{"product_id":"the-routledge-companion-to-dramaturgy-9781138946330","title":"The Routledge Companion to Dramaturgy","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eDramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of play making. Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics.\u003c\/p\u003e\u003cp\u003eIn our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist.\u003c\/p\u003e\u003cp\u003eThis collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inc\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“Romanska has put together a robust, impressively comprehensive volume that covers the ever-broadening scope of contemporary dramaturgy within a global context… this volume reveals the established, emerging, and imagined ideas of what dramaturgy is and could be… [it] is destined to become a go-to reference for practitioners and students of dramaturgy, along with directors, critics, playwrights, and theater scholars. Highly recommended.” \u003c\/p\u003e\u003cp\u003e\u003cem\u003e- Choice\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\"It is not overstating the case to say that this volume will for sure be the book of reference for students, scholars, and dramaturgs in the fields named above if it comes to questions of dramaturgy. The Routledge Companion to Dramaturgy goes far beyond a conventional handbook on dramaturgy as a way to structure a text to be staged. Rather, it claims attention to and evokes interest for the variety of a concept and a profession that not only covers crucial aspects of the field, but also implicitly highlights the richesse of dramaturgy as a field of study and therefore advocates theatre, performance and media studies as important disciplines that have a long history whose end is not in sight.\" \u003c\/p\u003e\u003cp\u003e\u003cem\u003e- Journal of Contemporary Drama in English\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\"A wide range of working methods in postdramatic theatre outlined in clear terms.\"\u003c\/p\u003e\u003cp\u003e\u003cem\u003e- Theatralia\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\"A timely gift to the world of contemporary theatre.\"\u003c\/p\u003e\u003cp\u003e-\u003cem\u003e American Theatre\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\"A singular, vital, and necessary contribution to the field.\"\u003c\/p\u003e\u003cp\u003e\u003cem\u003e- Platform: Postgraduate Journal of Theatre Arts\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\"An indispensable resource for anyone serious about dramaturgy.\"\u003c\/p\u003e\u003cp\u003e- \u003cem\u003eContemporary Theatre Review\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\"The Routledge Companion to Dramaturgy will prove highly useful in theatre and performance practice, education, and scholarship.\"\u003c\/p\u003e\u003cp\u003e-\u003cem\u003e Theatre Survey\u003c\/em\u003e \u003c\/p\u003e\u003cp\u003e\"Offers an impressive range of voices and insights into dramaturgical practice.\" \u003c\/p\u003e\u003cp\u003e- \u003cem\u003eTheatre Research International\u003c\/em\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eMagda Romanska\u003c\/p\u003e\u003cp\u003ePart I World dramaturgy in the twenty-first century\u003c\/p\u003e\u003cp\u003e1 Robert Blacker looks at the past and future of American dramaturgy\u003c\/p\u003e\u003cp\u003eJacob Gallagher-Ross and Robert Blacker\u003c\/p\u003e\u003cp\u003e2 Contemporary new play dramaturgy in Canada\u003c\/p\u003e\u003cp\u003eBrian Quirt\u003c\/p\u003e\u003cp\u003e3 Collaborative dramaturgy in Latin American theater\u003c\/p\u003e\u003cp\u003eMargarita Espada\u003c\/p\u003e\u003cp\u003e4 Documentary dramaturgy in Brazil\u003c\/p\u003e\u003cp\u003eJulie Ann Ward\u003c\/p\u003e\u003cp\u003e5 The place of a dramaturg in twenty-first century England\u003c\/p\u003e\u003cp\u003eDuška Radosavljević\u003c\/p\u003e\u003cp\u003e6 