{"product_id":"the-routledge-companion-to-embodied-music-interaction-9781138657403","title":"The Routledge Companion to Embodied Music","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003eThe Routledge Companion to Embodied Music Interaction\u003c\/em\u003e captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eWith contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the \u003ci\u003eCompanion\u003c\/i\u003e explores an equally impressive array of topics, including: \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamical music interaction theories and concepts\u003c\/li\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cli\u003eExpressive gestural interaction\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction: What is Embodied Music Interaction? (\u003ci\u003eMarc Leman, Micheline Lesaffre, and Pieter-Jan Maes)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePart 1: Dynamical Music Interaction Theories and Concepts\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 The Interactive Dialectics of Musical Meaning Formation (\u003ci\u003eMarc Leman)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e2 Metrically Structured Time and Entrainment (\u003ci\u003eGuy Madison, Fredrik Ullén, and Björn Merker )\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e3 Participatory Sense-Making in Joint Musical Practice (\u003ci\u003eAndrea Schiavio and Hanne De Jaegher)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e4 Playing with the Beat: A Process-Oriented Approach to Studying Sensorimotor Synchronization in Early Childhood \u003cem\u003e(Ana Almeida, Katie Overy, and Dorothy Miell)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e5 The Merging of Musician and Musical Instrument: Incorporation, Presence, and Levels of Embodiment (\u003ci\u003eLuc Nijs)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e6 Music Knowledge Construction: Enactive, Ecological, and Biosemiotic Claims (\u003ci\u003eMark Reybrouck)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003ePart 2: Expressive Gestural Interaction\u003c\/p\u003e\n\u003cp\u003e7 Cognitive and Sensorimotor Resources for the Encoding of Expressiveness during Music Playing (\u003ci\u003eMuzaffer Çorlu, Pieter-Jan Maes, and Marc Leman) \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e8 Beyond Emotion: Multi-Sensory Responses to Musical Expression (\u003ci\u003eGiovanni De Poli, Maddalena Murari, Sergio Canazza, Antonio Rodà, and Emery Schubert)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e9 Conveying Expressivity and Individuality in Keyboard Performance (\u003ci\u003eBruno Gingras) \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e10 The Resilience Approach to Studying Group Interaction in Music Ensemble (\u003ci\u003eDonald Glowinski, Fabrizio Bracco, Carlo Chiorri, and Didier Grandjean)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e11 Agency in Embodied Musical Interaction (\u003ci\u003eNikki Moran ) \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e12 Postures and Motion Shaping Musical Experience (\u003ci\u003eRolf Inge Godøy )\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e13 The Communication of Emotions in Dance (\u003ci\u003eEdith Van Dyck, Birgitta Burger, and Konstantina Orlandatou)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003ePart 3: Social Music Interaction\u003c\/p\u003e\n\u003cp\u003e14 Group Flow (\u003ci\u003eTom Cochrane)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e15 Entrainment and Mutual Adaptation in Musical Movement and Dance (\u003ci\u003eTommi Himberg)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e16 Embodied Expression through Entrainment and Co-Representation in Musical Ensemble Performance (\u003ci\u003eJennifer MacRitchie, Manuel Varlet, and Peter E. Keller)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e17 Musical Performance as Joint Action (\u003ci\u003eJohn Michael)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e18 Do Jazz Improvizers Really Interact? The Score Effect in Collective Jazz Improvization (\u003ci\u003eFrançois Pachet, Pierre Roy, and Raphaël Foulon)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e19 Gestural Interactions in Ensemble Performance (\u003ci\u003eDavi Mota, Mauricio Loureiro, and Rafael Laboissière)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e20 Interpersonal Coordination in Dyadic Performance (\u003ci\u003eMarc R. Thompson, Georgios Diapoulis, Tommi Himberg, and Petri Toiviainen)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e21 Embodied Social Synchronization in Children’s Musical Development (\u003ci\u003eLeon van Noorden, Leen De Bruyn, Raven van Noorden and Marc, Leman)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePart 4: Sociological and Anthropological Approaches\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e22 Embodied Interaction with \"Sonic Agents\": An Anthropological Perspective (\u003ci\u003eFilippo Bonini Baraldi)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e23 The Ethnography of Embodied Music Interaction (\u003ci\u003eMartin Clayton)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e24 