Search results for ""author louise"

The formation of the Confederate States of America involved more than an attempt to create a new, sovereign nation -- it inspired a flurry of creativity and entrepreneurialism in the South that fiercely matched Union ingenuity. H. Jackson Knight's Confederate Invention brings to light the forgotten history of the Confederacy's industrious inventors and its active patent office.Despite the destruction wrought by the Civil War, evidence of Confederate inventions exists in the registry of the Confederate States Patent Office. Hundreds of southerners submitted applications to the agency to secure patents on their intellectual property, which ranged from a ""machine for operating submarine batteries,"" to a ""steam plough,"" to a ""combined knapsack and tent,"" to an ""instrument for sighting cannon."" The Confederacy's most successful inventors included entrepreneurs, educators, and military men who sought to develop new weapons, weapon improvements, or other inventions that could benefit the Confederate cause as well as their own lives. Each creation belied the conception of a technologically backward South, incapable of matching the creativity and output of northern counterparts. Knight's work provides a groundbreaking study that includes neglected and largely forgotten patents as well as an array of other primary sources. Details on the patent office's origins, inner workings, and demise, and accounts of southern inventors who obtained patents before, during, and after the war reveal a captivating history recovered from obscurity.A novel creation in its own right, Confederate Invention presents the remarkable story behind the South's long-forgotten Civil War inventors and offers a comprehensive account of Confederate patents.

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This book is the trade edition of Volume VI of A History of The South, a ten-volume series designed to present a thoroughly balanced history of all the complex aspects of the South's culture from 1607 to the present. Like its companion volumes, The Growth of Southern Nationalism is written by an outstanding student of Southern history.The growth of Southern nationalism was largely the product of relations of the South to other states and to the Federal government. Often what happened in the North and the reaction of Northern men to events determined Southern action and reaction. The sections were being drawn closer together and their interests more and more entwined. That was one of the great reasons for the increased friction and discord.The sectional quarrel developed largely around slavery as a thing in itself and then as a symbol of all differences and conflicts. The reduction of the struggle to the simple terms of Northern ""rights"" and Southern ""rights"" placed issues beyond the abilities of the democratic process and rendered the great masses in both sections helpless before the drift into war.The break could not have been avoided, according to Mr. Craven, unless either the North of the South had been willing to yield its position on an issue that involved matters of ""right"" or ""rights."" Neither could do so because slavery and come to symbolize values in each of their social-economic structures for which men fight and die but which they do not give up or compromise.

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Tracks down the many lives of this protean cocktail. The drink, named by French propagandists during World War I, was said to pack a punch as powerful as that nation's celebrated 75mm cannon. At the end of the century, the French 75 surfaced at Arnaud's Restaurant and became as entrenched in New Orleans as the famed second line.

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Critics often trace the prevailing mood of despair and purported nihilism in the works of Cormac McCarthy to the striking absence of interior thought in his seemingly amoral characters. In No More Heroes, however, Lydia Cooper reveals that though McCarthy limits inner revelations, he never eliminates them entirely. In certain crucial cases, he endows his characters with ethical decisions and attitudes, revealing a strain of heroism exists in his otherwise violent and apocalyptic world.Cooper evaluates all of McCarthy's work to date, carefully exploring the range of his narrative techniques. The writer's overwhelmingly distant, omniscient third-person narrative rarely shifts to a more limited voice. When it does deviate, however, revelations of his characters' consciousness unmistakably exhibit moral awareness and ethical behavior. The quiet, internal struggles of moral men such as John Grady Cole in The Border Trilogy and the father in The Road demonstrate an imperfect but very human heroism.Even when the writing moves into the minds of immoral characters, McCarthy draws attention to the characters' humanity, forcing the perceptive reader to identify with even the most despicable representatives of the human race. Cooper shows that this rare yet powerful recognition of commonality and the internal yearnings for community and a commitment to justice or compassion undeniably exist in McCarthy's work.No More Heroes directly addresses the essential question about McCarthy's brutal and morally ambiguous universe and reveals poignant new answers.

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Creole Son is the compelling memoir of a single white mother searching to understand why her adopted biracial son grew from a happy child into a troubled young adult who struggled with addiction for decades. The answers, E. Kay Trimberger finds, lie in both nature and nurture. When five- ­day- ­old Marco is flown from Louisiana to California and placed in Trimberger's arms, she assumes her values and example will be the determining influences upon her new son's life. Twenty- ­six years later, when she helps him make contact with his Cajun and Creole biological relatives, she discovers that many of his cognitive and psychological strengths and difficulties mirror theirs. Using her training as a sociologist, Trimberger explores behavioral genetics research on adoptive families. To her relief as well as distress, she learns that both biological heritage and the environment- and their interaction- shape adult outcomes. Trimberger shares deeply personal reflections about raising Marco in Berkeley in the 1980s and 1990s, with its easy access to drugs and a culture that condoned their use. She examines her own ignorance about substance abuse, and also a failed experiment in an alternative family lifestyle. In an afterword, Marc Trimberger contributes his perspective, noting a better understanding of his life journey gained through his mother's research. By telling her story, Trimberger provides knowledge and support to all parents- biological and adoptive- with troubled offspring. She ends by suggesting a new adoption model, one that creates an extended, integrated family of both biological and adoptive kin.

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Captives and Voyagers traces the departures, voyages, and landings of enslaved and free blacks who left their homelands in the eighteenth century for British colonies and examines how displacement and resettlement shaped migrant society and, in turn, Britain's Atlantic empire. Alexander X. Byrd focuses on the two largest and most significant streams of black dislocation: the forced migration of Africans from the Biafran interior of present-day southeastern Nigeria to Jamaica as part of the British slave trade and the journeys of free blacks from Great Britain and British North America to Sierra Leone in West Africa. By paying particular attention to the social and cultural effects of transatlantic migration on the groups themselves and focusing as well on their place in the British Empire, Byrd illuminates the meaning and experience of slavery and liberty for people whose movements were similarly beset by extreme violence and catastrophe.

