{"product_id":"the-photography-cultures-reader-representation-agency-and-identity-9780415749206","title":"The Photography Cultures Reader Representation","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003eThe Photography Cultures Reader: Representation, Agency and Identity\u003c\/em\u003e engages with contemporary debates surrounding photographic cultures and practices from a variety of perspectives, providing insight and analysis for students and practitioners. \u003c\/p\u003e\u003cp\u003eWith over 100 images included, the diverse essays in this collection explore key topics, such as: conflict and reportage; politics of race and gender; the family album; fashion, tourism and surveillance; art and archives; social media and the networked image. The collection brings together essays by leading experts, scholars and photographers, including Geoffrey Batchen, Elizabeth Edwards, Stuart Hall, bell hooks, Martha Langford, Lucy R. Lippard, Fred Ritchin, Allan Sekula and Val Williams. The depth and scope of this collection is testament to the cultural significance of photography and photographic study, with each themed section featuring an editorâs introduction that sets the ideas and debates in context. \u003c\/p\u003e\u003cp\u003eAlong with its companion volume â \u003ci\u003eThe Photography Reader: History and Theory \u003c\/i\u003eâ this is the most comprehensive introduction to photography and photographic criticism. \u003c\/p\u003e\u003cp\u003eIncludes essays by: Jan Avgikos, Ariella Azoulay, David A. Bailey, Roland Barthes, Geoffrey Batchen, David Bate, Gail Baylis, Karin E. Becker, John Berger, Lily Cho, Jane Collins, Douglas Crimp, Thierry de Duve, Karen de Perthuis, George Dimock, Sarah Edge, Elizabeth Edwards, Francis Frascina, Andrà Gunthert, Stuart Hall, Elizabeth Hoak-Doering, Patricia Holland, bell hooks, Yasmin Ibrahim, Liam Kennedy, Annette Kuhn, Martha Langford, Ulrich Lehmann, Lucy R. Lippard, Catherine Lutz, Roberta McGrath, Lev Manovich, Rosy Martin, Mette Mortensen, Fred Ritchin, Daniel Rubinstein, Allan Sekula, Sharon Sliwinski, Katrina Sluis, Jo Spence, Carol Squiers, Theopisti Stylianou-Lambert, Ariadne van de Ven, Liz Wells, Val Williams, Judith Williamson, Louise Wolthers and Ethan Zuckerman.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eGeneral Introduction\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePart One\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Photographic Gaze\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e1 Roberta McGrath\u003c\/p\u003e\u003cp\u003eRe-Reading Edward Weston: Feminism, Photography and Psychoanalysis \u003c\/p\u003e\u003cp\u003e2 Jan Avgikos\u003c\/p\u003e\u003cp\u003eCindy Sherman: Burning Down the House \u003c\/p\u003e\u003cp\u003e3 Sarah Edge and Gail Baylis\u003c\/p\u003e\u003cp\u003ePhotographing Children: The Works of Tierney Gearon and Sally Mann \u003c\/p\u003e\u003cp\u003e4 Lucy R. Lippard\u003c\/p\u003e\u003cp\u003eDoubletake: The Diary of a Relationship with an Image \u003c\/p\u003e\u003cp\u003e5 Catherine Lutz and Jane Collins\u003c\/p\u003e\u003cp\u003eThe Photograph as an Intersection of Gazes: The example of \u003ci\u003eNational Geographic\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e6 Ariadne van de Ven\u003c\/p\u003e\u003cp\u003eThe Eyes of the Street Look Back: In Kolkata with a Camera Around My Neck \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e7 Theopisti Stylianou-Lambert\u003c\/strong\u003e \u003c\/p\u003e\u003cp\u003eTourists with Cameras: Reproducing or Producing \u003c\/p\u003e\u003cp\u003e8 Louise Wolthers\u003c\/p\u003e\u003cp\u003eSurveilling Bodies: Photography as Control, Critique and Concern \u003c\/p\u003e\u003cp\u003ePart Two\u003c\/p\u003e\u003cp\u003eReportage – Image as Agent\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e9 John Berger\u003c\/p\u003e\u003cp\u003ePhotographs of Agony \u003c\/p\u003e\u003cp\u003e10 Fred Ritchin\u003c\/p\u003e\u003cp\u003eOf Them, and Us \u003c\/p\u003e\u003cp\u003e11 Francis Frascina\u003c\/p\u003e\u003cp\u003eFace to Face: Resistance, Melancholy and Representations of Atrocities \u003c\/p\u003e\u003cp\u003e12 Liam Kennedy\u003c\/p\u003e\u003cp\u003eFraming Compassion \u003c\/p\u003e\u003cp\u003e13 Sharon Sliwinski\u003c\/p\u003e\u003cp\u003eOn Photographic Violence \u003c\/p\u003e\u003cp\u003e14 Ariella Azoulay\u003c\/p\u003e\u003cp\u003eThe Ethic of the Spectator: The Citizenry of Photography \u003c\/p\u003e\u003cp\u003e15 Elizabeth Hoak-Doering\u003c\/p\u003e\u003cp\u003eA Photo in a Photo: The Optics, Politics and Powers of Hand-held Portraits