris(10/06/10-01/10/11)The Art Institute of Chicago(02/27/11-05/30/11)

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French government officials have long been known among Europeans for the special attention they give to the state of their population. In the first half of the nineteenth century, as Paris doubled in size and twice suffered the convulsions of popular revolution, civic leaders looked with alarm at what they deemed a dangerous population explosion. After defeat in the Franco-Prussian War in 1870, however, the falling birthrate generated widespread fears of cultural and national decline. In response, legislators promoted larger families and the view that a well-regulated family life was essential for France. In this innovative work of cultural history, Joshua Cole examines the course of French thinking and policymaking on population issues from the 1780s until the outbreak of the Great War. During these decades increasingly sophisticated statistical methods for describing and analyzing such topics as fertility, family size, and longevity made new kinds of aggregate knowledge available to social scientists and government officials. Cole recounts how this information heavily influenced the outcome of debates over the scope and range of public welfare legislation. In particular, as the fear of depopulation grew, the state wielded statistical data to justify increasing intervention in family life and continued restrictions on the autonomy of women.

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According to some, French philosophy has taken an obvious turn towards/into a theological context. In their work, contemporary philosophers such as Ricoeur, Levinas, Girard, Henry, and even Derrida and Lyotard in their later periods focus on issues usually associated with theological debates. For thinkers like Henry, Marion, and Lacoste, theology even plays a prominent role in their thought. Why this post-Heideggerian turn to God? This book introduces the typically French debate of the so-called 'theological turn of French philosophy' through a presentation of the philosophers mentioned. Why are they all interested in the quest for God and Religion? How do they understand God in a philosophical way? Thinking about these questions offers to both philosophy and theology the opportunity for a crossover which is mutually enriching. This book aims to contribute to this fascinating process.

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As the site of royal coronations, Reims cathedral was a monument to French national history and identity. But after German troops bombed the cathedral during World War I, it took on new meaning. The French reimagined it as a martyr of civilisation, as the rupture between the warring states. The resulting battle of words and images stressed the differences between German "Kultur" and French "civilisation". Artists and intelligentsia caricatured this entrenched cultural dichotomy, influencing portrayals of the two nations in the international press. Ultimately, despite a history of mutual respect, the bombing of the cathedral caused all social, scientific, artistic, and cultural ties between Germany and France to be severed for decades. This book explores the structure's breadth of meaning in symbolic, art historical, and historical arenas, including competing claims over the origins of Gothic art and architecture as national style and issues of monument preservation and restoration. It highlights how vulnerable art is during war and how the destruction of national monuments can set the tone for international conflict. Gaehtgens articulates how these nations began to mend their relationship in the decades after World War II, starting with the courageous vision of Charles de Gaulle and Konrad Adenauer, and how the cathedral of Reims was eventually transformed into a site of reconciliation and European unification.

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This book tells a very beautiful and magnificent adventure, that of a young Frenchman humiliated by the 1940 defeat who fled aboard a Breton crayfish boat to carry on the fight for freedom. The diary of Jacques “Jaco” Andrieux tells very simply, quickly and always with emotion, the discoveries, the apprenticeship and the daily life of a Free Frenchman transplanted to England, in Fighter command. The unceasing combats he fought in the RAF squadrons, the risks, the kills, the loneliness of the hunter, the camaraderie, the fraternity, life, are all written in a simple tone, lively and effective with the impression of being in the heart of the action. Each page breathes its lot of pictures, sounds, smells but also the feelings, doubts, joys where death and life exist alongside each other simply. General Andrieux relates his combats above the Channel, Dieppe, the Normandy Landings, and in the skies of France which was being freed and above Germany in its death throes. The story of this man is part of History itself. This tale full of panache is breathtaking through and through with the breath of life, that of the Magnificent Jaco. Text in French.