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From a peace ceremony conducted by Chitimacha diplomats before Governor Bienville's makeshift cabin in 1718 to a stickball match played by Choctaw teams in 1897 in Athletic Park, American Indians greatly influenced the history and culture of the Crescent City during its first two hundred years. In American Indians in Early New Orleans, Daniel H. Usner lays to rest assumptions that American Indian communities vanished long ago from urban south Louisiana and recovers the experiences of Native Americans in Old New Orleans from their perspective.Centuries before the arrival of Europeans, American Indians controlled the narrow strip of land between the Mississippi River and present-day Lake Pontchartrain to transport goods, harvest resources, and perform rituals. The birth and growth of colonial New Orleans depended upon the materials and services provided by Native inhabitants as liaisons, traders, soldiers, and even slaves. Despite losing much of their homeland and political power after the Louisiana Purchase, Lower Mississippi Valley Indians refused to retreat from New Orleans's streets and markets; throughout the 1800s, Choctaw and other nearby communities improvised ways of expressing their cultural autonomy and economic interests- as peddlers, laborers, and performers- in the face of prejudice and hostility from non-Indian residents. Numerous other American Indian tribes, forcibly removed from the southeastern United States, underwent a painful passage through the city before being transported farther up the Mississippi River. At the dawn of the twentieth century, a few Indian communities on the north shore of Lake Pontchartrain continued to maintain their creative relationship with New Orleans by regularly vending crafts and plants in the French Market.In this groundbreaking narrative, Usner explores the array of ways that Native people used this river port city, from its founding to the World War I era, and demonstrates their crucial role in New Orleans's history.

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The name ""Suzanne Perron"" is synonymous with exquisite detail. Her expertly tailored gowns -- worn at the elaborate balls of Mardi Gras and down the aisle at New Orleans weddings -- draw from the legacy of couture design. After years working alongside Vera Wang, Carolina Herrera, Anna Sui, and Ralph Rucci in New York, Louisiana native Perron returned home in 2005 to open her own custom design business, specializing in once-in-a-lifetime gowns for brides, debutantes, and Mardi Gras royalty. Designing in Ivory and White captures the rise of this talented designer, from her first Singer sewing machine to her success on Seventh Avenue to her post-Katrina move to a city in need of ""something beautiful,"" as well as her design technique and meticulous craft. In addition to her personal story, Perron shares her process from the inside out, including: methods for creating crinolines and foundations; using draping and pattern making to transform a sketch into a three-dimensional form; manipulating fabric into pleats, pintucks, and folds; and hand sewing intricate beading, lace, embroidery, and flawless hems.Her techniques and breathtaking artistry are realized through a showcase of sixteen Suzanne Perron designs. Full-length and detail shots illustrate Perron's gorgeous silhouettes and masterful handwork. Each gown also has a story that illuminates the client experience from the first sketch to the final fitting.Designing in Ivory and White serves as a testament to the ambition and skill required to design unique dresses, and will provide inspiration for independent designers, sewing hobbyists, and all who admire couture fashion.

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A sweeping historiographical collection, Reinterpreting Southern Histories updates and expands upon the iconic volumes Writing Southern History and Interpreting Southern History, both published by Louisiana State University Press. With nineteen original essays co-written by some of the most prominent historians working in southern history today, this volume boldly explores the current state, methods, innovations, and prospects of the richly diverse and transforming field of southern history. Two scholars at different stages of their careers coauthor each essay, working collaboratively to provide broad knowledge of the most recent historiography and an expansive vision for historiographical contexts. This innovative approach provides an intellectual connection with the earlier volumes while reflecting cutting-edge scholarship in the field. Underlying each essay is the cultural turn of the 1980s and 1990s, which introduced the use of language and cultural symbols and the influence of gender studies, postcolonial studies, and memory studies. The essays also rely less on framing the South as a distinct region and more on contextualizing it within national and global conversations. Reinterpreting Southern Histories, like the two classic volumes that preceded it, serves as both a comprehensive analysis of the current historiography of the South and a reinterpretation of that history, reaching new conclusions for enduring questions and establishing the parameters of future debates.

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For over four decades, John Coykendall's passion has been preserving the farm heritage of a small community in rural southeastern Louisiana. A Tennessee native and longtime master gardener at Blackberry Farm, Coykendall has become a celebrity in a growing movement that places a premium on farm-to-table cuisine with locally sourced, organic, and heirloom foods and flavors. While his work takes him around the world searching for seeds and the cultural knowledge of how to grow them, what inspires him most is his annual pilgrimage to Louisiana. Drawn to the Washington Parish area as a college student, Coykendall forged long-lasting friendships with local farmers and gardeners. Over the decades, he has recorded oral histories, recipes, tall tales, agricultural knowledge, and wisdom from generations past in more than eighty illustrated and handwritten journals. At the same time, he has unearthed and safeguarded rare varieties of food crops once grown in the area, then handed them back to the community. In Preserving Our Roots: My Journey to Save Seeds and Stories, Coykendall shares a wealth of materials collected in his journals, ensuring they are passed on to future generations. organised by season, the book offers a narrative chronicle of Coykendall's visits to Washington Parish since 1973. He highlights staple crops, agricultural practices, and favourite recipes from the families and friends who have hosted him. Accompanied by a rich selection of drawings, journal pages, and photographs, along with over forty recipes, Preserving Our Roots chronicles Coykendall's passion for recording foods and narratives that capture the rhythms of daily life on farms, in kitchens, and across generations.