On German Dramaturgy\u003c\/p\u003e\u003cp\u003eBernd Stegemann\u003c\/p\u003e\u003cp\u003eTranslated by Johannes Stier\u003c\/p\u003e\u003cp\u003e7 The making of \u003ci\u003eLa Dramaturgie\u003c\/i\u003e in France\u003c\/p\u003e\u003cp\u003eKate Bredeson\u003c\/p\u003e\u003cp\u003e8 Dramaturgy and the role of the dramaturg in Poland\u003c\/p\u003e\u003cp\u003eAgata Dąbek\u003c\/p\u003e\u003cp\u003eTranslated by Michael Leonard Kersey Morris\u003c\/p\u003e\u003cp\u003e9 The new play dramaturgy in Russia\u003c\/p\u003e\u003cp\u003ePavel Rudnev\u003c\/p\u003e\u003cp\u003eTranslated by Jessica Hinds-Bond\u003c\/p\u003e\u003cp\u003e10 Dramaturgy in post-revolution Iran: problems and prospects\u003c\/p\u003e\u003cp\u003eMarjan Moosavi\u003c\/p\u003e\u003cp\u003e11 Performing dramaturgy in Syria: observations and interview with Mayson Ali\u003c\/p\u003e\u003cp\u003eFadi Fayad Skeiker\u003c\/p\u003e\u003cp\u003e12 Official and unofficial dramaturgs: dramaturgy in China\u003c\/p\u003e\u003cp\u003eWilliam Huizhu Sun\u003c\/p\u003e\u003cp\u003e13 Dramaturgy of Separated Elements in the Experimental Japanese Theatre\u003c\/p\u003e\u003cp\u003eEiichiro Hirata\u003c\/p\u003e\u003cp\u003e14 Dramaturgy in Indian theatre: a closer view\u003c\/p\u003e\u003cp\u003eKetaki Datta\u003c\/p\u003e\u003cp\u003e15 Dramaturgy in Australia and the case of \u003ci\u003eAvast\u003c\/i\u003e and \u003ci\u003eDoku Rai\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003ePeter Alexander Eckersall\u003c\/p\u003e\u003cp\u003e16 Dramaturgies in\/of South Africa\u003c\/p\u003e\u003cp\u003eMarié-Heleen Coetzee and Alan Munro\u003c\/p\u003e\u003cp\u003ePart II Dramaturgy in the age of globalization\u003c\/p\u003e\u003cp\u003e17 The dramaturg as globalist\u003c\/p\u003e\u003cp\u003eTom Sellar\u003c\/p\u003e\u003cp\u003e18 Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators\u003c\/p\u003e\u003cp\u003eAnne Hamilton\u003c\/p\u003e\u003cp\u003e19 The National Theatre goes international: global branding and the regions\u003c\/p\u003e\u003cp\u003eJens Peters\u003c\/p\u003e\u003cp\u003e20 From alienation to identity: transnational communication of Russian-Israeli theatre\u003c\/p\u003e\u003cp\u003eMiriam Yahil-Wax\u003c\/p\u003e\u003cp\u003e21 Intercultural dramaturgy: dramaturg as cultural liaison\u003c\/p\u003e\u003cp\u003eWalter Byongsok Chon\u003c\/p\u003e\u003cp\u003e22 The dramaturgical bridge: contextualizing foreignness in multilingual theatre\u003c\/p\u003e\u003cp\u003eDebra Caplan\u003c\/p\u003e\u003cp\u003e23 Reading and (re)directing \"racial scripts\" on and beyond the stage\u003c\/p\u003e\u003cp\u003eFaedra Chatard Carpenter\u003c\/p\u003e\u003cp\u003e24 Transcultural dramaturgy methods\u003c\/p\u003e\u003cp\u003eJudith Rudakoff\u003c\/p\u003e\u003cp\u003e25 The dramaturgical process and global understanding\u003c\/p\u003e\u003cp\u003eRobyn Quick\u003c\/p\u003e\u003cp\u003e26 European dramaturgy in the twenty-first century\u003c\/p\u003e\u003cp\u003eMarianne Van Kerkhoven\u003c\/p\u003e\u003cp\u003ePart III Dramaturgy in motion: demolitions, definitions, and demarcations\u003c\/p\u003e\u003cp\u003e27 Dramaturgy on shifting grounds\u003c\/p\u003e\u003cp\u003eHans-Thies Lehmann and Patrick Primavesi\u003c\/p\u003e\u003cp\u003e28 Dramaturgy as skill, function, and verb\u003c\/p\u003e\u003cp\u003eLawrence Switzky\u003c\/p\u003e\u003cp\u003e29 \u003ci\u003eInteractual\u003c\/i\u003e dramaturgy: intention and affect in interdisciplinary performance\u003c\/p\u003e\u003cp\u003eBruce Barton\u003c\/p\u003e\u003cp\u003e30 The expansion of the role of the dramaturg in contemporary collaborative performance\u003c\/p\u003e\u003cp\u003eSarah Sigal\u003c\/p\u003e\u003cp\u003e31 Who is the dramaturg in devised theatre?