{"product_id":"voicing-the-cinema-9780252084867","title":"Voicing the Cinema","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e”Including works by many of film music's finest scholars, the diversity of articles and approaches here is most welcome. Some pieces will prove to be real game-changers, beautifully written and argued.”—Caryl Flinn, author of \u003ci\u003eBrass Diva: The Life and Legends of Ethel Merman\u003c\/i\u003e\u003cbr\u003e ”Valuable new essays on the ways cinema speaks, sings, shouts, and whispers.”—Claudia Gorbman, author of \u003ci\u003eUnheard Melodies: Narrative Film Music\u003c\/i\u003e\u003cbr\u003e \"The book will intrigue those interested in voice and film studies and the various ways the singing voice can be used to advantage in cinema.\" --\u003ci\u003eChoice\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eCoverTitleCopyrightContentsAcknowledgmentsIntroduction: Voices in, of, and on the Cinema \/ James Buhler and Hannah LewisPart One: Historical Approaches to Technology and the Voice1. Apprehending Human Voice in the “Silent Cinema” \/ Julie Brown2. Silencing and Sounding the Voice in Transition-Era \/ Hannah Lewis3. FM Radio and the New Hollywood Soundtrack \/Julie Hubbert4. Pinewood’s Fiddler Fans Goldwyn’s Folly: London’s Battle for Postproduction Sound Business \/ Katherine QuanzPart Two: The Practice of the Singing Voice5. Vococentrism and Sound in Ingmar Bergman’s The Magic Flute \/ Marcia J. Citron6. Breaking into Soundtrack in 1980s Teen Films \/ Cari McDonnell7. Girls’ Voices, Boys’ Stories, and Self-Determination in Animated Films since 2012 \/ Robynn J. StilwellPart Three: The “Auteuristic” Voice of the Soundtrack8. The Trouble with Onscreen Orchestrators: Progeny and Compositional Crisis in the Four Daughters Films \/ Nathan Platte9. Some Thoughts on Genre, the Vococentric Cinema, and “Stella by Starlight” \/ David Neumeyer10. Listening to Soundscapes in Kurosawa’s Dersu Uzala (1975) \/ Brooke McCorkle11. Peter Weir and the Piano Concerto \/ Erik HeinePart Four: Narrative and Vococentrism12. Monocentrism, or Soundtracks in Space: Rediscovering Forbidden Planet’s Multi-Speaker Release \/ Eric Dienstfrey13. Sound and the Comic\/Horror Romance Film: Formula, Affect, and Inflection \/ Janet Staiger14. Once More into the Breach: Interrogating Ben Winters’s Nondiegetic Fallacy \/ Jeff Smith15. The End(s) of Vococentrism \/ James BuhlerContributorsIndexBack cover","brand":"University of Illinois Press","offers":[{"title":"Default Title","offer_id":49400514740567,"sku":"9780252084867","price":21.59,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780252084867.jpg?v=1730470870","url":"https:\/\/bookcurl.com\/products\/voicing-the-cinema-9780252084867","provider":"Book Curl","version":"1.0","type":"link"}