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Throughout the Civil War, irregular warfare, including the use of hit-and-run assaults, ambushes, and raiding tactics, thrived in localized guerrilla fights within the Border States and the Confederate South. The Guerrilla Hunters offers a comprehensive overview of the tactics, motives, and actors in these conflicts, from the Confederate-authorised Partisan Rangers, a military force directed to spy on, harass, and steal from Union forces, to men like John Gatewood, who deserted the Confederate army in favour of targeting Tennessee civilians believed to be in sympathy with the Union.With a foreword by Kenneth W. Noe and an afterword by Daniel E. Sutherland, this collection represents an impressive array of the foremost experts on guerrilla fighting in the Civil War. Providing new interpretations of this long-misconstrued aspect of warfare, these scholars go beyond the conventional battlefield to examine the stories of irregular combatants across all theaters of the Civil War, bringing geographic breadth to what is often treated as local and regional history. The Guerrilla Hunters shows that instances of unorthodox combat, once thought isolated and infrequent, were numerous, and many clashes defy easy categorisation. Novel methodological approaches and a staggering diversity of research and topics allow this volume to support multiple areas for debate and discovery within this growing field of Civil War scholarship.

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Hybrid Creatures, Matthew Baker's sharp and innovative collection, follows four very different protagonists as they search for, and struggle with, connection: an amateur hacker attempts to track down his vanished mentor; a math prodigy, the child of divorced parents, struggles with being torn between his two families; a composer takes a spontaneous trip to Nashville while mourning his husband's death and gets trapped on a hotel rooftop with a hipster; and a wayward philosopher accepts a job working for an industrial farming corporation. Through-out, Baker explores the inner dialogue of failed, floundering, and successful bonds between strangers, among family and friends, and even within a person. Pairing the emotional pursuit of connection with multiple forms of communication, Baker weaves the languages of HTML, mathematics, mu-sical notations, and propositional logic into his storytelling in order to unveil nuances of experiences and emotions. This poignant formal invention articulates loneliness, grief, doubt, and comfort in ways that are inaccessible through traditional language alone.In both form and content, Baker captures the complexities of breaking and forming connections with other people, and the various lan-guages we use to navigate this inescapable human need, resulting in a moving exploration of interpersonal bonds.

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Finalist for the Lincoln Prize!Traditional histories of the Civil War describe the conflict as a war between North and South. Kenneth W. Noe suggests it should instead be understood as a war between the North, the South, and the weather. In The Howling Storm, Noe retells the history of the conflagration with a focus on the ways in which weather and climate shaped the outcomes of battles and campaigns. He further contends that events such as floods and droughts affecting the Confederate home front constricted soldiers' food supply, lowered morale, and undercut the government's efforts to boost nationalist sentiment. By contrast, the superior equipment and open supply lines enjoyed by Union soldiers enabled them to cope successfully with the South's extreme conditions and, ultimately, secure victory in 1865. Climate conditions during the war proved unusual, as irregular phenomena such as El Niño, La Niña, and similar oscillations in the Atlantic Ocean disrupted weather patterns across southern states. Taking into account these meteorological events, Noe rethinks conventional explanations of battlefield victories and losses, compelling historians to reconsider long-held conclusions about the war. Unlike past studies that fault inflation, taxation, and logistical problems for the Confederate defeat, his work considers how soldiers and civilians dealt with floods and droughts that beset areas of the South in 1862, 1863, and 1864. In doing so, he addresses the foundational causes that forced Richmond to make difficult and sometimes disastrous decisions when prioritizing the feeding of the home front or the front lines. The Howling Storm stands as the first comprehensive examination of weather and climate during the Civil War. Its approach, coverage, and conclusions are certain to reshape the field of Civil War studies.

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No Straight Path tells the stories of ten successful female historians who came of age in an era when it was unusual for women to pursue careers in academia, especially in the field of history. These first-person accounts illuminate the experiences women of the post- World War II generation encountered when they chose to enter this male-dominated professional world. None of the contributors took a straight path into the profession; most first opted instead for the more conventional pursuits of college, public-school teaching, marriage, and motherhood. Despite these commonalities, their stories are individually unique: one rose from poverty in Arkansas to attend graduate school at Rutgers before earning the chairmanship of the history department at the University of Memphis; another pursued an archaeology degree, studied social work, and served as a college administrator before becoming a history professor at Tulane University; a third was a lobbyist who attended seminary, then taught high school, entered the history graduate program at Indiana University, and helped develop two honors colleges before entering academia; and yet another grew up in segregated Memphis and then worked in public schools in New Jersey before earning a graduate degree in history at the University of Memphis, where she now teaches. The experiences of the other historians featured in this collection are equally varied and distinctive. Several themes emerge in their collective stories. Most assumed they would become teachers, nurses, secretaries, or society ladies- the only ""respectable"" choices available to women at the time. The obligations of marriage and family, they believed, would far outweigh their careers outside the home. Upon making the unusual decision, at the time, to move beyond high-school teaching and attend graduate school, few grasped the extent to which men dominated the field of history or that they would be perceived by many as little more than objects of sexual desire. The work/home balance proved problematic for them throughout their careers, as they struggled to combine the needs and demands of their families with the expectations of the profession. These women had no road maps to follow. The giants who preceded them- Gerda Lerner, Anne Firor Scott, Linda K. Kerber, Joan Wallach Scott, A. Elizabeth Taylor, and others- had breached the gates but only with great drive and determination. Few of the contributors to No Straight Path expected to undertake such heroics or to rise to that level of accomplishment. They may have had modest expectations when entering the field, but with the help of female scholars past and present, they kept climbing and reached a level of success within the profession that holds great promise for the women who follow.