\u003c\/p\u003e\u003cp\u003eTeresa Stankiewicz\u003c\/p\u003e\u003cp\u003e32 Finding our hyphenates: a new era for dramaturgs\u003c\/p\u003e\u003cp\u003eJessica Applebaum\u003c\/p\u003e\u003cp\u003e33 Dramaturgy as a way of looking into the spectator’s aesthetic experience\u003c\/p\u003e\u003cp\u003eMilan Zvada\u003c\/p\u003e\u003cp\u003e34 Dramaturgy as training: a collaborative model at Shakespeare’s Globe\u003c\/p\u003e\u003cp\u003eAmy Kenny\u003c\/p\u003e\u003cp\u003e35 The art of collaboration: on dramaturgy and directing\u003c\/p\u003e\u003cp\u003eAnne Bogart and Jackson Gay\u003c\/p\u003e\u003cp\u003e36 Dramaturgy in action{...}even if it’s not as a dramaturg\u003c\/p\u003e\u003cp\u003eThomas A. Oldham\u003c\/p\u003e\u003cp\u003ePart IV Dramaturgs as artistic leaders and visionaries: privileges and responsibilities of the office\u003c\/p\u003e\u003cp\u003e37 Dramaturgs as artistic leaders\u003c\/p\u003e\u003cp\u003eGideon Lester\u003c\/p\u003e\u003cp\u003e38 Dramaturgical leadership and the politics of appeal in commercial theatre\u003c\/p\u003e\u003cp\u003eKen Cerniglia\u003c\/p\u003e\u003cp\u003e39 On dramaturgy and leadership\u003c\/p\u003e\u003cp\u003eVicki Stroich\u003c\/p\u003e\u003cp\u003e40 Leadeship advice to a dramaturgy student\u003c\/p\u003e\u003cp\u003eAnne Cattaneo\u003c\/p\u003e\u003cp\u003e41 Season planning: challenges and opportunities\u003c\/p\u003e\u003cp\u003eEdward Sobel\u003c\/p\u003e\u003cp\u003e42 The dramaturg’s role in diversity and audience development\u003c\/p\u003e\u003cp\u003eJulie Felise Dubiner\u003c\/p\u003e\u003cp\u003e43 Guthrie Theater’s debt to women and diversity\u003c\/p\u003e\u003cp\u003eMarianne Combs\u003c\/p\u003e\u003cp\u003e44 Reimagining the literary office: designing a department that fulfills your purpose\u003c\/p\u003e\u003cp\u003eJanine Sobeck\u003c\/p\u003e\u003cp\u003e45 The National New Play Network Collaborative Literary Office: new tools for old tricks\u003c\/p\u003e\u003cp\u003eJason Loewith and Gwydion Suilebhan\u003c\/p\u003e\u003cp\u003ePart V Dramaturg as context manager: transculturalism, translation, adaptation, and contextualization\u003c\/p\u003e\u003cp\u003e46 A view from the bridge: the dramaturg’s role when working on a play in translation\u003c\/p\u003e\u003cp\u003eKatalin Trencsényi\u003c\/p\u003e\u003cp\u003e47 Lost in translation\u003c\/p\u003e\u003cp\u003eGitta Honegger\u003c\/p\u003e\u003cp\u003e48 The dissemination of theatrical translation\u003c\/p\u003e\u003cp\u003eAdam Versényi\u003c\/p\u003e\u003cp\u003e49 Literary adaptation for the stage: a primer for adaptation dramaturgs\u003c\/p\u003e\u003cp\u003eJane Barnette\u003c\/p\u003e\u003cp\u003e50 Intermingling literary and theatrical conventions\u003c\/p\u003e\u003cp\u003eTomasz Wiśniewski\u003c\/p\u003e\u003cp\u003e51 Research strategies in dramaturgical practice\u003c\/p\u003e\u003cp\u003eMatt DiCintio\u003c\/p\u003e\u003cp\u003e52 Dramaturg as context manager: a phenomenological and political practice\u003c\/p\u003e\u003cp\u003eGraça Corrêa\u003c\/p\u003e\u003cp\u003e53 New play explorations in the twenty-first century\u003c\/p\u003e\u003cp\u003eMark Bly\u003c\/p\u003e\u003cp\u003e54 Thinking like an actor: a guide for the production dramaturg\u003c\/p\u003e\u003cp\u003eAndrew Ian Carlson\u003c\/p\u003e\u003cp\u003e55 The youth respondent method: new work development for Theatre for Young Audiences\u003c\/p\u003e\u003cp\u003eKristin Leahey\u003c\/p\u003e\u003cp\u003ePart VI Dramaturgy among other arts: interdisciplinarity, transdisciplinarity, and transvergence\u003c\/p\u003e\u003cp\u003e56 Complex \u003ci\u003ein-betweenes\u003c\/i\u003es of dramaturgy and performance studies\u003c\/p\u003e\u003cp\u003eMarin Blažević\u003c\/p\u003e\u003cp\u003e57 The dramaturg(ies) of puppetry and visual theatre\u003c\/p\u003e\u003cp\u003eDassia N. Posner\u003c\/p\u003e\u003cp\u003e58 A method for musical theatre dramaturgy\u003c\/p\u003e\u003cp\u003eBrian D. Valencia\u003c\/p\u003e\u003cp\u003e59 Borderless dramaturgy