{"product_id":"sound-and-music-for-the-theatre-9781138023437","title":"Sound and Music for the Theatre","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eCovering every phase of a theatrical production, this fourth edition of \u003ci\u003eSound and Music for the Theatre\u003c\/i\u003e traces the process of sound design from initial concept through implementation in actual performances. \u003c\/p\u003e\u003cp\u003eThe book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with âwar storesâ describing real-life problems with solutions that you can apply in your own work, whether youâre a sound designer, composer, or sound operator.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"James LeBrecht and Deena Kaye have written the most practical, broad-minded,\u003cem\u003e useful \u003c\/em\u003ebook on sound in the theatre that has, to my knowledge, ever been published in English…. It is a book that every sound designer needs to have; it is a book that every theatre person would enjoy and profit from.\"\u003c\/p\u003e\u003cp\u003e-Oskar Eustis, Artistic Director at The Public Theater\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eContents\u003c\/p\u003e\u003cp\u003eForeword by Peter Sellars \u003c\/p\u003e\u003cp\u003ePreface to the First Edition \u003c\/p\u003e\u003cp\u003ePreface to the Second Edition \u003c\/p\u003e\u003cp\u003ePreface to the Third Edition \u003c\/p\u003e\u003cp\u003ePreface to the Fourth Edition \u003c\/p\u003e\u003cp\u003eIntroduction to the First and Second Edition by Richard Peaslee \u003c\/p\u003e\u003cp\u003eIntroduction to the Third Edition by Mark Lamos \u003c\/p\u003e\u003cp\u003eIntroduction to the Fourth Edition by Oskar Eustis \u003c\/p\u003e\u003cp\u003eAcknowledgments \u003c\/p\u003e\u003cp\u003eThe Art of Looking with the Ear by Tazewell Thompson \u003c\/p\u003e\u003cp\u003e 1. The Evolution of Sound Design \u003c\/p\u003e\u003cp\u003e 2. The Foundation of Sound Design \u003c\/p\u003e\u003cp\u003e 3. Developing the Concept and Design \u003c\/p\u003e\u003cp\u003e 4. Research, Resources, and Selection \u003c\/p\u003e\u003cp\u003e 5. The Sound Plot Magic Sheets and Other Paperwork \u003c\/p\u003e\u003cp\u003e 6. Working with the Theatre Company \u003c\/p\u003e\u003cp\u003e 7. Preparing to Build the Cues \u003c\/p\u003e\u003cp\u003e 8. Building the Show\u003c\/p\u003e\u003cp\u003e 9. Rehearsals \u003c\/p\u003e\u003cp\u003e10. Running the Show \u003c\/p\u003e\u003cp\u003e11. Approaches and Techniques \u003c\/p\u003e\u003cp\u003eFeedback: A Directors’ and Playwrights’ Forum \u003c\/p\u003e\u003cp\u003eMore Feedback: A Sound Designers’ and Composers’ Forum \u003c\/p\u003e\u003cp\u003eNo More Feedback: A Sound Reinforcement Forum \u003c\/p\u003e\u003cp\u003eSound Off: A Sound Operators’ and Stage Managers’ Forum \u003c\/p\u003e\u003cp\u003eAppendix: Sounds Procedures Checklist \u003c\/p\u003e\u003cp\u003eGlossary \u003c\/p\u003e\u003cp\u003eIndex \u003c\/p\u003e\u003cp\u003ePlease visit our Facebook Group: Sound and Music for the Theatre\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd (Sales)","offers":[{"title":"Default Title","offer_id":51019449598295,"sku":"9781138023437","price":999.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781138023437.jpg?v=1750780306","url":"https:\/\/bookcurl.com\/products\/sound-and-music-for-the-theatre-9781138023437","provider":"Book Curl","version":"1.0","type":"link"}