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Help Me, Information is propelled by the speed and motion of the poems that define earlier acclaimed books by David Kirby, poems that move the way the mind does on a good day, puddle-jumping from one topic to another and then coming in for a nice soft landing. Colloquial in tone, balancing narrative breadth with precise detail, Kirby's poetry displays his voracious curiosity about history, science, literature, and popular culture. Yet here he also reinvents himself with poems that recall the compactness of Jack Gilbert, the sweep of Allen Ginsberg, and the introspection of Frank O'Hara.Help Me, Information presents a fresh Kirby, familiar yet new.

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This Tilted World Is Where I Live gathers one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. Seventy-five poems appear from his previous books, spanning from The Horse Show at Midnight (1966) through The Flying Change (1985), which won the Pulitzer Prize in Poetry, to his latest volume, Crooked Run (2006). The book opens with twenty-five recent poems collected for the first time.From the beginning, Taylor has worked in both traditional and more open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he and his wife Mooshe have lived for the past several years. In tones and moods ranging between grief and explosive hilarity, these poems confront a consistent set of themes. Taylor has long been drawn to considerations of what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. Gwendolyn Brooks once wrote that he ""is a truly important poet. Familiar and strange."" This Tilted World Is Where I Live offers an invaluable encapsulation of Taylor's knack for crafting poems that are not only fun but also instructive in the art of paying attention- of which he is a master.

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More Than This, like David Kirby's previous acclaimed collections, is shot through with the roadhouse fervor of early rock 'n' roll. Yet these rollicking poems also contain an oceanic feeling more akin to the great symphonies of Europe than the two-minute singles of Little Richard and other rock pioneers, as Kirby seeks to startle, to please, to unwind the knots that we get ourselves into and make it possible to being anew. Little goes unnoticed in these poems: death is present, along with love, friendship, food, religious ardor and philosophical skepticism, nights on the town and quiet evenings at home. With More Than This, his twelfth collection, Kirby takes readers back in time and out in space, offering quiet wisdom and a sense of the endless possibilities that art and life give us all.

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In the inter war era, the rise of the largest political movement in modern French history, the powerful Croix de Feu (1927- 1936), and its successor, the Parti Social Français, or PSF (1936- 1945), led to a sharp rightward turn in France's political culture. Political Belief in France, 1927- 1945 traces the central role of women in this shift, arguing that they transformed the Croix de Feu/PSF from a paramilitary league for veterans into a social reform movement that sought to remake the politics, society, and culture of the French Republic.Following the creation of a Women's Section in 1934, the women of the Croix de Feu/PSF developed a wide array of social programs, including welfare services, youth development, and health-care initiatives. At a time of economic depression and high unemployment, these popular programs tempered the organization's fearsome reputation as a violent paramilitary group. While the efforts of the Women's Section had the veneer of moderation, they accentuated the long-standing conservative image of France as a deeply Christian society and sought to assimilate people of different ethnoreligious backgrounds into the dominant national community. Croix de Feu/PSF women promoted their socialagenda as a religious and patriotic duty, a reflection of the individual's responsibility to make personal sacrifices on behalf of their vision for France's Christian civilization.The Croix de Feu/PSF's ethnoreligious nationalism circulated throughout the French imperial nation-state, making the movement the premier defender of an empire at the height of its power. But women in North African branches faced substantial marginalization, and the movement remained dangerously sectarian in the Maghreb, driving indigenous activists from reformism to anticolonialism.The Croix de Feu/PSF thus set the stage for both the authoritarian, anti-Semitic Vichy regime and the decolonization that followed the war. The first book on women of the French far right in the age of fascism, Political Belief in France, 1927- 1945 contributes to the fields of French history, gender studies, the history of fascism, and the history of empire.

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George Bourne was one of the early American republic's first immediate abolitionists, an influential figure who paved the way for the campaign against slavery in the antebellum period. His approach to reform was shaped by a conservative Protestant outlook that became increasingly hostile to Catholicism. In To Preach Deliverance to the Captives, Ryan C. McIlhenny examines the interplay of Bourne's pioneering efforts in abolitionism and his intensely anti-Catholic views. McIlhenny portrays Bourne as both a radical and a conservative, a reformer who desired to get back to the roots of Christianity for the purpose of completely dismantling slavery. Bourne's commentary on a variety of controversial topics, slavery, race, and citizenship; the role of women; Christianity and republicanism; the importance of the Bible; and the place of the church in civil society, put him at the center of many debates. He remains a complex figure: a polymath situated within the political, social, and cultural possibilities of an early republic that he was eager to play a part in shaping. Bourne's religious radicalism gave rise to his hope for an emerging post-revolutionary republic that would focus mainly on its religious foundations. The strength of the American nation, in Bourne's mind, rested not only on institutions indicative of a republican form of government but also on a pure Christianity, exemplified best in historical Protestantism. To Bourne, the future of the fledgling nation depended not only on principles and institutions but also on the activism of Protestant leaders like himself.

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In this subtle and candid collection, Lisa Ampleman mixes contemporary elements and historical materials as she speaks back to the literary tradition of courtly love. Instead of bachelor knights bemoaning their allegedly cruel beloveds, Romances emphasizes the voices of female troubadours, along with those of historical figures such as Dante's wife, Petrarch's Laura, and Anne Boleyn. Ampleman also incorporates the work of the Italian Renaissance poet Gaspara Stampa, mentioned in Rilke's Duino Elegies, through a series of adaptations of her verse. Elsewhere, a contemporary sonnet sequence dedicated to Courtney Love shows the 1990s grunge rocker as subject, object, performer, and mother. As her poems reflect on popular romantic ideas about the past, the means by which elegies romanticize the dead, or the conventional romance of a happy marriage, Ampleman addresses a range of romantic entanglements: courtly and commonplace, sentimental and prosaic, toxic and mutual.

