{"product_id":"thats-the-joint-9781032403557","title":"Thats the Joint","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis newly expanded and revised third edition brings together the most important and up-to-date hip-hop scholarship in one comprehensive volume.\u003c\/p\u003e\u003cp\u003eThis intellectual mixtape is composed of 46 readings that are organized into nine sections representing key concepts and themes: the history of hip-hop, authenticity debates, gender, the globalization of hip-hop, identities, disability, politics, hip-hop and academia, and hip-hop and the media. This new edition also includes greater coverage of gender, sexuality, and racial diversity in hip-hop; hip-hopâs global influence; and hip-hopâs role in social movements and political activism. The pedagogical features include detailed critical introductions framing each section and brief chapter introductions to help readers place each piece in context and within a broader scholarly dialogue. \u003c\/p\u003e\u003cp\u003eThis text is essential reading for anyone seeking deeper understanding of the profound impact of hip-hop as an intellectual, aesthetic, and cultural movement.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"\u003ci\u003eThat's The Joint!\u003c\/i\u003e has been an essential classroom companion for me ever since I started teaching about Hip-Hop. Tireless research, firsthand accounts from cultural icons, as well as thought-provoking post-article summaries and questions make this collection of writings a must-have in any Hip-Hop Studies environment.\" - \u003cb\u003eAkrobatik\u003c\/b\u003e, Hip-Hop Artist, Associate Lecturer at University of Massachusetts Boston, Honors College and American Studies Department, USA\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePrologue \"What Is Hip-Hop?\" \u003ci\u003eGreg Tate \u003c\/i\u003e\u003cb\u003ePart I \"They Reminisce Over You\": Hip-Hop History and Historiography \u003ci\u003eMurray Forman \u003c\/i\u003e\u003c\/b\u003e1. The Politics of Graffiti \u003ci\u003eCraig Castleman \u003c\/i\u003e2. Zulus on a Time Bomb: Hip-Hop Meets the Rockers Downtown \u003ci\u003eJeff Chang \u003c\/i\u003e3. Hip-Hop’s Founding Fathers Speak the Truth \u003ci\u003eNelson George \u003c\/i\u003e4. First Ladies \u003ci\u003eCristina Verán \u003c\/i\u003e5. Physical Graffiti: The History of Hip-Hop Dance \u003ci\u003eJorge \"Popmaster Fabel\" Pabon \u003c\/i\u003e6. Postindustrial Soul: Black Popular Music at the Crossroads \u003ci\u003eMark Anthony Neal \u003c\/i\u003e\u003cstrong\u003ePart II \"Real Niggas Do Real Things\": Hip-Hop Culture and the Authenticity Debates \u003cem\u003eMark Anthony Neal \u003c\/em\u003e\u003c\/strong\u003e7. Puerto Rocks: Rap, Roots, and Amnesia \u003ci\u003eJuan Flores \u003c\/i\u003e8. Lookin’ for the Real Nigga: Social Scientists Construct the Ghetto \u003ci\u003eRobin D.G. Kelley \u003c\/i\u003e9. Rapping and Repping Asian: Race, Authenticity and the Asian American \u003ci\u003eOliver Wang \u003c\/i\u003e10. \"Things Done Changed\": Recalibrating the Real in Hip-Hop \u003ci\u003eMurray Forman \u003c\/i\u003e11. Sampling Ethics \u003ci\u003eJoseph Schloss \u003c\/i\u003e12. What Does Authenticity Mean in Today’s Hip-Hop and How Much Does it Still Matter? \u003ci\u003eAaron Williams \u003c\/i\u003e\u003cb\u003ePart III \"Baby, Look the Other Way\": Hip-Hop and Gender \u003ci\u003eRegina N. Bradley \u003c\/i\u003e\u003c\/b\u003e13. The Stage Hip-Hop Feminism Built: A New Directions Essay \u003ci\u003eAisha Durham, Brittney C. Cooper, and Susana M. Morris \u003c\/i\u003e14. From Boys to Men: Hip-Hop, Hood Films and the Performance of Contemporary Black Masculinity \u003ci\u003eRobin M. Boylorn \u003c\/i\u003e15. I Used to be Scared of the Dick: Queer Women of Color and Hip-Hop Masculinity \u003ci\u003eAndreana Clay \u003c\/i\u003e16. A Ratchet Lens: Black Queer Youth, Agency, Hip Hop, and the Black Ratchet Imagination \u003ci\u003eBettina L. Love \u003c\/i\u003e17. \"Put Some Bass in Your Walk\": Notes on Queerness, Hip Hop, and the Spectacle of the Undoable \u003ci\u003eScott Poulson-Bryant \u003c\/i\u003e\u003cb\u003ePart IV \"Different Modes, Different Area Codes\": Hip-Hop, From the Local to the Global \u003ci\u003eRegina N. Bradley \u003c\/i\u003e\u003c\/b\u003e18. \"Represent\": Race, Space, and Place in Rap Music \u003ci\u003eMurray Forman \u003c\/i\u003e19. The Mountaintop Ain’t Flat \u003ci\u003eRegina N. Bradley \u003c\/i\u003e20. \"The World is Yours\": The