{"product_id":"the-methuen-drama-handbook-of-interculturalism-and-performance-methuen-drama-handbooks-9781350040472","title":"The Methuen Drama Handbook of Interculturalism","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eDaphne P. Lei\u003c\/b\u003e is Professor of Drama at the University of California, Irvine, USA. She is internationally known for her work on Chinese opera, Asian American theatre, intercultural theatre, and diasporic and transnational performance.  She is the author of many scholarly articles, both in English and Chinese. She has published two books: \u003ci\u003eOperatic China: Staging Chinese Identity across the Pacific \u003c\/i\u003e(2006) and \u003ci\u003eAlternative Chinese Opera in the Age of Globalization: Performing Zero\u003c\/i\u003e (2011), and her articles can be seen in many scholarly journals. She is the president of American Society for Theatre Research (ASTR, 2015-2018).\u003cb\u003eCharlotte McIvor\u003c\/b\u003e is Lecturer in Drama and Theatre Studies at NUI Galway, Ireland.  She is the author of \u003ci\u003eMigration and Performance in Contemporary Ireland: Towards A New Interculturalism\u003c\/i\u003e (2016), and the co-editor of \u003ci\u003eStaging Intercultural Ireland: Plays and Practitioner Perspectives\u003c\/i\u003e (with Matthew Spangler, 2014) and \u003ci\u003eDevised Perfo\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eKeywords\u003c\/b\u003e \u003cb\u003eList of Illustrations\u003c\/b\u003e \u003cb\u003eNotes on Contributors\u003c\/b\u003e Daphne P. Lei (University of California, USA), ‘Chapter One: Introduction’   \u003cb\u003eSection I: HIT (Hegemonic Intercultural Theatre)’s Counter-Currents\u003c\/b\u003e   Marcus Cheng Chye Tan (Nanyang Technological University, Singapore), ‘Chapter Two: (Re)Sounding Universals: The Politics of Listening to Peter Brook’s \u003ci\u003eBattlefield\u003c\/i\u003e’   Emily Sahakian (University of Georgia, USA), ‘Chapter Three: The Intercultural Politics of Performing Revolution: Maryse Condé’s Inter-theatre with Ariane Mnouchkine’   Arnab Banerji (Muhlenberg College, USA) ‘Chapter Four: What lies beyond Hattamala?: Badal Sircar and his Third Theatre as an Alternative Trajectory for Intercultural Theatre’   \u003cb\u003eSection II: Networking New Interculturalisms \u003c\/b\u003e   Bi-qi Beatrice Lei (National Taiwan University, Taiwan), ‘Chapter Five: Decentering Asian Shakespeare: Approaching Intercultural Theatre as a Living Organism’   Diana Looser (Stanford University, USA), ‘Chapter Six: Connecting the Dots: Performances, Island Worlds, and Oceanic Interculturalisms’    Roaa Ali (University of Manchester, UK) ‘Chapter Seven: Subversive Immigrant Narratives in the In\/visible Margin: Performing Interculturalism on Online Stages’   \u003cb\u003eSection III: Interculturalism \u003ci\u003eas \u003c\/i\u003ePractice \u003c\/b\u003e   Jennifer Goodlander (Indiana University, USA), ‘Chapter Eight: Beyond HIT: Towards Regional Interculturalism through Puppetry in Southeast Asia’   SanSan Kwan (University of California, Berkeley, USA), ‘Chapter Nine: Acts of Loving:  Emmanuelle Huynh, Akira Kasai, and Eiko Otake’   Angeline Young (Arizona State University, USA), ‘Chapter Ten: reORIENTing interculturalism in the academy: An Asianist Approach to teaching Afro-Haitian dance’   \u003cb\u003eSection IV: Testing the Limits of New Interculturalism \u003c\/b\u003e   Ketu H. Katrak (University of California, USA), ‘Chapter Eleven: Mamela Nyamza and Dada Masilo: South African Black Women Dancer-Choreographers Dancing ‘New Interculturalism’’    Min Tian (University of Illinois, USA), ‘Chapter Twelve: The ‘Dis\/De-’ in the Hyphen: The Matrix and Dynamics of Displacement in Intercultural Performance’   Lisa Jackson-Schebetta (Skidmore College, USA), ‘Chapter Thirteen: Interculturalidad: (How) Can Performance Analysis Decolonize?’   \u003cb\u003eSection V: Interculturalism(s): Mapping the Past, Reflecting on the Future\u003c\/b\u003e   Charlotte McIvor National (University of Ireland, Ireland) with Justine Nakase (National University of Ireland, Ireland), ‘Chapter Fourteen: Annotated Bibliography’   Charlotte McIvor (National University of Ireland, Ireland), ‘Chapter Fifteen: Conclusion’   Bibliography Index\u003c\/i\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":49529216696663,"sku":"9781350040472","price":198.74,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350040472.jpg?v=1731874753","url":"https:\/\/bookcurl.com\/products\/the-methuen-drama-handbook-of-interculturalism-and-performance-methuen-drama-handbooks-9781350040472","provider":"Book Curl","version":"1.0","type":"link"}