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The artful use of one's free time was a discipline perfected by the French in the 19th century. Casinos, alpine hiking, hotel dinners, romantic gardens, and lavish parks were all part of France's growing desire for the ideal vacation. Perhaps the most intriguing vacation, however, was the ever popular health resort, and this is the main topic of Douglas Mackaman's study. Taking us into the vibrant social world of France's great spas, the text explores the links between class identity and vacationing. It shows how, after 1800, physicians and entrepreneurs zealously tried to break their milieu's strong association with aristocratic excess and indecency by promoting spas as a rational, ordered equivalent to the busy lives of the bourgeoisie. Rather than seeing leisure time as slothful, the text argues, the bourgeoisie willingly became patients at spas and viewed this therapeutic vacation as a sensible, even productive, way of spending time. Analyzing this transformation, the text ultimately shows how the premier vacation of an era made and was made by the bourgeoisie.

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A new strain of realism has emerged in France. The novels that embody it represent diverse fears—immigration and demographic change, radical Islam, feminism, new technologies, globalization, American capitalism, and the European Union—but these books, often best-sellers, share crucial affinities. In their dystopian visions, the collapse of France, Europe, and Western civilization is portrayed as all but certain and the literary mode of realism begins to break down. Above all, they depict a degenerative force whose effects on the nation and on reality itself can be felt.Examining key novels by Michel Houellebecq, Frédéric Beigbeder, Aurélien Bellanger, Yann Moix, and other French writers, Christy Wampole identifies and critiques this emergent tendency toward “degenerative realism.” She considers the ways these writers draw on social science, the New Journalism of the 1960s, political pamphlets, reportage, and social media to construct an atmosphere of disintegration and decline. Wampole maps how degenerative realist novels explore a world contaminated by conspiracy theories, mysticism, and misinformation, responding to the internet age’s confusion between fact and fiction with a lament for the loss of the real and an unrelenting emphasis on the role of the media in crafting reality. In a time of widespread populist anxieties over the perceived decline of the French nation, this book diagnoses the literary symptoms of today’s reactionary revival.

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A new strain of realism has emerged in France. The novels that embody it represent diverse fears—immigration and demographic change, radical Islam, feminism, new technologies, globalization, American capitalism, and the European Union—but these books, often best-sellers, share crucial affinities. In their dystopian visions, the collapse of France, Europe, and Western civilization is portrayed as all but certain and the literary mode of realism begins to break down. Above all, they depict a degenerative force whose effects on the nation and on reality itself can be felt.Examining key novels by Michel Houellebecq, Frédéric Beigbeder, Aurélien Bellanger, Yann Moix, and other French writers, Christy Wampole identifies and critiques this emergent tendency toward “degenerative realism.” She considers the ways these writers draw on social science, the New Journalism of the 1960s, political pamphlets, reportage, and social media to construct an atmosphere of disintegration and decline. Wampole maps how degenerative realist novels explore a world contaminated by conspiracy theories, mysticism, and misinformation, responding to the internet age’s confusion between fact and fiction with a lament for the loss of the real and an unrelenting emphasis on the role of the media in crafting reality. In a time of widespread populist anxieties over the perceived decline of the French nation, this book diagnoses the literary symptoms of today’s reactionary revival.

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This compelling book, first published in 1995, changed historians' understanding of the history of public penance, a topic crucial to debates about the complex evolution of individualism in the West. Mary C. Mansfield demonstrates that various forms of public humiliation, imposed on nobles and peasants alike for shocking crimes as well as for minor brawls, survived into the thirteenth century and beyond.

