{"product_id":"the-handbook-of-mpeg-applications-9780470750070","title":"The Handbook of MPEG Applications","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis book provides comprehensive, up-to-date coverage of the key MPEG standards used in the evolving digital multimedia landscape for the generation, storage, distribution, dissemination, and delivery of multimedia data to various platforms.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"The book will interest researchers, design engineers, developers, IT consultants, telecom system developers, and computer science and engineering students.\" (Booknews, 1 April 2011)\u003cbr\u003e \u003cbr\u003e   \u003cp\u003e\"This book provides a comprehensive examination of the use of MPEG-2, MPEG-4, MPEG-7, MPEG-21, and MPEG-A standards, providing a detailed reference to their application.\" (TMCnet.com, 15 March 2011)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of Contributors.  \u003cp\u003eMPEG Standards in Practice.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 HD Video Remote Collaboration Application\u003c\/b\u003e (\u003ci\u003eBeomjoo Seo, Xiaomin Liu, and Roger Zimmermann\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e1.1 Introduction.\u003c\/p\u003e \u003cp\u003e1.2 Design and Architecture.\u003c\/p\u003e \u003cp\u003e1.3 HD Video Acquisition.\u003c\/p\u003e \u003cp\u003e1.4 Network and Topology Considerations.\u003c\/p\u003e \u003cp\u003e1.5 Real-Time Transcoding.\u003c\/p\u003e \u003cp\u003e1.6 HD Video Rendering.\u003c\/p\u003e \u003cp\u003e1.7 Other Challenges.\u003c\/p\u003e \u003cp\u003e1.8 Other HD Streaming Systems.\u003c\/p\u003e \u003cp\u003e1.9 Conclusions and Future Directions.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 MPEG Standards in Media Production, Broadcasting and Content Management\u003c\/b\u003e (\u003ci\u003eAndreas U. Mauthe and Peter Thoma\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e2.1 Introduction.\u003c\/p\u003e \u003cp\u003e2.2 Content in the Context of Production and Management.\u003c\/p\u003e \u003cp\u003e2.3 MPEG Encoding Standards in CMS and Media Production.\u003c\/p\u003e \u003cp\u003e2.4 MPEG-7 and Beyond.\u003c\/p\u003e \u003cp\u003e2.5 Conclusions.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 Quality Assessment of MPEG-4 Compressed Videos\u003c\/b\u003e (\u003ci\u003eAnush K. Moorthy and Alan C. Bovik\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e3.1 Introduction.\u003c\/p\u003e \u003cp\u003e3.2 Previous Work.\u003c\/p\u003e \u003cp\u003e3.3 Quality Assessment of MPEG-4 Compressed Video.\u003c\/p\u003e \u003cp\u003e3.4 MPEG-4 Compressed Videos in Wireless Environments.\u003c\/p\u003e \u003cp\u003e3.5 Conclusion.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 Exploiting MPEG-4 Capabilities for Personalized Advertising in Digital TV\u003c\/b\u003e (\u003ci\u003eMartín López-Nores, Yolanda Blanco-Fernández, Alberto Gil-Solla, Manuel Ramos-Cabrer, and José J. Pazos-Arias\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e4.1 Introduction.\u003c\/p\u003e \u003cp\u003e4.2 Related Work.\u003c\/p\u003e \u003cp\u003e4.3 Enabling the New Advertising Model.\u003c\/p\u003e \u003cp\u003e4.4 An Example.\u003c\/p\u003e \u003cp\u003e4.5 Experimental Evaluation.\u003c\/p\u003e \u003cp\u003e4.6 Conclusions.\u003c\/p\u003e \u003cp\u003eAcknowledgments.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5 Using MPEG Tools in Video Summarization\u003c\/b\u003e (\u003ci\u003eLuis Herranz and José M. Martínez\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e5.1 Introduction.\u003c\/p\u003e \u003cp\u003e5.2 Related Work.\u003c\/p\u003e \u003cp\u003e5.3 A Summarization Framework Using MPEG Standards.