{"product_id":"strange-words-9780268022037","title":"Strange Words","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003ci\u003eStrange Words\u003c\/i\u003e offers separate but interrelated close readings of four medieval Roland texts in French and Occitan, paying particular attention to scenes in which the speeches of various characters perform or mirror narrative functions. In this clearly written and accessible book, Margaret Jewett Burland focuses on discourse and narrative within the fictional universe to argue persuasively that medieval authors and audiences understood the battle of Roncevaux and its aftermath as an appropriate story in which to incorporate implicit commentaries about contemporary issues. It allows readers to interpret the well-known Oxford version, \u003ci\u003eThe Song of Roland\u003c\/i\u003e, within the expanded context of its larger medieval textual tradition. The similarities and differences among the four versions Burland analyzes help modern readers to better appreciate which aspects of a given Roland text are most innovative and thus most suggestive of its particular political, social, or literary agenda.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e“\u003ci\u003eStrange Words: Retelling And Reception In The Medieval Roland Textual Tradition\u003c\/i\u003e makes an original contribution to the field of studies on the textual tradition of the \u003ci\u003eChanson de Roland\u003c\/i\u003e, and beyond that to studies of the medieval French epic and of medieval French literature. It is the only study of its kind since Jules Horrent’s 1951 book \u003ci\u003eLa Chanson de Roland dans les littératures française et espagnole au moyen áge\u003c\/i\u003e.” —Joseph J. Duggan, University of California, Berkeley\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“By focusing on the strangeness of words that report and reinterpret the Roncevaux legend, as retold by characters within the narrative or by multiple authors across the centuries from the Oxford\u003ci\u003e Roland\u003c\/i\u003e to the fifteenth-century \u003ci\u003eGalien restoré\u003c\/i\u003e, Margaret Burland provides an indispensable guide to the rewriting and multi-layered reception characteristic of the Roland textual tradition. \u003ci\u003eStrange Words\u003c\/i\u003e should be required reading for anyone who wants to teach or read the \u003ci\u003eSong of Roland\u003c\/i\u003e within its medieval context. Burland’s study of the Roncevaux tradition is no less essential for scholars working in a variety of fields where rewriting is the usual mode of literary production, whether in the multiple traditions of saints’ lives and Arthurian romance or in the self-conscious play and replay of postmodern fiction.” —Matilda Tomaryn Bruckner, Boston College\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“A study of four medieval texts in French and Occitan.” —\u003ci\u003eThe Chronicle of Higher Education\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“When students and scholars speak of The Song of Roland, they generally refer to the text in the manuscript Digby 23 at Oxford University, but American scholar of French language and literature Burland points out that the story of the deaths of Roland and the 12 peers of France at the Battle of Roncevaux circulated in countless oral and written versions. She considers the larger story of which the manuscript is but a single example, emphasizing its function in affirming and questioning individual and collective identities across time.” —\u003ci\u003eResearch Book News\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“With a series of powerful close readings, \u003ci\u003eStrange Words\u003c\/i\u003e shows how extensively central issues in the Roncevaux tradition, such as the proper evaluation of Roland’s pride, Charlemagne’s grief, or Ganelon’s treachery, are reassessed in different versions.” —\u003ci\u003eSpeculum\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“Burland does an excellent job . . . pointing out what is different and intriguing about the other versions she examines, and one would hope that this would spark a new interest in these texts that have been unjustifiably ignored. This point alone makes Burland’s work both important and essential reading for those studying ‘the’ Song of Roland.” —\u003ci\u003eH-France Review\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“\u003ci\u003eStrange Words\u003c\/i\u003e will be useful for anyone studying medieval and early modern French literature. From the outset, Burland does us a great service simply by reminding us that there are \u003ci\u003eother\u003c\/i\u003e versions of \u003ci\u003eThe Song of Roland\u003c\/i\u003e—not just the version at Oxford with which scholars and students are all too familiar. . . . Overall, this book is to be recommended.” —\u003ci\u003eThe Sixteenth Century Journal\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“Too often critical focus on ‘the Roland tradition’ has been centered entirely on the Oxford \u003ci\u003eRoland\u003c\/i\u003e; this study is a refreshing change. Burland examines how the battle of Roncevaux is remembered and retold in the Oxford \u003ci\u003eRoland\u003c\/i\u003e, the Chateauroux version, the Occitan \u003ci\u003eRonsasvals\u003c\/i\u003e, and \u003ci\u003eGalien restore\u003c\/i\u003e. . . . Burland is in line with a renewed critical awareness of the implications of a manuscript culture and moves away from the critical assumption that the Oxford Roland is the Chanson de Roland, thus filling an important gap on our bookshelves and inviting similar examinations of other widespread narrative traditions.” —\u003ci\u003eMedium Aevum\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“Burland derives a valuable model for speculating on this dimension through her close analysis of character discourse. She finds that characters in Roncevaux poems not only produce narrative for one another but also receive, negotiate, accept, or reject narratives, providing evidence that composers of these texts anticipated and acknowledged the agency of their own audiences.” —\u003ci\u003eModern Philology\u003c\/i\u003e\u003c\/p\u003e","brand":"University of Notre Dame Press","offers":[{"title":"Default Title","offer_id":49400724226391,"sku":"9780268022037","price":999.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780268022037.jpg?v=1730471397","url":"https:\/\/bookcurl.com\/products\/strange-words-9780268022037","provider":"Book Curl","version":"1.0","type":"link"}