{"product_id":"turning-the-tune-traditional-music-tourism-and-social-change-in-an-irish-village-3-dance-and-performance-studies-9780857458087","title":"Turning the Tune Traditional Music Tourism and","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThe last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site...\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \t\u003cem\u003e“...this book is a rarity in understanding the intersection of music, heritage and tourism...\"\u003c\/em\u003e\u003cstrong\u003e  ·  Journal of Heritage Tourism\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t“\u003cem\u003eThe publication of this study is a valuable contribution to the discipline of ethnomusicology and the study of Irish traditional music and tourism within this context. This book is particularly valuable to those interested in the study of Irish traditional music from the ethnomusicological perspective, and students and teachers of these areas will be greatly enhanced by Kaul’s in-depth knowledge of tourism literature.\u003c\/em\u003e”\u003cb\u003e  ·  \u003c\/b\u003e\u003cstrong\u003eEthnomusicology Forum\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t“\u003cem\u003eKaul’s book offers original insights in a very well-crafted and engaging ethnography. Few studies manage to discuss both an art form and its socio-cultural context, and Kaul does so successfully without compromising the breadth of his discussion. The prevalence of participants’ voices and Kaul’s commitment to allowing ethnography to write theory have resulted in a polyphonic, evocative account. Beyond anthropologists, ethnomusicologists, and scholars of Irish and tourism studies, this book is important to all of us researching art forms in their contemporary globalized, commoditized context.\u003c\/em\u003e”\u003cb\u003e  ·  \u003c\/b\u003e\u003cstrong\u003eJRAI\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t“…\u003cem\u003ebelongs in any collection strong in Irish culture, music, and economics and provides college-level readers with an engaging study using the form of music to consider Irish culture and tourism. This study of social change within the context of Irish music provides a scholarly study of interest to anthropology and global issues collections alike, surveying the social structure of Irish culture and the impact and reflection of its musical traditions. Any scholarly collection will find this engrossing!\u003c\/em\u003e”\u003cb\u003e  ·  \u003c\/b\u003e\u003cstrong\u003eMidwest Book Review\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t“…\u003cem\u003ea compelling and fascinating study of social change in a particular music practice, making it a useful resource for scholars and students of music and performance. It also makes a valuable contribution to anthropological studies of tourism and globalisation, especially in the way it complicates current orthodoxy about inevitable contestation around issues of ownership and appropriation with regard to identity politics in the global era.\u003c\/em\u003e”\u003cb\u003e  ·  \u003c\/b\u003e\u003cstrong\u003eAustralian Anthropological Society\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003ci\u003e\"Sensibly, Kaul lets ethnography form the core of his book. Almost all the theory that is involved arises from his ethnographic analysis, not vice versa. He let locals comment on his manuscript and provides generous quotes from his fieldwork interviews...The outcome? A performative account of craic that both academics and the locals of Doolin can readily believe in.\"\u003c\/i\u003e\u003cb\u003e  ·  \u003c\/b\u003e\u003cb\u003eTimes Higher Education\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \t\u003ci\u003e\"\u003c\/i\u003eTurning the Tune\u003ci\u003e casts a revealing eye on the impact of tourism and the influx of musicians from outside Ireland on traditional (in every sense of the word) approaches to the making and meaning of Irish folk music...a thoroughly researched and revealing snapshot of Doolin’s thriving musical life.\"\u003c\/i\u003e\u003cb\u003e  ·  \u003c\/b\u003e\u003cb\u003eSonglines Magazine\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \t\u003ci\u003e\"An engaging read, Kaul's account of the changing face of Doolin will interest readers with an interest in Irish traditional music--especially those who play it--as well as students of tourism and cultural anthropology.\"\u003c\/i\u003e\u003cb\u003e  ·  \u003c\/b\u003e\u003cb\u003eBook News\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \t\u003ci\u003e\"A book of rich description and penetrating insight, \u003c\/i\u003eTurning the Tune\u003ci\u003e pulls the reader into a complex world of music making and social interaction in an Irish coastal village. Through a compelling reflexive voice, Kaul gives us a vivid sense of present experience and remembered pasts in Doolin, County Clare...This beautifully written book will provide music to the ears of all who take an interest in Ireland, tourism, music and social change.\"\u003c\/i\u003e\u003cb\u003e  ·  \u003c\/b\u003e\u003cb\u003eTamara Kohn\u003c\/b\u003e, University of Melbourne\u003c\/p\u003e \u003cp\u003e \t\u003ci\u003e“Adam Kaul has provided his readers with a detailed, admirable account of musical life [in] Doolin, County Clare, arguably the most visible context for Irish instrumental music-making in the world. The immediacy of this narrative not only brings the reader into the inner circle of Doolin’s sessions, but also clarifies, enlarges, and engages the context in ways that may surprise the reader.”