\u003c\/p\u003e \u003cp\u003e5.4 Generation of Summaries Using MPEG-4 AVC.\u003c\/p\u003e \u003cp\u003e5.5 Description of Summaries in MPEG-7.\u003c\/p\u003e \u003cp\u003e5.6 Integrated Summarization and Adaptation Framework in MPEG-4 SVC.\u003c\/p\u003e \u003cp\u003e5.7 Experimental Evaluation.\u003c\/p\u003e \u003cp\u003e5.8 Conclusions.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6 Encryption Techniques for H.264 Video\u003c\/b\u003e (\u003ci\u003eBai-Ying Lei, Kwok-Tung Lo, and Jian Feng\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e6.1 Introduction.\u003c\/p\u003e \u003cp\u003e6.2 Demands for Video Security.\u003c\/p\u003e \u003cp\u003e6.3 Issues on Digital Video Encryption.\u003c\/p\u003e \u003cp\u003e6.4 Previous Work on Video Encryption.\u003c\/p\u003e \u003cp\u003e6.5 H.264 Video Encryption Techniques.\u003c\/p\u003e \u003cp\u003e6.6 A H.264 Encryption Scheme Based on CABAC and Chaotic Stream Cipher.\u003c\/p\u003e \u003cp\u003e6.7 Concluding Remarks and Future Works.\u003c\/p\u003e \u003cp\u003eAcknowledgments.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7 Optimization Methods for H.264\/AVC Video Coding\u003c\/b\u003e (\u003ci\u003eDan Grois, Evgeny Kaminsky, and Ofer Hadar\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e7.1 Introduction to Video Coding Optimization Methods.\u003c\/p\u003e \u003cp\u003e7.2 Rate Control Optimization.\u003c\/p\u003e \u003cp\u003e7.3 Computational Complexity Control Optimization.\u003c\/p\u003e \u003cp\u003e7.4 Joint Computational Complexity and Rate Control Optimization.\u003c\/p\u003e \u003cp\u003e7.5 Transform Coding Optimization.\u003c\/p\u003e \u003cp\u003e7.6 Summary.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8 Spatiotemporal H.264\/AVC Video Adaptation with MPEG-21\u003c\/b\u003e (\u003ci\u003eRazib Iqbal and Shervin Shirmohammadi\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e8.1 Introduction.\u003c\/p\u003e \u003cp\u003e8.2 Background.\u003c\/p\u003e \u003cp\u003e8.3 Literature Review.\u003c\/p\u003e \u003cp\u003e8.4 Compressed-Domain Adaptation of H.264\/AVC Video.\u003c\/p\u003e \u003cp\u003e8.5 On-line Video Adaptation for P2P Overlays.\u003c\/p\u003e \u003cp\u003e8.6 Quality of Experience (QoE).\u003c\/p\u003e \u003cp\u003e8.7 Conclusion.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9 Image Clustering and Retrieval Using MPEG-7\u003c\/b\u003e (\u003ci\u003eRajeev Agrawal, William I. Grosky, and Farshad Fotouhi\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e9.1 Introduction.\u003c\/p\u003e \u003cp\u003e9.2 Usage of MPEG-7 in Image Clustering and Retrieval.\u003c\/p\u003e \u003cp\u003e9.3 Multimodal Vector Representation of an Image Using MPEG-7 Color Descriptors.\u003c\/p\u003e \u003cp\u003e9.4 Dimensionality Reduction of Multimodal Vector Representation Using a Nonlinear Diffusion Kernel.\u003c\/p\u003e \u003cp\u003e9.5 Experiments.\u003c\/p\u003e \u003cp\u003e9.6 Conclusion.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10 MPEG-7 Visual Descriptors and Discriminant Analysis\u003c\/b\u003e (\u003ci\u003eJun Zhang, Lei Ye, and Jianhua Ma\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e10.1 Introduction.\u003c\/p\u003e \u003cp\u003e10.2 Literature Review.\u003c\/p\u003e \u003cp\u003e10.3 Discriminant Power of Single Visual Descriptor.\u003c\/p\u003e \u003cp\u003e10.4 Discriminant Power of the Aggregated Visual Descriptors.\u003c\/p\u003e \u003cp\u003e10.5 Conclusions.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11 An MPEG-7 Profile for Collaborative Multimedia Annotation\u003c\/b\u003e (\u003ci\u003eDamon Daylamani Zad and Harry Agius\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e11.1 Introduction.