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**THE EXPLOSIVE NEW THRILLER FROM THE SUNDAY TIMES BESTSELLING AUTHOR**The perfect holiday. The perfect crime...When Ali has the chance to stay at a beautiful house in the south of France, she jumps at it.But not everything is as it seems.Surrounded by a group of wealthy friends, Ali blends expertly into the background. She's watching them all.And she isn't the only one interested.The heat rises. The pool shimmers. Secrets are exposed.And Ali must face up to the biggest lie of all: herself.Readers love Sabine Durrant:''I've read all of this author's books and enjoyed them. Thank you Sabine Durrant for a great read.'' meggies mum, ⭐⭐⭐⭐⭐''Oh I adored this novel, I raced through it in a day and bit. I was enraptured and it's definitely a winner.'' Lolly130612, ⭐⭐⭐⭐⭐''Could not put this down. Brilliant lead characters and such a clever plot. I love this author and this is my favourite so far - sunshine and suspense - a winning combination!'' Booklover, ⭐⭐⭐⭐⭐''This is a perfect holiday read set in a Villa in the South of France! Sabine Durrant's characters always have something to hide and those in SUN DAMAGE are no exception to this.'' Annette C, ⭐⭐⭐⭐⭐''I always look forward to a new book from this talented author, and SUN DAMAGE lived up to every expectation. It was my final read during my recent holiday in Corfu and the descriptions of the searing heat of the French setting was exquisitely done, especially as the temperatures in Greece soared that week too.'' Lincs Reader, ⭐⭐⭐⭐⭐''SUN DAMAGE is the perfect holiday read, not least because of how it is set against the languid backdrop of beaches and cafés, market towns and lazy lunches at a house share (with a pool, of course) in the South of France. After so many years without such a getaway insight, I felt I was more transported with each page.'' Melanie Garrett, ⭐⭐⭐⭐⭐''Sabine Durrant never disappoints and her new novel SUN DAMAGE is excellent, with an atmospheric setting, believable characters and twisty plot. I found the little observations about human nature quite fascinating, almost like surreptitious people watching.'' Lovebooks, ⭐⭐⭐⭐⭐'Written with Durrant's usual acuity, Sun Damage is an attractive two-for-one deal: smart observation of family life and Brits abroad in the middle, bookended by a Highsmithian thriller' SUNDAY TIMES'Plenty of Ripleyish peril to keep the nerves on edge' CLARE CHAMBERS'No one creates characters like Sabine Durrant' CLARE MACKINTOSH'I tore through Sun Damage!' SJ WATSON'Claustrophobic and suspenseful, with an engaging narrator and a satisfying twist: perfect poolside reading' GUARDIAN'Sensuously atmospheric, Sun Damage is a twisty thriller with the added delight of acute social comedy. Without doubt Sabine Durrant's best novel yet' GILL HORNBY'The suspense sizzles off every page' ERIN KELLY'One of our best thriller writers' GOOD HOUSEKEEPING'An exploration of vulnerability, trickery and cruel dishonesty ... the ending gives great satisfaction' LITERARY REVIEW'Secrets and tensions rise along with the temperature until they reach boiling point' RED'Absorbing, intriguing, with great twists and pace, SUN DAMAGE is a wonderful rollercoaster of a read' B.A. PARIS'Durrant is relentless with the suspense ... superbly controlled, a novel that's obsidian dark under the blazing French sun' SUNDAY INDEPENDENT

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Cassoulet Confessions is an enthralling memoir by award-winning food and travel writer Sylvie Bigar that reveals how a simple journalistic assignment sparked a culinary obsession and transcended into a quest for identity. Set in the stunning southern French countryside, this honest and poignant memoir conveys hunger for authentic food and a universal hunger for home. In Cassoulet Confessions, Sylvie travels across the Atlantic from her home in New York to the origin of cassoulet – the Occitanie region of Southern France. There she immerses herself in all things cassoulet: the quintessential historic meat and bean stew. From her first spoonful, she is transported back to her dramatic childhood in Geneva, Switzerland, and finds herself journeying through an unexpected rabbit hole of memories. Not only does she discover the deeper meanings of her ancestral French cuisine, but she is ultimately transformed by having to face her unsettling, complex family history. Sylvie’s simple but poetic prose immerses us in her story: we smell the simmering aromas of French kitchens, empathise with her family dilemmas, and experience her internal struggle to understand and ultimately accept herself.

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When Emmanuel Macron won the presidency of France he was a political novice with a brand new party who had swept all traditional political forces aside. He quickly emerged as the strongest voice on behalf of the EU, especially once Angela Merkel announced her forthcoming retirement as Chancellor of Germany, and became a domestic radical, facing down the unions, imposing reforms and bracing France to become globally competitive.In The Last President of Europe, William Drozdiak delivers the inside story of the daunting challenges Macron has faced as the last staunch defender of Europe -- including Trump's attacks on NATO and the international order, Merkel's weakness, Italy's government of nihilists and satirists, the Gilets Jaunes (Yellow Vests) protesters, the resurgence of anti-Semitism, and the endless turmoil of Brexit. His success or failure will determine the fate of a continent and the world at large, and Drozdiak brings the drama of these consequential times vividly and compellingly to life.

