{"product_id":"the-routledge-research-companion-to-modernism-in-music-9780367733032","title":"The Routledge Research Companion to Modernism in Music","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eModernism has remained a pivotal focus of debate in musicology well into the twenty-first century, and recent critiques have failed to dampen its resilience. However, the picture of modernism has considerably broadened and diversified. As well as new approaches to areas that are relatively familiar, this book explores the less established topics\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction \u003cem\u003eBjörn Heile and Charles Wilson \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePart I Foundations \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e1: The Birth of Modernism – Out of the Spirit of Comedy \u003cem\u003eJames R. Currie \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e2: What Was Contemporary Music? The New, the Modern and the Contemporary in the International Society for Contemporary Music (ISCM) \u003cem\u003eSarah Collins \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e3: Institutions, Artworlds, New Music \u003cem\u003eMartin Iddon \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e4: Modernism and History \u003cem\u003eDavid J. Code \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e5: Musical Modernity, the Beautiful and the Sublime \u003cem\u003eEdward Campbell \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePart II Positions \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e6: Reactive Modernism \u003cem\u003eJ. P. E. Harper-Scott \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e7: Musical Modernism, Global: Comparative Observations \u003cem\u003eBjörn Heile \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e8: Musical Modernism and Exile: Cliché as Hermeneutic Tool \u003cem\u003eEva Moreda Rodríguez \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e9: Modernism: The People’s Music? \u003cem\u003eRobert Adlington \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e10: Modernism for and of the Masses? On Popular Modernisms \u003cem\u003eStephen Graham \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e11: Times Like the Present: De-limiting Music in the Twenty-First Century \u003cem\u003eCharles Wilson \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e12: The Composer as Communication Theorist \u003cem\u003eM.J. Grant \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e13: How Does Modernist Music Make You Feel? Between Subjectivity and Affect \u003cem\u003eTrent Leipert \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePart III Practices \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e14: Between Modernism and Postmodernism: Structure and Expression in John Adams, Kaija Saariaho and Thomas Adès \u003cem\u003eAlastair Williams \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e15: Foundations and Fixations: Continuities in British Musical Modernism \u003cem\u003eArnold Whittall \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e16: The Balinese Moment in the Montreal New Music Scene as a Regional Modernism \u003cem\u003eJonathan Goldman \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e17: \u003ci\u003eVers une écriture liminale\u003c\/i\u003e: Serialism, Spectralism and \u003ci\u003eÉcriture\u003c\/i\u003e in the Transitional Music of Gérard Grisey \u003cem\u003eLiam Cagney \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e18: Contemporary Opera and the Failure of Language \u003cem\u003eAmy Bauer \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e19: ‘Es klang so alt und war doch so neu!’: Modernist Operatic Culture through the Prism of Staging '\u003ci\u003eDie Meistersinger von Nürnberg' \u003c\/i\u003e\u003cem\u003eMark Berry \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e20: The Modernism of the Mainstream: An Early Twentieth-Century Ideology of Violin Playing \u003cem\u003eStefan Knapik\u003c\/em\u003e\u003c\/p\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":52090682802519,"sku":"9780367733032","price":43.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780367733032.jpg?v=1762273067","url":"https:\/\/bookcurl.com\/products\/the-routledge-research-companion-to-modernism-in-music-9780367733032","provider":"Book Curl","version":"1.0","type":"link"}