\u003c\/p\u003e \u003cp\u003e11.2 MPEG-7 as a Means for Collaborative Multimedia Annotation.\u003c\/p\u003e \u003cp\u003e11.3 Experiment Design.\u003c\/p\u003e \u003cp\u003e11.4 Research Method.\u003c\/p\u003e \u003cp\u003e11.5 Results.\u003c\/p\u003e \u003cp\u003e11.6 MPEG-7 Profile.\u003c\/p\u003e \u003cp\u003e11.7 Related Research Work.\u003c\/p\u003e \u003cp\u003e11.8 Concluding Discussion.\u003c\/p\u003e \u003cp\u003eAcknowledgment.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12 Domain Knowledge Representation in Semantic MPEG-7 Descriptions\u003c\/b\u003e (\u003ci\u003eChrisa Tsinaraki and Stavros Christodoulakis\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e12.1 Introduction.\u003c\/p\u003e \u003cp\u003e12.2 MPEG-7-Based Domain Knowledge Representation.\u003c\/p\u003e \u003cp\u003e12.3 Domain Ontology Representation.\u003c\/p\u003e \u003cp\u003e12.4 Property Representation.\u003c\/p\u003e \u003cp\u003e12.5 Class Representation.\u003c\/p\u003e \u003cp\u003e12.6 Representation of Individuals.\u003c\/p\u003e \u003cp\u003e12.7 Representation of Axioms.\u003c\/p\u003e \u003cp\u003e12.8 Exploitation of the Domain Knowledge Representation in Multimedia Applications and Services.\u003c\/p\u003e \u003cp\u003e12.9 Conclusions.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13 Survey of MPEG-7 Applications in the Multimedia Lifecycle\u003c\/b\u003e (\u003ci\u003eFlorian Stegmaier, Mario Döller, and Harald Kosch\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e13.1 MPEG-7 Annotation Tools.\u003c\/p\u003e \u003cp\u003e13.2 MPEG-7 Databases and Retrieval.\u003c\/p\u003e \u003cp\u003e13.3 MPEG-7 Query Language.\u003c\/p\u003e \u003cp\u003e13.4 MPEG-7 Middleware.\u003c\/p\u003e \u003cp\u003e13.5 MPEG-7 Mobile.\u003c\/p\u003e \u003cp\u003e13.6 Summarization and Outlook.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e14 Using MPEG Standards for Content-Based Indexing of Broadcast Television, Web, and Enterprise Content\u003c\/b\u003e (\u003ci\u003eDavid Gibbon, Zhu Liu, Andrea Basso, and Behzad Shahraray.\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e14.1 Background on Content-Based Indexing and Retrieval.\u003c\/p\u003e \u003cp\u003e14.2 MPEG-7 and MPEG-21 in ETSI TV-Anytime.\u003c\/p\u003e \u003cp\u003e14.3 MPEG-7 and MPEG-21 in ATIS IPTV Specifications.\u003c\/p\u003e \u003cp\u003e14.4 MEPG-21 in the Digital Living Network Alliance (DLNA).\u003c\/p\u003e \u003cp\u003e14.5 Content Analysis for MPEG-7 Metadata Generation.\u003c\/p\u003e \u003cp\u003e14.6 Representing Content Analysis Results Using MPEG-7.\u003c\/p\u003e \u003cp\u003e14.7 Extraction of Audio Features and Representation in MPEG-7.\u003c\/p\u003e \u003cp\u003e14.8 Summary.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e15 MPEG-7\/21: Structured Metadata for Handling and Personalizing Multimedia Content\u003c\/b\u003e (\u003ci\u003eBenjamin Köhncke and Wolf-Tilo Balke\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e15.1 Introduction.\u003c\/p\u003e \u003cp\u003e15.2 The Digital Item Adaptation Framework for Personalization.\u003c\/p\u003e \u003cp\u003e15.3 Use Case Scenario.\u003c\/p\u003e \u003cp\u003e15.4 Extensions of MPEG-7\/21 Preference Management.\u003c\/p\u003e \u003cp\u003e15.5 Example Application.\u003c\/p\u003e \u003cp\u003e15.6 Summary.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e16 A Game Approach to Integrating MPEG-7 in MPEG-21 for Dynamic Bandwidth Dealing\u003c\/b\u003e (\u003ci\u003eAnastasis A. Sofokleous and Marios C. Angelides\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e16.1 Introduction.\u003c\/p\u003e \u003cp\u003e16.2 Related Work.