{"product_id":"way-beyond-monochrome-2e-9780240816258","title":"Way Beyond Monochrome 2e","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePhoto Techniques Magazine stated: All our readers need to know about this very useful book. Indeed, there is no other compendium that is as in-depth as this for the beauty and magic of fine-art black-and-white photography. With 560 pages and over 1,000 illustrations, Way Beyond Monochrome starts with conceptual lessons of composition and takes you through image capture, exposure, controlling tonality, variable-contrast paper, archival printing, mounting, framing and presentation with simple concepts to an advanced level. This new edition has been completely revised and heavily expanded, adding over 250 pages to the original edition with new chapters on print mounting, spotting, framing, digital negatives, utilizing digital technologies for alternative processes, and fabulous do-it-yourself projects. Overall, the authors have created a thoroughly researched, technologically sound yet aesthetically pleasing, inspirational bible for monochrome photography.\u003c\/p\u003e\u003cp\u003eNew to this edition:\u003c\/p\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"All our readers need to know about this very useful book.\" -Photo Techniques\u003c\/p\u003e\u003cp\u003e\"We urge anybody seriously interested in B\u0026amp;W photography to get a copy of this book.\" - The Royal Photographic Society\u003c\/p\u003e\u003cp\u003e\"This book is a great resource for those who love the magic of black and white photography. I find it to be a valuable compedndium of reliable technical information, along with insights and imagery that provides photographic inspiration.\" -John Sexton (well known b \u0026amp; w photographer)\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"All our readers need to know about this very useful book.\" -Photo Techniques Magazine\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePart 1 The Basics\u003c\/p\u003e\u003cp\u003eFrom Visualization to Print\u003c\/p\u003e\u003cp\u003eEye and Brain\u003c\/p\u003e\u003cp\u003ePictorial Maturity\u003c\/p\u003e\u003cp\u003ePhotographic Quality\u003c\/p\u003e\u003cp\u003eFundamental Print Control\u003c\/p\u003e\u003cp\u003eTiming Print Exposures\u003c\/p\u003e\u003cp\u003ePaper and Print Contrast\u003c\/p\u003e\u003cp\u003eBasics of Photographic Printing\u003c\/p\u003e\u003cp\u003eArchival Print Processing\u003c\/p\u003e\u003cp\u003ePresentation is Everything\u003c\/p\u003e\u003cp\u003eMounting and Matting Prints\u003c\/p\u003e\u003cp\u003ePrint Spotting\u003c\/p\u003e\u003cp\u003eFraming and Displaying Prints\u003c\/p\u003e\u003cp\u003eWhat Size is the Edition?\u003c\/p\u003e\u003cp\u003ePart 2 The Science\u003c\/p\u003e\u003cp\u003eTone Reproduction\u003c\/p\u003e\u003cp\u003eIntroduction to the Zone System\u003c\/p\u003e\u003cp\u003eIntroduction to Sensitometry\u003c\/p\u003e\u003cp\u003eTone Reproduction\u003c\/p\u003e\u003cp\u003eImage Gradation\u003c\/p\u003e\u003cp\u003eImage Capture\u003c\/p\u003e\u003cp\u003eImaging Paths\u003c\/p\u003e\u003cp\u003eSharpness and Depth of Field\u003c\/p\u003e\u003cp\u003eCritical Focusing\u003c\/p\u003e\u003cp\u003ePinhole Photography\u003c\/p\u003e\u003cp\u003eBasics of Digital Capture\u003c\/p\u003e\u003cp\u003eDigital Capture Alternatives\u003c\/p\u003e\u003cp\u003eNegative Control\u003c\/p\u003e\u003cp\u003eIntroduction to Exposure\u003c\/p\u003e\u003cp\u003eDevelopment and Film Processing\u003c\/p\u003e\u003cp\u003eAdvanced Development\u003c\/p\u003e\u003cp\u003eCreating a Standard\u003c\/p\u003e\u003cp\u003eCustomizing Film Speed and