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A 40-page hardcover book in handy 7x6" format that tells the adventurous true story of how the remains of the Unknown Soldier were retrieved from a battlefield in France and brought home to the U.S. to his final resting place in Arlington National Cemetery. A little-known episode in American military history, this story is intended to honour not only one but all who made the ultimate sacrifice for freedom. The book's publication in 2021 coincides with the 100th anniversary of the return of the Unknown Soldier.

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Barry R. Posen explores how military doctrine takes shape and the role it plays in grand strategy-that collection of military, economic, and political means and ends with which a state attempts to achieve security. Posen isolates three crucial elements of a given strategic doctrine: its offensive, defensive, or deterrent characteristics, its integration of military resources with political aims, and the degree of military or operational innovation it contains. He then examines these components of doctrine from the perspectives of organization theory and balance of power theory, taking into account the influence of technology and geography. Looking at interwar France, Britain, and Germany, Posen challenges each theory to explain the German Blitzkrieg, the British air defense system, and the French Army's defensive doctrine often associated with the Maginot Line. This rigorous comparative study, in which the balance of power theory emerges as the more useful, not only allows us to discover important implications for the study of national strategy today, but also serves to sharpen our understanding of the origins of World War II.

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Unruly Spirits connects the study of séances, telepathy, telekinesis, materializations, and other parapsychic phenomena in France during the age of Sigmund Freud to an epistemological crisis that would eventually yield the French adoption of psychoanalysis. Skillfully navigating experiments conducted by nineteenth-century French psychical researchers and the wide-ranging debates that surrounded their work, M. Brady Brower situates the institutional development of psychical research at the intersection of popular faith and the emergent discipline of psychology. Brower shows how spiritualist mediums were ignored by French academic scientists for nearly three decades. Only after the ideologues of the Third Republic turned to science to address what they took to be the excess of popular democracy would the marvels of mediumism begin to emerge as legitimate objects of scientific inquiry. Taken up by the most prominent physicists, physiologists, and psychologists of the last decades of the nineteenth century, psychical research would eventually stall in the 1920s as researchers struggled to come to terms with interpersonal phenomena (such as trust and good faith) that could not be measured within the framework of their experimental methods. In characterizing psychical research as something other than a mere echo of popular spirituality or an anomaly among the sciences, Brower argues that the questions surrounding mediums served to sustain the scientific project by forestalling the establishment of a closed and complete system of knowledge. By acknowledging persistent doubt about the intentions of its participants, psychical research would result in the realization of a subjectivity that was essentially indeterminate and would thus clear the way for the French reception of psychoanalysis and the Freudian unconscious and its more comprehensive account of subjective uncertainty.

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A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction “The depths of French anti-Semitism is the stunning subject that Mr. McAuley lays bare. . . . [He] tells this haunting saga in eloquent detail. As French anti-Semitism rises once again today, the effect is nothing less than chilling.”—Diane Cole, Wall Street Journal “Elegantly written and deeply moving. . . . [A] haunting book.”—David Bell, New York Review of Books In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin de siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d’Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.

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In this book, Jeffrey Merrick brings together a rich array of primary-source documents—many of which are published or translated here for the first time—that depict in detail the policing of same-sex populations in eighteenth-century France and the ways in which Parisians regarded what they called sodomy or pederasty and tribadism. Taken together, these documents suggest that male and female same-sex relations played a more visible public role in Enlightenment-era society than was previously believed.The translated and annotated sources included here show how robust the same-sex subculture was in eighteenth-century Paris, as well as how widespread the policing of sodomy was at the time. Part 1 includes archival police records from the 1720s to the 1780s that show how the police attempted to manage sodomitical activity through surveillance and repression; part 2 includes excerpts from treatises and encyclopedias, published nouvelles (collections of news) and libelles (libelous writings), fictive portrayals, and Enlightenment treatments of the topic that include calls for legal reform. Together these sources show how contemporaries understood same-sex relations in multiple contexts and cultures, including their own. The resulting volume is an unprecedented look at the role of same-sex relations in the culture and society of the era.The product of years of archival research curated, translated, and annotated by a premier expert in the field, Sodomites, Pederasts, and Tribades in Eighteenth-Century France provides a foundational primary text for the study and teaching of the history of sexuality.

