{"product_id":"television-antiheroines-women-behaving-badly-in-crime-and-prison-drama-9781783207602","title":"Television Antiheroines: Women Behaving Badly in","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eWith a foreword by Diane Negra and Jorie Lagerway\u003cbr\u003e  \u003cbr\u003e  As television has finally started to create more leading roles for women, the female antiheroine has emerged as a compelling and dynamic character type. \u003cem\u003eTelevision Antiheroines\u003c\/em\u003e looks closely at this recent development, exploring the emergence of women characters in roles typically reserved for men, particularly in the male-dominated genre of the crime and prison drama.\u003cbr\u003e  \u003cbr\u003e  The essays collected in \u003cem\u003eTelevision Antiheroines\u003c\/em\u003e are divided into four sections or types of characters: mafia women, drug dealers and aberrant mothers, women in prison, and villainesses. Looking specifically at shows such as \u003cem\u003eGomorrah\u003c\/em\u003e, \u003cem\u003eMafiosa\u003c\/em\u003e, \u003cem\u003eThe Wire\u003c\/em\u003e, \u003cem\u003eThe Sopranos\u003c\/em\u003e, \u003cem\u003eSons of Anarchy\u003c\/em\u003e, \u003cem\u003eOrange is the New Black\u003c\/em\u003e, and \u003cem\u003eAntimafia\u003c\/em\u003e \u003cem\u003eSquad\u003c\/em\u003e, the contributors explore the role of race and sexuality and focus on how many of the characters transgress traditional ideas about femininity and female identity, such as motherhood. They examine the ways in which bad women are portrayed and how these characters undermine gender expectations and reveal the current challenges by women to social and economic norms. \u003cem\u003eTelevision Antiheroines\u003c\/em\u003e will be essential reading for anyone with a serious interest in crime and prison drama and the rising prominence of women in nontraditional roles.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003e'This vital collection profitably meditates on the intersections of crime studies, feminist and postfeminist studies and television studies, and shines a light on the expanding representational possibilities for women that are taking place in global television production. [...] I suspect that Television Antiheroines will enjoy widespread adoption as a text in a number of university courses for differing constituencies of students. The essays all feature clear and accessible prose and, further, the breadth and array of the texts, and detailed bibliography for each essay, will make the collection interesting for media studies scholars (feminist or otherwise) working on a spectrum of contexts.'\u003c\/em\u003e\u003c\/p\u003e -- Ellen Nerenberg, Journal of Italian Cinema \u0026amp; Media Studies\u003cbr\u003e\u003cp\u003e\u003cem\u003e'Thanks to its cultural approach, Television Antiheroines depicts in an original way the possibilities opened up by ‘bad’ behaviours in mainstream images of femininity. Each chapter analyses characters’ everyday lives, underlining how micropolitics questions conventional gender roles. Such a subversive process is also sustained by the idea that the representation of moral and behavioural contradictions undermines the hegemonic positions still dominant in television series. In doing so, the volume also shows how television can produce alternative identity models for women, thus contributing to a redefinition of current gender paradigms.'\u003c\/em\u003e\u003c\/p\u003e -- Ilaria De Pascalis, European Journal of Women’s Studies\u003cbr\u003e\u003cp\u003e\u003cem\u003e'I began this review by querying whether the antiheroine exists; after spending time with Television Antiheroines, and becoming well acquainted with Rosy Abate, Imma Savastano, Sandra Paoli, Carmela Soprano, Carmen van Walraven, Nancy Botwin, Gemma Teller, Mags Bennett, Teresa Mendoza, Big Boo, Nicky Nichols, Livia Marine, Kate Leigh, Tillly Devine, and others, I have no doubt of the socio-cultural richness and transcultural purchase of the TV antiheroine. In identifying a significant new trend in the transnational televisual depiction of gender, power, crime, and identity, Television Antiheroines sets high standards for future feminist media scholarship on female antihero TV.'\u003c\/em\u003e\u003c\/p\u003e -- Tanya Horeck, Feminist Media Studies\u003cbr\u003e\u003cp\u003e\u003cem\u003e'The television series examined make for good television and the chapters in this volume make for an interesting read, both individually and taken together. With its unprecedented collective focus on anti-heroines in the business of crime, the edited volume offers critical insights in largely well written articles that will allow readers to discover or perhaps reevaluate how women behaving badly contribute to an expanded realm of possibility for female characters in popular culture.'\u003c\/em\u003e\u003c\/p\u003e -- Claudia Schippert * Queer Studies in Media \u0026amp; Popular Culture *\u003cbr\u003e\u003cp\u003e\u003cem\u003e'[T]his collection of high-minded studies aims to examine how women have been allowed to travel in the same trajectory (the new “golden age of television” started by show-runners like David Chase and Vince Gilligan) gave way to equally strong visionaries like Jenji Kohan (Weeds, Orange Is the New Black) and numerous telenovelas in Brazil, Colombia, and New Zealand.'\u003c\/em\u003e \u003c\/p\u003e -- Popmatters, Christopher John Stevens\u003cbr\u003e\u003cp\u003e\u003cem\u003e'Television Antiheroines: Women Behaving Badly in Crime and Prison Drama is a strong collection of academic scholarship, and is a required purchase for scholars whose research relates to gender roles and female agency, particular in television. The book will undoubtedly serve graduate students and established professionals in the fields of critical, cultural and media studies very well. These 13 essays are highly detailed and effortlessly engaging. Through examination of antiheroines such as The Sopranos’ Carmela Soprano and Weeds’ Nancy Botswin, as well as foreign protagonists such as Penoza’s Carmen Walraven and the Spanish-language La Reina del Sur’s Teresa Mendoza, Television Antiheroines: Women Behaving Badly in Crime and Prison Drama raises intriguing and timely questions regarding feminism and female identity.'