{"product_id":"the-bloomsbury-handbook-of-religion-and-popular-music-9781350286979","title":"The Bloomsbury Handbook of Religion and Popular","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eChristopher Partridge \u003c\/b\u003eis Professor of Religious Studies at Lancaster University, UK. His publications include \u003ci\u003eHigh Culture: Drugs, Mysticism, and the Pursuit of Transcendence in the Modern World \u003c\/i\u003e(2018), \u003ci\u003eMortality and Music: Popular Music and the Awareness of Death\u003c\/i\u003e (2015),\u003ci\u003eThe Lyre of Orpheus: Popular Music, the Sacred and the Profane\u003c\/i\u003e (2014), and \u003ci\u003e Dub in Babylon: \u003c\/i\u003e\u003ci\u003eUnderstanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk\u003c\/i\u003e (2010). He is editor of the book series, \u003ci\u003eBloomsbury Studies in Religion and Popular Music.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eMarcus Moberg\u003c\/b\u003e is Professor of the Study of Religions at Åbo Akademi University, Finland. His publications include \u003ci\u003eReligion, Discourse, and Society \u003c\/i\u003e(2022), \u003ci\u003eDigital Media, Young Adults and Religion\u003c\/i\u003e (2020, co-ed), \u003ci\u003eChurch, Market, and Media \u003c\/i\u003e(2017), \u003ci\u003eChristian Metal\u003c\/i\u003e (Bloomsbury, 2015), and\u003ci\u003e Religion, Media, and Social Change\u003c\/i\u003e (2014, co-ed\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eNow revamped and even more comprehensive, this book is a true One Stop Shop for scholars of religion and scholars of popular music, or anyone interested in the intersection of the two fields. * Titus Hjelm, Professor of the Study of Religion, University of Helsinki, Finland *\u003cbr\u003eThe scope of this updated collection is truly in-keeping with the ever-expanding conversations between religion and popular music.  How great it is to have an accessible set of insightful studies looking both at and along the crossroads made by religion and popular music. * Scott Calhoun, Director of The U2 Conference and Professor of English, Cedarville University, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of Images  List of Contributors  \u003ci\u003eIntroduction: Religion and Popular Music\u003c\/i\u003e, Marcus Moberg \u0026amp; Christopher Partridge   \u003cb\u003ePart I: The Study of Religion and Popular Music: Theoretical Perspectives, Methodologies and Issues\u003c\/b\u003e  1. \u003ci\u003eEthnography, Popular Music and Religion\u003c\/i\u003e, (Andy Bennett, Griffith University, Queensland, Australia)  2. \u003ci\u003eEmotion, Meaning and Popular Music\u003c\/i\u003e, (Christopher Partridge, Lancaster University, UK)  3. \u003ci\u003eMusic, Religion, Protest\u003c\/i\u003e, (Ian Peddie, Sul Ross State University, USA)  4. \u003ci\u003eCensorship, Religion and Popular Music\u003c\/i\u003e, (Michael Drewett, Rhodes University, South Africa)  5. \u003ci\u003eFeminism, Gender and Popular Music\u003c\/i\u003e, Alison Stone (Lancaster University, UK) 6. \u003ci\u003eReligion, Ritual and Performance, Kimi Karki\u003c\/i\u003e (University of Turku, Finland)  7. \u003ci\u003eMusicological and Ethnomusicological Perspectives\u003c\/i\u003e, AV Villén (University of the Arts, Helsinki, Finland)  \u003cb\u003ePart II: Religious Perspectives\u003c\/b\u003e 8. \u003ci\u003eThe Bible and Popular Music\u003c\/i\u003e, (Michael Gilmour, Providence College, Manitoba, Canada) 9. \u003ci\u003eTheology, Imagination and Popular Music\u003c\/i\u003e, (Gavin Hopps, University of Saint Andrews, UK) 10. \u003ci\u003eChristianity, Worship and