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In Borders among Activists, Sarah S. Stroup challenges the notion that political activism has gone beyond borders and created a global or transnational civil society. Instead, at the most globally active, purportedly cosmopolitan groups in the world—international nongovernmental organizations (INGOs)—organizational practices are deeply tied to national environments, creating great diversity in the way these groups organize themselves, engage in advocacy, and deliver services. Stroup offers detailed profiles of these "varieties of activism" in the United States, Britain, and France. These three countries are the most popular bases for INGOs, but each provides a very different environment for charitable organizations due to differences in legal regulations, political opportunities, resources, and patterns of social networks. Stroup’s comparisons of leading American, British, and French INGOs—Care, Oxfam, Médecins sans Frontières, Human Rights Watch, Amnesty International, and Fédération Internationale des ligues des Droits de l'Homme—reveal strong national patterns in INGO practices, including advocacy, fund-raising, and professionalization. These differences are quite pronounced among INGOs in the humanitarian relief sector and are observable, though less marked, among human rights INGOs. Stroup finds that national origin helps account for variation in the "transnational advocacy networks" that have received so much attention in international relations. For practitioners, national origin offers an alternative explanation for the frequently lamented failures of INGOs in the field: INGOs are not inherently dysfunctional, but instead remain disconnected because of their strong roots in very different national environments.

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This CD-ROM contains the complete papers presented at the conference Recontres Geosynthetiques, held in Bordeaux, France in October 1999. Some of the topics covered include: waste landfillng and polluted site confining; local behaviour of confining barriers; and construction quality control.

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This fascinating third volume in the Britannia's Fist series will have you pondering how easily history could have been swayed differently.Peter G. Tsouras presents the third installment in his Britannia’s Fist alternate history series. The winter of 1863 had rung down a white curtain on the desperate struggle for North America. The United States and Great Britain had fought each other to a bitter draw. On both sides of the Atlantic the forges of war glowed as they poured out the new technologies of war. British and French aid transformed the ragged Confederate armies and filled them with new confidence. Both sides strained to be ready for the coming campaign season. Both sides seek to anticipate each other. The British strike suddenly at Hooker’s strung out army in winter quarters in upstate New York in a brutal swirling late battle across frozen fields and streams. Besieged Portland shudders relentless assault. The French attack Fort Hudson on the Mississippi. At Lincoln’s direction, two great raids are launched at the United Kingdom itself as Russia enters the war on the side of the Union to raid the Irish Sea. These are only preliminaries to the great gathering of modernized armies and ironclad fleets and with them are deadly submersibles and balloons. Battle rages from Maine to northern Virginia and the Chesapeake Bay, down to steamy Louisiana. And far away across the sea Dublin stands siege as Russia cast eyes upon Constantinople. For Americans, blue and gray, Britons, Irish, Frenchmen, and Russians, the summer of 1864 is the crescendo battle of destinies and dreams. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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In the late 16th century, the French royal court was mobile. To distinguish itself from the rest of society, it depended more on its cultural practices and attitudes than on the royal and aristocratic palaces it inhabited. Using courtly song - or the "air de cour" - as a window, Jeanice Brooks offers an unprecedented look into the culture of this itinerant institution. Brooks concentrates on a period in which the court's importance in projecting the symbolic centrality of monarchy was growing rapidly and considers the role of the "air" in defining patronage hierarchies at court and in enchancing courtly visions of masculine and feminine virtue. Her study illuminates the court's relationship to the world beyond its own confines, represented first by Italy, then by the countryside. In addition to the 40 editions of "airs de cour" printed between 1559 and 1589, Brooks draws on memoirs, literary works, and iconographic evidence to present a rounded vision of French Renaissance culture. The first book-length examination of the history of "air de cour", this work also sheds new light on a formative moment in French history.

