{"product_id":"the-photography-reader-history-and-theory-9780415749176","title":"The Photography Reader History and Theory","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eFollowing on from its hugely successful first edition, \u003ci\u003eThe Photography Reader: History and Theory\u003c\/i\u003e provides deeper insight into the critical discussions around photography  its production, its uses and its effects. Presenting both the historical ideas and the continuing theoretical debates within photography and photographic study, this second edition contains essays by photographers including Edward Weston and László Moholy-Nagy, and key thinkers such as Walter Benjamin, Roland Barthes and Susan Sontag.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAlong with its companion text  \u003ci\u003eThe Photography Cultures Reader: Representation, Agency and Identity\u003c\/i\u003e  this is the most comprehensive introduction to photography and photographic criticism.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThis new edition features:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e Over 50 additional photographs\u003c\/p\u003e\u003cp\u003e New essays from photographers and academics\u003c\/p\u003e\u003cp\u003e Revised introductions, setting ideas and debates in their historical and theoretical context\u003c\/p\u003e\u003cp\u003e Sections on Art phot\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e‘A valuable and accessible resource … an outstanding aid for photography students and enthusiasts … highly recommended.’\u003c\/strong\u003e \u003cem\u003e- Media International Australia inc Culture \u0026amp; Policy\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eContents\u003c\/p\u003e\u003cp\u003eList of Illustrations\u003c\/p\u003e\u003cp\u003eNotes on contributors\u003c\/p\u003e\u003cp\u003eAcknowledgements\u003c\/p\u003e\u003cp\u003eGeneral Introduction\u003c\/p\u003e\u003cp\u003ePART ONE \u003c\/p\u003e\u003cp\u003eReflections on Photography \u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e1 Roland Barthes \u003c\/p\u003e\u003cp\u003eExtracts from \u003ci\u003eCamera Lucida\u003c\/i\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e2 Marjorie Perloff\u003c\/p\u003e\u003cp\u003eWhat Has Occurred Only Once: Barthes's Winter Garden\/Boltanski’s Archives of the Dead \u003c\/p\u003e\u003cp\u003e3 Walter Benjamin \u003c\/p\u003e\u003cp\u003eExtracts from \u003ci\u003eThe Work of Art in the Age of Mechanical Reproduction\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e4 W. J. T. Mitchell \u003c\/p\u003e\u003cp\u003e\u003ci\u003eBenjamin and the Political Economy of the Photograph\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e5 Siegfried Kracauer \u003c\/p\u003e\u003cp\u003e\u003ci\u003ePhotography\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e6 André Bazin \u003c\/p\u003e\u003cp\u003eThe Ontology of the Photographic Image \u003c\/p\u003e\u003cp\u003e\u003cb\u003e7 Susan Sontag \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003ePhotography within the Humanities \u003c\/p\u003e\u003cp\u003e8 Wright Morris \u003c\/p\u003e\u003cp\u003eIn Our Image \u003c\/p\u003e\u003cp\u003ePART TWO \u003c\/p\u003e\u003cp\u003ePhotographic Seeing \u003c\/p\u003e\u003cp\u003eIntroduction \u003c\/p\u003e\u003cp\u003e9 Hubert Damisch \u003c\/p\u003e\u003cp\u003eFive Notes for a Phenomenology of the Photographic Image \u003c\/p\u003e\u003cp\u003e10 Osip Brik \u003c\/p\u003e\u003cp\u003eWhat the Eye does not See \u003c\/p\u003e\u003cp\u003e11 László Moholy-Nagy \u003c\/p\u003e\u003cp\u003eA New Instrument of Vision \u003c\/p\u003e\u003cp\u003e12 Tina Modotti \u003c\/p\u003e\u003cp\u003eManifesto by Tina Modotti \"Sobre la Fotografía\" (On Photography)\u003c\/p\u003e\u003cp\u003e13 John Szarkowski \u003c\/p\u003e\u003cp\u003eIntroduction to \u003ci\u003eThe Photographer's Eye\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e14 Edward Weston \u003c\/p\u003e\u003cp\u003eSeeing Photographically \u003c\/p\u003e\u003cp\u003ePART THREE \u003c\/p\u003e\u003cp\u003eMeaning and Interpretation\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e15 Roland Barthes \u003c\/p\u003e\u003cp\u003eRhetoric