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What is the shape of progress inside a subpar environment, when escape is not possible, and life must be measured as the relative extremity of multiple misfortunes? Is it the shape of a bird?"" Miracles Come on Mondays begins with a voice- stark, chilling, totally captivating- that searches a barren landscape for a single receptive ear. With echoes of Italo Calvino, Jorge Luis Borges, and Lydia Davis, Penelope Cray creates dark and sometimes darkly funny scenes that most resemble the works of Kafka. Cray's characters strain against the indifference of everyday life until, too tired to yearn anymore, they begin the systematic work of making their worlds mentally and spiritually tolerable. And yet, somehow, there's joy. This book asks us to let go of our ideas of sense and replace them with something better, something that somehow makes more sense than sense. Cray has written a debut work of fiction that feels entirely new and deeply true.

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Jane Austen has resonated with readers across generations like no other writer. More than two hundred years after the publication of her most celebrated novel, Pride and Prejudice, people around the world continue to honor ""dear Jane."" In Performing Jane, Sarah Glosson explores this vibrant fandom, examining a long history of Austen fans engaging with her work, from wearing hand- ­sewn bonnets and period- ­appropriate corsets to creating spirited fanfiction and comical gifsets. Sophisticated and engaging, this study demonstrates that Austen fans of today have a great deal in common with those who loved the English novelist long before the term ""fan"" came into use. Performing Jane analyzes three ways fans engage with Austen and her work: collecting material related to the writer, whether in physical scrapbooks or on social ­-media platforms; creating and consuming imitative works, including fanfiction and modernized adaptations such as The Lizzie Bennet Diaries; and making pilgrimages to Steventon, Hampshire, Chawton Cottage, and even to annual meetings of Jane Austen societies. Key to Glosson's exploration of Austen fans is the notion that all of these activities, whether occurring in private or in public, are fundamentally performative. And in counterbalance to studies that center on fans with a tendency to transform and disrupt the original text, this study provides much- ­needed understanding of a fandom that predominantly reaffirms Austen's works. Because Austen's writing has bridged the realms of both literary and popular culture, this fandom serves as an excellent case study to understand the ways in which we draw distinctions between fandom and other forms of intensive engagement and, more importantly, to appreciate how fluid those distinctions can be. Performing Jane embraces a holistic view of the long history of Austen fandom, relying on archival research, literary and visual analyses, and ethnographic study. This groundbreaking book not only demonstrates the ways in which fan practices, today and in the past, are performative, but also provides fresh perspectives into fandom and contributes to our understanding of the ways readers engage with literature.

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Penelope Lemon is a recent divorcée, closet Metallica fan, and accidental subversive to all the expectations of suburban motherhood. After ending her marriage with James, a woodsy intellectual who favours silky kimonos too short for his knobby knees, Penelope finds herself, at forty, living with her randy mother in her childhood home. Broke and desperate for work, she waitresses at Coonskins, a frontier-themed restaurant where the decor is heavy on stuffed mammals and discarded peanut shells.Despite the pitfalls of balancing parental duties, jobs, and the vagaries of middle-age life, Penelope pushes through one obstacle after another, trying to regain her independence. Whether fumbling through the world of online dating; coping with a bullying situation involving her son, Theo, something of a gastric wonder on the school bus; or wrestling with the discovery of nude photos from her carefree college days that are not quite as ""artistic"" as she remembers, Penelope gradually emerges as a modern-day heroine who navigates the assorted inanities of life with verve and humor.Audacious and laugh-out-loud funny, Inman Majors's new novel holds up a fun-house mirror to the relatable challenges of being a single parent in the digital age. All those who live by the beat of their own drum gain a coconspirator, an accomplice, and a champion in the unstoppable Penelope Lemon.

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In the first collection of published writings of Thomas Affleck (1812-1868), Lake Douglas re-establishes the reputation of a tireless agricultural reformer, entrepreneur, and horticulturist. Affleck's wide range of interests - animal husbandry, agriculture, scientific farming, ornamental horticulture, insects, and hydrology, among others - should afford him a celebrated status in several disciplines; yet until now his immense contributions remained largely unheralded. Steward of the Land remedies this oversight with a broad, annotated selection of Affleck's works, rightfully placing him alongside his better-known contemporaries Andrew Jackson Downing and Frederick Law Olmsted.After immigrating to the United States from Scotland in 1832, Affleck witnessed the burgeoning American expansion and its major advances in agriculture and technology. He worked as a journalist for the influential Western Farmer and Gardener, covering Ohio, Kentucky, and the Mississippi River Valley. Affleck moved to Mississippi in 1842 to manage his new wife's failing plantation; there, he created one of the first commercial nurseries of the South while writing prolifically on numerous agrarian topics for regional periodicals and newspapers. From 1845 to 1865 he edited Affleck's Southern Rural Almanac and Plantation and Garden Calendar, published in New Orleans. Following a postwar move to Brenham, Texas, he published letters and essays about rebuilding that state's livestock herds and rejuvenating its agricultural labor forces.Steward of the Land includes excerpts from dozens of Affleck's articles on subjects ranging from bee keeping to gardening to orchard tending. This valuable single-volume resource reveals Affleck's astonishing breadth of horticultural knowledge and entrepreneurial sagacity, and his role in educating mid-nineteenth-century readers about agricultural products and practices, plant usage, and environmental stewardship. Never before collected or contextualised, Affleck's writings provide a firsthand account of the advancement of agricultural techniques and practices that created a new environmental awareness in America.

