{"product_id":"victorian-poetry-9780631234364","title":"Victorian Poetry","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eVictorian Poetry: An Annotated Anthology\u003c\/i\u003e is a fully annotated and illustrated collection of Victorian poetry.\u003cbr\u003e \u003cbr\u003e   \u003cul\u003e \u003cli\u003eFeatures a generous selection of work by all the major figures of the age, including Matthew Arnold, Elizabeth Barrett Browning, Robert Browning, Alfred Tennyson, and Oscar Wilde\u003c\/li\u003e \u003cli\u003ePresents several long poems in their entirety, such as Arnold's Empedocles on Etna', Clough's \u003ci\u003eAmours de Voyage\u003c\/i\u003e, Meredith's \u003ci\u003eModern Love\u003c\/i\u003e and Tennyson's \u003ci\u003eIn Memoriam AHH\u003c\/i\u003e\n\u003c\/li\u003e \u003cli\u003eEach poet is introduced by a biographical headnote\u003c\/li\u003e \u003cli\u003eEach poem is introduced by a headnote giving publication details, biographical facts, contextual material, and other information\u003c\/li\u003e \u003cli\u003eThe poems themselves are all fully annotated\u003c\/li\u003e \u003cli\u003eExtensive introductory material enables readers to read across the volume chronologically, thematically, or by individual author\u003c\/li\u003e \u003cli\u003eFeatures twelve black and white illustrations of images referred to in or relevant to\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"This is an excellent guide to the poetry of the period, and a teaching tool of obvious integrity, offering both help where it is needed and the kind of challenges that are essential to a meaningful learning experience.\" \u003ci\u003eModern Language Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eSuggested Contents by Theme and Genre. \u003cp\u003eAlphabetical List of Authors.\u003c\/p\u003e \u003cp\u003eList of Plates.\u003c\/p\u003e \u003cp\u003eAbbreviations.\u003c\/p\u003e \u003cp\u003eChronology.\u003c\/p\u003e \u003cp\u003eAcknowledgements.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003ePoetry included (short titles).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThomas Macaulay (1800-59)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘Horatius: A Lay made about the Year of the City CCCLX’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eElizabeth Barrett Browning (1806-61)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘Bertha in the Lane’.\u003c\/p\u003e \u003cp\u003e‘The Cry of the Children’.\u003c\/p\u003e \u003cp\u003e‘Rime of the Duchess May’.\u003c\/p\u003e \u003cp\u003e‘The Runaway Slave at Pilgrim’s Point’.\u003c\/p\u003e \u003cp\u003e‘Hiram Powers’ Greek Slave’.\u003c\/p\u003e \u003cp\u003eSonnets from the Portuguese (selection):.\u003c\/p\u003e \u003cp\u003e‘I thought once how Theocritus had sung’.\u003c\/p\u003e \u003cp\u003e‘I never gave a lock of hair away’.\u003c\/p\u003e \u003cp\u003e‘If I leave all for thee’.\u003c\/p\u003e \u003cp\u003e‘How do I love thee? Let me count the ways’.\u003c\/p\u003e \u003cp\u003e‘Beloved, thou has brought me many flowers’.\u003c\/p\u003e \u003cp\u003e‘Lord Walter’s Wife’.\u003c\/p\u003e \u003cp\u003e‘A Musical Instrument’.\u003c\/p\u003e \u003cp\u003e‘Amy’s Cruelty’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAlfred Tennyson (1809-92).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘The Dying Swan’.\u003c\/p\u003e \u003cp\u003e‘Mariana’.\u003c\/p\u003e \u003cp\u003e‘The Lotos-Eaters’.\u003c\/p\u003e \u003cp\u003e‘The Lady of Shalott’.\u003c\/p\u003e \u003cp\u003e‘The Epic\/Morte d’Arthur’.\u003c\/p\u003e \u003cp\u003e‘Ulysses’.\u003c\/p\u003e \u003cp\u003e‘Now sleeps the crimson petal’.