\u003c\/p\u003e \u003cp\u003e16.3 Dealing Bandwidth Using Game Theory.\u003c\/p\u003e \u003cp\u003e16.4 An Application Example.\u003c\/p\u003e \u003cp\u003e16.5 Concluding Discussion.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e17 The Usage of MPEG-21 Digital Items in Research and Practice\u003c\/b\u003e (\u003ci\u003eHermann Hellwagner and Christian Timmerer\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e17.1 Introduction.\u003c\/p\u003e \u003cp\u003e17.2 Overview of the Usage of MPEG-21 Digital Items.\u003c\/p\u003e \u003cp\u003e17.3 Universal Plug and Play (UPnP): DIDL-Lite.\u003c\/p\u003e \u003cp\u003e17.4 Microsoft's Interactive Media Manager (IMM).\u003c\/p\u003e \u003cp\u003e17.5 The DANAE Advanced MPEG-21 Infrastructure.\u003c\/p\u003e \u003cp\u003e17.6 MPEG-21 in the European Projects ENTHRONE and AXMEDIS.\u003c\/p\u003e \u003cp\u003e17.7 Information Asset Management in a Digital Library.\u003c\/p\u003e \u003cp\u003e17.8 Conclusions.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e18 Distributing Sensitive Information in the MPEG-21 Multimedia Framework\u003c\/b\u003e (\u003ci\u003eNicholas Paul Sheppard\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e18.1 Introduction.\u003c\/p\u003e \u003cp\u003e18.2 Digital Rights Management in MPEG-21.\u003c\/p\u003e \u003cp\u003e18.3 MPEG-21 in Copyright Protection.\u003c\/p\u003e \u003cp\u003e18.4 MPEG-21 in Enterprise Digital Rights Management.\u003c\/p\u003e \u003cp\u003e18.5 MPEG-21 in Privacy Protection.\u003c\/p\u003e \u003cp\u003e18.6 Conclusion.\u003c\/p\u003e \u003cp\u003eAcknowledgments.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e19 Designing Intelligent Content Delivery Frameworks Using MPEG-21\u003c\/b\u003e (\u003ci\u003eSamir Amir, Ioan Marius Bilasco, Thierry Urruty, Jean Martinet and Chabane Djeraba\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e19.1 Introduction.\u003c\/p\u003e \u003cp\u003e19.2 CAM Metadata Framework Requirements.\u003c\/p\u003e \u003cp\u003e19.3 CAM Metadata Model.\u003c\/p\u003e \u003cp\u003e19.4 Study of the Existing Multimedia Standards.\u003c\/p\u003e \u003cp\u003e19.5 CAM Metadata Encoding Using MPEG-21\/7.\u003c\/p\u003e \u003cp\u003e19.6 Discussion.\u003c\/p\u003e \u003cp\u003e19.7 Conclusion and Perspectives.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e20 NinSuna: a Platform for Format-Independent Media Resource Adaptation and Delivery\u003c\/b\u003e (\u003ci\u003eDavy Van Deursen, Wim Van Lancker, Chris Poppe, and Rik Van de Walle\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e20.1 Introduction.\u003c\/p\u003e \u003cp\u003e20.2 Model-Driven Content Adaptation and Packaging.\u003c\/p\u003e \u003cp\u003e20.3 The NinSuna Platform.\u003c\/p\u003e \u003cp\u003e20.4 Directions for Future Research.\u003c\/p\u003e \u003cp\u003e20.5 Discussion and Conclusions.\u003c\/p\u003e \u003cp\u003eAcknowledgments.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e21 MPEG-A and Its Open Access Application Format\u003c\/b\u003e (\u003ci\u003eFlorian Schreiner and Klaus Diepold\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e21.1 Introduction.\u003c\/p\u003e \u003cp\u003e21.2 The MPEG-A Standards.\u003c\/p\u003e \u003cp\u003e21.3 The Open Access Application Format.\u003c\/p\u003e \u003cp\u003eReferences.\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e","brand":"John Wiley \u0026 Sons Inc","offers":[{"title":"Default Title","offer_id":49402426556759,"sku":"9780470750070","price":88.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780470750070.jpg?v=1730480366","url":"https:\/\/bookcurl.com\/products\/the-handbook-of-mpeg-applications-9780470750070","provider":"Book Curl","version":"1.0","type":"link"}