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Five times each week over the past several decades, sports fans in New Orleans began their mornings by reading local sportswriter Peter Finney. Finney's newspaper columns -- entertaining, informative, and inspiring -- connected New Orleans readers to the world of sports, for nearly 70 years. From a career total of 15,000 articles, this book offers a prime selection of the very best of Finney's writing as well as an introduction from Peter Finney, Jr. Beginning his writing career as a college freshman at Loyola University, Finney added his distinctly poetic voice to the sports pages of the States-Item (1945--80) and the Times-Picayune (1980--2013). This impressive time span placed the reporter on the sidelines of the most iconic moments in Louisiana sports history. This collection includes Finney's account of Billy Cannon's 89-yard punt return against Ole Miss in 1959; Tom Dempsey's 1970 NFL-record 63-yard field goal; and the Saints' 31--17 victory over the Indianapolis Colts in the 2010 Super Bowl. His interviews and profiles covered nearly every major sports figure of his time: Ted Williams, Jesse Owens, Joe DiMaggio, Muhammad Ali, Joe Namath, Jack Nicklaus, Tiger Woods, Arnold Palmer, Billy Cannon, Pete Maravich, Lee Trevino, Rusty Staub, Archie, Peyton, and Eli Manning, Eddie Robinson, Doug Williams, Dale Brown, Billy Martin, Brett Favre, Nick Saban, Shaquille O'Neal, Mike Ditka, Sean Payton, Drew Brees, Sugar Ray Leonard, Skip Bertman, Les Miles, and Tom Benson, among many others.The riveting moments and fascinating characters portrayed in this volume will delight both hardcore sports enthusiasts and casual fans, in stories told with Finney's characteristic grace, humility, and wit.

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Throughout the Jim Crow era, southern police departments played a vital role in the maintenance of white supremacy. Police targeted African Americans through an array of actions, including violent interactions, unjust arrests, and the enforcement of segregation laws and customs. Scholars have devoted much attention to law enforcement's use of aggression and brutality as a means of maintaining African American subordination. While these interpretations are vital to the broader understanding of police and minority relations, Black citizens have often come off as powerless in their encounters with law enforcement. Brandon T. Jett's Race, Crime, and Policing in the Jim Crow South, by contrast, reveals previously unrecognized efforts by African Americans to use, manage, and exploit policing. In the process, Jett exposes a much more complex relationship, suggesting that while violence or the threat of violence shaped police and minority relations, it did not define all interactions. Black residents of southern cities repeatedly complained about violent policing strategies and law enforcement's seeming lack of interest in crimes committed against African Americans. These criticisms notwithstanding, Blacks also voiced a desire for the police to become more involved in their communities to reduce the seemingly intractable problem of crime, much of which resulted from racial discrimination and other structural factors related to Jim Crow. Although the actions of the police were problematic, African Americans nonetheless believed that law enforcement could play a role in reducing crime in their communities. During the first half of the twentieth century, Black citizens repeatedly demanded better policing and engaged in behaviors designed to extract services from law enforcement officers in Black neighborhoods as part of a broader strategy to make their communities safer. By examining the myriad ways in which African Americans influenced the police to serve the interests of the Black community, Jett adds a new layer to our understanding of race relations in the urban South in the Jim Crow era and contributes to current debates around the relationship between the police and minorities in the United States.

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After D-Day is one of a small but growing body of works that examine the Allied liberators of France. This study focuses on both the French experience of the U.S. Army and the American soldiers' reaction to the French during the liberation and its immediate aftermath. Drawing on French and American archival materials, as well as dozens of memoirs, diaries, letters, and newspapers, Robert Lynn Fuller follows French and American interactions, starting in the skies over France in 1942 and ending with the liberation of Alsace in 1945. Fuller pays special attention to French life in the war zones, where living under constant shelling offered a miserable experience for those forced to endure it. The French stoically withstood those travails-sometimes inflicted by the Americans-when they saw their sacrifices as the price of liberation and victory over Germany. As Fuller shows, when the French did not believe afflictions brought by the Americans advanced the cause of success, their tolerance waned, sometimes dramatically. Fuller maintains that the Allied bombing of France was an important yet often overlooked chapter of World War II, one that inflicted more death and destruction than the ground war still to come. Yet the ground campaign, which began with the Allied invasion of Normandy, unleashed enormous violence that killed, injured, or rendered homeless tens of thousands of French civilians. Fuller examines French and American records of the fate of civilians in the principal battle zones, Normandy and Lorraine, as well as in overlooked liberated regions, such as Orl?®anais and Champagne, that largely escaped widespread damage and casualties. Despite French gratitude toward the Americans for the liberation of their country, relations began to cool in the fall and winter of 1944 as progress on the battlefield slowed and then appeared to reverse with the German offensive in the Ardennes. Revealing in stark detail the experiences of French civilians with the American military, After D-Day presents a compelling coda to our understanding of the Allied conquest of German-occupied France.

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Gregory S. Taylor's Central Prison: A History of North Carolina's State Penitentiary is the first scholarly study to explore the prison's entire history, from its origins in the 1870s to its status in the first decades of the twenty-first century. Taylor addresses numerous features of the state's vast prison system, including chain gangs, convict leasing, executions, and the nearby Women's Prison, to describe better the vagaries of living behind bars in the state's largest penitentiary. He incorporates vital elements of the state's history into his analysis to draw clear parallels between the changes occurring in free society and those affecting Central Prison. Throughout, Taylor illustrates that the prison, like the state itself, struggled with issues of race, gender, sectionalism, political infighting, finances, and progressive reform. Finally, Taylor also explores the evolution of penal reform, focusing on the politicians who set prison policy, the officials who administered it, and the untold number of African American inmates who endured incarceration in a state notorious for racial strife and injustice. Central Prison approaches the development of the penal system in North Carolina from a myriad of perspectives, offering a range of insights into the workings of the state penitentiary. It will appeal not only to scholars of criminal justice but also to historians searching for new ways to understand the history of the Tar Heel State and general readers wanting to know more about one of North Carolina's most influential-and infamous-institutions.

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Drawing on over fifty years of research and study, archaeologist Jon L. Gibson comes to well-founded yet bold conclusions about the Archaic mounds in the Lower Mississippi Valley and the peoples who made them. Examining topics ranging from the architectural incorporation of cosmic cycles and standard measures to traditional native myths and magical beliefs, Archaic Earthworks of the Lower Mississippi Valley is the definitive study of the history and ethos of a much-debated era.