\u003c\/i\u003e\u003cb\u003e  ·  \u003c\/b\u003e\u003cb\u003eSean Williams\u003c\/b\u003e, Evergreen State College\u003c\/p\u003e \u003cp\u003e \t\u003ci\u003e\"[This book] addresses some important issues in music study - the commodity, professionalization, the affective content of musical 'identities' - with a keen anthropological eye and a subtle reflexivity. The description of sessions is often excellent - many have tried, few quite so successfully!\"\u003c\/i\u003e\u003cb\u003e  ·  \u003c\/b\u003e\u003cb\u003eMartin Stokes\u003c\/b\u003e, Oxford University\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \t\u003cb\u003eChapter 1. Introduction\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e \t\tConceptual Orientation\u003c\/li\u003e\n\u003cli\u003e \t\tConceptual Organization\u003c\/li\u003e\n\u003cli\u003e \t\tDoolin\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \t\u003cb\u003ePART I: REMEMBERED HISTORY\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cb\u003eChapter 2. The Old Days\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e \t\tEthnography, History and Memory\u003c\/li\u003e\n\u003cli\u003e \t\tSubsistence and Seasonality\u003c\/li\u003e\n\u003cli\u003e \t\tArgonauts of the Eastern Atlantic\u003c\/li\u003e\n\u003cli\u003e \t\tSeasonality Tourism in Clare in 1859\u003c\/li\u003e\n\u003cli\u003e \t\t(On the Origins of a New Species)\u003c\/li\u003e\n\u003cli\u003e \t\tTraditional Irish Music of the “Old Days”\u003c\/li\u003e\n\u003cli\u003e \t\tThe Céilí and the Crossroads Dance\u003c\/li\u003e\n\u003cli\u003e \t\tThe Country House Dance\u003c\/li\u003e\n\u003cli\u003e \t\tThe Dance Halls and The Céilí Bands\u003c\/li\u003e\n\u003cli\u003e \t\tEarly Collections and Early Sessions\u003c\/li\u003e\n\u003cli\u003e \t\tConclusions\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \t\u003cb\u003eChapter 3. The Revival\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e \t\tA Changing Economy\u003c\/li\u003e\n\u003cli\u003e \t\tThe Folk Revival\u003c\/li\u003e\n\u003cli\u003e \t\tInternal Changes in Irish Music\u003c\/li\u003e\n\u003cli\u003e \t\tThe Revival Arrives\u003c\/li\u003e\n\u003cli\u003e \t\tTurning the Tune\u003c\/li\u003e\n\u003cli\u003e \t\tConclusions\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \t\u003cb\u003ePART II: MOVING IN AND MOVING THROUGH\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cb\u003eChapter 4. The Celtic Tiger\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e \t\tCeltic Tourism\u003c\/li\u003e\n\u003cli\u003e \t\tMass Tourists\u003c\/li\u003e\n\u003cli\u003e \t\tCoach Tours\u003c\/li\u003e\n\u003cli\u003e \t\t“Travelers”, Working Tourists, and Visitors\u003c\/li\u003e\n\u003cli\u003e \t\tConclusions\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \t\u003cb\u003eChapter 5. Locals and Blow-ins\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e \t\tLocals\u003c\/li\u003e\n\u003cli\u003e \t\tBlow-ins\u003c\/li\u003e\n\u003cli\u003e \t\tNegotiations of Belonging\u003c\/li\u003e\n\u003cli\u003e \t\tConclusions\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \t\u003cb\u003ePART III: CHANGE AND CONTINUITY\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cb\u003eChapter 6. Consolidation and Globalization\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e \t\tTraditional Music of the Celtic Tiger\u003c\/li\u003e\n\u003cli\u003e \t\tDoolin’s Celtic Music Industry\u003c\/li\u003e\n\u003cli\u003e \t\tBands and Sessions, Performing and Playing\u003c\/li\u003e\n\u003cli\u003e \t\tPaying to Play\u003c\/li\u003e\n\u003cli\u003e \t\tConclusions\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \t\u003cb\u003eChapter 7. Adoption and Approriation\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e \t\tAppropriation\u003c\/li\u003e\n\u003cli\u003e \t\tAdoption\u003c\/li\u003e\n\u003cli\u003e \t\tComplementary Discourses\u003c\/li\u003e\n\u003cli\u003e \t\tPhenomenology of the Session\u003c\/li\u003e\n\u003cli\u003e \t\tPremeditated Spontaneity\u003c\/li\u003e\n\u003cli\u003e \t\tMusic as a Conversation\u003c\/li\u003e\n\u003cli\u003e \t\tPerfect Embodiment and Good Craic\u003c\/li\u003e\n\u003cli\u003e \t\tConclusions\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \t\u003cb\u003eChapter 8. Conclusions\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e \t\tHistory, Globalization, and Tourism\u003c\/li\u003e\n\u003cli\u003e \t\tAppropriation, Tradition, and Cosmopolitanism\u003c\/li\u003e\n\u003cli\u003e \t\tThe Trope of Authenticity\u003c\/li\u003e\n\u003cli\u003e \t\tCredibility\u003c\/li\u003e\n\u003cli\u003e \t\tOne’s Relationship to the Locale\u003c\/li\u003e\n\u003cli\u003e \t\tOne’s Epistemological Relationship to the Music\u003c\/li\u003e\n\u003cli\u003e \t\tImmediate Context\u003c\/li\u003e\n\u003cli\u003e \t\tSeasonality\u003c\/li\u003e\n\u003cli\u003e \t\tThe Interaction of Personalities\u003c\/li\u003e\n\u003cli\u003e \t\tGood Man, Yourself\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \tBibliography\u003cbr\u003e \tIndex\u003c\/p\u003e","brand":"Berghahn Books","offers":[{"title":"Default Title","offer_id":51038917263703,"sku":"9780857458087","price":22.75,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780857458087.jpg?v=1750941932","url":"https:\/\/bookcurl.com\/products\/turning-the-tune-traditional-music-tourism-and-social-change-in-an-irish-village-3-dance-and-performance-studies-9780857458087","provider":"Book Curl","version":"1.0","type":"link"}