{"product_id":"unsettled-remains-canadian-literature-and-the-postcolonial-gothic-9781554580545","title":"Unsettled Remains: Canadian Literature and the Postcolonial Gothic","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \u003ci\u003eUnsettled Remains: Canadian Literature and the Postcolonial Gothic\u003c\/i\u003e examines how Canadian writers have combined a postcolonial awareness with gothic metaphors of monstrosity and haunting in their response to Canadian history. The essays gathered here range from treatments of early postcolonial gothic expression in Canadian literature to attempts to define a Canadian postcolonial gothic mode. Many of these texts wrestle with Canada's colonial past and with the voices and histories that were repressed in the push for national consolidation but emerge now as uncanny reminders of that contentious history. The haunting effect can be unsettling and enabling at the same time. \u003c\/p\u003e \u003cp\u003e In recent years, many Canadian authors have turned to the gothic to challenge dominant literary, political, and social narratives. In Canadian literature, the \"\"postcolonial gothic\"\" has been put to multiple uses, above all to figure experiences of ambivalence that have emerged from a colonial context and persisted into the present. As these essays demonstrate, formulations of a Canadian postcolonial gothic differ radically from one another, depending on the social and cultural positioning of who is positing it. Given the preponderance, in colonial discourse, of accounts that demonize otherness, it is not surprising that many minority writers have avoided gothic metaphors. In recent years, however, minority authors have shown an interest in the gothic, signalling an emerging critical discourse. This \"\"spectral turn\"\" sees minority writers reversing long-standing characterizations of their identity as \"\"monstrous\"\" or invisible in order to show their connections to and disconnection from stories of the nation. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Unsettled Remains problematises notions of Canadian national unity and memory, with the clear intention of challenging dominant hegemonic narratives. In this context, the genre of the postcolonial gothic invokes a dynamic space in which previously repressed or unheard narratives can find voice and expression. Ultimately, the collection considers the ways in which Canada's present is unsettled by its history, and documents Canadians' ambivalent reaction to their uncanny relationship with an estranged and haunted past.\" - Sharon Selby, University of Edinburgh, British Journal of Canadian Studies, Volume 23 (Number 2), 2010\u003cbr\u003e``Cynthia Sugars' and Gerry Turcotte's Unsettled Remains is an essential read for the student of Canadian postcolonial literature.... Through their engagement with Canada's 'haunted' colonial history, [the contributors] draw attention to the interplay between the uncanny and the unsettling in Canada's settle-invader history. Consequently, the 'settler-invader' perspective is incorporated into a dialogue that includes the voices of indigenous and immigrant communities as well. By opening their readings of literary texts to such a dialogue, these critics challenge traditional representations and interpretations of the landscape and its peoples without denying Canada's turbulent colonial history. Traditional models of 'haunting, monstrosity, trauma, fear' (p. 98) are likewise scrutinised, resulting in a uniquely Canadian re-visioning of gothic convention.'' -- Sharon Selby, University of Edinburgh -- British Journal of Canadian Studies, 23.2, 201012\u003cbr\u003e``The essays in Unsettled Remains focus on how subjective and national identities in Canadian literature have been formed through notions of interiority and unsettlement, and through the haunting necessarily inherent in a postcolonial context: through what Sugars and Turcotte name as Gothic 'experiences of spectrality and the uncanny'. Monsters, ghosts, tricksters, and other supernatural characters figure prominently in all of the volume's essays, therefore, as metaphors of the many repressed histories brought on by our colonial past, and as representations of the ability for 'monstrous' others to 'talk back' to dominant narratives.'' -- Heather Latimer -- Canadian Literature, 208, Spring 2011, 201107\u003cbr\u003e``Unsettled Remains: Canadian Literature and the Postcolonial Gothic is a strong anthology.... [I]ts essays...are inherently conversant in the uncanny fashion that is the focus and foundation of their origins. In this anthology Sugars and Turcotte bring together an admirable range of writers, whose various positions allow voice and space to many of the \"uncanny reminders of [Canada's] problematic history.