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As World War II came to a close, economic recovery in France hinged on coal. With nearly 90 percent of French energy dependent on coal and imported coal unavailable, France, traditionally the world's largest importer, was forced to rely on its own troubled coal-mining industry.The Battle for Coal is the first full study to address the history and politics of coal production in post-World War II France. Holter examines the French coal-mining industry's role in postwar reconstruction and the state's intervention into the industry in an effort to promote economic expansion. He traces the complex "battle for coal" that took place as government officials, labor leaders, management personnel, and mine workers struggled to increase production while transforming a private industry into a state-owned one. After surveying French coal-mining to 1939, Holter analyzes the impact of nationalization on production, the effects of the cold war on coal politics, and the coal strikes that rocked France in 1947 and 1948.Holter locates French industrial policy in the context of nationalization, national and local politics, and more broadly the emerging cold-war economy of postwar Europe, showing how the "battle for coal" related to the movement toward European economic integration. He focuses primarily on the role of labor in the process of nationalization. His insights into labor relations and the successes and limitations of a union-led production campaign provide a new understanding of the paradoxical nature of state-owned industries.

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The perfect place for a fresh start . . . Escape to France with LATE SUMMER IN THE VINEYARD - Jo Thomas's irresistible follow-up to THE OYSTER CATCHER and THE OLIVE BRANCH. 'A fabulous French feast of fun' Milly Johnson'Love this book ... makes me want to live on a vineyard in the South of France!' Lisa Zupan, Producer of P.S. I Love You Emmy Bridges has always looked out for others. Now it's time to put down roots of her own.Working for a wine-maker in France is the opportunity of a lifetime for Emmy. Even if she doesn't know a thing about wine - beyond what's on offer at the local supermarket.There's plenty to get to grips with in the rustic town of Petit Frère. Emmy's new work friends need more than a little winning over. Then there's her infuriatingly brash tutor, Isaac, and the enigmatic Madame Beaumont, tucked away in her vineyard of secrets.But Emmy will soon realise that in life - just as in wine-making - the best things happen when you let go and trust your instincts. Particularly when there's romance in the air...What readers are saying about Late Summer in the Vineyard:'A light-hearted romance set in a French vineyard. What could be better for summertime reading!''Funny, romantic and heart-warming read of love, friendships and wine''I loved this book - the sights, sounds, smells of France during the wine making season was truly believable. A great story with funny, loveable characters who I wanted as friends!'

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Non-monetary tokens known as jetons originated as counters used on medieval counting tables. In certain parts of France, the Low Countries, and German lands, they continued as such into the nineteenth century. The historical and numismatic interest in jetons stems more from what else they became, particularly though the end of the eighteenth century under the Bourbon monarchs, as perks of office for office holders in the burgeoning nation state of France, New Year's Day presents exchanged among certain segments of society, and lagniappe handed out for attendance at meetings in town halls, regional estates, and learned societies. Jetons figured in the rites and rituals of the guilds and faculties; they were swag for general meetings of the clergy, and they served as calling cards for noble families. Decoding hidden messages became a parlor game for cognoscenti, and as petit monuments some jetons are miniature works of high art produced by the world's most talented artists/engravers at t

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There are over 1,000 McDonald's on French soil. Two Disney theme parks have opened near Paris in the last two decades. And American-inspired vocabulary such as "le weekend" has been absorbed into the French language. But as former French president Jacques Chirac put it: "The U.S. finds France unbearably pretentious. And we find the U.S. unbearably hegemonic." Are the French fascinated or threatened by America? They Americanize yet are notorious for expressions of anti-Americanism. From McDonald's and Coca-Cola to free markets and foreign policy, this book looks closely at the conflicts and contradictions of France's relationship to American politics and culture. Richard Kuisel shows how the French have used America as both yardstick and foil to measure their own distinct national identity. They ask: how can we be modern like the Americans without becoming like them? France has charted its own path: it has welcomed America's products but rejected American policies; assailed America's "jungle capitalism" while liberalizing its own economy; attacked "Reaganomics'" while defending French social security; and protected French cinema, television, food, and language even while ingesting American pop culture. Kuisel examines France's role as an independent ally of the United States--in the reunification of Germany and in military involvement in the Persian Gulf and Bosnia--but he also considers the country's failures in influencing the Reagan, Bush, and Clinton administrations. Whether investigating France's successful information technology sector or its spurning of American expertise during the AIDS epidemic, Kuisel asks if this insistence on a French way represents a growing distance between Europe and the United States or a reaction to American globalization. Exploring cultural trends, values, public opinion, and political reality, The French Way delves into the complex relationship between two modern nations.