\u003c\/p\u003e \u003cp\u003eIn Memoriam A.H.H. OBIIT MDCCCXXXIII.\u003c\/p\u003e \u003cp\u003e‘The Charge of the Light Brigade’.\u003c\/p\u003e \u003cp\u003e‘To the Marquis of Dufferin and Ava’.\u003c\/p\u003e \u003cp\u003e‘Crossing the Bar’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eRobert Browning (1812-89).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Porphyria’s Lover’.\u003c\/p\u003e \u003cp\u003e‘My Last Duchess’.\u003c\/p\u003e \u003cp\u003e‘The Bishop Orders his Tomb at Saint Praxed’s Church’.\u003c\/p\u003e \u003cp\u003e‘Fra Lippo Lippi’.\u003c\/p\u003e \u003cp\u003e‘Andrea del Sarto’.\u003c\/p\u003e \u003cp\u003e‘“Childe Roland to the Dark Tower Came”’.\u003c\/p\u003e \u003cp\u003e‘A Toccata of Galuppi’s’.\u003c\/p\u003e \u003cp\u003e‘Two in the Campagna’.\u003c\/p\u003e \u003cp\u003e‘Caliban upon Setebos’.\u003c\/p\u003e \u003cp\u003e‘Eurydice to Orpheus: A Picture by Leighton’.\u003c\/p\u003e \u003cp\u003e‘Inapprehensiveness’.\u003c\/p\u003e \u003cp\u003eEmily Brontë (1818-48).\u003c\/p\u003e \u003cp\u003e‘High waving heather’.\u003c\/p\u003e \u003cp\u003e‘The Night-Wind.\u003c\/p\u003e \u003cp\u003e‘Shall earth no more inspire thee[?]’.\u003c\/p\u003e \u003cp\u003e‘To Imagination’.\u003c\/p\u003e \u003cp\u003e‘Remembrance’.\u003c\/p\u003e \u003cp\u003e‘The Prisoner: A Fragment’.\u003c\/p\u003e \u003cp\u003e‘No coward soul is mine’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eArthur Hugh Clough (1819-61).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Say not the struggle nought availeth’.\u003c\/p\u003e \u003cp\u003eAmours de Voyage.\u003c\/p\u003e \u003cp\u003e‘The Latest Decalogue’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMatthew Arnold (1822-88)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘A Summer Night’.\u003c\/p\u003e \u003cp\u003e‘To Marguerite – Continued’.\u003c\/p\u003e \u003cp\u003e‘Empedocles on Etna’.\u003c\/p\u003e \u003cp\u003e‘The Buried Life’.\u003c\/p\u003e \u003cp\u003e‘The Scholar-Gipsy’.\u003c\/p\u003e \u003cp\u003e‘Stanzas from the Grande Chartreuse’.\u003c\/p\u003e \u003cp\u003e‘Dover Beach’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAdelaide Anne Procter (1825-64).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Philip and Mildred’.\u003c\/p\u003e \u003cp\u003e‘A Legend of Provence’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eGeorge Meredith (1828-1909)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eModern Love.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDante Gabriel Rossetti (1828-82)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘The Burden of Nineveh’.\u003c\/p\u003e \u003cp\u003e‘Sestina. Of the Lady Pietra degli Scrovigni’.\u003c\/p\u003e \u003cp\u003e‘Jenny’.\u003c\/p\u003e \u003cp\u003e‘Nuptial Sleep’.\u003c\/p\u003e \u003cp\u003e‘Song 8: The Woodspurge’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChristina G. Rossetti (1830-94)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘In an Artist’s Studio’.\u003c\/p\u003e \u003cp\u003e‘An Apple-Gathering’.\u003c\/p\u003e \u003cp\u003e‘A Birthday’.\u003c\/p\u003e \u003cp\u003e‘Goblin Market’.\u003c\/p\u003e \u003cp\u003e‘Song: When I am dead, my dearest’.\u003c\/p\u003e \u003cp\u003e‘Winter: My Secret’.\u003c\/p\u003e \u003cp\u003e‘The Lambs of Grasmere, 1860’.\u003c\/p\u003e \u003cp\u003e‘Shut Out’.\u003c\/p\u003e \u003cp\u003e‘The World’.\u003c\/p\u003e \u003cp\u003e‘A Christmas Carol: In the bleak mid-winter’.\u003c\/p\u003e \u003cp\u003e‘In life our absent friend’.\u003c\/p\u003e \u003cp\u003e‘Resurgam’.\u003c\/p\u003e \u003cp\u003e‘Babylon the Great’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eJames Thomson, ‘B. V.’ (1834-82)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eThe City of Dreadful Night.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWilliam Morris (1834-96)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘The Haystack in the Floods’.\u003c\/p\u003e \u003cp\u003e‘The Defence of Guenevere’.\u003c\/p\u003e \u003cp\u003e‘Concerning Geffray Teste Noire’.\u003c\/p\u003e \u003cp\u003e‘Iceland First Seen’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAlfred Austin (1835-1913).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Henry Bartle Edward Frere’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAugusta Webster (1837-94).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Circe’.\u003c\/p\u003e \u003cp\u003e‘A Castaway’.\u003c\/p\u003e \u003cp\u003e‘Faded’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAlgernon Charles Swinburne (1837-1909).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Hymn to Proserpine’.\u003c\/p\u003e \u003cp\u003e‘Anactoria’.\u003c\/p\u003e \u003cp\u003e‘Laus Veneris’.\u003c\/p\u003e \u003cp\u003e‘Ave Atque Vale: In Memory of Charles Baudelaire’.\u003c\/p\u003e \u003cp\u003e‘A Forsaken Garden’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThomas Hardy (1840-1928).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Hap’.\u003c\/p\u003e \u003cp\u003e‘Drummer Hodge’.\u003c\/p\u003e \u003cp\u003e‘The Darkling Thrush’.\u003c\/p\u003e \u003cp\u003e‘In the Old Theatre, Fiesole’.\u003c\/p\u003e \u003cp\u003e‘The Ruined Maid’.\u003c\/p\u003e \u003cp\u003e‘The Self-Unseeing’.\u003c\/p\u003e \u003cp\u003e‘In Tenebris I’.\u003c\/p\u003e \u003cp\u003e‘Shelley’s Skylark’.\u003c\/p\u003e \u003cp\u003e‘Lausanne: In Gibbon’s Old Garden’.\u003c\/p\u003e \u003cp\u003e‘The Revisitation’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eGerard M[anley] Hopkins (1844-89).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Spring and Fall’.\u003c\/p\u003e \u003cp\u003e‘The Wreck of the Deutschland’.\u003c\/p\u003e \u003cp\u003e‘As kingfishers catch fire’.\u003c\/p\u003e \u003cp\u003e‘God’s Grandeur’.\u003c\/p\u003e \u003cp\u003e‘Pied Beauty’.\u003c\/p\u003e \u003cp\u003e‘The Windhover’.\u003c\/p\u003e \u003cp\u003e‘Inversnaid’.\u003c\/p\u003e \u003cp\u003e‘That Nature is a Heraclitean Fire and of the Comfort of the Resurrection’.\u003c\/p\u003e \u003cp\u003e‘Harry Ploughman’.\u003c\/p\u003e \u003cp\u003e‘Binsey Poplars’.\u003c\/p\u003e \u003cp\u003e‘No worst, there is none’.\u003c\/p\u003e \u003cp\u003e‘My own heart let me more have pity on’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEugene Lee-Hamilton (1845-1907).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘The New Medusa’.\u003c\/p\u003e \u003cp\u003eImaginary Sonnets: ‘Laura to Petrarch’.\u003c\/p\u003e \u003cp\u003e‘Carmagnola to the Republic of Venice’.\u003c\/p\u003e \u003cp\u003e‘Fallopius to his Dissecting Knife’.\u003c\/p\u003e \u003cp\u003e‘Charles Edward to his Last Friend’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMichael Field (Katherine Bradley [1846-1914] and Edith Cooper [1862-1913]).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Maids, not to you my mind doth change’.\u003c\/p\u003e \u003cp\u003e‘La Gioconda’.\u003c\/p\u003e \u003cp\u003e‘A Portrait: Bartolommeo Veneto’.\u003c\/p\u003e \u003cp\u003e‘A Girl’.\u003c\/p\u003e \u003cp\u003e‘Cyclamens’.\u003c\/p\u003e \u003cp\u003e‘Sometimes I do despatch my heart’.\u003c\/p\u003e \u003cp\u003e‘It was deep April’.\u003c\/p\u003e \u003cp\u003e‘Nests in Elms’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFour Victorian Hymns.