Development\u003c\/p\u003e\u003cp\u003eInfluence of Exposure and Development\u003c\/p\u003e\u003cp\u003eExposure Latitude\u003c\/p\u003e\u003cp\u003ePre-Exposure\u003c\/p\u003e\u003cp\u003eApplied Zone Systems\u003c\/p\u003e\u003cp\u003eC41 Zone System\u003c\/p\u003e\u003cp\u003eQuality Control\u003c\/p\u003e\u003cp\u003eUnsharp Masking\u003c\/p\u003e\u003cp\u003eMasking for Complete Control\u003c\/p\u003e\u003cp\u003eDigital Negatives for Contact Printing\u003c\/p\u003e\u003cp\u003eThe Copy-Print Process\u003c\/p\u003e\u003cp\u003eAdvanced Print Control\u003c\/p\u003e\u003cp\u003eFine-Tuning Print Exposure \u0026amp; Contrast\u003c\/p\u003e\u003cp\u003eMeasuring Paper Contrast\u003c\/p\u003e\u003cp\u003eContrast Control with Color Enlargers\u003c\/p\u003e\u003cp\u003eExposure Compensation for Contrast Change\u003c\/p\u003e\u003cp\u003eBasic Split-Grade Printing\u003c\/p\u003e\u003cp\u003eAdvanced Split-Grade Printing\u003c\/p\u003e\u003cp\u003ePrint Flashing\u003c\/p\u003e\u003cp\u003ePaper Reciprocity Failure\u003c\/p\u003e\u003cp\u003eMiscellaneous Material Characteristics\u003c\/p\u003e\u003cp\u003eFactorial Development\u003c\/p\u003e\u003cp\u003ePrint Bleaching\u003c\/p\u003e\u003cp\u003ePrint Dry-Down\u003c\/p\u003e\u003cp\u003eOn Assignment\u003c\/p\u003e\u003cp\u003eAbove Malham Cove\u003c\/p\u003e\u003cp\u003eCedar Falls\u003c\/p\u003e\u003cp\u003eClapham Bridge\u003c\/p\u003e\u003cp\u003eCorkscrews\u003c\/p\u003e\u003cp\u003ePortrait Studio Lighting\u003c\/p\u003e\u003cp\u003eIngatestone Hall\u003c\/p\u003e\u003cp\u003eHeybridge\u003c\/p\u003e\u003cp\u003eKaren\u003c\/p\u003e\u003cp\u003eLight-Painted Flowers\u003c\/p\u003e\u003cp\u003eMetalica\u003c\/p\u003e\u003cp\u003eAlternative Processes\u003c\/p\u003e\u003cp\u003eMonoLog\u003c\/p\u003e\u003cp\u003eParnham Doorway\u003c\/p\u003e\u003cp\u003eLarge-Format Nudes\u003c\/p\u003e\u003cp\u003eRape Field\u003c\/p\u003e\u003cp\u003eSt. Mary's of Buttsbury\u003c\/p\u003e\u003cp\u003eStonehenge\u003c\/p\u003e\u003cp\u003eSummer Storm\u003c\/p\u003e\u003cp\u003eToothpaste Factory\u003c\/p\u003e\u003cp\u003ePart 3 Odds and Ends\u003c\/p\u003e\u003cp\u003eEquipment and Facilities\u003c\/p\u003e\u003cp\u003eImage-Taking Equipment\u003c\/p\u003e\u003cp\u003eDarkroom Design\u003c\/p\u003e\u003cp\u003eHow Safe is Your Safelight?\u003c\/p\u003e\u003cp\u003eEnlarger Light Sources\u003c\/p\u003e\u003cp\u003eSharpness in the Darkroom\u003c\/p\u003e\u003cp\u003eOther Darkroom Equipment\u003c\/p\u003e\u003cp\u003eTool, Tips and Tricks\u003c\/p\u003e\u003cp\u003eIdentification System for Film Holders\u003c\/p\u003e\u003cp\u003eHhow to Build andUse the Zone Ruler\u003c\/p\u003e\u003cp\u003eHow to Build and Use a Zone Dial\u003c\/p\u003e\u003cp\u003eMake Your Own Shutter Tester\u003c\/p\u003e\u003cp\u003eMake Your Own Test Strip Printer\u003c\/p\u003e\u003cp\u003eMake Your Own Burning Card\u003c\/p\u003e\u003cp\u003eExposure, Development and Printing Records\u003c\/p\u003e\u003cp\u003eMaking Prints from Paper Negatives\u003c\/p\u003e\u003cp\u003eAppendix\u003c\/p\u003e\u003cp\u003eTechnical Fundamentals\u003c\/p\u003e\u003cp\u003eMake Your Own Transfer Function\u003c\/p\u003e\u003cp\u003eBasic Chemical Recipes\u003c\/p\u003e\u003cp\u003eTables and Templates\u003c\/p\u003e\u003cp\u003eGlossary \u003c\/p\u003e\u003cp\u003eBibliography\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":48883876135255,"sku":"9780240816258","price":128.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780240816258.jpg?v=1722529413","url":"https:\/\/bookcurl.com\/products\/way-beyond-monochrome-2e-9780240816258","provider":"Book Curl","version":"1.0","type":"link"}