in dance theatre\u003c\/p\u003e\u003cp\u003eVessela S. Warner\u003c\/p\u003e\u003cp\u003e60 The role of the dramaturg in the creation of new opera works\u003c\/p\u003e\u003cp\u003eAndrew Eggert\u003c\/p\u003e\u003cp\u003e61 Dramaturgy and film\u003c\/p\u003e\u003cp\u003eGerry Potter\u003c\/p\u003e\u003cp\u003e62 \u003ci\u003ePhronesis\u003c\/i\u003e for robots: (re)covering dramaturgy as an Interdiscipline\u003c\/p\u003e\u003cp\u003eMichael Chemers\u003c\/p\u003e\u003cp\u003e63 Dramaturgical design of the narrative in digital games\u003c\/p\u003e\u003cp\u003eKlaus P. Jantke\u003c\/p\u003e\u003cp\u003e64 New media dramaturgy\u003c\/p\u003e\u003cp\u003ePeter Eckersall, Helena Grehan, and Edward Scheer\u003c\/p\u003e\u003cp\u003e65 The science of dramaturgy and the dramaturgy of science\u003c\/p\u003e\u003cp\u003eJules Odendahl-James\u003c\/p\u003e\u003cp\u003ePart VII Dramaturg as systems analyst: dramaturgy of postdramatic structures\u003c\/p\u003e\u003cp\u003e66 Postdramatic dramaturgy\u003c\/p\u003e\u003cp\u003eGad Kaynar\u003c\/p\u003e\u003cp\u003e67 Teaching deconstructively\u003c\/p\u003e\u003cp\u003eBarbara Johnson\u003c\/p\u003e\u003cp\u003e68 EF’s visit to a small planet: some questions to ask a play\u003c\/p\u003e\u003cp\u003eElinor Fuchs\u003c\/p\u003e\u003cp\u003e69 Dramaturging non-realism: creating a new vocabulary\u003c\/p\u003e\u003cp\u003eTori Haring-Smith\u003c\/p\u003e\u003cp\u003e70 On dramaturgy in contemporary dance and choreography\u003c\/p\u003e\u003cp\u003eSandra Noeth\u003c\/p\u003e\u003cp\u003e71 Research, counter-text, performance: reconsidering the (textual) authority of the dramaturg\u003c\/p\u003e\u003cp\u003eD. J. Hopkins\u003c\/p\u003e\u003cp\u003e72 The bead diagram: a protean tool for script analysis\u003c\/p\u003e\u003cp\u003eShelley Orr\u003c\/p\u003e\u003cp\u003e73 Methods for a new dramaturgy of digital performance\u003c\/p\u003e\u003cp\u003eJodie McNeilly\u003c\/p\u003e\u003cp\u003e74 Drametrics: what dramaturgs should learn from mathematicians\u003c\/p\u003e\u003cp\u003eMagda Romanska\u003c\/p\u003e\u003cp\u003e75 Parallel-text analysis and practical dramaturgies\u003c\/p\u003e\u003cp\u003eToby Malone\u003c\/p\u003e\u003cp\u003ePart VIII Dramaturg as public relations manager: immersions, talkbacks, lobby displays, and social networks\u003c\/p\u003e\u003cp\u003e76 Dramaturgy and the immersive theatre experience\u003c\/p\u003e\u003cp\u003eCatherine Bouko\u003c\/p\u003e\u003cp\u003e77 Barrack-dramaturgy and the captive audience\u003c\/p\u003e\u003cp\u003eAndrás Visky\u003c\/p\u003e\u003cp\u003e78 Framing the theatrical experience: lobby displays\u003c\/p\u003e\u003cp\u003eMiriam Weisfeld\u003c\/p\u003e\u003cp\u003e79 Dramaturg as public relations manager\u003c\/p\u003e\u003cp\u003eKatie Rasor\u003c\/p\u003e\u003cp\u003e80 Talkbacks: asking good discussion questions\u003c\/p\u003e\u003cp\u003eJodi Kanter\u003c\/p\u003e\u003cp\u003e81 Talkbacks for \"sensitive subject matter\" productions: the theory and practice\u003c\/p\u003e\u003cp\u003eMartine Kei Green-Rogers\u003c\/p\u003e\u003cp\u003e82 Dramaturgies for the digital age\u003c\/p\u003e\u003cp\u003eIlinca Todoruț\u003c\/p\u003e\u003cp\u003e83 Digital engagement: strategies for online dramaturgy\u003c\/p\u003e\u003cp\u003eTanya Dean\u003c\/p\u003e\u003cp\u003e84 Digital dramaturgy and digital dramaturgs\u003c\/p\u003e\u003cp\u003eLaRonika Thomas\u003c\/p\u003e\u003cp\u003e85 Can technology save theatre? Tweet Seats, YouTube auditions, and Facebook backstage?\u003c\/p\u003e\u003cp\u003eRandi Zuckerberg\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":51019545051479,"sku":"9781138946330","price":36.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781138946330.jpg?v=1750780587","url":"https:\/\/bookcurl.com\/products\/the-routledge-companion-to-dramaturgy-9781138946330","provider":"Book Curl","version":"1.0","type":"link"}