of the Image \u003c\/p\u003e\u003cp\u003e16 Umberto Eco \u003c\/p\u003e\u003cp\u003eA Photograph \u003c\/p\u003e\u003cp\u003e17 Victor Burgin \u003c\/p\u003e\u003cp\u003eLooking at Photographs \u003c\/p\u003e\u003cp\u003e18 Ian Walker \u003c\/p\u003e\u003cp\u003eThrough the Picture Plane: On Looking into Photographs \u003c\/p\u003e\u003cp\u003e19 Estelle Jussim \u003c\/p\u003e\u003cp\u003eThe Eternal Moment: Photography and Time \u003c\/p\u003e\u003cp\u003e20 Elizabeth Edwards \u003c\/p\u003e\u003cp\u003eObjects of Affect: Photography Beyond the Image \u003c\/p\u003e\u003cp\u003e21 Christian Metz \u003c\/p\u003e\u003cp\u003ePhotography and Fetish \u003c\/p\u003e\u003cp\u003e22 Peter Wollen \u003c\/p\u003e\u003cp\u003eFire and Ice \u003c\/p\u003e\u003cp\u003ePART FOUR\u003c\/p\u003e\u003cp\u003eArt Photography\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e23 Abigail Solomon-Godeau\u003c\/p\u003e\u003cp\u003ePhotography After Art Photography \u003c\/p\u003e\u003cp\u003e24 Rosalind Krauss \u003c\/p\u003e\u003cp\u003ePhotography’s Discursive Spaces: Landscape\/View\u003c\/p\u003e\u003cp\u003e25 Andy Grundberg, \u003c\/p\u003e\u003cp\u003eThe Crisis of the Real: Photography and Postmodernism \u003c\/p\u003e\u003cp\u003e26 Steve Edwards \u003c\/p\u003e\u003cp\u003eSnapshooters of History: passages on the postmodern argument \u003c\/p\u003e\u003cp\u003e27 Lucy Soutter \u003c\/p\u003e\u003cp\u003eWhy Art Photography? \u003c\/p\u003e\u003cp\u003e28 Victor Burgin \u003c\/p\u003e\u003cp\u003eConversation with Hilde Van Gelder \u003c\/p\u003e\u003cp\u003ePART FIVE\u003c\/p\u003e\u003cp\u003eDocumentary \u003c\/p\u003e\u003cp\u003eIntroduction \u003c\/p\u003e\u003cp\u003e29 John Tagg \u003c\/p\u003e\u003cp\u003eEvidence, Truth and Order: Photographic Records and the Growth of the State \u003c\/p\u003e\u003cp\u003e30 Darren Newbury\u003c\/p\u003e\u003cp\u003ePhotography and the Visualisation of Working Class Lives in Britain \u003c\/p\u003e\u003cp\u003e31 Martha Rosler\u003c\/p\u003e\u003cp\u003eIn, Around, and Afterthoughts (On Documentary Photography) \u003c\/p\u003e\u003cp\u003e32 Lisa Henderson \u003c\/p\u003e\u003cp\u003eAccess and Consent in Public Photography \u003c\/p\u003e\u003cp\u003e\u003cb\u003e33 Sarah Kember \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e‘The shadow of the object’: photography and realism \u003c\/p\u003e\u003cp\u003e34 Hilde Van Gelder and Jan Baetens \u003c\/p\u003e\u003cp\u003eIntroduction: A Note on Critical Realism Today \u003c\/p\u003e\u003cp\u003e35 Lynn Berger \u003c\/p\u003e\u003cp\u003eThe Authentic Amateur and the Democracy of Collecting Photographs \u003c\/p\u003e\u003cp\u003e36 Edmundo Desnoes\u003c\/p\u003e\u003cp\u003eCuba Made Me So \u003c\/p\u003e\u003cp\u003ePART SIX\u003c\/p\u003e\u003cp\u003ePhotomedia \u003c\/p\u003e\u003cp\u003eIntroduction \u003c\/p\u003e\u003cp\u003e37 David Bate, Sarah Kember, Martin Lister and Liz Wells \u003c\/p\u003e\u003cp\u003eEditorial Statement \u003c\/p\u003e\u003cp\u003e38 Geoffrey Batchen \u003c\/p\u003e\u003cp\u003ePhotogenics \u003c\/p\u003e\u003cp\u003e39 Daniel Palmer \u003c\/p\u003e\u003cp\u003eRedundancy in Photography \u003c\/p\u003e\u003cp\u003e40 Lev Manovich \u003c\/p\u003e\u003cp\u003eThe Paradoxes of Digital Photography \u003c\/p\u003e\u003cp\u003e41 Fred Ritchin \u003c\/p\u003e\u003cp\u003eExtracts from \u003ci\u003eOf Pixels and Paradox\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e42 Martin Lister \u003c\/p\u003e\u003cp\u003eIntroduction from \u003ci\u003eThe Photographic Image in Digital Culture\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e43 Matthew Biro\u003c\/p\u003e\u003cp\u003eFrom Analogue to Digital Photography: Bernd and Hilla Becher and Andreas Gursky \u003c\/p\u003e\u003cp\u003e44 Steven Skopik \u003c\/p\u003e\u003cp\u003eDigital Photography: Truth, Meaning, Aesthetics \u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":51742250598743,"sku":"9780415749176","price":128.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780415749176.jpg?v=1758383746","url":"https:\/\/bookcurl.com\/products\/the-photography-reader-history-and-theory-9780415749176","provider":"Book Curl","version":"1.0","type":"link"}