Globalization of Hip Hop Language \u003ci\u003eMarcyliena Morgan \u003c\/i\u003e21. \"I Got the Mics On, My People Speak\": On the Rise of Aboriginal Australian Hip Hop \u003ci\u003eRhyan Clapham \u0026amp; Benjamin Kelly \u003c\/i\u003e22. Ciphers, ‘Hoods and Digital DIY Studios in India: Negotiating Aspirational Individuality and Hip Hop Collectivity \u003ci\u003eEthiraj Gabriel Dattatreyan \u0026amp; Jaspal Naveel Singh \u003c\/i\u003e23. Connection and Complicity in the Global South: Hip Hop Musicians and US Cultural Diplomacy \u003ci\u003eKendra Salois \u003c\/i\u003e24. Hip Hop Matters: Race, Space, and Islam in Chicago \u003ci\u003eSu'ad Abdul Khabeer \u003c\/i\u003e\u003cb\u003ePart V \"I am Hip-Hop\": Hip-Hop Identities \u003ci\u003eRegina N. Bradley \u003c\/i\u003e\u003c\/b\u003e25. \"Each One, Teach One\": B-boying and Ageing \u003ci\u003eMary Fogarty \u003c\/i\u003e26. Listening for the Interior in Hip-Hop and R\u0026amp;B Music \u003ci\u003eTennille Nicole Allen \u0026amp; Antonia Randolph \u003c\/i\u003e27. Citizenship Without Representation?: Blackface, Misogyny, and Parody in Die Antwoord, Lupé Fiasco and Angel Haze \u003ci\u003eAdam Haupt \u003c\/i\u003e28. Decolonial Hip Hop: Indigenous Hip Hop and the Disruption of Settler Colonialism \u003ci\u003eKyle T. Mays \u003c\/i\u003e29. Fat Mutha: Hip Hop's Queer Corpulent Poetics \u003ci\u003eMecca Jamilah Sullivan \u003c\/i\u003e\u003cb\u003ePart VI \"Krip-Hop\": Disability and Hip Hop \u003ci\u003eMark Anthony Neal \u003c\/i\u003e\u003c\/b\u003e30. Back to the Community: My Life in Rap, Poetry, and Activism \u003ci\u003eLeroy Moore \u003c\/i\u003e31. \"And So I Bust Back\": Violence, Race, and Disability in Hip Hop \u003ci\u003eAnna Hinton \u003c\/i\u003e32. (Live!) The Post-Traumatic Futurities of Black Debility \u003ci\u003eMikko O. Koivisto \u003c\/i\u003e\u003cb\u003ePart VII \"Fight the Power\": Hip-Hop and Politics \u003ci\u003eMark Anthony Neal \u003c\/i\u003e\u003c\/b\u003e33. This is America: Hip-Hop and the Black Lives Matter Movement \u003ci\u003eLakeyta M. Bonnette-Bailey, Lestina Dongo, and Michael Westberg \u003c\/i\u003e34. Occupy Wall Street, Racial Neoliberalism, and New York’s Hip-Hop Moguls \u003ci\u003eEithne Quinn \u003c\/i\u003e35. Amicus Brief: Taylor Bell v. Itawamba County School Board \u003ci\u003eErik Nielson, Charis E. Kubrin, Travis L. Gosa, Michael Render (AKA \"Killer Mike\"), et. al. \u003c\/i\u003e36. \"AmeriKKKa’s most wanted\": Hip Hop Culture and Hip Hop theology as challenges to oppression \u003ci\u003eDaniel White Hodge \u003c\/i\u003e\u003cb\u003ePart VIII \"Put You on Game\": Academia, Pedagogy, and Institutionalized Knowledge \u003ci\u003eMurray Forman \u003c\/i\u003e\u003c\/b\u003e37. Hip Hop Studies in Black \u003ci\u003eP. Khalil Saucier \u0026amp; Tryon P. Woods \u003c\/i\u003e38. Hip Hop and the University \u003ci\u003eSara Hakeem Grewal \u003c\/i\u003e39. Let Me Blow Your Mind: Hip Hop Feminist Future in Theory and Praxis \u003ci\u003eTreva B. Lindsey \u003c\/i\u003e40. Hip-Hop Archives or an Archive of Hip-Hop?: A Remix Impulse \u003ci\u003eMark V. Campbell \u003c\/i\u003e41. \"Be Current, or You Become the Old Man\": Crossing the Generational Divide in Hip-Hop Education \u003ci\u003eJason D. Rawls and Emery Petchauer \u003c\/i\u003e\u003cb\u003ePart IX \"Post It or It Didn’t Happen\": Hip-Hop in and as Media \u003ci\u003eMurray Forman \u003c\/i\u003e\u003c\/b\u003e42. Black College-Radio on Predominantly White Campuses: A ‘Hip-Hop Era’ Student-Authored Inclusion Initiative \u003ci\u003eAnthony Kwame Harrison \u003c\/i\u003e43. \"Playas’ and Players\": Racial and Spatial Trespassing in Hip Hop Culture Through Video Games \u003ci\u003eMichael Austin \u003c\/i\u003e44. \"Every Time I Dress Myself, It Go Motherfuckin' Viral\": Post-Verbal Flows and Memetic Hype in Young Thug's Mumble Rap \u003ci\u003eMichael Waugh \u003c\/i\u003e45. City Girls, Hot Girls and the Re-Imagining of Black Women in Hip Hop and Digital Spaces \u003ci\u003eKyesha Jennings \u003c\/i\u003e46. The Audacity of Clout (Chasing): Digital Strategies of Black Youth in Chicago DIY Hip-Hop \u003ci\u003eJabari M. Evans and Nancy K. Baym\u003c\/i\u003e\u003c\/p\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":51019032265047,"sku":"9781032403557","price":59.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781032403557.jpg?v=1750779102","url":"https:\/\/bookcurl.com\/products\/thats-the-joint-9781032403557","provider":"Book Curl","version":"1.0","type":"link"}