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Above all, sentimental texts used emotion as an important form of social and cultural distinction, as the attribution of sentience and feeling helped to define who would be recognized as human.

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Few open-air sites of this age have the same extent, complexity and diversity of deposits, as was found at the site of Solvieux in southwest France. The history of the project, methodologies, results and analysis of finds are complemented by a large number of drawings, outlines of typologies and essays on Upper Palaeolithic traditions and the contribution of the Solvieux results in this regard.

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During the night of 25 July 1941, assassins planted a time bomb in the bed of the former French Interior Minister, Marx Dormoy. The explosion on the following morning launched a two-year investigation that traced Dormoy’s murder to the highest echelons of the Vichy regime. Dormoy, who had led a 1937 investigation into the “Cagoule,” a violent right-wing terrorist organization, was the victim of a captivating revenge plot. Based on the meticulous examination of thousands of documents, Assassination in Vichy tells the story of Dormoy’s murder and the investigation that followed. At the heart of this book lies a true crime that was sensational in its day. A microhistory that tells a larger and more significant story about the development of far-right political movements, domestic terrorism, and the importance of courage, Assassination in Vichy explores the impact of France’s deep political divisions, wartime choices, and post-war memory.

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Those on Crusade needed their interests at home to be protected; this volume looks at how this could be achieved, in both theory and practice. On taking the cross, crusaders received a diverse set of privileges designed to appeal to both spiritual and more temporal concerns. Among these was the papal protection granted to them and extended over their families and possessions at home. This book is the first full length investigation of this protection. It begins by examining the privilege from its inception in around 1095, and its development and consolidation through to 1222. It then moves on to illustrate how this privilege operated in practice through the appointments of regency governments and close communication with both the papacy and local ecclesiastical officials, centring on the rich crusading evidence fromFlanders, Champagne and the Kingdom of France. While the protection privilege has been seen as unwieldy and over ambitious, close analysis of particular cases and individuals reveals that not only were regents well aware of theirprivileged status, but that the papacy could directly intervene when its protection was contravened. DANIELLE PARK is Lecturer in Medieval History at the University of York.

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Inspired by references to the “delicious books of Pampille” in Proust’s Remembrance of Things Past, the veteran cookbook author Shirley King adapted this gastronomic gem of a book for the modern American kitchen. Marthe Daudet (1878–1960) was Pampille, and her book Les Bons Plats de France, originally published in 1919, is still regarded as a classic in France. Her intriguing mix of charming writing, insightful wit, and wonderful, authentic recipes makes this a travelogue as well as a useful cookbook. While remaining faithful to Pampille’s language and work, King has updated the recipes when necessary to make them practical for modern cooks.

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In 1740, the French King Louis XV granted his Swedish-led forces the title of Royal Swedish Regiment, for which it received the same privileges as all royal regiments including the protection of the king, new flags, and ordinance. Louis XV acted to fulfill a request of King Fredrik I of Sweden and to demonstrate his satisfaction with the great value shown by the regiment in battle. This intriguing book traces the history of this storied regiment throughout its service, including during the American War of Independence, and up to the time of the French Revolution of 1789.

