{"product_id":"the-33-13-bsides-9781501342455","title":"The 33 13 Bsides","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eIf given another chance to write for the series, which albums would 33 1\/3 authors focus on the second time around? This anthology features compact essays from past 33 1\/3 authors on albums that consume them, but about which they did not write. It explores often overlooked and underrated albums that may not have inspired their 33 1\/3 books, but have played a large part in their own musical cultivation.     Questions central to the essays include: How has this album influenced your worldview? How does this album intersect with your other creative and critical pursuits? How does this album index a particular moment in cultural history? In your own personal history? Why is the album perhaps under-the-radar, or a buried treasure? Why can't you stop listening to it? Bringing together 33 1\/3's rich array of writers, critics, and scholars, this collection probes our taste in albums, our longing for certain tunes, and our desire to hit repeat--all while creating an expansive must-listen list f\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThere's plenty inside \u003ci\u003eThe 33 1\/3 B-Sides\u003c\/i\u003e to keep readers glued to the meanings behind popular music and if you enjoy the 33 1\/3 series, this book is the perfect complement to read from time-to-time between music texts. Your new favorite record might be waiting in the margins of any of these essays. * PopMatters *\u003cbr\u003eThere’s lots of love on display in this collection of writings, along with many other emotions. This is a book to keep beside a favourite chair and to dip in and out of when the mood takes you. * Americana UK *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface Introduction: Superfluous, Redundant, Enduring - Prince’s \u003ci\u003eEmancipation \u003c\/i\u003e(1996)  \u003ci\u003eWill Stockton\u003c\/i\u003e  Reintroduction: Trivial, Derivative, Tenacious - Christina Aguilera’s \u003ci\u003eMi Reflejo \u003c\/i\u003e(2000)  \u003ci\u003eD. Gilson\u003c\/i\u003e  \u003cb\u003ePart One Juvenilia\u003c\/b\u003e  1 Leonard Cohen’s \u003ci\u003eSongs of Love and Hate\u003c\/i\u003e (1971)  \u003ci\u003eDrew Daniel\u003c\/i\u003e  2 The New York Dolls’\u003ci\u003e Too Much, Too Soon\u003c\/i\u003e (1974)  \u003ci\u003eDavid Smay\u003c\/i\u003e  3 The Rolling Stones' \u003ci\u003eIt's Only Rock 'n Roll\u003c\/i\u003e (1974) \u003ci\u003eDavid Masciotra\u003c\/i\u003e 4 The Durutti Column’s\u003ci\u003e The Return of the Durutti Column\u003c\/i\u003e (1980)  \u003ci\u003ePhilip Shaw\u003c\/i\u003e  5 R.E.M.’s \u003ci\u003eChronic Town\u003c\/i\u003e (1982)  \u003ci\u003eGina Arnold\u003c\/i\u003e  6 Rites of Spring’s\u003ci\u003e Rites of Spring\u003c\/i\u003e (1985)  \u003ci\u003eWill Fulton\u003c\/i\u003e  7 Jane’s Addiction’s\u003ci\u003e Nothing’s Shocking\u003c\/i\u003e (1988)  \u003ci\u003eRolf Potts\u003c\/i\u003e  8 Del Amitri’s\u003ci\u003e Waking Hours\u003c\/i\u003e (1989)  \u003ci\u003eAlex Green\u003c\/i\u003e  9 Sinéad O’Connor’s\u003ci\u003e I Do Not Want What I Haven’t Got\u003c\/i\u003e (1990)  \u003ci\u003eTara Murtha\u003c\/i\u003e  10 De La Soul’s\u003ci\u003e De La Soul Is Dead\u003c\/i\u003e (1991)  \u003ci\u003eShawn Taylor\u003c\/i\u003e  11 Digable Planets’ \u003ci\u003eReachin’ (A New Refutation of Time and Space)\u003c\/i\u003e (1993)  \u003ci\u003eWalter Biggins\u003c\/i\u003e  12 Billy Idol’s\u003ci\u003e Cyberpunk\u003c\/i\u003e (1993)  \u003ci\u003eSean Maloney\u003c\/i\u003e  13 Guided by Voices’\u003ci\u003e Mag Earwhig!\u003c\/i\u003e (1997)  \u003ci\u003eMatt LeMay\u003c\/i\u003e  14 The Smashing Pumpkins’ \u003ci\u003eAdore\u003c\/i\u003e (1998)  \u003ci\u003eJovana Babovic\u003c\/i\u003e  15 The Weakerthans’\u003ci\u003e Left and Leaving\u003c\/i\u003e (2000)  \u003ci\u003eDaniel Couch\u003c\/i\u003e  \u003cb\u003ePart Two Marginalia \u003c\/b\u003e  16 Robert Johnson’s\u003ci\u003e King of the Delta Blues Singers\u003c\/i\u003e (1961)  \u003ci\u003eJeffrey T. Roesgen\u003c\/i\u003e  17 The Doors’ \u003ci\u003eStrange Days\u003c\/i\u003e (1967)  \u003ci\u003eClare Nina Norelli\u003c\/i\u003e  18 The Dells’\u003ci\u003e There Is\u003c\/i\u003e (1968)  \u003ci\u003eJoe Bucciero\u003c\/i\u003e  19 Shirley and Dolly Collins’\u003ci\u003e Anthems in Eden\u003c\/i\u003e (1969)  \u003ci\u003eSam Inglis\u003c\/i\u003e 20 Hank Thompson's \u003ci\u003eSmoky the Bar\u003c\/i\u003e (1969) \u003ci\u003eJoe Bonomo\u003c\/i\u003e  21 Von Freeman’s\u003ci\u003e Doin’ It Right Now\u003c\/i\u003e (1972)  \u003ci\u003eAaron Cohen\u003c\/i\u003e  22 John Cale’s\u003ci\u003e Paris 1919\u003c\/i\u003e (1973)  \u003ci\u003eMark Polizzotti\u003c\/i\u003e  23 Bert Jansch’s \u003ci\u003eL.A. Turnaround\u003c\/i\u003e (1974)  \u003ci\u003eJohn Perry\u003c\/i\u003e  24 The Cars’ \u003ci\u003eCandy-O\u003c\/i\u003e (1979)  \u003ci\u003eSusan Fast \u003c\/i\u003e  25 Ian Dury and The Blockheads’\u003ci\u003e Laughter\u003c\/i\u003e (1980)  \u003ci\u003eTerry Edwards\u003c\/i\u003e  26 Frankie Armstrong, Brian Pearson, Blowzabella, and Jon Gillaspie’s \u003ci\u003eTam Lin\u003c\/i\u003e (1984)  \u003ci\u003eAllan Moore\u003c\/i\u003e  27 Scritti Politti's \u003ci\u003eCupid \u0026amp; Psyche 85\u003c\/i\u003e (1985) \u003ci\u003eDan LeRoy\u003c\/i\u003e 28 Negativland’s\u003ci\u003e Escape From Noise\u003c\/i\u003e (1987)  \u003ci\u003eKembrew McLeod\u003c\/i\u003e  29 Frank Black’s\u003ci\u003e Frank Black\u003c\/i\u003e (1993)  \u003ci\u003eZeth Lundy\u003c\/i\u003e  30 Rodan’s \u003ci\u003eRusty\u003c\/i\u003e (1994)  \u003ci\u003eMichael T. Fournier\u003c\/i\u003e  31 Kenickie’s\u003ci\u003e At the Club\u003c\/i\u003e (1997)  \u003ci\u003eEmily Mackay\u003c\/i\u003e  32 Guy’s \u003ci\u003eGuy\u003c\/i\u003e (1988)  \u003ci\u003ePatrick