\" -- Erin Wunker, Dalhousie University -- The Dalhousie Review, Spring 2010, 201007\u003cbr\u003e``[Each chapter] `seeks to find ways of knowing, articulating, and memorializing the horrors of the past and to account for their haunting trace in the present in a meaningful and ethical way' (Shelley Kulperger). This consistency gives the volume momentum as it proceeds, as its essays often draw on the same sources although not always to reach the same conclusions. Its admirable goals of disclosure, redress, and healing are sought not just in the novels studied--the novel is the favourite form--but through the perspicacity of critics who untwist the stories' twisted, gothic shapes and put them to therapeutic use, `doing a certain kind of cultural cathartic work, enabling Canadians to speak the crime that has no name' (Cynthia Sugars).... The value of the collection is in exploring [its] assumptions so rigorously, in showing that something truly is at stake in studying gothic forms. The essays are also admirable individually: all are closely argued, earnest, well-documented, and scholarly.'' -- Jon Kertzer, University of Calgary -- English Studies in Canada, 35 #4, 2009, 201003\u003cbr\u003e``Rigorously selected and effectively argued, these essays convincingly demonstrate the eerie presence of a Gothic sensibility in Canadian literature refracted through a postcolonial lens, in many cases drawing attention to little-studied, extremely contemporary texts.... Unsettled Remains provides a broad survey of the postcolonial Gothic in contemporary Canadian literature; while certain themes and theoretical approaches are bound to recur, such as the image of the ghost, haunting, trauma, and Catholicism, with contributors invoking Freud's uncanny, Kristeva's abject, the postcolonial theories of Fanon, Bhabha, Said, and Anderson as well as the writings on trauma of Caruth and La Capra, there is also a great deal of variety in theoretical approaches adn certainly in the range of primary texts analyzed. For too many US readers perhaps, the Canadian itself stands in the position of the uncanny--that which is familiar but different; Unsettled Remains offers a challenging but engaging gateway not only into Canadian literature, but it also provides useful discussions of both Gothic and postcolonial theory. As Andrews asserts about Monkey Beach, '[a]pproaching Robinson's text through the Gothic is especially helpful for drawing readers beyond the Haisla community into an unfamiliar and mysterious world ripe with imaginative possibilities because it is a familiar set of conventions' (223), we might say that Unsettled Remains offers scholars of the fantastic a similar entry into the all-too-often unexplored territory of 'CanLit.''' -- Amy J. Ransom -- Journal of the Fantastic in the Arts, Vol. 23, No. 1, 2012, 201210\u003cbr\u003e``It is a truism that collections of literary criticism are a mixed bag. The editors put out a call, and then whatever comes in comes in. Thus many such collections are at best inconsistent and at worst useless. I am very glad to say this is not the case with Unsettled Remains.'' -- Terry Goldie -- University of Toronto Quarterly, Volume 80, number 2, Spring 2011, 201212\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003eUnsettled Remains: Canadian Literature and the Postcolonial Gothic\u003c\/i\u003e, edited by Cynthia Sugars and Gerry Turcotte \u003c\/li\u003e\n\u003cli\u003eIntroduction: Canadian Literature and the Postcolonial Gothic  Cynthia Sugars and Gerry Turcotte\u003c\/li\u003e\n\u003cli\u003eChapter One: Catholic Gothic: Atavism, Orientalism, and Generic Change in Charles De Guise's \u003ci\u003eLe Cap au diable\u003c\/i\u003e (1863)  Andrea Cabajsky\u003c\/li\u003e\n\u003cli\u003eChapter Two: Viking Graves Revisited: Pre-Colonial Primitivism in Farley Mowat's Northern Gothic  Brian Johnson\u003c\/li\u003e\n\u003cli\u003eChapter Three: Coyote's Children and the Canadian Gothic: Sheila Watson's \u003ci\u003eThe Double Hook\u003c\/i\u003e and Gail Anderson-Dargatz's \u003ci\u003eThe Cure for Death by Lightning\u003c\/i\u003e  Marlene Goldman\u003c\/li\u003e\n\u003cli\u003eChapter Four: \"\"Horror Written on Their Skin\"\": Joy Kagawa's Gothic Uncanny  Gerry Turcotte\u003c\/li\u003e\n\u003cli\u003eChapter Five: Familiar Ghosts: Feminist Postcolonial Gothic in Canada  Shelley Kulperger\u003c\/li\u003e\n\u003cli\u003eChapter Six: Canadian Gothic and the Work of Ghosting: Ann-Marie MacDonald's \u003ci\u003eFall on Your Knees\u003c\/i\u003e  Atef Laouyene\u003c\/li\u003e\n\u003cli\u003eChapter Seven: A Ukranian-Canadian Gothic?: Ethnic Angst in Janice Kulyk Keefer's \u003ci\u003eThe Green Library\u003c\/i\u003e  Lindy Ledohowski\u003c\/li\u003e\n\u003cli\u003eChapter Eight: \"\"Something not unlike enjoyment\"\": Gothicism, Catholicism, and Sexuality in Tomson Highway's \u003ci\u003eKiss of the Fur Queen\u003c\/i\u003e  Jennifer Henderson\u003c\/li\u003e\n\u003cli\u003eChapter Nine: Rethinking the Canadian Gothic: Reading Eden Robinson's \u003ci\u003eMonkey Beach\u003c\/i\u003e  Jennifer Andrews\u003c\/li\u003e\n\u003cli\u003eChapter Ten: Beothuk Gothic: Michael Crummey's \u003ci\u003eRiver Thieves\u003c\/i\u003e  Herb Wyile\u003c\/li\u003e\n\u003cli\u003eChapter Eleven: Keeping the Gothic at (Sick) Bay: Reading the Transferences in Vincent Lam's \u003ci\u003eBloodletting \u0026amp; Miraculous Cures\u003c\/i\u003e  Cynthia Sugars\u003c\/li\u003e\n\u003cli\u003eContributors\u003c\/li\u003e\n\u003cli\u003eIndex\u003c\/li\u003e\n\u003cli\u003eContributors\u003c\/li\u003e\n\u003cli\u003eJennifer Andrews is a full professor in the Department of English at the University of New Brunswick and co-editor of \u003ci\u003eStudies in Canadian Literature\u003c\/i\u003e. She has co-authored a book on Thomas King entitled \u003ci\u003eBorder Crossings\u003c\/i\u003e (University of Toronto Press, 2003). She is currently writing a manuscript on Native North American women's poetry funded by the Social Sciences and Humanities Research Council.\u003c\/li\u003e\n\u003cli\u003eAndrea Cabajsky is an assistant professor of Comparative Canadian literature at the Université de Moncton. She is co-editor of \u003ci\u003eNational Plots: Historical Fiction and Changing Ideas of Canada\u003c\/i\u003e (WLUP, forthcoming 2009) and is a founding member of the Early Canadian Literature Society. She holds an FESR\/Heritage Canada Standard Research Grant for 2007-09. \u003c\/li\u003e\n\u003cli\u003eMarlene Goldman teaches Canadian literature at the University of Toronto. She is the author of \u003ci\u003ePaths of Desire\u003c\/i\u003e (University of Toronto Press, 1977) and recently completed a book on apocalyptic discourse in Canadian fiction, \u003ci\u003eRewriting Apocalypse\u003c\/i\u003e (McGill-Queen's University Press, 2005). She is currently researching Canadian fiction that invokes the motif of haunting. \u003c\/li\u003e\n\u003cli\u003eJennifer Henderson is an associate professor in the Department of English Language and Literature at Carleton University. She has published articles on Canadian fiction and criticism, feminist culture, and discourses of the liberal self and is the author of \u003ci\u003eSettler Feminism and Race Making in Canada\u003c\/i\u003e (University of Toronto Press, 2003). Her two current projects study the government of childhood and the trope of national reconciliation.\u003c\/li\u003e\n\u003cli\u003eBrian Johnson is an assistant professor in the Department of English at Carleton University in Ottawa, where he specializes in Canadian literature and literary theory. Among his recent publications are essays on indigeneity and ecology in the Canadian animal story, northern nationalism in Martha Ostenso's \u003ci\u003eWild Geese\u003c\/i\u003e, and Jewish masculinities in the novels of Mordecai Richler. He is currently working on a study of race and horror in Canadian representations of the North. \u003c\/li\u003e\n\u003cli\u003eShelley Kulperger completed a Ph.D. on feminist and postcolonial gothic in Canada in the School of English, Media Studies and Art History at the University of Queensland, Australia. Her research interests include Australian and Canadian gothic, motherhood, and feminist and postcolonial cultural memory. She currently works in multicultural health policy and has published articles on transculturation, urban space, multiculturalism, and feminist cultural memory.