{"product_id":"video-art-theory-9781118475461","title":"Video Art Theory","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eVideo Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments vii\u003c\/p\u003e \u003cp\u003eIntroduction 1\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 Immediacy versus Memory: Video Art in Relation to Television, Performance Art, and Home Video 20\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGillian Wearing's Trauma (2000) Juxtaposed to Joan Jonas's Vertical Roll (1972) 23\u003c\/p\u003e \u003cp\u003eVideo Art Dealing with the Constant Movements of Audio-Visual Electronic Media, and the Immediacy and Socio-Cultural Aspects of Television 25\u003c\/p\u003e \u003cp\u003eThe Appeal of Immediacy: Video in Performance Art and Performance in Video Art 45\u003c\/p\u003e \u003cp\u003eThe Application of the Mnemonic Ability of Video and the Relationship with Activist-Videos and Home Video 60\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 Immateriality versus Three-Dimensionality: Video Art as Sculpture, Installation Art, \u003c\/b\u003e\u003cb\u003eProjection, and Virtual Medium 79\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLynn Hershman's Tillie the Telerobotic Doll (1995) Juxtaposed to Andy Warhol's Outer and Inner Space\u003cbr\u003e(1965) 82\u003c\/p\u003e \u003cp\u003eTelevision as an Object: Sculpture or Part of Architecture 85\u003c\/p\u003e \u003cp\u003eSpatial Video Installations and the Relationship with the Space of the Visitor 91\u003c\/p\u003e \u003cp\u003eProjections on Spatial Positioned Screens, the Space of Sound, and Interaction with the Visitor 96\u003c\/p\u003e \u003cp\u003eImmaterial Projections Interfering in Darkened Sites and Immersing the Viewer 104\u003c\/p\u003e \u003cp\u003eInteracting in the Merged Physical and Digital Space 109\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 Moving Images Mediating as Contemplative Images: Video's Challenge of Photography, Drawing, and Painting 121\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eKudzanai Chiurai's Iyeza (2012) Juxtaposed to Thierry Kuntzel's E´te´ – double vue (1988) 125\u003c\/p\u003e \u003cp\u003eVideo Art and Photography 130\u003c\/p\u003e \u003cp\u003eVideo Art and Drawing 140\u003c\/p\u003e \u003cp\u003eVideo Art and Painting 147\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 Repetition and Fragmentation in Narrative: Video's Appropriation and Subversion of \u003c\/b\u003e\u003cb\u003eClassical Cinema 164\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eCandice Breitz's Mother + Father (2005) Juxtaposed to Rodney Graham's Vexation Island (1997) and Keren Cytter's Corrections (2013) 166\u003c\/p\u003e \u003cp\u003eAspects of Narrative in Video Art Reacting to Hollywood Films, and Views on Compulsive Repetition 169\u003c\/p\u003e \u003cp\u003eThe Tension between Images and Verbal Language as Dialog, Voice-over, Voice-off, or Text 180\u003c\/p\u003e \u003cp\u003eIn Lieu of a Conclusion 193\u003c\/p\u003e \u003cp\u003eIndex 199\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49406876746071,"sku":"9781118475461","price":34.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781118475461.jpg?v=1730497418","url":"https:\/\/bookcurl.com\/products\/video-art-theory-9781118475461","provider":"Book Curl","version":"1.0","type":"link"}