Rivers\u003c\/i\u003e  33 Sleep’s \u003ci\u003eDopesmoker \u003c\/i\u003e(2003)  \u003ci\u003eErik Davis\u003c\/i\u003e  34 The Blood Brothers’ \u003ci\u003eCrimes\u003c\/i\u003e (2004) Ethan Hayden 35 Boris’s \u003ci\u003ePink\u003c\/i\u003e (2006)  \u003ci\u003ePaula Mejia\u003c\/i\u003e  36 Stars of Lid’s \u003ci\u003eAnd Their Refinement of the Decline\u003c\/i\u003e (2007)  \u003ci\u003eWalter Holland\u003c\/i\u003e  37 The Range Rats’\u003ci\u003e The Range Rats\u003c\/i\u003e (2010)  \u003ci\u003eMichael Blair\u003c\/i\u003e  38 Daniel Lopatin’s\u003ci\u003e Chuck Person’s Eccojams Vol. 1\u003c\/i\u003e (2010)  \u003ci\u003eMarvin Lin\u003c\/i\u003e \u003cb\u003ePart Three Memorabilia \u003c\/b\u003e  39 The Band’s\u003ci\u003e Rock of Ages\u003c\/i\u003e (1972)  \u003ci\u003eSteve Matteo\u003c\/i\u003e  40 Bruce Springsteen’s \u003ci\u003eBruce Springsteen and the E Street Band Live at the Geneva Theater\u003c\/i\u003e (1974)  \u003ci\u003eBruce Eaton\u003c\/i\u003e  41 Talisker’s \u003ci\u003eDreaming of Glenisla\u003c\/i\u003e (1975)  \u003ci\u003eJohn Cavanagh\u003c\/i\u003e  42 The Village People’s \u003ci\u003eCan’t Stop the Music: The Original Motion Picture Soundtrack\u003c\/i\u003e (1980)  \u003ci\u003eRebecca Wallwork\u003c\/i\u003e  43 Haruomi Hosono’s \u003ci\u003ePhilharmony\u003c\/i\u003e (1982)  \u003ci\u003eBryan Waterman\u003c\/i\u003e  44 Hirokazu Tanaka’s \u003ci\u003eMetroid\u003c\/i\u003e (1986)  \u003ci\u003eAndrew Schartmann\u003c\/i\u003e  45 Various Artists’ \u003ci\u003eMusic from the Motion Picture Pulp Fiction\u003c\/i\u003e (1994)  \u003ci\u003eEvie Nagy\u003c\/i\u003e  46 Various Artists’ \u003ci\u003eCasino\u003c\/i\u003e Soundtrack (1995)   \u003ci\u003eKevin Courrier\u003c\/i\u003e  47 Wesley Willis’s \u003ci\u003eRock ‘n’ Roll Will Never Die\u003c\/i\u003e (1996)  \u003ci\u003ePhillip Crandall\u003c\/i\u003e  48 Nine Inch Nails’\u003ci\u003e The Fragile\u003c\/i\u003e (1999)  \u003ci\u003eLuis Sanchez\u003c\/i\u003e  49 Bob Dylan’s \u003ci\u003eLove and Theft\u003c\/i\u003e (2001)  \u003ci\u003ePete Astor\u003c\/i\u003e  50 Silver Jews’\u003ci\u003e Bright Flight\u003c\/i\u003e (2001)  \u003ci\u003eHayden Childs\u003c\/i\u003e  51 The Original Broadway Cast Recording Featuring Green Day’s \u003ci\u003eAmerican Idiot \u003c\/i\u003e(2010)  \u003ci\u003eCyrus R.K. Patell\u003c\/i\u003e  52 Perfume's \u003ci\u003eLEVEL3\u003c\/i\u003e (2013)  \u003ci\u003eJordan Ferguson\u003c\/i\u003e  53 Dawn of Midi’s\u003ci\u003e Dysnomia\u003c\/i\u003e (2015)  \u003ci\u003eCharles Fairchild\u003c\/i\u003e Permissions  Notes","brand":"Bloomsbury Publishing Plc","offers":[{"title":"Default Title","offer_id":49409311506775,"sku":"9781501342455","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781501342455.jpg?v=1730506377","url":"https:\/\/bookcurl.com\/products\/the-33-13-bsides-9781501342455","provider":"Book Curl","version":"1.0","type":"link"}