Combat-Dancing, Cultural Transmission and Choreomusicology: The Globalization of Embodied Repertoires of Sound and Movement (\u003ci\u003ePaul Mason)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e25 The Hiplife Zone: Cultural Transformation Processes in African Music Seen from the Angle of Embodied Music Interactions (\u003ci\u003eDominik Phyfferoen, Koenraad Stroeken, and Marc Leman)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e26 Crafting the Playing Body as an Infrastructure of \"Immediate\" and \"Mediate\" Embodied Music Cognition in an Academic Jazz Program (\u003ci\u003eEitan Wilf)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e27 Brain-to-Brain Coupling and Culture as Prerequisites for Musical Interaction (\u003ci\u003eElvira Brattico and Peter Vuust)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003c\/i\u003ePart 5: Empowering Health and Well-Being\u003c\/p\u003e\n\u003cp\u003e28 Coupling Music and Motion: From Special Education to Rehabilitation (\u003ci\u003eDanilo Spada and Emmanuel Bigand)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e29 Embodied Music Listening (\u003ci\u003eLars Ole Bonde)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e30 Jymmin - The Medical Potential of Musical Euphoria (\u003ci\u003eThomas Hans Fritz)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e31 Music in the Exercise and Sport Domain: Conceptual Approaches and Underlying Mechanisms (\u003ci\u003eCostas I. Karageorghis, Panteleimon Ekkekakis, Jonathan M. Bird and Marcelo Bigliassi)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e32 Monitoring Music and Movement Interaction in People with Dementia (\u003ci\u003eMicheline Lesaffre, Bart Moens, and Frank Desmet)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e33 Synchronization to Music as a Tool for Enhancing Non-Verbal Communication in People with Neurological Diseases (\u003ci\u003eNia Cason, Loris Schiaratura, and Séverine Samson)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e34 Modifying Movement Optimization Processes with Music (\u003ci\u003eRebecca Schaefer and Scott T. Grafton)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003c\/i\u003ePart 6: Modeling Music Interaction\u003c\/p\u003e\n\u003cp\u003e35 Modeling Music Interaction (\u003ci\u003eDenis Amelynck)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e36 Analyzing Complex Datasets Based on the Variability Framework, Distribution Analysis and Generalized Linear Modeling (\u003ci\u003eFrank Desmet)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e37 Removing Obstacles to the Analysis of Movement in Musical Performance: Recurrence, Mixed Models, and Surrogates (\u003ci\u003eAlexander P. Demos and Roger Chaffin)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e38 Dynamic Bayesian Networks for Musical Interaction (\u003ci\u003eBaptiste Caramiaux, Jules Françoise, and Frédéric Bevilacqua)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e39 Temporal Dependencies in the Expressive Timing of Classical Piano Performances (\u003ci\u003eMaarten Grachten and Carlos Eduardo Cancino Chacón)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e40 Interactions in Ensemble Music Performance: Empirical and Mathematical Accounts (\u003ci\u003eCaroline Palmer and Anna Zamm)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e41 Linking Movement Recurrence to Expressive Patterns in Music Performance (\u003ci\u003eEuler C. F. Teixeira, Mauricio Loureiro, and Hani C. Yehia)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003c\/i\u003ePart 7: Music-Based Interaction Technologies and Applications\u003c\/p\u003e\n\u003cp\u003e42 Designing Action–Sound Metaphors Using Motion Sensing and Descriptor-Based Synthesis of Recorded Sound Materials (\u003ci\u003eFreìdeìric Bevilacqua, Norbert Schnell, Jules Françoise, Éric O. Boyer, Diemo Schwarz, and Baptiste Caramiaux)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e43 Designing for the Subtle: A Systematic Approach Towards Expressivity in New Musical Interfaces (\u003ci\u003eNicolas d’Alessandro )\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e44 Gestural Agency in Human-Machine Musical Interaction (\u003ci\u003eJuan Ignacio Mendoza and Marc R. Thompson)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e45 Gestural Musical Performance with Physiological Sensors, Focusing on the Electromyogram (\u003ci\u003eAtau Tanaka and Miguel Ortiz)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e46 Sonic Microinteraction in \"the Air\" (\u003ci\u003eAlexander Refsum Jensenius)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e47 Embodied Cognition and Digital Musical Instruments: Design and Performance (\u003ci\u003eJoseph Malloch and Marcelo M. Wanderley)\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":50577838702935,"sku":"9781138657403","price":204.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781138657403.jpg?v=1746096885","url":"https:\/\/bookcurl.com\/products\/the-routledge-companion-to-embodied-music-interaction-9781138657403","provider":"Book Curl","version":"1.0","type":"link"}