{"product_id":"turkish-german-cinema-in-the-new-millennium-9780857457684","title":"Turkish German Cinema in the New Millennium","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIn the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape.  Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies.\u003c\/p\u003e\u003cp\u003eSabine Hake is the Texas Chair of German Literature and Culture at the University of Texas at Austin.\u003c\/p\u003e\u003cp\u003eBarbara Mennel is Associate Professor of German Studies and Film and Media Studies at the University of Florida,\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e \t\u003cem\u003e“This collection of essays significantly contributes to reimagining Turkish German cultural productions as part of a larger conversation on world cinema, global, and diaspora studies, without losing sight of the historical and cultural specificity of places and spaces in which culture is produced.”\u003c\/em\u003e\u003cstrong\u003e · German Studies Review\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“With its multiplicity of topics this varied volume contributes much to the promising study of Turkish German cinema, and more general: migrant cinema. [This volume] does not only show how much research there has already been done, but also how much work remains to be done.”\u003c\/em\u003e\u003cstrong\u003e · Historical Journal of Film, Radio and Television\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“[This book] …breaks new ground in film-theoretical approaches to the field and points the way to future avenues of investigation. Particularly refreshing are chapters that take account of how Turkish German film intersects with new forms of spectatorship…in its attention to a variety of media and genres, theoretical frameworks, institutional contexts, and its rare inclusion of perspectives from outside Germany…The volume pushes the boundaries of existing scholarship. More than just a survey, it offers productive models for future studies in the field.”\u003c\/em\u003e\u003cstrong\u003e · German Quarterly\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“This volume presents an impressive array of essays ... which will be essential reading in German and European culture programs, cinema studies, and minority\/diasporic culture studies. The collection emphasizes not only the variety of cultural products here summarized under ‘Turkish German cinema,’ ... but also methodological diversity.”\u003c\/em\u003e\u003cstrong\u003e · Katrin Sieg\u003c\/strong\u003e, Georgetown University\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“I believe [this volume] is going to be a genuine contribution to a very lively yet underresearched area of film studies. [It] will serve as a rich model for scholarly study in film departments, as well as appealing to a wide range of readers, particularly inter- and multi- disciplinary minded scholars.”\u003c\/em\u003e\u003cstrong\u003e · Nezih Erdogan\u003c\/strong\u003e, Izmir University of Economics\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \t\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART I: CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 1.\u003c\/strong\u003e My Big Fat Turkish Wedding: From Culture Clash to Romcom\u003cbr\u003e \t\u003cem\u003eDaniela Berghahn\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 2. \u003c\/strong\u003eThe Oblivion of Influence: Transmigration, Tropology, and Myth-Makingin Feo Aladağ’s \u003cem\u003eWhen We Leave\u003c\/em\u003e\u003cbr\u003e \t\u003cem\u003eDavid Gramling\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 3.\u003c\/strong\u003e The Minor Cinema of Thomas Arslan: A Prolegomenon\u003cbr\u003e \t\u003cem\u003eMarco Abel\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART II: MULTIPLE SCREENS AND PLATFORMS: FROM DCOUMENTARY AND TELEVISION TO INSTALLATION ART\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 4.\u003c\/strong\u003e Roots and Routes of the Diasporic Documentarian: A Psychogeography of Fatih Akın’s \u003cem\u003eWe Forgot to Go Back\u003c\/em\u003e\u003cbr\u003e \t\u003cem\u003eAngelica Fenner\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 5. \u003c\/strong\u003eGendered Kicks: Buket Alakus’s and Aysun Bademsoy’s Soccer Films\u003cbr\u003e \t\u003cem\u003eIngeborg Majer-O’Sickey\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 6. \u003c\/strong\u003eLocation and Mobility in Kutluğ Ataman’s Site-specific Video Installation \u003cem\u003eKüba\u003cbr\u003e \tNilgun Bayraktar\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 7. \u003c\/strong\u003e\u003cem\u003eTurkish for Beginners\u003c\/em\u003e: Teaching Cosmopolitanism to Germans\u003cbr\u003e \t\u003cem\u003eBrent Peterson\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 8.\u003c\/strong\u003e “Only the Wounded Honor Fights”: Züli Aladağ’s\u003cem\u003e Rage\u003c\/em\u003eand the Drama of the Turkish German Perpetrator\u003cbr\u003e \t\u003cem\u003eBrad Prager\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART III: INSTITUTIONAL CONTEXTS: STARS, THEATRES, AND RECEPTON\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 9. \u003c\/strong\u003eThe German Turkish Spectator and Turkish Language Film Programming: Karli-Kino, Maxximum Distribution, and the Interzone Cinema\u003cbr\u003e \t\u003cem\u003eRandall Halle\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 10.\u003c\/strong\u003e Mehmet Kurtuluş and Birol Ünel: Sexualized Masculinities, Normalized Ethnicities\u003cbr\u003e \t\u003cem\u003eBerna Gueneli\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 11.\u003c\/strong\u003e The Perception and Marketing of Fatih Akın in the German Press\u003cbr\u003e \t\u003cem\u003eKarolin Machtans\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 12. \u003c\/strong\u003eHyphenated Identities: The Reception of Turkish German Cinema in the Turkish Daily Press\u003cbr\u003e \t\u003cem\u003eAyça Tunç Cox\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART IV: THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 13. \u003c\/strong\u003eCosmopolitan Filmmaking: Fatih Akın’s \u003cem\u003eIn July \u003c\/em\u003eand \u003cem\u003eHead-On\u003c\/em\u003e\u003cbr\u003e \t\u003cem\u003eMine Eren\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 14. \u003c\/strong\u003eRemixing Hamburg: Transnationalism in Fatih Akın’s \u003cem\u003eSoul Kitchen\u003c\/em\u003e\u003cbr\u003e \t\u003cem\u003eRoger Hillman and Vivien Silvey\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 15. \u003c\/strong\u003eWorld Cinema Goes Digital: Looking at Europe from the Other Shore\u003cbr\u003e \t\u003cem\u003eDeniz Göktürk\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \tNotes on Contributors\u003cbr\u003e \tWorks Cited\u003cbr\u003e \tIndex of Names\u003cbr\u003e \tIndex of Films\u003c\/p\u003e","brand":"Berghahn Books","offers":[{"title":"Default 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