{"product_id":"stages-of-reckoning-9781032225432","title":"Stages of Reckoning","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003eStages of Reckoning\u003c\/em\u003e is a crucial conversation about how racialized bodies and power intersect within actor training spaces.\u003c\/p\u003e\u003cp\u003eThis book provokes embodied and intellectual discomfort for the reader to take risks with their ideologies, identities, and practices and to make new pedagogical choices for students with racialized identities. Centering the voices of actor trainers of color to acknowledge their personal experience and professional pedagogy as theory, this volume illuminates actionable ideas for text work, casting, voice, consent practices, and movement while offering decolonial approaches to current Eurocentric methods. These offerings invite the reader to create spaces where students can bring more of themselves, their communities, and their stories into their training and as fodder for performance making that will lead to a more just world.\u003c\/p\u003e\u003cp\u003eThis book is for people in high\/secondary schools, higher education, and private training studios who wish to teach\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eList of figures\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eList of contributors\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eAcknowledgements\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eForeword: navigating liberation: a conversation between friends\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eNicole Brewer and Walton Wilson\u003c\/p\u003e\u003cp\u003eIntroduction: why this book now?\u003c\/p\u003e\u003cp\u003eAmy Mihyang Ginther\u003c\/p\u003e\u003cp\u003ePART I\u003c\/p\u003e\u003cp\u003eDistilling\/grounding\/performing identities\u003c\/p\u003e\u003cp\u003e1 \u003cb\u003eBlack queer autoethnographies: tools for equitable teaching and learning in predominantly white institutions\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eGregory King\u003c\/p\u003e\u003cp\u003e2 \u003cb\u003eSocietal othering of Asian Americans and its perpetuation through casting\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eJoy Lanceta Coronel\u003c\/p\u003e\u003cp\u003e3 \u003cb\u003eEmbodying racial consciousness: white allyship as given circumstance and objective for the casting and coaching of scenework\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRachel E. Blackburn\u003c\/p\u003e\u003cp\u003ePART II\u003c\/p\u003e\u003cp\u003eEmbodying disruption\/abstention\/resistance\u003c\/p\u003e\u003cp\u003e4\u003cb\u003e I’mma do me: code-switch resistance as collective liberation in voice and speech classes\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAlicia Richardson\u003c\/p\u003e\u003cp\u003e5 \u003cb\u003eThe erotic of abstinence: refusing the white-possessive and embracing settler abstinence in performance pedagogy\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eMaria Teresa Houar\u003c\/p\u003e\u003cp\u003e6 \u003cb\u003eNepantla: lingering in-between to embody our voice\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eSayda Trujillo\u003c\/p\u003e\u003cp\u003ePART III\u003c\/p\u003e\u003cp\u003eTraveling across time\/space\/language\u003c\/p\u003e\u003cp\u003e7 \u003cb\u003eRepresentation matters: the why and how of decolonizing Stanislavski actor training\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAlison Nicole Vasquez\u003c\/p\u003e\u003cp\u003e8 \u003cb\u003eEmpowering the somatically othered actor through multilingual improvisation in training\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eKristine Landon-Smith and Chris Hay\u003c\/p\u003e\u003cp\u003e9 \u003cb\u003eThe possibilities of paradox: decolonial Shakespeare process in practice\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAmy Mihyang Ginther\u003c\/p\u003e\u003cp\u003ePART IV\u003c\/p\u003e\u003cp\u003eTransforming across\/through\/around disciplinarity\u003c\/p\u003e\u003cp\u003e10 \u003cb\u003eA time of protest: exploring activism and acting through Hip-Hop Pedagogy \u0026amp; Theatre of the Oppressed\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eDaphnie Sicre\u003c\/p\u003e\u003cp\u003e11 \u003cb\u003eWhose body is dis: taksu, ase, Black queer intersections, and the awakening of the actor’s spiritual practice\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eBudi Miller\u003c\/p\u003e\u003cp\u003e12 \u003cb\u003eStigmata: biography of an Arab female body in pain\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eMaiada Aboud\u003c\/p\u003e\u003cp\u003eAfterword: morning rain, parting clouds, and what is to come\u003c\/p\u003e\u003cp\u003eAmy Mihyang Ginther and Celia Mercedes Espinosa \u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":51018911318359,"sku":"9781032225432","price":34.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781032225432.jpg?v=1750778629","url":"https:\/\/bookcurl.com\/products\/stages-of-reckoning-9781032225432","provider":"Book Curl","version":"1.0","type":"link"}