{"product_id":"the-flaherty-9780253026248","title":"The Flaherty","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe co-authors amply demonstrate that there's much to appreciate about the Flaherty history, 55 years of discovering and celebrating independent cinema and independent filmmakers from around the world.\u003c\/p\u003e * ArtsFuse *\u003cbr\u003e\u003cp\u003eThoroughly readable . . . [Readers] will be impressed by the history and inspired by the possibilities as yet unknown in the world of independent film, as seen through the lens of The Flaherty Way.\u003c\/p\u003e * Documentary Magazine *\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis would seem like mere lore, were it not for the contribution of \u003ci\u003eThe Flaherty\u003c\/i\u003e, Scott MacDonald and Patricia Zimmermann's new volume on the history of this singular institution that has indelibly shaped independent and documentary filmmaking, as well as its critical reception, both in the United States and internationally.\u003c\/p\u003e * Film Quarterly *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments\u003cbr\u003eIntroduction\u003cbr\u003e Patricia Zimmermann: Imagining a History of the Flaherty Seminar\u003cbr\u003e Scott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions\u003c\/p\u003e\u003cp\u003e1. \u003ci\u003eThe Flaherty\u003c\/i\u003e Way\u003cbr\u003e 1959 Francis Flaherty—opening remarks at the Seminar\u003c\/p\u003e\u003cp\u003e2. A Seminar, 1955-1959\u003cbr\u003e 1958 Robert Gardner with John Marshall—on The Hunters (1957)\u003c\/p\u003e\u003cp\u003e3. An Organization, 1960-1969\u003cbr\u003e 1963 Francis Flaherty—on Nanook of the North (1922) and Moana (1926)\u003cbr\u003e 1967 Fred Wiseman—on Titicut Follies (1967)\u003cbr\u003e 1968 Willard Van Dyke—opening remarks at the Seminar\u003cbr\u003e 1968 Jim McBride and L. M. Kit Carson—on David Holzman's Diary (1967)\u003cbr\u003e 1969 Michael Snow—on Wavelength (1967)\u003c\/p\u003e\u003cp\u003e4. Politics, Cultural and Formal, 1970-1980\u003cbr\u003e 1970 Hollis Frampton—on Zorns Lemma (1970)\u003cbr\u003e 1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke—on Hiroshima-Nagasaki, August 1945 (1970)\u003cbr\u003e 1977 Barbara Kopple and Hart Perry—on Harlan County USA (1976)\u003c\/p\u003e\u003cp\u003e5. Shock of the New, 1981-1989\u003cbr\u003e 1981 Ed Pincus—on Diaries (1971-1976) (c. 1980)\u003cbr\u003e 1983 Trinh T. Minh-ha—on Reassemblage (1982)\u003cbr\u003e 1984 Bruce Conner—on Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981)\u003cbr\u003e 1987 Peter Watkins and others—on The Journey (1987)\u003cbr\u003e 1987 Su Friedrich—on Damned If You Don't (1987)\u003c\/p\u003e\u003cp\u003e6. Crises, 1990-1999\u003cbr\u003e 1990 Marlon Riggs—on Tongues Untied (1989)\u003cbr\u003e 1991 William Greaves—on Symbiopsychotaxiplasm: Take One (1972)\u003cbr\u003e 1992 Ken Jacobs—on XCXHXEXRXRXIXEXSX (many performances after 1980)\u003cbr\u003e 1992 Kazuo Hara—on Extreme Private Eros (1974)\u003cbr\u003e 1994 Nick DeoCampo—on Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993)\u003cbr\u003e 1994 Mani Kaul—on Uski Roti (\"A Day's Bread,\" 1969) and Dhrupad (1982)\u003cbr\u003e 1995 Craig Baldwin—on Sonic Outlaws (1995)\u003c\/p\u003e\u003cp\u003e7. The Brand, 2000-2015\u003cbr\u003e 2000 Sergey Dvortsevoy—on Paradise (1995); Vicky Funari—on Paulina (1998)\u003cbr\u003e 2008 Bahman Ghobadi—on Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006)\u003cbr\u003e 2013 Eyal Sivan—on The Specialist (1999)\u003cbr\u003e 2015 Mounira Al Soth—on Rawane's Song (2006); Marie-Hélène Cousineau—on Before Tomorrow (2008, co-made with Madeline Ivalu); Hassan Khan—on Fuck This Film (1998)\u003cbr\u003e 2015 Tariq Teguia—on La Clôture (\"The Fence,\" 2002), Inland (2008), and Révolution Zanj (2012)\u003cbr\u003e 2016 Luke Fowler—On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina—On Aggarabdo pueblo  (Vampires of Poverty, 1978, comade with Carlos Mayolo) \u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":49400567562583,"sku":"9780253026248","price":999.99,"currency_code":"GBP","in_stock":false}],"url":"https:\/\/bookcurl.com\/products\/the-flaherty-9780253026248","provider":"Book Curl","version":"1.0","type":"link"}