{"product_id":"the-bloomsbury-handbook-of-music-production-9781501393426","title":"The Bloomsbury Handbook of Music Production","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eAndrew Bourbon\u003c\/b\u003e is Subject Area Lead of Music Technology at Huddersfield University, UK. He is also a producer, sound engineer, composer and musician and has produced and mixed records for The Waletones, Joe Wander, Lewis Bootle, Grupo Lokito and Alice Auer. \u003cb\u003eSimon Zagorski-Thomas \u003c\/b\u003eis Professor at the London College of Music, University of West London, UK, as well as a composer, sound engineer and producer. He founded and runs the 21st Century Music Practice Research Network and serves as series editor for the Cambridge Elements series and the Bloomsbury series on 21st Century Music Practice. His books include \u003ci\u003eMusicology of Record Production \u003c\/i\u003e(2014; winner of the 2015 IASPM Book Prize) and the \u003ci\u003eArt of Record Production: Creative Practice in the Studio\u003c\/i\u003e, co-edited with Katia Isakoff, Serge Lacasse and Sophie Stévance (2019).\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eList of Figures\u003c\/i\u003e \u003ci\u003eList of Tables\u003c\/i\u003e \u003ci\u003eNotes on Contributors\u003c\/i\u003e Introduction \u003ci\u003e(Andrew Bourbon, Huddersfield University, UK, and Simon Zagorski-Thomas, University of West London, UK)\u003c\/i\u003e \u003cb\u003ePart I \u003c\/b\u003eBackground 1. Recorded Music \u003ci\u003e(Simon Zagorski-Thomas, University of West London, UK)\u003c\/i\u003e 2. Authenticity in Music Production \u003ci\u003e(Mike Alleyne, Middle Tennessee State University, USA)\u003c\/i\u003e 3. How to Study Record Production \u003ci\u003e(Carlo Nardi, Free University of Bozen-Bolzano, Italy)\u003c\/i\u003e \u003cb\u003ePart II \u003c\/b\u003eTechnology 4. From Tubes to Transistors: Developments in Recording Technology up to 1970 \u003ci\u003e(Albin Zak III, University at Albany, USA)\u003c\/i\u003e 5. Transitions: The History of Recording Technology from 1970 to the Present\u003ci\u003e (Paul Théberge, Carleton University, Canada)\u003c\/i\u003e 6. How Does Vintage Equipment Fit into a Modern Working Process? \u003ci\u003e(Anthony Meynell, Record Producer and Independent Scholar, UK)\u003c\/i\u003e \u003cb\u003ePart III \u003c\/b\u003ePlaces 7. Recording Studios in the First Half of the Twentieth Century \u003ci\u003e(Susan Schmidt-Horning, St. John’s University, USA)\u003c\/i\u003e 8. Recording Studios since 1970 \u003ci\u003e(Eliot Bates, The Graduate Center of the \u003c\/i\u003e\u003ci\u003eCity University of New York, USA)\u003c\/i\u003e \u003cb\u003ePart IV \u003c\/b\u003eOrganizing the Production Process 9. Information, (Inter)action and Collaboration in Record Production Environments \u003ci\u003e(M. Nyssim Lefford, Luleå University of Technology, Sweden)\u003c\/i\u003e 10. Creative Communities of Practice: Role Delineation in Record Production in Different Eras and across Different Genres and Production Settings\u003ci\u003e (Tuomas Auvinen, University of Turku, Finland)\u003c\/i\u003e 11. Pre-Production \u003ci\u003e(Mike Howlett, The University of West London, UK)\u003c\/i\u003e \u003cb\u003ePart V \u003c\/b\u003eCreating Recorded Music 12. Songwriting in the Studio \u003ci\u003e(Simon Barber, Birmingham City University, USA)\u003c\/i\u003e 13. The Influence of Recording on Performance: Classical Perspectives \u003ci\u003e(Amy Blier-Carruthers, Royal Academy of Music, UK)\u003c\/i\u003e 14. Welcome to the Machine: Musicians, Technology and Industry \u003ci\u003e(Alan Williams, University of Massachusetts Lowell, USA)\u003c\/i\u003e 15. Studying Recording Techniques \u003ci\u003e(Kirk McNally, University of Victoria, Canada, and Toby Seay, Drexel University, USA)\u003c\/i\u003e 16. Materializing Identity in the Recording Studio \u003ci\u003e(Alexa Woloshyn, Carnegie Mellon University, USA)\u003c\/i\u003e \u003cb\u003ePart VI \u003c\/b\u003eCreating Desktop Music 17. Desktop Production and Groove \u003ci\u003e(Anne Danielsen, University of Oslo, Norway)\u003c\/i\u003e 18. The Boom in the Box: Bass and Sub-Bass in Desktop Production \u003ci\u003e(Robert Fink, University of California, Los Angeles, USA)\u003c\/i\u003e 19. Maximum Sonic Impact: (Authenticity\/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production \u003ci\u003e(Mark Mynett, University of Huddersfield, UK)\u003c\/i\u003e 20. Desktop Production and Commerciality \u003ci\u003e(Phil Harding, Joint Audio Media Education Service, UK)\u003c\/i\u003e 21. Audio Processing \u003ci\u003e(Mike Exarchos [aka Stereo Mike] and Simon Zagorski-Thomas, University of West London, UK)\u003c\/i\u003e \u003cb\u003ePart VII \u003c\/b\u003ePost-Production 22. Studying Mixing: Creating a Contemporary Apprenticeship \u003ci\u003e(Andrew Bourbon. Huddersfield University, UK)\u003c\/i\u003e \u003cb\u003ePart VIII \u003c\/b\u003eDistribution 23. Producer Compensation in the Digital Age \u003ci\u003e(Richard James Burgess, American Association of Independent Music, USA)\u003c\/i\u003e 24. Evolving Technologies of Music Distribution: Consumer Music Formats – Past, Present and Future \u003ci\u003e(Rob Toulson, Founder and Director of RT60 Ltd)\u003c\/i\u003e 25. Listening to Recorded Sound \u003ci\u003e(Mark Katz, University of North Carolina, Chapel Hill, USA)\u003c\/i\u003e 26. Interpreting the Materials of a Transmedia Storyworld: Word-Music-Image in Steven Wilson’s \u003ci\u003eHand. Cannot. Erase. \u003c\/i\u003e(2015) \u003ci\u003e(Lori A. Burns, University of Ottawa, Cananda, and Laura McLaren, University of Toronto, Canada)\u003c\/i\u003e \u003ci\u003eIndex\u003c\/i\u003e","brand":"Bloomsbury Publishing (UK)","offers":[{"title":"Default Title","offer_id":51138293596503,"sku":"9781501393426","price":39.89,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781501393426.jpg?v=1751918778","url":"https:\/\/bookcurl.com\/products\/the-bloomsbury-handbook-of-music-production-9781501393426","provider":"Book Curl","version":"1.0","type":"link"}