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘The day thou gavest’ (Ellerton).\u003c\/p\u003e \u003cp\u003e‘Take my life and let it be’ (Havergal).\u003c\/p\u003e \u003cp\u003e‘Onward Christian soldiers’ (Baring-Gould).\u003c\/p\u003e \u003cp\u003e‘My God how wonderful thou art’ (Faber).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eW[illiam] E[rnest] Henley (1849-1903)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIn Hospital.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eOscar Wilde (1854-1900).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Fantaisies Décoratives: II. Les Ballons’.\u003c\/p\u003e \u003cp\u003e‘Symphony in Yellow’.\u003c\/p\u003e \u003cp\u003eThe Ballad of Reading Gaol.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eJohn Davidson (1857-1909).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e‘Thirty Bob a Week’.\u003c\/p\u003e \u003cp\u003e‘A Woman and her Son’.\u003c\/p\u003e \u003cp\u003e‘Snow’.\u003c\/p\u003e \u003cp\u003e‘The Crystal Palace’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMay Kendall (1861-?1943)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘Lay of the Trilobite’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAmy Levy (1861-89)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘Xantippe: A Fragment’.\u003c\/p\u003e \u003cp\u003e‘A Minor Poet’.\u003c\/p\u003e \u003cp\u003e‘A Ballad of Religion and Marriage’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eRudyard Kipling (1865-1936)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘Fuzzy Wuzzy’.\u003c\/p\u003e \u003cp\u003e‘Gunga Din’.\u003c\/p\u003e \u003cp\u003e‘Tommy’.\u003c\/p\u003e \u003cp\u003e‘Recessional, A Victorian Ode’.\u003c\/p\u003e \u003cp\u003e‘The White Man’s Burden’.\u003c\/p\u003e \u003cp\u003e‘If – ’.\u003c\/p\u003e \u003cp\u003e‘The Way through the Woods’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eArthur Symons (1865-1945)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘From Théophile Gautier: Posthumous Coquetry’.\u003c\/p\u003e \u003cp\u003e‘The Absinthe Drinker’.\u003c\/p\u003e \u003cp\u003e‘Javanese Dancers’.\u003c\/p\u003e \u003cp\u003e‘Prologue’.\u003c\/p\u003e \u003cp\u003e‘Paris’.\u003c\/p\u003e \u003cp\u003e‘Hands’.\u003c\/p\u003e \u003cp\u003e‘White Heliotrope’.\u003c\/p\u003e \u003cp\u003e‘Stella Maris’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eErnest Dowson (1867-1900)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘Nuns of the Perpetual Adoration’.\u003c\/p\u003e \u003cp\u003e‘Extreme Unction’.\u003c\/p\u003e \u003cp\u003e‘Nun Sum Qualis Eram Bonae Sub Regno Cynarae’.\u003c\/p\u003e \u003cp\u003e‘Vitae summa brevis spem nos vetat incohare longam’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLionel Johnson (1867-1902)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘Oxford’.\u003c\/p\u003e \u003cp\u003e‘By the Statue of King Charles at Charing Cross’.\u003c\/p\u003e \u003cp\u003e‘The Dark Angel’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCharlotte Mew (1869-1928)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e‘The Forest Road’.\u003c\/p\u003e \u003cp\u003e‘Madeleine in Church’.\u003c\/p\u003e \u003cp\u003e‘The Trees are Down’.\u003c\/p\u003e \u003cp\u003eSelect Bibliography.\u003c\/p\u003e \u003cp\u003eIndex of titles.\u003c\/p\u003e \u003cp\u003eIndex of First Lines\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49403458421079,"sku":"9780631234364","price":33.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780631234364.jpg?v=1730483530","url":"https:\/\/bookcurl.com\/products\/victorian-poetry-9780631234364","provider":"Book Curl","version":"1.0","type":"link"}