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In the nineteenth century, drug consumption permeated French society to produce a new norm: the chemical enhancement of modern life. French citizens empowered themselves by seeking pharmaceutical relief for their suffering and engaging in self-medication. Doctors and pharmacists, meanwhile, fashioned themselves as gatekeepers to these potent drugs, claiming that their expertise could shield the public from accidental harm. Despite these efforts, the unanticipated phenomenon of addiction laid bare both the embodied nature of the modern self and the inherent instability of the notions of individual free will and responsibility.Drugging France explores the history of mind-altering drugs in medical practice between 1840 and 1920, highlighting the intricate medical histories of opium, morphine, ether, chloroform, cocaine, and hashish. While most drug histories focus on how drugs became regulated and criminalized as dangerous addictive substances, Sara Black instead traces the spread of these drugs through French society, demonstrating how new therapeutic norms and practices of drug consumption transformed the lives of French citizens as they came to expect and even demand pharmaceutical solutions to their pain. Through self-experimentation, doctors developed new knowledge about these drugs, transforming exotic botanical substances and unpredictable chemicals into reliable pharmaceutical commodities that would act on the mind and body to modify pain, sensation, and consciousness.From the pharmacy counter to the boudoir, from the courtroom to the operating theatre, from the battlefield to the birthing chamber, Drugging France explores how everyday encounters with drugs reconfigured how people experienced their own minds and bodies.

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The bright yellow sunflowers in the fields around Charroux, the smell of roasting chestnuts, rich onion soup, a classic salad Nicoise, cassoulet or pot au feu, fennel and endive, lemn tarts, malva pudding and the wild food of the places where I live ... Walks down narrow country lanes, wild beaches and cobbled streets ... Times with special people over simple meals ... This I want to share with you. Marlene van der Westhuizen More wonderful recipes from Marlene van der Westhuizen's French cooking school.

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Explores the contradictions inherent in attempting to reconcile the logical and mystical aspects of divine right monarchy. This book analyzes texts devoted to definitions of sovereignty, presents Louis XIV's memoirs, and offers an analysis of diplomats and ambassadors as the mediators who preserved and transmitted the king's authority.

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Beyond the affluent centre of Paris and other French cities, in the deprived banlieues, a war is going on. This is the French Intifada, a guerrilla war between the French state and the former subjects of its Empire, for whom the mantra of 'liberty, equality, fraternity' conceals a bitter history of domination, oppression, and brutality. This war began in the early 1800s, with Napoleon's lust for martial adventure, strategic power and imperial preeminence, and led to the armed colonization of Algeria, Morocco and Tunisia, and decades of bloody conflict, all in the name of 'civilization'. Here, against the backdrop of the Arab Spring, Andrew Hussey walks the front lines of this war - from the Gare du Nord in Paris to the souks of Marrakesh and the mosques of Tangier - to tell the strange and complex story of the relationship between secular, republican France and the Muslim world of North Africa. The result is a completely new portrait of an old nation. Combining a fascinating and compulsively readable mix of history, politics and literature with Hussey's years of personal experience travelling across the Arab World, The French Intifada reveals the role played by the countries of the Maghreb in shaping French history, and explores the challenge being mounted by today's dispossessed heirs to the colonial project: a challenge that is angrily and violently staking a claim on France's future.

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Georges Simenon (1903-1989) was one of the most successful 20th-century authors of crime fiction. His 75 Maigret novels and 28 Maigret short stories published between 1931 and 1972 found international success, (he is the only non-anglophone crime writer who has found such international renown). His Maigret stories are regarded by many as having established a new direction in crime fiction, emphasising social and psychological portraiture rather than focussing on a puzzle to be solved or on ""action."" This book examines the importance of social class and social change in the Maigret stories, with a particular emphasis on the early formative novels, and the development of plot, characterization and settings. The work seeks to establish the extent to which Simenon's portrait of French society is historically accurate and the nature of the influence of the author's own class position and ideology on his fiction.

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In the two decades after World War II, a vibrant cultural infrastructure of cineclubs, archives, festivals, and film schools took shape in Latin America through the labor of film enthusiasts who often worked in concert with French and France-based organizations. In promoting the emerging concept and practice of art cinema, these film-related institutions advanced geopolitical and class interests simultaneously in a polarized Cold War climate. Seeking to sharpen viewers' critical faculties as a safeguard against ideological extremes, institutions of film culture lent prestige to Latin America's growing middle classes and capitalized on official and unofficial efforts to boost the circulation of French cinema, enhancing the nation's soft power in the wake of military defeat and occupation. As the first book-length, transnational analysis of postwar Latin American film culture, Transatlantic Cinephilia deepens our understanding of how institutional networks have nurtured alternative and nontheatrical cinemas.

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