{"product_id":"still-moving-9780822341550","title":"Still Moving","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eExplores the boundary between cinema and photography. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, this book addresses issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“\u003ci\u003eStill Moving\u003c\/i\u003e engages new debate in a field central and crucial to cinema, media, and cultural studies. The collection explores the nature of photography and cinema both before and after the advent of digital media. As a result, some stunning work—on acceleration and simulation, on filming and editing in photographic and electronic media, on the fortunes of memory and oblivion, and on the dialogue and conflict of technologies—emerges from the tension of still and moving images.”—\u003cb\u003eTom Conley\u003c\/b\u003e, author of \u003ci\u003eCartographic Cinema\u003c\/i\u003e\u003cbr\u003e“\u003ci\u003eStill Moving\u003c\/i\u003e maps out various interesting directions, trends, and tendencies inspired by the fact that moving-image media are losing their coherence, spinning out and recombining in interesting ways. In doing so, it opens up a number of fresh paths for examining what film and photography, as well as cinema studies and art history, will become. It will be widely read and discussed in the worlds of art and film, the classroom, the museum, and the gallery.”—\u003cb\u003eD. N. Rodowick\u003c\/b\u003e, Professor of Visual and Environmental Studies and Director of Graduate Studies in Film and Visual Studies, Harvard University\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments vii\u003cbr\u003e Introduction \/ Karen Beckman and Jean Ma 1\u003cbr\u003e One. Beyond Referentiality \u003cbr\u003e 1. What's the Point of an Index? or, Faking Photographs \/ Tom Gunning 23\u003cbr\u003e 2. \"The Forgotten Image between Two Shots\": Photos, Photograms, and the Essayistic \/ Timothy Corrigan 41\u003cbr\u003e 3. Structural Film: Noise \/ Juan A. Suárez 62\u003cbr\u003e Two. Nation, Memory, History \u003cbr\u003e 4. An Essay on \u003ci\u003eCalendar \u003c\/i\u003e\/ Atom Egoyan 93\u003cbr\u003e 5. Photography's Absent Times \/ Jean Ma 98\u003cbr\u003e 6. The Idea of Still \/ Rececca Baron, interviewed by Janet Sarbanes 119\u003cbr\u003e 7. Crash Aesthetics: \u003ci\u003eAmores Perros\u003c\/i\u003e and the Dream of Cinematic Mobility \/ Karen Beckman 134\u003cbr\u003e 8. Surplus Memories: From the Slide Show to the Digital Bulletin Board to Jim Mendiola's \u003ci\u003eSpeeder Kills\u003c\/i\u003e \/ Rita Gonzalez 158\u003cbr\u003e Three. Working Between Media \u003cbr\u003e 9. Photography's Expanded Field \/ George Baker 175\u003cbr\u003e 10. \u003ci\u003eWeekend Campus\u003c\/i\u003e \/ Nancy Davenport 189\u003cbr\u003e 11. \u003ci\u003eAleph\u003c\/i\u003e Beat: Wallace Berman between Photography and Film \/ Louis Kaplan 196\u003cbr\u003e 12. Mental Images: The Dramatization of Psychological Disturbance \/ Zoe Beloff 226\u003cbr\u003e 13. Concerning \"the Photographic\" \/ Raymond Bellour 253\u003cbr\u003e References 277\u003cbr\u003e Contributors 293\u003cbr\u003e Index 297","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":49406049943895,"sku":"9780822341550","price":25.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780822341550.jpg?v=1730494362","url":"https:\/\/bookcurl.com\/products\/still-moving-9780822341550","provider":"Book Curl","version":"1.0","type":"link"}