in Claims for Justice and Solidarity \u003c\/p\u003e\u003cp\u003e16 André Gunthert\u003c\/p\u003e\u003cp\u003eDigital Imaging Goes to War: The Abu Ghraib Photographs \u003c\/p\u003e\u003cp\u003e17 Ethan Zuckerman\u003c\/p\u003e\u003cp\u003eCurating Participation \u003c\/p\u003e\u003cp\u003e18 Mette Mortensen\u003c\/p\u003e\u003cp\u003eWhen Citizen Photojournalism Sets the News Agenda: Neda Agha Soltan as a Web 2.0 Icon of Post-Election Unrest in Iran\u003c\/p\u003e\u003cp\u003ePart Three\u003c\/p\u003e\u003cp\u003eImage and Identity\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e19 David A. Bailey and Stuart Hall\u003c\/p\u003e\u003cp\u003eThe Vertigo of Displacement \u003c\/p\u003e\u003cp\u003e20 Rosy Martin and Jo Spence\u003c\/p\u003e\u003cp\u003ePhoto-Therapy: Psychic Realism as a Healing Art?\u003c\/p\u003e\u003cp\u003e21 George Dimock\u003c\/p\u003e\u003cp\u003e\"The Negro As He Really Is\": W. E. B. Du Bois and Arthur Radclyffe Dugmore\u003c\/p\u003e\u003cp\u003e22 bell hooks\u003c\/p\u003e\u003cp\u003eIn Our Glory: Photography and Black Life \u003c\/p\u003e\u003cp\u003e23 Annette Kuhn\u003c\/p\u003e\u003cp\u003ePhotography and Cultural Memory: a Methodological Exploration \u003c\/p\u003e\u003cp\u003e24 Lily Cho\u003c\/p\u003e\u003cp\u003eCitizenship, Diaspora and the Bonds of Affect: The Passport Photograph \u003c\/p\u003e\u003cp\u003ePart Four\u003c\/p\u003e\u003cp\u003eSnapshot Culture and Social Media\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e25 Pat Holland\u003c\/p\u003e\u003cp\u003e\u003cem\u003eFamily Snaps\u003c\/em\u003e, Introduction: History, Memory, and the Family Album\u003c\/p\u003e\u003cp\u003e26 Martha Langford\u003c\/p\u003e\u003cp\u003eStrange Bedfellows: Appropriations of the Vernacular by Photographic Artists \u003c\/p\u003e\u003cp\u003e\u003cb\u003e27 Geoffrey Batchen\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eObserving by Watching: Joachim Schmid and the Art of Exchange \u003c\/p\u003e\u003cp\u003e28 Lev Manovich\u003c\/p\u003e\u003cp\u003eWatching the World \u003c\/p\u003e\u003cp\u003e29 Daniel Rubenstein and Katrina Sluis\u003c\/p\u003e\u003cp\u003eA Life More Photographic: Mapping the Networked Image \u003c\/p\u003e\u003cp\u003ePart Five\u003c\/p\u003e\u003cp\u003eMedium and Meditations\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e30 Roland Barthes\u003c\/p\u003e\u003cp\u003eOrnamental Cuisine and The New Citroën \u003c\/p\u003e\u003cp\u003e31 Judith Williamson\u003c\/p\u003e\u003cp\u003eTiffany, Porsche Panamera and Microsoft Cloud \u003c\/p\u003e\u003cp\u003e32 Yasmin Ibrahim\u003c\/p\u003e\u003cp\u003eThe Pornography of Food Imaging: The Aesthetics of Capturing Food Online\u003c\/p\u003e\u003cp\u003e33 Karin E. Becker\u003c\/p\u003e\u003cp\u003ePhotojournalism and the Tabloid Press \u003c\/p\u003e\u003cp\u003e34 Carol Squiers\u003c\/p\u003e\u003cp\u003eClass Struggle: The Invention of Paparazzi Photography and the Death of Diana, Princess of Wales\u003c\/p\u003e\u003cp\u003e35 Karen de Perthuis\u003c\/p\u003e\u003cp\u003eThe Synthetic Ideal: The Fashion Model and Photographic Manipulation \u003c\/p\u003e\u003cp\u003e36 Ulrich Lehmann\u003c\/p\u003e\u003cp\u003eChic Clicks: Creativity and Commerce \u003c\/p\u003e\u003cp\u003e37 Val Williams\u003c\/p\u003e\u003cp\u003eA Heady Relationship: Fashion Photography and the Museum, 1979 to the Present \u003c\/p\u003e\u003cp\u003ePart Six\u003c\/p\u003e\u003cp\u003eContexts: Art, Archives, Education\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003e38 Douglas Crimp\u003c\/p\u003e\u003cp\u003eThe Museum’s Old, the Library’s New Subject \u003c\/p\u003e\u003cp\u003e39 Thierry Du Duve\u003c\/p\u003e\u003cp\u003eArt in the Face of Radical Evil \u003c\/p\u003e\u003cp\u003e40 Allan Sekula \u003c\/p\u003e\u003cp\u003eReading an Archive: Photography Between Labour and Capital \u003c\/p\u003e\u003cp\u003e41 Elizabeth Edwards\u003c\/p\u003e\u003cp\u003ePhotographs: Material Form and the Dynamic Archive \u003c\/p\u003e\u003cp\u003e42 Liz Wells\u003c\/p\u003e\u003cp\u003eWords and Pictures: On Reviewing Photography\u003c\/p\u003e\u003cp\u003e43 David Bate\u003c\/p\u003e\u003cp\u003eArt, Education, Photography \u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd (Sales)","offers":[{"title":"Default Title","offer_id":51018192060759,"sku":"9780415749206","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780415749206.jpg?v=1750775967","url":"https:\/\/bookcurl.com\/products\/the-photography-cultures-reader-representation-agency-and-identity-9780415749206","provider":"Book Curl","version":"1.0","type":"link"}