{"product_id":"the-beginnings-of-polish-musicology-9783631809587","title":"The Beginnings of Polish Musicology","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThe book presents the history of the only strictly scientific Polish musicological periodical Kwartalnik Muzyczny. It shows how the editorial board of the periodi-cal met with true approval and harsh criticism. The subject allows the author to present the beginnings of Polish musicology and its evolution through three epochs: the late partitioning period, the interwar period of Poland’s independ-ence, and the early years after the Second World War\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction \u003cbr\u003eI Socio-institutional contexts of the establishment of Kwartalnik\u003cbr\u003eMuzyczny\u003cbr\u003e 1. Panorama of Polish musicological journalism until\u003cbr\u003e1910 – Roman Chojnacki’s Młoda Muzyka and Przegląd\u003cbr\u003eMuzyczny – WTM and Henryk Opieński’s Kwartalnik\u003cbr\u003eMuzyczny (1911–14) – collaboration with Adolf Chybiński –\u003cbr\u003eclarification of the concept of a musicological quarterly –\u003cbr\u003euniversity series \u003cbr\u003e 2. Societies, associations, institutes of the interwar\u003cbr\u003eperiod: ‘Club of professional music press’ – Polish Society\u003cbr\u003efor Contemporary Music – Polish Musicological Society –\u003cbr\u003eFrederic Chopin Institute – Association of Early Music\u003cbr\u003eLovers and Publishing Society of Polish Music as an\u003cbr\u003einstitutional background to Kwartalnik Muzyczny \u003cbr\u003e 3. Music magazines of the interwar period: Lwowskie\u003cbr\u003eWiadomości Muzyczne i Literackie, Poznań’s Przegląd\u003cbr\u003eMuzyczny, Mateusz Gliński’s Muzyka – other environmental\u003cbr\u003eand local musical magazines – controversies over the model\u003cbr\u003eof an expert journal of the milieu \u003c\/p\u003e \u003cp\u003eII Hopes of Polish musicology – Kwartalnik Muzyczny in the\u003cbr\u003eyears 1928–1933\u003cbr\u003e 1. The idea of publishing a musicological quarterly –\u003cbr\u003epreparatory work – establishing Kwartalnik Muzyczny:\u003cbr\u003ethe periodical’s concept – programme assumptions:\u003cbr\u003ethe first editorial – reactions of the milieu \u003cbr\u003e 2. Musicological circles in Poland (Lviv, Cracow,\u003cbr\u003ePoznań, Warsaw) as addresses of the Kwartalnik –\u003cbr\u003esocio-scientific contexts: ideas about the functioning\u003cbr\u003eof the musicological environment – main topics of\u003cbr\u003einterest – other possibilities of publishing musicological\u003cbr\u003estudies: academic publishing \u003cbr\u003e 3. Musicology among academic disciplines in the interwar\u003cbr\u003eperiod – systematics, discussions \u003cbr\u003e 4. Authors and subjects: historical-musical work – ‘technical\u003cbr\u003ehistory’ (Chybiński) versus ‘live history’ (Jachimecki);\u003cbr\u003econtemporary music as a subject for research; music\u003cbr\u003etheory and acoustics; philosophy, aesthetics, sociology;\u003cbr\u003epsychology, pedagogy; ethnography and musical folklore;\u003cbr\u003ethemed editions \u003cbr\u003e 5. Muzyka Polska (1934–39) – Polski Rocznik\u003cbr\u003eMuzykologiczny (1935, 1936) \u003cbr\u003eIII Difficult years – Kwartalnik Muzyczny in the years\u003cbr\u003e1948–1950\u003cbr\u003e 1. New context of the functioning of the academic milieu and\u003cbr\u003etheir publications – ‘bourgeoisie musicology’ \u003cbr\u003eContents 7\u003cbr\u003e2. Ideologisation of learning about music – conferences,\u003cbr\u003econventions, congresses – Marxist musicology – Państwowy\u003cbr\u003eInstytut Sztuki – gradual radicalisation in academia \u003cbr\u003e3. An attempt to continue the formula of the magazine – Adolf\u003cbr\u003eChybiński and his collaborators (Zofia Lissa, Tadeusz\u003cbr\u003eOchlewski, Józef M. Chomiński – scope of cooperation\u003cbr\u003eand organisation of editorial work) – new organisation of\u003cbr\u003epublishing work (PWM, PIS) \u003cbr\u003e4. Authors and subjects as well as concepts, problems and work\u003cbr\u003emethods – continuation of the pre-war work – around the\u003cbr\u003ecurrent issues of musical socialist realism – thematic\u003cbr\u003eprojects \u003cbr\u003eConclusion\u003cbr\u003ePremises of the publishing crisis – change of generation –\u003cbr\u003enew publishing initiatives in the field of musicological\u003cbr\u003eperiodicals: Muzyka, Studia Muzykologiczne, Rocznik\u003cbr\u003eChopinowski \u003cbr\u003eAfterword \u003cbr\u003eAbbreviations \u003cbr\u003eBibliography \u003cbr\u003eSecondary literature \u003c\/p\u003e","brand":"Peter Lang AG","offers":[{"title":"Default Title","offer_id":51044482187607,"sku":"9783631809587","price":49.18,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9783631809587.jpg?v=1750961760","url":"https:\/\/bookcurl.com\/products\/the-beginnings-of-polish-musicology-9783631809587","provider":"Book Curl","version":"1.0","type":"link"}