{"product_id":"writing-faith-and-telling-tales-9780268022396","title":"Writing Faith and Telling Tales","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThomas More is a complex and controversial figure who has been regarded as both saint and persecutor, leading humanist and a representative of late medieval culture. His religious writings, with their stark and at times violent attacks on what More regarded as heresy, have been hotly debated. In \u003ci\u003eWriting Faith and Telling Tales\u003c\/i\u003e, Thomas Betteridge sets More''s writings in a broad cultural and chronological context, compares them to important works of late fourteenth- and fifteenth-century vernacular theology, and makes a compelling argument for the revision of existing histories of Thomas More and his legacy. \u003c\/p\u003e\u003cp\u003eBetteridge focuses on four areas of More''s writings: politics, philosophy, theology, and devotion. He examines More''s \u003ci\u003eHistory of King Richard III\u003c\/i\u003e as a work of both history and political theory. He discusses Utopia and the ways in which its treatment of reason reflects More''s Christian humanism. By exploring three of More''s lesser known works, \u003ci\u003eThe Suppl\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e“In scarcely two hundred pages, Betteridge attempts to weave together several generations of literature, exploring the English writings of Sir Thomas More (as well as the Latin \u003ci\u003eUtopia\u003c\/i\u003e) through comparison and contrast with over a dozen vernacular authors from the previous two centuries, including Chaucer, Langland, and Skelton. . . . Students of the English authors discussed here will take pleasure in the juxtaposition of familiar texts, while those who have known More through his engagement with Renaissance humanism will find that it enriches and deepens their understanding of the influences behind his work.” —\u003ci\u003eThe Medieval Review\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“Presenting numerous examples of More’s own writings on philosophy, politics, theology, and the practices of affective faith, Betteridge places them alongside theological and literary texts, mostly in the vernacular English, from the late fourteenth and fifteenth centuries to demonstrate their cultural and religious continuity with those medieval works . . . \u003ci\u003eWriting Faith and Telling Tales \u003c\/i\u003ewill be of interest to undergraduate and graduate university libraries, especially those concentrating on late medieval and early Renaissance English literature, and on sixteenth-century English political and ecclesial history.” —\u003ci\u003eCatholic Library World\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“\u003ci\u003eWriting Faith and Telling Tales \u003c\/i\u003eargues that the writings of Thomas More should be read as part of ‘a tradition of late fourteenth- and early fifteenth-century vernacular literature.’ This tradition extends back to Chaucer’s \u003ci\u003eCanterbury Tales\u003c\/i\u003e, but includes other well-known texts such as \u003ci\u003ePiers Plowman\u003c\/i\u003e, as well as less-studied texts such as Reginald Pecock’s \u003ci\u003eThe Repressor of Over Much Blaming of the Clergy.\u003c\/i\u003e Between a thirty-seven-page introduction and a fourteen-page conclusion, Betteridge offers four thematically organized chapters, respectively entitled ‘Politics,’ ‘Reason,’ ‘Heresy,’ and ‘Devotion.’” —\u003ci\u003eSixteenth Century Journal\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“When Betteridge is at his best, his parallels are striking, and readers will be glad to have his suggestive run at More’s telling tales and striking arguments against the early English evangelicals . . . . Betteridge’s careful handling of More’s polemic works will be especially appreciated.” —\u003ci\u003eThe Catholic Historical Review\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“This book covers a vast expanse of English vernacular writing, comparing More to Chaucer and Lydgate, to anti-Lollard tracts and plays such as \u003ci\u003eEveryman, N-Town Play, \u003c\/i\u003eand the Digby \u003ci\u003eMary Magdalene,\u003c\/i\u003e devotional literature . . . . \u003ci\u003eWriting Faith \u003c\/i\u003eis a valuable addition to scholarship on More, written from a perspective that is rare in recent studies of his work.” —\u003ci\u003eSHARP News\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“In this fresh, thoughtful, and engaging study, Thomas Betteridge aims to free Thomas More from a weight of scholarship which has tended either to condemn him as a persecutor of heretics or revere him as a saint, and which has judged the significance of his literary output to be its contradictory position somewhere between the binary poles of the ‘medieval’ and the ‘modern.’ . . . \u003ci\u003eWriting Faith and Telling Tales \u003c\/i\u003eis an important and compelling book that not only enhances our understanding of More as an intellectual and writer but of the whole practice and meaning of writing, and not just in late medieval England.” —\u003ci\u003eEnglish Historical Review\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“The achievements of \u003ci\u003eWriting Faith\u003c\/i\u003e are considerable. Betteridge has provided a much-needed complement to studies of More that emphasize the Continental aspects of his humanism, and he has also presented us with a version of More as a truly Literary writer, one whose investment in so many different genres derives equally from his varied philosophical commitments and from his abiding interest in storytelling.” —\u003ci\u003eRenaissance and Reformation\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“Thomas Betteridge’s desire to break down these [humanist writer, Lord Chancellor, and saintly martyr] divides in \u003ci\u003eWriting Faith and Telling Tales\u003c\/i\u003e is to be fulsomely lauded. . . His analysis of More often reveals intriguing insights, especially as to More’s view of the relationship between truth and fiction.” —\u003ci\u003eModern Philology\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“Thomas Betteridge critiques previous assessments of Sir Thomas More . . . as oversimplifying the complexity of More’s medieval heritage. . . . Betteridge reads primary texts closely, finding nuanced relationships between them and More’s work and his complex literary persona.” —\u003ci\u003eChoice\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“What Betteridge has given us is something remarkably different, something both analytical and speculative that can be thoughtful, inquiring, and at times provocative. It is nothing short of an anatomy of More’s mind that manages to incorporate both the spiritual and the secular as it reaches toward an inclusive poetics of acculturated faith.” —\u003ci\u003eRenaissance Quarterly\u003c\/i\u003e\u003c\/p\u003e","brand":"University of Notre Dame Press","offers":[{"title":"Default Title","offer_id":49400725995863,"sku":"9780268022396","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780268022396.jpg?v=1730471401","url":"https:\/\/bookcurl.com\/products\/writing-faith-and-telling-tales-9780268022396","provider":"Book Curl","version":"1.0","type":"link"}