Popular Music\u003c\/i\u003e, (Thomas Wagner, University of Edinburgh, UK) 11. \u003ci\u003eContemporary Christian Music\u003c\/i\u003e, (Shawn Young, York College of Pennsylvania, USA)  12. \u003ci\u003eIslam and Popular Music\u003c\/i\u003e, (Jonas Otterbeck \u0026amp; Göran Larsson, Lund University \u0026amp; Gothenburg University, Sweden)  13. \u003ci\u003eJews, Judaism and Popular Music\u003c\/i\u003e, (Jon Stratton, Curtin University, Australia)  14. \u003ci\u003eHinduism and Popular Music\u003c\/i\u003e, (Anjali Roy, Indian Institute of Technology Kharagpur, West Bengal, India)  15. \u003ci\u003eBuddhism and Popular Music\u003c\/i\u003e, (Paul Fuller, University of Edinburgh, UK)  16. \u003ci\u003eJapanese Religion and Popular Music\u003c\/i\u003e, (Jennifer Matsue, Union College, USA)  17. \u003ci\u003eChinese Religions and Popular Music\u003c\/i\u003e, (Vicky Ho, Hong Kong)  18. \u003ci\u003ePaganism and Popular Music\u003c\/i\u003e, (Donna Weston, Griffith University, Queensland, Australia) 19. \u003ci\u003ePopular Music and the Occult\u003c\/i\u003e, (Kennet Granholm, University of Stockholm, Sweden) 20. \u003ci\u003eCaribbean Religions and Popular Music\u003c\/i\u003e, (David Moskowitz, University of South Dakota, US) 21. \u003ci\u003ePopular Music and Religious Syncretism\u003c\/i\u003e, Francisco Santos Silva (Iscte-University Institute of Lisbon, Portugal) 22. \u003ci\u003eAtheism and Popular Music\u003c\/i\u003e, Inka Rantakallio (University of Helsinki, Finland) \u0026amp; Marcus Moberg (Abo Akademi University, Finland)  \u003cb\u003ePart III: Genres\u003c\/b\u003e 23. \u003ci\u003eBlues and Jazz\u003c\/i\u003e, (David Cheetham, University of Birmingham, UK)  24. \u003ci\u003ePop and Rock\u003c\/i\u003e, (Clive Marsh, University of Leicester, UK) 25. \u003ci\u003eHeavy \u003c\/i\u003eM\u003ci\u003eetal\u003c\/i\u003e, (Marcus Moberg, Abo Akademi, Finland)  26. \u003ci\u003eRap and Hip Hop\u003c\/i\u003e, (Joseph Winters, Duke University, USA) 27\u003ci\u003e. P\u003c\/i\u003e\u003ci\u003eunk and Hardcore\u003c\/i\u003e, (Ibrahim Abraham, University of Helsinki, Finland \u0026amp; Francis Stewart, University of Stirling, UK)  28. \u003ci\u003eReggae\u003c\/i\u003e, (Christopher Partridge, University of Lancaster, UK) 29. \u003ci\u003eFolk Music\u003c\/i\u003e, (Vaughan Roberts, Rector at the Collegiate Church of St Mary, Warwick, UK) 30. \u003ci\u003eCountry Music\u003c\/i\u003e, (Leigh Edwards, Florida State University, USA) 31. \u003ci\u003eElectronic Dance Music,\u003c\/i\u003e Graham St. John (Griffith University, Queensland, Australia) 32. \u003ci\u003eK-Pop\u003c\/i\u003e, Christopher Partridge (Lancaster University, UK) 33. Industrial Music and Noise, Paul Hegarty (University of Nottingham, UK) 34\u003ci\u003e. Goth Music and Subculture\u003c\/i\u003e, (Isabella van Elferen, Kingston University, UK) 35. \u003ci\u003ePsychedelic Music\u003c\/i\u003e, (Christopher Partridge, Lancaster University, UK) 36. \u003ci\u003eAmbient Music\u003c\/i\u003e, (Rupert Till, Huddersfield University, UK)  37. \u003ci\u003ePopular Music \u0026amp; the Religious Screen\u003c\/i\u003e, (Mark Evans, Macquarie University, Australia \u0026amp; Brent Keogh, independent scholar) Notes Filmography Discography  Bibliography  Index\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":49407531319639,"sku":"9781350286979","price":133.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350286979.jpg?v=1730499688","url":"https:\/\/bookcurl.com\/products\/the-bloomsbury-handbook-of-religion-and-popular-music-9781350286979","provider":"Book Curl","version":"1.0","type":"link"}