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Challenges prevailing ways of thinking about the impact of the Civil War on the American South. Above all, Gaines Foster's work encourages Americans to confront the new divisions within their society even as they wrestle with old national - not just southern - failings.

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dark // thing is a multifaceted work that explores the darkness/otherness by which the world sees Black people. Ashley M. Jones stares directly into the face of the racism that allows people to be seen as dark things, as objects that can be killed/enslaved/oppressed/devalued. This work, full as it is of slashes of all kinds, ultimately separates darkness from thingness, affirming and celebrating humanity.

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White, black, and Native American women in the early South often viewed motherhood as a composite of roles, ranging from teacher and nurse to farmer and politician. Within a multicultural landscape, mothers drew advice and consolation from female networks, broader intellec-tual currents, and an understanding of their own multifaceted identities to devise their own standards for child rearing. In this way, by con-structing, interpreting, and defending their roles as parents, women in the South maintained a certain degree of control over their own and their children's lives. Focusing on Virginia and the Carolinas from 1750 to 1835, Katy Simpson Smith's widely praised study examines these maternal practices to reveal the ways in which diverse groups of women struggled to create empowered identities in the early South.We Have Raised All of You contributes to a wide variety of historical conversations by affirming the necessity of multicultural- not simply bi-racial- studies of the American South. Its equally weighted analysis of white, black, and Native American women sets it distinctly apart from other work. Smith shows that while women from different backgrounds shared similar experiences within the trajectory of motherhood, no universal model holds up under scrutiny. Most importantly, this book suggests that parenthood provided women with some power within their often-circumscribed lives. Alternately restricted, oppressed, belittled, and enslaved, women sought to embrace an identity that would give them some sense of self-respect and self-worth. The rich and varied roles that mothers inherited, Smith shows, afforded women this empowering identity.This paperback edition includes a new preface by Smith that examines the power of storytelling, and the ways in which we think and talk about the past. No one, she suggests, is better suited to tell our collective story than our mothers.

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Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet's progress in the creation of his body of work, considering its development, composition, and reception.Drawing on little-known sources and nuanced readings of Stevens' texts, Lensing expands the customary view of the poet's creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens' work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem ""Sea Surface Full of Clouds""- viewing it alongside his wife Elsie's journal describing the sea voyage that inspired the poem- and an extensive, multiperspective treatment of the widely anthologized ""The Idea of Order at Key West,"" as well as a careful excavation of the poem ""Mozart, 1935"" in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens' work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens' Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.

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The successful realisation of diversity, resilience, usefulness, profitability, or beauty in landscape design requires a firm understanding of the stakeholders' values. This collection, which incorporates a wide variety of geographic locations and cultural perspectives, reinforces the necessity for clear and articulate comprehension of the many factors that guide the design process.As the contributors to this collection reveal, dominant and emerging social, political, philosophical, and economic concerns perpetually assert themselves in designed landscapes, from manifestations of class consciousness in Napa Valley vineyards to recurring themes and conflicts in American commemorative culture as seen in designs for national memorials. One essay demonstrates the lasting impact of the doctrine of Manifest Destiny on the culture and spaces of the Midwest, while another considers the shifting historical narratives that led to the de-domestication and subsequent re-wilding of the Oostvaardersplassen in the Netherlands. These eleven essays help foster the ability to conduct a balanced analysis of various value systems and produce a lucid visualization of the necessary tradeoffs. Offering an array of case studies and theoretical arguments, Values in Landscape Architecture and Environmental Design encourages professionals and educators to bring self-awareness, precision, and accountability to their consideration of landscape designs.

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During the Civil War, southerners produced a vast body of writing about their northern foes, painting a picture of a money-grubbing, puritanical, and infidel enemy. Damn Yankees! explores the proliferation of this rhetoric and demonstrates how the perpetual vilification of northerners became a weapon during the war, fostering hatred and resistance among the people of the Confederacy.Drawing from speeches, cartoons, editorials, letters, and diaries, Damn Yankees! examines common themes in southern excoriation of the enemy. In sharp contrast to the presumed southern ideals of chivalry and honor, Confederates claimed that Yankees were rootless vagabonds who placed profit ahead of fidelity to religious and social traditions. Pervasive criticism of northerners created a framework for understanding their behavior during the war. When the Confederacy prevailed on the field of battle, it confirmed the Yankees' reputed physical and moral weakness. When the Yankees achieved military success, reports of depravity against vanquished foes abounded, stiffening the resolve of Confederate soldiers and civilians alike to protect their homeland and the sanctity of their women from Union degeneracy.From award-winning Civil War historian George C. Rable, Damn Yankees! is the first comprehensive study of anti-Union speech and writing, the ways these words shaped perceptions of and events in the war, and the rhetoric's enduring legacy in the South after the conflict had ended.

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In the autumn of 1871, Alexis Romanov, the fourth son of Tsar Alexander II of Russia, set sail from his homeland for an extended journey through the United States and Canada. A major milestone in U.S.-Russia relations, the tour also served Duke Alexis's family by helping to extricate him from an unsuitable romantic entanglement with the daughter of a poet. Alexis in America recounts the duke's progress through the major American cities, detailing his meetings with celebrated figures such as Samuel Morse and Henry Wadsworth Longfellow and describing the national self-reflection that his presence spurred in the American people. The first Russian royal ever to visit the United States, Alexis received a tour through post-Civil War America that emphasized the nation's cultural unity. While the enthusiastic American media breathlessly reported every detail of his itinerary and entourage, Alexis visited Niagara Falls, participated in a bison hunt with Buffalo Bill Cody, and attended the Krewe of Rex's first Mardi Gras parade in New Orleans. As word of the royal visitor spread, the public flocked to train depots and events across the nation to catch a glimpse of the grand duke. Some speculated that Russia and America were considering a formal alliance, while others surmised that he had come to the United States to find a bride. The tour was not without incident: many city officials balked at spending public funds on Alexis's reception, and there were rumors of an assassination plot by Polish nationals in New York City. More broadly, the visit highlighted problems on the national level, such as political corruption and persistent racism, as well as the emerging cultural and political power of ethnic minorities and the continuing sectionalism between the North and the South. Lee Farrow joins her examination of these cultural underpinnings to a lively narrative of the grand duke's tour, creating an engaging record of a unique moment in international relations.

