{"product_id":"women-artists-feminism-and-the-moving-image-9781350203112","title":"Women Artists Feminism and the Moving Image","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eLucy Reynolds \u003c\/b\u003eis Senior Lecturer at the Centre for Research and Education in Arts and Media, University of Westminster, UK. She is the Editor of the \u003ci\u003eMoving Image Review \u0026amp; Art Journal \u003c\/i\u003e(\u003ci\u003eMIRAJ\u003c\/i\u003e), and a curator and artist. Her work has been published in \u003ci\u003eAfterall\u003c\/i\u003e, \u003ci\u003eMIRAJ\u003c\/i\u003e, \u003ci\u003eScreen\u003c\/i\u003e and \u003ci\u003eScreendance\u003c\/i\u003e. Her particular interests are questions of the moving image, feminism, political space and collective practice.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eWomen Artists, Feminism and the Moving Image \u003c\/i\u003eoffers up a fascinating addition to theories that inform feminist film criticism as it applies to video art. Laura Mulvey, the éminence grise of feminist film studies, provides a preface, and for the collection itself Reynolds brought together essays, interviews, and even a lengthy poem. The contributors are diverse as well, including scholars, film curators, journalists, and artists. Summing Up: Recommended. Upper-division undergraduates through faculty and professionals. * CHOICE *\u003cbr\u003eThis book productively brings together research happening across the History of Art, Film Studies, Visual Culture and Fine Art Practice and asserts the importance of practices that have too long remained peripheral. Each of the essays offers fresh, new perspectives, providing an excellent introduction to the recent developments in the study of moving image art. -- Amy Tobin, Curator of Exhibitions, Events and Research at Kettle’s Yard and Director of Studies in History of Art, Newnham College, University of Cambridge, UK\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eForeword, \u003ci\u003eLaura Mulvey (Birbeck, University of London, UK)\u003c\/i\u003e Introduction: Raising Voices, \u003ci\u003eLucy Reynolds (University of Westminster, UK)\u003c\/i\u003e Introduction: Certain Measures, \u003ci\u003eLis Rhodes (Artist and filmmaker, UK)\u003c\/i\u003e \u003cb\u003ePart One: Acknowledgements\u003c\/b\u003e In Conversation: MORE: Pauline Boudry\/Renate Lorenz with Irene Revell  1. \u003ci\u003eIn a tiny realm of her own\u003c\/i\u003e: Lotte Reiniger’s light work, \u003ci\u003eElinor Cleghorn (Independent scholar, UK)\u003c\/i\u003e 2. Returning to R\u003ci\u003eiddles\u003c\/i\u003e, \u003ci\u003eCatherine Grant (Goldsmiths, University of London, UK)\u003c\/i\u003e 3. 'Being a together woman is a bitch': 'An African American woman's film' genealogy of Julie Dash's \u003ci\u003eFour Women\u003c\/i\u003e (1975), \u003ci\u003eSo Mayer (Freelance writer, UK)\u003c\/i\u003e 4. \u003ci\u003eFilm Esperienza\u003c\/i\u003e. The work of Marinella Pirelli, \u003ci\u003eLucia Aspesi (Pirelli HangarBicocca, Italy)\u003c\/i\u003e 5. Prescient intersectionality: Women, moving image and identity politics in 1980s Britain, \u003ci\u003eRachel Garfield (University of Reading, UK)\u003c\/i\u003e \u003cb\u003ePart Two: Engagements and Negotiations\u003c\/b\u003e In Conversation: Maria Palacios Cruz interviews Basma Alsharif 6. 'Overexposed, like an X-ray': The politics of corporeal vulnerability in Sandra Lahire's experimental cinema, \u003ci\u003eMaud Jacquin (Art historian and curator, France \u0026amp; USA)\u003c\/i\u003e 7. 'Look at Mother Nature on the run in the 1970s': Penelope Spheeris's \u003ci\u003eI Don't Know\u003c\/i\u003e, \u003ci\u003eErika Balsom (King's College London, UK)\u003c\/i\u003e 8. Aesthetics of potentiality: Nguyen Trinh Thi’s Essay films, \u003ci\u003eMay Adadol Ingawanji (University of Westminster, UK)\u003c\/i\u003e 9. The art of maximal ventriloquy: Femininity as labour in the films of Rachel MacLean, \u003ci\u003eSarah Neely (University of Stirling, UK) \u003c\/i\u003e\u0026amp; \u003ci\u003eSarah Smith (Glasgow School of Art, UK)\u003c\/i\u003e \u003cb\u003ePart Three: Situations and Receptions\u003c\/b\u003e In Conversation: Club des Femmes, Helena Reckitt: An Interview on International Women's Day 2017  10. Strategies of exposure and concealment in moving image art by women; a cross-generational account, \u003ci\u003eCate Elwes (Video artist and curator, UK)\u003c\/i\u003e 11. Choreographing women's work: Multitaskers, smartphone users and virtuoso performers, \u003ci\u003eMaeve Connolly (Dun Laoghaire Institute of Art, Design and Technology, Ireland)\u003c\/i\u003e 12. Female solidarity as uncommodified value: Lucy Beech's \u003ci\u003eCannibals\u003c\/i\u003e and Rehana Zaman's \u003ci\u003eSome Women, Other Women and all the Bittermen\u003c\/i\u003e, \u003ci\u003eMaria Walsh (Chelsea College of the Arts, University Arts London, UK)\u003c\/i\u003e 13. Can we still talk about women artists? M\u003ci\u003eelissa Gronlund (The National, USA)\u003c\/i\u003e Bibliography Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":49407520833879,"sku":"9781350203112","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350203112.jpg?v=1730499650","url":"https:\/\/bookcurl.com\/products\/women-artists-feminism-and-the-moving-image-9781350203112","provider":"Book Curl","version":"1.0","type":"link"}