\u003c\/em\u003e \u003c\/p\u003e -- Graeme Wilson, Critical Studies in Media Communication\u003cbr\u003e\u003cp\u003e\u003cem\u003e'The contributors to the book successfully manage to ‘explore atypical portrayals of femininity’ (p. 4) from an international perspective, which is their joint goal as outlined in the Editor’s Introduction. Written for a wide contemporary readership, the book will be of practical use to students of communication and media studies and must not be overlooked by academic philosophers inasmuch as the authors’ discussions contribute to debates on the ontological and existential structures of human existence.'\u003c\/em\u003e\u003c\/p\u003e -- Elena Fell, European Journal of Communication\u003cbr\u003e\u003cp\u003e\u003cem\u003e'With so many television series circulating the airwaves and beyond, it can be challenging to find those worthy enough to fill our precious leisure time. Thankfully Milly Buonanno’s edited collection of essays not only draws our attention to the contemporary television landscape’s changing typography, but it is also a useful resource for those looking for their next binge-worthy programme. The book’s emphasis on ‘female-centred forms with a particular focus on the liminality of women associated with criminality’ (xi) historicises the range of unconventional portrayals of womanhood in the 21st century, defines these depictions in terms of their antiheroine aspects and investigates some specific international instantiations.'\u003c\/em\u003e \u003c\/p\u003e -- ichael P Young, Critical Studies in Television: The International Journal of Television Studies\u003cbr\u003e\u003cp\u003e\u003cem\u003e'Italian scholar Milly Buonanno of Rome’s La Sapienza University has often complained that, in this second Golden Age of TV, academic attention is focused almost exclusively on the United States. Even in a country like Spain, newspa- pers dutifully recap each episode of American premium- cable and streaming-service series while ignoring their own local productions. Hence, the importance of Buonanno’s new collection Television Antiheroines: Women Behaving Badly in Crime and Prison Drama, which tracks its female figures on screens from Italy and France to Australia and Brazil.'\u003c\/em\u003e\u003c\/p\u003e -- Paul Julian Smith, Film Quarterly\u003cbr\u003e\u003cp\u003e\u003cem\u003e'Milly Buonanno’s anthology, Television Antiheroines: Women Behaving Badly in Crime and Prison Drama, explores depictions of unconventional womanhood in twenty-first-century television. It investigates how heteronormative ideologies of gender are challenged as female characters transgress feminine norms of passivity, purity, motherhood, goodness and caring. Split into four sections with thirteen contributions, the book sets out to analyse the figure of the antiheroine in international programming by investigating the transgressive possibilities enabled when characters refuse to socially conform to the laws of society, gender and the criminal underworld.'\u003c\/em\u003e\u003c\/p\u003e -- Katherine Whitehurst, Journal of Popular Television\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePart I: Mafia Women\u003cbr\u003e Buonanno, Villez, Akass and McCabe   Chapter 1: Godmothers in Italian Mafia Story: Or 'Something Else Besides a Mother'\u003cbr\u003e Milly Buonanno   Chapter 2: Mafiosa, Monstruous Beauty: Power and Loneliness of a Female Mob Leader \u003cbr\u003e Barbara Villez   Chapter 3: Adieu Carmela Soprano! Lessons from the HBO Mobster Wife on TV Female Agency and Neo-Liberal (Narrative) Power \u003cbr\u003e Kim Akass and Janet McCabe   Part II: Drug Dealers and Aberrant Mothers \u003cbr\u003e Hermes, Giomi, Lotz and Rivero   Paying the Price: Penoza – Combining Motherhood anf a Career (in Crime) \u003cbr\u003e Joke Hermes   'Really Good At It': The Viral Charge of Nancy Botwin in Weeds (and Popular Culture's Anticorps)\u003cbr\u003e Elisa Giomi   Really Bad Mothers: Manipulative Matriarchs in Sons of Anarchy and Justified \u003cbr\u003e Amanda D. Lotz La reina del sur: Teresa Mendoza, a New Telenovela Protagonist\u003cbr\u003e Yeidy M. Rivero   Part III: Women in Prison\u003cbr\u003e Ball, Turnball and Walters   Chapter 8: Blurred Lines: The Queer World of Bad Girls\u003cbr\u003e Vicky Ball   Chapter 9: Top Dogs and Other Freaks: Wentworth and the Re-imaging of Prisoner Cell Block H\u003cbr\u003e Sue Turnball   Chapter 10: Lesbian Request Approved: Sex, Power and Desire in Orange is the New Black \u003cbr\u003e Suzanna Danuta Walters   Part IV: Villainesses and Anti-antiheroines\u003cbr\u003e Joyce, La Pastina, Williams, Press and Redhead   Chapter 11: Women and Criminality in Brazilian Telenovelas: Salve Jorge and Human Trafficking \u003cbr\u003e Samantha Joyce and Antonio Las Pastina   'Your Turn, Girl': The (Im)Possibility of African American Antiheroines in The Wire\u003cbr\u003e Bruce A. Williams and Andrea L. Press   Taming Pussytown: How Post-feminism Domesticated Underbelly: Razor\u003cbr\u003e Leigh Redhead","brand":"Intellect Books","offers":[{"title":"Default Title","offer_id":51042267038039,"sku":"9781783207602","price":33.26,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781783207602.jpg?v=1750953694","url":"https:\/\/bookcurl.com\/products\/television-antiheroines-women-behaving-badly-in-crime-and-prison-drama-9781783207602","provider":"Book Curl","version":"1.0","type":"link"}