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In Eldest Daughter, Ava Leavell Haymon displays her mastery of the craft and engages us with the poetic gifts we have come to expect from her. As in previous collections, she combines the sensory and the spiritual in wild verbal fireworks. Concrete descriptions of a woman's life in the mid-twentieth-century American South mix with wider concerns about family lies and truths, and a culture that supports or forbids clear speech.In a passage from The Holy Ghost Attends Vacation Bible School, the physical world of children interplays with the divine: ""The least likely place the Holy Ghost ever descended was in east Mississippi. Red clay hills and church politics soured on years of inbreeding. Every deacon drove a pickup. At Bible School, the kids played red rover and rolled down the sharp slope behind the Baptist church. He recognized the dizziness at the bottom and the fear of having your name called, but the grass stains, the torn blouses, and sprained wrists -- these were beyond Him.""Haymon's poems encourage us to revel in the natural world and enjoy its delights, as well as to confront the difficult realities that keep us from doing so.

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Though remembered largely by history as Andrew Jackson's nephew, Andrew Jackson Donelson was himself a significant figure in nineteenth-century America: a politician, planter, diplomat, newspaper editor, and vice-presidential candidate. His relationship with his uncle and mentor defined his life, as he struggled to find the political and personal success that he wanted and his uncle thought he deserved. In Old Hickory's Nephew, the first definitive biography of this enigmatic man, Mark R. Cheathem explores both Donelson's political contributions and his complex, tumultuous, and often-overlooked relationship with Andrew Jackson. Born in Sumner County, Tennessee, in 1799, Donelson lost his father only five years later. Andrew Jackson soon became a force in his nephew's life, seeing in his namesake his political protégé. Jackson went so far as to predict that Donelson would one day become president. After attending West Point, Donelson helped establish the Jacksonian wing of the Democratic party and edited a national Democratic newspaper. As a diplomat, he helped bring about the annexation of Texas and, following in his uncle's footsteps, he became the owner of several plantations. On the surface, Donelson was a political and personal success.But few lives are so straightforward. The strong relationship between the uncle and nephew - defined by the concept of honor that suffused the southern society in which they lived - quickly frayed when Donelson and his wife defied his uncle during the infamous Peggy Eaton sex scandal of Jackson's first presidential administration. This resulted, Cheathem shows, in a tense relationship, full of distrust and suspicion, between Donelson and Jackson that lasted until the ""Hero of New Orleans"" died in 1845. Donelson later left the Democratic party in a tiff and joined the American, or Know Nothing, party, which selected him as Millard Fillmore's running mate in 1856. Though Donelson tried to establish himself as his uncle's political successor and legator, his friends and foes alike accused him of trading on his uncle's name to gain political and financial success.The life of Andrew Jackson Donelson illuminates the expectations placed upon young southern men of prominent families as well as the complexities and contradictions in their lives. In this biography, Cheathem awakens interest in a nearly forgotten but nonetheless intriguing figure in American history.

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In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms - just as the confidence man did - as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts.In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that - much like the pragmatic concept of truth - can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world.With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.

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David King Gleason provides a grand tour of Virginia's distinctive plantation homes. As the architectural historian Calder Loth states in his prefatory note, ""Gleason's elegant photographs provide a seductive image of life in 'Old Virginia.' He presents one inviting house after another, complete with handsome interiors, and spacious grounds dotted with boxwoods and venerable trees.""Unlike those in the Deep South, most of Virginia's plantation homes were built before the antebellum period and mainly reflect colonial, English Georgian, and Jeffersonian styles of architecture. Gleason has photographed the homes in all seasons, framing some in the pink blossoms of springtime dogwoods, showing others surrounded by the golden hues of autumn, and presenting still others blanketed in January snows. Many of the photographs provide aerial perspectives that encompass not only the homes themselves but outbuildings and dependencies, great lawns and terraced gardens.The book begins with homes in the Tidewater region, where Bacon's Castle, built in 1665 on the south bank of the James River, still stands. It is the oldest surviving house not only in Virginia but in all of English-settled North America. Other houses from the Tidewater region include Westover, considered one of the most beautiful Georgian residences in the United States; Brandon, at one time the home of Benjamin Harrison; Appomattox Manor, where Ulysses S. Grant headquartered for a period during the Civil War; and Carter's Grove, near Williamsburg. In northern Virginia and the Shenandoah valley are Gunston Hall, near Alexandria; Woodlawn, in Fairfax County; Washington's Mount Vernon; and Melrose, a castellated manor inspired by the romantic literature of Sir Walter Scott. In the Piedmont, Gleason photographed such houses as Ash Lawn, the home of James Monroe; Edgemont, an exquisitely proportioned house showing Thomas Jefferson's influence; and Estouteville, whose great center hall opens onto identical Tuscan porticos framing magnificent views of the Virginia countryside. Gleason's photographs of a mist-shrouded Monticello are among the most beautiful in the book. In all, Gleason has photographed more than eighty of Virginia's finest plantation homes. Extensive captions provide concise histories of each house, including its original builder and subsequent owners, and its occupants, either friendly or hostile, during the Revolutionary or Civil wars.

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