\u003c\/li\u003e\n\u003cli\u003eAtef Laouyene completed his Ph.D. in the Department of English at the University of Ottawa in 2008. His dissertation, \"\"The Post-Exotic Arab: Orientalist Dystopias in Contemporary Postcolonial Fiction,\"\" draws on modern theories of the exotic in order to investigate representations of the Arab figure in the contemporary postcolonial novel. His research interests include postcolonial literary studies, critical theory, Arabic cultures and literatures, francophone literatures of the Maghreb, and Arab diasporas studies. His current project focuses on narratives of violence in Anglo-Arab writing. \u003c\/li\u003e\n\u003cli\u003eLindy Ledohowski completed her Ph.D. in the Department of English at the University of Toronto in 2008. Her doctoral research looked at the constructions of home and ethnicity in English-language Ukrainian-Canadian literature. At present, she is a postdoctoral fellow funded by the Social Sciences and Humanities Research Council in the Department of English at the University of Ottawa. Her current research looks at how fictional incest narratives in contemporary Canadian literature challenge ideas of a national home.\u003c\/li\u003e\n\u003cli\u003eCynthia Sugars is an associate professor in the Department of English at the University of Ottawa where she teaches Canadian literature and postcolonial theory. She is the author of numerous essays on Canadian literature and has edited two collections of essays on Canadian postcolonial theory: \u003ci\u003eUnhomely States: Theorizing English-Canadian Postcolonialism\u003c\/i\u003e (Broadview, 2004) and \u003ci\u003eHome-Work: Postcolonialism, Pedagogy, and Canadian Literature\u003c\/i\u003e (University of Ottawa Press, 2004). She has recently co-edited (with Laura Moss) a new two-volume historical anthology of Canadian literature, entitled \u003ci\u003eCanadian Literature in English: Texts and Contexts\u003c\/i\u003e (Pearson, 2009) and is working on a study of Canadian ghosts.\u003c\/li\u003e\n\u003cli\u003eGerry Turcotte is the dean of arts and sciences at the University of Notre Dame in Sydney, Australia. He is past president of the Association for Canadian Studies in Australia and New Zealand, former secretary of the International Council for Canadian Studies, founding director of the Centre for Canadian-Australian Studies, and was the editor of \u003ci\u003eAustralian-Canadian Studies\u003c\/i\u003e for four years. He is the author and editor of fourteen books including the novel \u003ci\u003eFlying in Silence\u003c\/i\u003e (published in Canada by Cormorant Books and in Australia by Brandl and Schlesinger, 2001), which was shortlisted for \u003ci\u003eThe Age\u003c\/i\u003e Book of the Year in 2001 and \u003ci\u003eBorder Crossings: Words and Images\u003c\/i\u003e (Brandl and Schlesinger, 2004). His new book, \u003ci\u003ePeripheral Fear: Transformations of the Gothic in Canada and Australia\u003c\/i\u003e, will be published by Peter Lang in 2009.\u003c\/li\u003e\n\u003cli\u003eHerb Wyile is a full professor in the Department of English at Acadia University in Wolfville, Nova Scotia. He has published numerous articles on contemporary Canadian literature, co-edited special issues of \u003ci\u003eTextual Studies in Canada\u003c\/i\u003e and \u003ci\u003eStudies in Canadian Literature\u003c\/i\u003e, and is the author of \u003ci\u003eSpeculative Fictions: Contemporary Canadian Novelists and the Writing of History\u003c\/i\u003e (McGill-Queens UP, 2002) and \u003ci\u003eSpeaking in the Past Tense: Canadian Novelists on Writing Historical Fiction\u003c\/i\u003e (WLUP, 2007). He has recently co-edited with Jeanette Lyne's \u003ci\u003eSurf's Up! The Rising Tide of Atlantic-Canadian Literature\u003c\/i\u003e, a special issue of \u003ci\u003eStudies in Canadian Literature\u003c\/i\u003e. \u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\u003c\/ul\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wilfrid Laurier University Press","offers":[{"title":"Default Title","offer_id":53188663509335,"sku":"9781554580545","price":37.95,"currency_code":"GBP","in_stock":false}],"url":"https:\/\/bookcurl.com\/products\/unsettled-remains-canadian-literature-and-the-postcolonial-gothic-9781554580545","provider":"Book Curl","version":"1.0","type":"link"}